Dad-Pop? : Where do you stand on Crowded House?

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What do you mean by production - the arrangements? To tell you the truth, I don't see much difference in terms of production between the first album, "Temple of Low Men" and "Woodface".

o. nate, Tuesday, 27 February 2007 20:52 (seventeen years ago) link

(though I haven't heard "Temple of Low Men" in years, so I could be forgetting how that one sounds)

o. nate, Tuesday, 27 February 2007 20:54 (seventeen years ago) link

I went through a fairly intense CH phase in college.

His review of the first album is one of the few times Stephen Thomas Erlewine is completely OTM. The songs are all good to excellent (with that Hester collab the only dud), but undone by Mitchell Froom's hurdy-gurdisms.

With the exception of "Better Be Home Soon," Temple of Low Men is forgettable -- probably one of the most turgid sophomore/perfidy-of-fame albums ever recorded.

Alfred, Lord Sotosyn, Tuesday, 27 February 2007 21:08 (seventeen years ago) link

Erlewine:

At the time, Froom's clean production seemed refreshing, almost rootsy, compared to the synth pop dominating the mainstream and college scenes at the time, but in retrospect it seems a little overreaching and fussy, particularly in its addition of echo and layers of keyboards during particularly inappropriate moments.

The production may be slightly dated, but by '80s pop standards, it's aged remarkably well. If anything's fussy, I'd say it's Erlewine making such a big deal about a relative non-issue.

o. nate, Tuesday, 27 February 2007 21:25 (seventeen years ago) link

Um, well, adding swirling keyboards and horn section to "Mean to Me" strikes me as excessive, especially when lots of their live bootlegs show what a tight Marshall Crenshaw-worthy number it is.

Alfred, Lord Sotosyn, Tuesday, 27 February 2007 21:39 (seventeen years ago) link

Apparently Froom also produced that Daniel Powter album with the "Had a Bad Day" song that ruled the airwaves last year. The grizzled '80s veteran has some mojo left in him yet.

o. nate, Tuesday, 27 February 2007 21:51 (seventeen years ago) link

What do you mean by production - the arrangements?

The exact same things that are seen as negative upthread. Mitchell Froom's production on the debut, well, he just was their - without all those wonderful stereo effects, those wonderful echoes and layers, those details after details after details. Mitchell Froom is one of my favourite producers ever (also for his wonderful work with the likes of Elvis Costello, Suzanne Vega and Paul McCartney), but on "Crowded House" he didn't really sound like Mitchell Froom yet.

Geir Hongro, Wednesday, 28 February 2007 00:44 (seventeen years ago) link

Btw. funny reading the comments upthread and being the one who start writing about production here. Because, basically, I do of course agree with The Pinefox that the song is and remains the most important element. And, I mean, particularly in the case of such a song-oriented band as Crowded House. Which also means that the songs work to some extent regardless of production (the underproduced "Finn" album from 1995 was also a great album, in spite of the do-it-yourself approach to production)

But even a great pop song becomes even better when adding the neccessary production sophistication. George Martin already knew when he produced The Beatles. And Mitchell Froom sure knows, as do also people such as Brad Jones, HP Gundersen and Nigel Godrich. All of them excellent trad pop producers.

Geir Hongro, Wednesday, 28 February 2007 00:52 (seventeen years ago) link

I think that there are some signature Froom production moments even on the Crowded House debut. For instance the weird bridge section on "Hole in The River" that sounds like some kind of demented carousel music with the over-the-top horn arrangements. However, for me, these are the least essential parts of the record, even in the cases when they arguably work. But I actually think the more understated production on the debut serves the songs well. The guitar sound and mix on "Don't Dream It's Over" are perfect, for example, and I think any self-consciously showy effects would have detracted.

o. nate, Thursday, 1 March 2007 19:45 (seventeen years ago) link

It's funny to see that Alfred finds the production on the debut to be too showy whereas Geir finds it too understated and I find it to be just right. Like the three bears & the porridge, I guess.

o. nate, Thursday, 1 March 2007 19:46 (seventeen years ago) link

There is nothing such as too showy a production. The more sophistication and detail, the better.

There is always something you can add to improve an arrangement.

Geir Hongro, Friday, 2 March 2007 12:22 (seventeen years ago) link

'TV eye' would have been massively improved with a string section and some moog.

m the g, Friday, 2 March 2007 12:29 (seventeen years ago) link

Most of the songs would have been improved by some panning, some reverb on the instruments and some phaser/flanger effects on the backing vocals.

Geir Hongro, Friday, 2 March 2007 13:01 (seventeen years ago) link

Yeah, "Don't Dream It's Over" is a perfect song as far as I'm concerned: the melody, lyrics, arrangement, production. And the debut's hidden highlight is "Can't Carry On." I love the synth swells over the power chords when Finn sings "Honestly I need to raise myself from the burden of inaction."

Alfred, Lord Sotosyn, Friday, 2 March 2007 13:37 (seventeen years ago) link

four years pass...

