Huge interview with them here:
https://www.residentadvisor.net/features/2756
― Ned Raggett, Wednesday, 8 June 2016 22:54 (seven years ago) link
Could he (Kanye) be Autechre's MC for the fabled hip-hop album? Or if you got the call would you contribute to one of his records?
Sean Booth: Oh fuck no! [cracks up laughing, then pauses to think] But you know what? If he did call, I think I'd do it, just to get into the studio with him and see his process. I think he's an interesting guy. Psychologically interesting. I want to nail it, find out what strain of narcissism he's got, or how much he's taking the piss.
But no, there is a list of MCs I'd work with. I don't want to start on it because then it's insulting to name one and not all the others. It's a fair old list. There's at least five or six that we'd 100% work with if they approached us, and a bunch of other interesting ones. Just lately I've been listening to a lot of Westside Gunn. He's from Buffalo NY, and it's really thugged out but really brainy at the same time. It's quite Ghostface, he's obviously really into Wu-Tang, but it's a lot slower, and stylised and weird and amazing to me. I'd work with him in a heartbeat, but I don't think he'd go near us—he's just from another world, and I think his music probably sounds a lot better without my input anyway. Roc Marciano—he's another one, he's fucking amazing but I'd probably ruin it. Ahhh, see I'm doing it already, see what I mean? I'd work with Jean Grae in an instant, too. She's incredible, she's a little bit hipster now—just in terms of her audience, not as a person—but her flow is the best in the world, she doesn't get nearly enough credit. There's a few others.
― Crazy Eddie & Jesus the Kid (Raymond Cummings), Wednesday, 8 June 2016 23:33 (seven years ago) link
you missed out the young thug bit, lol
great interview. nice to learn that they use each other's software, making each track a collaboration
― imago, Wednesday, 8 June 2016 23:44 (seven years ago) link
Great interview.
someone dumped a load of Max Martin tracks on me to try and explain what he was about, and it seemed really, really alien to me, like Nazi youth music or something. I think everyone has a different idea of what weird is
<3
― Le Bateau Ivre, Thursday, 9 June 2016 01:12 (seven years ago) link
Great interview. They seem like v good guys.
― Analogue Bubblebutt (jed_), Thursday, 9 June 2016 02:43 (seven years ago) link
"With this kind of algorithmic music"
see!
― koogs, Thursday, 9 June 2016 10:03 (seven years ago) link
"gospel, and rhythm and blues, and jazz, and algorithms. All those are just labels. We know that music is music”
― I've had Eno, ugh (ledge), Thursday, 9 June 2016 10:32 (seven years ago) link
it does appear to be a seated gig...
https://tickets.southbankcentre.co.uk/booking/production/syos/98366?performance=
― koogs, Friday, 10 June 2016 11:04 (seven years ago) link
i like the shout out to James Blake's Untold remix, that track still sounds as fresh and massive as anything.
― sam jax sax jam (Jordan), Friday, 10 June 2016 21:07 (seven years ago) link
Love interviews with these dudes. Just seem like regular guys happy to explain how they do the thing they do, vs. piss-takers like RDJ. Though even Aphex has been a lot more forthcoming lately.
― Josh in Chicago, Friday, 10 June 2016 21:35 (seven years ago) link
If this isn't Autechre's best album, it's close to it. Maybe the highs aren't as high as their best 90's stuff, but there's four hours of it, and nearly all of it is unmissable.
― NoTimeBeforeTime, Saturday, 11 June 2016 22:08 (seven years ago) link
I feel like we're missing 2/3 of what their releases are about since the construction/programming seems to be at least as important as the audio result.
― StanM, Sunday, 12 June 2016 13:28 (seven years ago) link
maybe they should include screenshots of their Max patches with each release, along with detailed explanations of each process. honestly though, that's always been part of the appeal with their music.. barely understanding how it was created, as if it was some sort of alien speech or prefabricated construction. Like Pirsig's romantic idea of the thing vs. the classic, or logical idea of it. though it's rad to think about a wildly convoluted series of homemade, interconnected patches, and all of the fiddling, experimentation, and streamlining involved. it def sounds way more fun than playing GTA
― braunld (Lowell N. Behold'n), Sunday, 12 June 2016 15:59 (seven years ago) link
"Clapping music" uses an algorithm, which is of course way cool and sick bro, but knowing that doesn't make it sound any better.
