Autechre: Elseq

It's one of the few Ae releases that doesn't wear me out by the end. I always want to play it twice. M62 is such a corker.

like, it could easily have been one of the better tracks on Analord

Etchogon-S is a dope little track.. took a minute to adjust to its 'attitude', thought it was kind of shit at first. freuleax, though. it's like m62's older cousin, smoldering, broke down on an F-Zero motorway.. bass line sounds like a petrified esophagus

ely6 0nset 'clicking' lately... not sure if that's a good thing or what

came up with my scores on the doors a while ago and they haven't really shifted since - not listening a tenth as obsessively as i was though:

feed1 3
c16 deep tread 4
13xo step 3
pendulu hv moda 5
curvcaten 4

ely6 0nset 5
chimer 1-5-1 3
c7b2 3

eastre 4
tbm2 3
mesh cinereal 5

acdwn2 3
foldfree casual 4
latentcall 11
artov chain 4
7th slip 3

pendulu casual 3
spth 3.5
spaces how v 3
freulaeux 4
oneum 4

lol

ikr

latentcall is properly amazing true

yeah ely6 0nset was really peeling back the old cerebral membrane for me the other day, top track

i'm not sure i like what it turns into, too quiet for one!, but those first ten minutes my god.

yeah i'm finally digging into this. it's pretty fucking wild. mesh cinereaL is one of the best things they've ever done.

Mesh cinereaL sounds better every time - when it comes crashing back after the fakeout ending is a lol for sure.

autechre is kind of still dance music and this is a breakdown imo

or what matt in dc said

Mesh Cinereal is amazing and that bit 15mins in is about as close to a hands in the air moment as I expected from this record.

i think they've really made like an encyclopedia of digital music generation with this. there are big final frontiers, like ely6 0nset, which superficially reminds me of a perverted xenakis, and then these moments of repose / calling back. i like how minimal and low-key tbm2 and pendulu casual are. they just float along like good-natured dub. freulaeux has a chiastic slide feel to it but with all the digital spatial stuff they've gotten so good at lately included.

the thing that gets me about mesh cinereal is how the harmonics evolve out of feedback in this gnarled and endless progression that never really resolves, just keeps suggesting and dodging. it's really emotional to me in the same way that garbagemx is. the baroque never-ending question.

feed1 is still one of my favorites too. it's so thick and black and totally blunted.

I find I like this album more on headphones than on speakers. Not unusual for an Autechre album, at least not for me, but this one even more so

I still need to make a whittled-down version

elyc6 & mesh would make a good tape / LP.

eastre, latentcall and idk something off elseq 5 as the other LP

I still don't quite "get" "Eastre" and I wish I did

there's something very 'fizzy' about this album. reminds me of getting my ears washed out at the doctors.

Yeah I'm not sure about Eastre. Oneum is the ambient track of choice on this album.

Still very much scratching the surface of this album, although I listen to it at least twice a week. Think C16 Deep Tread needs another mention - those gliding, whinnying high frequencies are really eerie.

The intro to 13x0 Step is pure apocalyptic '92 raveaggedon

Think the most perplexing ones are Curvcaten, Eastre and TBM2 - just not sure what I'm supposed to be getting from these.

The intro to 13x0 Step is pure apocalyptic '92 raveaggedon

Shame it really falters after this.

Curvcaten starts off all kids birthday party at laser quest, then (after a bit of meandering) actual terminators with phased plasma rifles in the 40 megawatt range show up.

Wonder if they got this mastered. Do they normally?

7th slip is a motherfucker, it took a minute to realize that.. dig the kinda dub groove that it settles into. Pendulu casual is a nice relief, played in succession. Eastre is good for meditation/shutting your brain down for a half hour

good DESTROY ALL HUMANS vibe from this tonite

Wonder if they got this mastered. Do they normally?

Yes, and they've mentioned it in past as in this interview: http://www.tinymixtapes.com/features/autechre

I am curious about this too. elseq IS quite loud, and it does seem to have been EQ'd and limited, but maybe Ae took care of that this time in order to get it out sooner? This release sounds a bit rougher than their last few in terms of the mastering. Bass is a bit muddier and the mids/highs feel flatter, more digital. Compare this one to Oversteps (my favorite recent album of theirs in terms of mastering) and you'll see what I mean. It sounds like that record was at least fed through some analog processing. I'm no audio engineer professional though

Oversteps has a real balmy, soft-edged quality (imo, thru headphones) - slight, enveloping reverb (humidity) to tracks like "r ess", "pt2ph8", the background pads (or tonal ambience) of "qplay", "os veix3", and a couple others. especially compared to Exai, which generally feels harder, more brittle.