Together Alone is a solidly wonderful album. 'Distant Sun' is just about the perfect Crowded House tune. Surprised they don't have more fans on this thread, tbh.

sbgorf (stevie), Saturday, 13 August 2011 17:18 (twelve years ago) link

hmmm. the first album has some great moments. am a huge HUGE fan of some of the stuff he wrote and sang w/split enz. but much of CH never really sank into me the way it might have. saw him play at a record store almost a decade ago and it was one of those crazy moments-- couldn't believe that i was in the same room with someone from the other side of the planet (literally!) who wrote so many amazing songs. like i was obsessed with split enz and neil finn from age 10 on. what a sweetheart.

dell (del), Saturday, 13 August 2011 17:22 (twelve years ago) link

THE SOUND OF TE AWAMUTU HAD A TRULY SACRED RING!

dell (del), Saturday, 13 August 2011 17:23 (twelve years ago) link

https://www.youtube.com/watch?v=cP2u5fA4g4Y

this song is all-time afaiac

dell (del), Saturday, 13 August 2011 17:27 (twelve years ago) link

can't get enough of that frenzy era, when all their chips were down, on the verge of breaking up, and they would blaze through all of these barrelhouse piano-driven songs before their sound magically coalesced into the mtv-friendly true colours period

dell (del), Saturday, 13 August 2011 17:30 (twelve years ago) link

"Time On Earth" is shockingly good. It's the sound of Neil Finn refining his craft and pouring his heart and soul into it.

Gerald McBoing-Boing, Saturday, 13 August 2011 17:43 (twelve years ago) link

wow, thanks, gerald. i had no idea that record even existed. listening to a couple of songs right now, and your description is spot-on.

dell (del), Saturday, 13 August 2011 17:56 (twelve years ago) link

Heh, not much of a description for the uninitiated! The album is a giant tribute to Paul Hester, former CH drummer, who had taken his own life. In that sense it's a heavy album but Neil's put so much love and light into it that the sadness is well balanced.

And if it hasn't been mentioned, Neil's finest solo album is "Try Whistling This". Such a majestic, deeply-layered album. As the title indicates, it's a different approach to pop but still spot-on Finn.

Gerald McBoing-Boing, Saturday, 13 August 2011 18:00 (twelve years ago) link

yeah, i need to look into that, too!

at the in-store i saw him at, he played anytime. this was a matter of weeks or so after 9-11. genuinely moving

dell (del), Saturday, 13 August 2011 18:14 (twelve years ago) link

Finn's second solo album is great, too, and his son's first is strong as well (and eerily a la dad).
https://www.youtube.com/watch?v=gtfmQvndTiI

Josh in Chicago, Saturday, 13 August 2011 18:36 (twelve years ago) link

And just in case folks missed it, that famed NZ show with Finn backed by Johnny Marr, bassist from Soul Coughing, drummer and guitarist from Radiohead and Lisa Germano. Which evinced this:

https://www.youtube.com/watch?v=sije12JaKdA

Josh in Chicago, Saturday, 13 August 2011 18:37 (twelve years ago) link

The first album is actually the one I like least. Sure, some good songs (as always from Neil Finn), but the production is kind of boring and got much better and more detailed from the second album onwards. The rest is pure perfection, particularly the pre-hiatus ones.

Hongroe (Geir Hongro), Saturday, 13 August 2011 20:07 (twelve years ago) link

I don't care for Split Enz aside from the American non-hits -- too damn fussy. But since I listened to Crowded House first I admit to being tainted.

Still love Woodface.

a 'catch-all', almost humorous, 'Jeez' quality (Alfred, Lord Sotosyn), Saturday, 13 August 2011 20:19 (twelve years ago) link

Well, there's Split Enz under Tim and then Split Enz under Tim and Neil. The latter is (more or less) the era with the hits, as such, but even the old stuff boasts some goodies. Like:

https://www.youtube.com/watch?v=zfytdyMy2-k

But lil bro Neil brought the pop smarts.

Josh in Chicago, Saturday, 13 August 2011 20:26 (twelve years ago) link

possib my favorite neil finn moment

https://www.youtube.com/watch?v=WDJ3th_qhaI

dell (del), Saturday, 13 August 2011 20:34 (twelve years ago) link

bye-bye blues!

dell (del), Saturday, 13 August 2011 20:35 (twelve years ago) link

never give up, giving in, it's like kissing good-bye!

dell (del), Saturday, 13 August 2011 20:37 (twelve years ago) link

not quite the right thread for this, but : time and tide is underrated record imo

dell (del), Saturday, 13 August 2011 20:47 (twelve years ago) link

Well, there's Split Enz under Tim and then Split Enz under Tim and Neil.

The former - at least the first couple of albums, is effectively Split Enz under Tim and Phil (Judd).

Hongroe (Geir Hongro), Saturday, 13 August 2011 21:24 (twelve years ago) link

Only to pedants.