― I wanna whole Dior hand (ledge), Sunday, 12 June 2016 21:23 (seven years ago) link
oh, totes, bro. toooaaaats
― braunld (Lowell N. Behold'n), Monday, 13 June 2016 00:28 (seven years ago) link
fuck this is great stuff
― The bald Phil Collins impersonator cash grab (Joan Crawford Loves Chachi), Monday, 13 June 2016 02:13 (seven years ago) link
I went back and checked out the Ae ballot poll results thread again (probably one of my all time favorite ILM discussions), looked at my song and album ballots and want to make significant changes as a result of this record. At least 2 or 3 songs from this release would be in my top 20. I have a feeling a couple others would feel similarly given some of the comments above.
― octobeard, Monday, 13 June 2016 18:27 (seven years ago) link
saw a poster for this in shoreditch, lol.
"if it doesn't seem beautiful, perhaps you're living in the past", says the wire. yeah, grandad.
if they play anything like latentcall at the rfh, how will I ever be able to stay in my seat stroking my beard?
― I wanna whole Dior hand (ledge), Monday, 20 June 2016 12:53 (seven years ago) link
I was listening back to LP5 the other day with my o/h (she's coming with me to the gig in November), it's funny because now LP5 just sounds like fairly accessible electronic music. It's fully composed and structured with strong melodic and rhythmic features. Compared to Elseq, which sounds improvised and dense, it's a pop record - maybe even a bit dated? But that's not how I first heard it. Listening to LP5 when I first got it was more of a shock-of-the-new feeling than listening to Elseq for the first time. So I wonder what someone coming to Autechre with fresh ears would make of their pre-Draft stuff today?
And that's another thing: When Draft came out, I found it unremarkable. In retrospect it was DRAFT, not Confield that seemed to kick off the most recent phase of Autechre. Confield ended the Tri Repetae onward phase. So really this is how I've come to think about them:
Incunabula -> Amber - initial ambient phaseTr Repetae -> Confield - griddy '2D' phaseDraft7.30 -> Elseq - '3D' phase
That said, the developments are often so incremental, it's only until you look back at an album from three releases before that you notice the difference.
― TARANTINO! (dog latin), Monday, 20 June 2016 14:25 (seven years ago) link
Actually, I'm going to double-back on this a bit because I'm listening to Tri Repetae now, an album which on the whole I always had trouble with. Always saw it as a transitional album, one that relied on gritty, grainy mechanised rhythms in order to work. Listening to it now for the first time, this is clearly true. The beats are definitely looking more towards the future, but the underlying melodies (which I'd never truly appreciated till now) are straight out the Amber book. So I'd be tempted to stick Tri Rep in the primary Autechre phase and start phase two around Chiastic Slide.
― TARANTINO! (dog latin), Monday, 20 June 2016 15:06 (seven years ago) link
Chiastic Slide definitely feels like a huge leap forward in retrospect. Not sure what people thought of it at the time (I myself only started listening to autechre after LP5 was released).
― silverfish, Monday, 20 June 2016 15:23 (seven years ago) link
is Confield griddy? i remember it being mostly pulseless, with lots of granular synthesis type sounds.
― sam jax sax jam (Jordan), Monday, 20 June 2016 16:56 (seven years ago) link
when it came out, confield felt like a hugely different proposition to what had come before. in retrospect, I'd say that it's Draft that sounds the most unlike the previous albums. I dunno. I do need to listen to those albums again.
― TARANTINO! (dog latin), Monday, 20 June 2016 18:30 (seven years ago) link
hah I had the same experience with LP5 - I remember the first time I played it, it felt like the most inhuman, mutated electronic music I'd ever heard.
― frogbs, Monday, 20 June 2016 18:34 (seven years ago) link
I think of Confield as the start of the '3rd phase' of Autechre mainly because it's their first release that lacks any 'accessible' tracks.
LP5 was also my entry-point and I found it very challenging (compared with the Orbital / Underworld stuff I was listening to at the time) but it still had tracks like 'Rae' & 'Corc' that I could cling on to. Confield was just start-to-finish horrible the first time I heard it ... love it now though!
― Steve Reich In The Afternoon (Against The 80s), Monday, 20 June 2016 18:39 (seven years ago) link
LP5 was somewhat challenging, but I still remember the first time I heard it and it grabbed me almost immediately. I was playing games on my computer while listening to LP5 (which I had mostly randomly downloaded because I'd seen their name associated with Aphex Twin, not really knowing anything about them), I was only sort of half paying attention to the music and suddenly archcarrier starts and here was this very accessible track that somehow sounded unlike anything I'd ever heard before. It felt like pop music from some alien civilization.