I'm curious what people think of the AE_LIVE material (mastering/sound quality), as it's really easy on my ears, definitely less fatiguing than Exai. I've read some remarks on WATMM saying that it's heavily compressed, but I guess I don't understand compression all that much because it sounds great (at loud volume) on the stereo setup. maybe it's not so dynamic, as the 'smaller', more wispy sounds have a comparable weight to the larger/heavier sounds.

The track to listen to on Oversteps for mastering is d-sho qub, I think. It's as percussively engaging as much of their recent stuff, contains interesting dynamics, and has deep bass extension to go along with a wide variety of timbers.

I just think there's this really nice warm sheen to Oversteps, a gooey analog texture to the record I don't get with elseq at all.

Need to revisit the live stuff, there's so much good stuff to listen to by these guys right now wtf

My impression is that what comes out of their system is quite unruly in terms of mix and dynamics, so it's probably reined in with fairly heavy compression & limiting as a matter of course. A trade-off perhaps that allows for more spontaneity. With Elseq this arguably becomes part of the aesthetic, although it is kind of harsh at times. The tendency to expect certain production values likely applies more to the tracks that bear more formal relationship to techno or hip hop.

Acdwn2 is one of my favourites at the moment. A bit of a sleeper? c7b2 as well. Both nice workouts with particularly unmemorable titles. And largely free of that tedious 'melody' stuff.

Acdwn2 has become a late favorite, where it feels overly rigid/stringent at first, i like how it starts coming apart in the latter third (after the 2nd part/bridge).. I had to check my speakers cuz there's a short in my receiver and one of the channels usually cuts out, though it was the track that seemed to be breaking apart/diffusing -- a welcome progression from the exacting first part.

re: octobeard/Oversteps - d-sho qub is a definite highlight.. i'll have to listen again for the bass, don't always detect subtler lower freq's right away

chenc9 (Quaristice) and Acdwn2 share a similar, sort of flush/tight melodic vibe.. not entirely devoid of tonality, it's just sort of built into the dry/percussive body of the track.

i've got a nice little hour-long condensed playlist of these for runs and such that i'm really attached to:

chimer 1-5-1
pendulu hv moda
latentcall
freulaeux
mesh cinereaL

d sho qub is indeed one of their very finest tracks.

just noticed that elseq 1 is on spotify now

https://archive.org/details/AutechreOneSixTour-BudapestHU-07-11-16

"All new 2016 Autechre live set debuted at their "OneSix" European tour -- Oct/Nov 2016. The live set was performed in complete darkness, on 7th of November, inside the amazingly resonant venue of the Akvarium Klub. Budapest was the 10th out of 28 cities in total for the entire OneSix tour. The event was hosted by Selected Sounds, HU."

shit is sounding fairly crisp. these guys

No spoilers! Seeing them on Fri, can't wait.

Maybe I should listen to it, after all you normally know in advance what a band is going to play, and their stuff always takes time to sink in.

The venue will be low lit for the support acts. Once Autechre go on stage, the auditorium will be in complete darkness. Hosts with night vision goggles will be on hand to help anyone who may need to leave. You can identify yourself to one of our hosts by holding your ticket in the air. Pieces of white paper will be handed to those with print at home tickets.

Who is supporting?

Andy Maddocks & Russell Haswell.

I'm going on Fri. The last time I saw them was at an oudoor festival in Japan a few years ago. They were chatting to a friend before the gig about the acoustic qualities of the forest surrounding the stage which we found quite amusing. It was an intense experience (and bloody cold!).

http://imgur.com/gU0YEfN
"Saw" them yesterday, it was great. No spoilers, other than that it was quite different from the '15 sets. Russell Haswell's hardware set was amaaazing do make sure you're there on time.

> Andy Maddocks & Russell Haswell

i am none the wiser (gescom dudes apparently)

googling the above found a bunch of other gig bootlegs from this month already on youtube.

Ghent 2016.10.30
Turin 2016.11.04
Budapest 2016.11.07
Tallin 2016.11.13
Helsinki 2016.11.14

Got a long plane flight coming up in about two weeks, gonna try to make it all the way through this.

OMG OMG OMG SEEING (well, hearing) THEM TOMORROW! OMG!!!

Are these seated venues they're doing this at? I should certainly hope so...