Nel Finn's way with ballads is pretty incredible.

https://www.youtube.com/watch?v=2VwXNdVMggU&feature=related

Josh in Chicago, Saturday, 13 August 2011 21:28 (twelve years ago) link

I like Crowded House a lot, but Together Alone is miles above the rest of their output. They sound edgier and rougher, with Youth producing instead of Froom. And so many great album tracks - 'Catherine Wheels', 'In My Command', 'Nails In My Feet' are all terrific.

funk79, Monday, 15 August 2011 00:42 (twelve years ago) link

I absolutely love Mitchell Froom's production style (except on the first album, which didn't sound like a Froom production). That said, Youth did an excellent job with the "Together Alone" album as well, except for a couple of tracks where the guitar amps were turned a bit too loud.

Hongroe (Geir Hongro), Monday, 15 August 2011 00:52 (twelve years ago) link

'Together Alone' and 'Woodface' are CLASSIC ALBUMS. As is 'One Nil'.

Colin Allstations (PaulTMA), Monday, 15 August 2011 01:11 (twelve years ago) link

Split Enz is it's own story. 'Dizrhytmia' (sic) is beyond great. 'Charlie' is among the best songs I've ever heard, undeniably.

Colin Allstations (PaulTMA), Monday, 15 August 2011 01:12 (twelve years ago) link

It's been a while since I heard "One Nil", but in my mind it lacks something compared to "Try Whistling This", which feels like a more complex and layered album to me.

Gerald McBoing-Boing, Monday, 15 August 2011 01:59 (twelve years ago) link

Well, there's Split Enz under Tim and then Split Enz under Tim and Neil. The latter is (more or less) the era with the hits, as such, but even the old stuff boasts some goodies. Like: (youtube preview sceeen with a picture of Tim and Neil)

generous loller at dollies (sic), Monday, 15 August 2011 02:27 (twelve years ago) link

sorry, obviously I meant sceeeeen

generous loller at dollies (sic), Monday, 15 August 2011 02:27 (twelve years ago) link

five years pass...

Reissue campaign imminent/in-progress. Remastered catalog, plus bonus discs of demos, b-sides and other goodies. Not that Finn demos tend to be radically different. They call it song craft for a reason!

https://www.youtube.com/watch?v=1WDm2mUgZg0

Josh in Chicago, Saturday, 5 November 2016 20:11 (seven years ago) link

Been waiting for Woodface LP reissue for a while now.

brotherlovesdub, Saturday, 5 November 2016 20:56 (seven years ago) link

Got my copy of Together Alone, one of my favourite albums of all time, yesterday. It's got a nasty scratch on the fourth track, so I'm getting a replacement, but the rest of it sounded lush as fuck. The title track closes with applause, which I've never heard before - it's not on the CD version I've had for years. No bonus tracks on the vinyl edition, but like I said, it sounded divine.

Is that my hand, manatee? (stevie), Sunday, 6 November 2016 13:46 (seven years ago) link

The applause was always on my CD version. It's the Maori choir and percussion troupe clapping.

Josh in Chicago, Sunday, 6 November 2016 14:47 (seven years ago) link

Woodface deserves a remaster, IMO. Last time I listened to it, I felt it didn't sound as great these days as I could be. Froom's production on it remains excellent, and the songwriting is still as potent as ever. I always listen to it starting from track 2 these days, though!

Working night & day, I tried to stay awake... (Turrican), Sunday, 6 November 2016 18:53 (seven years ago) link

I heard on Facebook that the download code that comes with the Vinyl includes some bonus tracks.

funk79, Sunday, 6 November 2016 19:15 (seven years ago) link

Oh awesome - relieved to hear that.

The applause was always on my CD version. It's the Maori choir and percussion troupe clapping.

Ha! Crazy. Maybe it was edited off on the UK version for some reason.

The shows I saw them do around Together Alone were some of the best I've seen. The chemistry Paul Hester brought was just wonderful.

Is that my hand, manatee? (stevie), Sunday, 6 November 2016 19:37 (seven years ago) link

Weirdly, I had the UK CD, because it came out a month later in the US. So who knows.

I saw the final tour with Hester (Sheryl Crow opened, cigarette in one hand, beer in the other) and it was good but he was a bit down. For some reason I had a backstage pass. Talked to Nick a bit, iirc. Really nice.

Josh in Chicago, Sunday, 6 November 2016 20:24 (seven years ago) link

one month passes...

Thanks to my girlfriend Kate -- an absolute CH/Neil obsessive who saw the band numerous times back in the 90s, to the point where the bandmembers and crew knew her as part of a coterie of similarly dedicated souls -- I've been listening to all the remasters here these past couple of days. I never really followed them or any of the overall Finn brothers arc to a great degree -- like a lot of people here in the US, I knew the big hits on the first album, was aware they continued on for a while having greater success elsewhere, and generally knew they made nice enough music. I think I would have enjoyed their work back then just as much as I am now, really, so it's not a great revelation so much as it's a 'yeah, this works, very lovely indeed.' Kate's been mentioning a wide variety of stories and memories in the context with a lot of songs and especially the bonus cuts -- she really liked Paul Hester a heck of a lot as well, and still misses him very much. Since I'm coming into it all pretty cold otherwise I'll be interesting to see what I make of the two reunion albums -- Kate's not really taken by those but she did enjoy the tours for them, despite the one inevitable change in the lineup.

Ned Raggett, Sunday, 11 December 2016 04:40 (seven years ago) link


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