― silverfish, Monday, 20 June 2016 19:05 (seven years ago) link
Yeah I loved it at first listen too. It is indeed very off-putting but in ways that I think are easy to parse - it's easy to describe what's happening at any given moment, at least in comparison to the albums that would follow. Kinda like the RDJ Album, they're just a deviation or two away from being relatively normal electro tunes. Confield was where they started to fuck with literally everything.
― frogbs, Monday, 20 June 2016 19:16 (seven years ago) link
ep7 through untilted is imperial phase, everything since is ethereal phase
― imago, Monday, 20 June 2016 19:31 (seven years ago) link
EP7 was my entry point, and soon afterwards i caught wind of Mego stuff, like the first Fenn o'berg cd, Get Out by Pita, and Fennesz' album on Touch (Plus Forty Seven Degrees 56' 37" Minus Sixteen Degrees 51' 08"). Going 'back' to LP5, it seemed reasonable, or not entirely out-of-left field for them, though it sounded overly metallic, synthetic. I grew to appreciate it much later on. Draft still feels more accessible and slick, compared to Confield.
― braunld (Lowell N. Behold'n), Monday, 20 June 2016 19:35 (seven years ago) link
I was well versed in Aphex Twin but when I heard Ae for the first time on LP5, I thought they were taking the piss
― TARANTINO! (dog latin), Monday, 20 June 2016 19:44 (seven years ago) link
in all, I think Confield is the last album they did where it can tell you or recall what each individual track sounds like. after that, I'm a bit lost despite having listened to all the albums a lot of times.
― TARANTINO! (dog latin), Monday, 20 June 2016 19:46 (seven years ago) link
I dunno, the tracks on Quaristice and Oversteps are pretty distinct to me
― frogbs, Monday, 20 June 2016 19:58 (seven years ago) link
yeah that is a big speak for yourself moment, dl
― imago, Monday, 20 June 2016 20:17 (seven years ago) link
wolf greek
― nakhchivan, Monday, 20 June 2016 20:20 (seven years ago) link
sure there are tracks like d sho qub and simmm and irlite get (0) off the later albums which I particularly enjoy, but I couldn't tell you what each track sounds like- especially if you factor in the accompanying EPs which act a bit like expansion sets. Like, I can describe pretty much any track from Confield and before, but after that it gets a but murky. Especially since I found Draft and Untilted very challenging when they first came out.
― TARANTINO! (dog latin), Monday, 20 June 2016 20:32 (seven years ago) link
suddenly archcarrier starts and here was this very accessible track that somehow sounded unlike anything I'd ever heard before. It felt like pop music from some alien civilization.
― ArchCarrier, Monday, 20 June 2016 21:06 (seven years ago) link
you know what's a really great release, Move of Ten.
― frogbs, Monday, 20 June 2016 21:08 (seven years ago) link
pce freeze 2.8i will sometimes just randomly pop up in my head. One of very few latter era autechre tracks catchy enough for this to happen.
― silverfish, Monday, 20 June 2016 21:13 (seven years ago) link
It's one of the few Ae releases that doesn't wear me out by the end. I always want to play it twice. M62 is such a corker.
― frogbs, Monday, 20 June 2016 21:59 (seven years ago) link
like, it could easily have been one of the better tracks on Analord
― frogbs, Monday, 20 June 2016 22:03 (seven years ago) link
Etchogon-S is a dope little track.. took a minute to adjust to its 'attitude', thought it was kind of shit at first. freuleax, though. it's like m62's older cousin, smoldering, broke down on an F-Zero motorway.. bass line sounds like a petrified esophagus
― braunld (Lowell N. Behold'n), Wednesday, 22 June 2016 00:18 (seven years ago) link
ely6 0nset 'clicking' lately... not sure if that's a good thing or what
― braunld (Lowell N. Behold'n), Sunday, 7 August 2016 06:14 (seven years ago) link
came up with my scores on the doors a while ago and they haven't really shifted since - not listening a tenth as obsessively as i was though:
feed1 3c16 deep tread 413xo step 3pendulu hv moda 5curvcaten 4
ely6 0nset 5chimer 1-5-1 3c7b2 3
eastre 4tbm2 3mesh cinereal 5
acdwn2 3foldfree casual 4latentcall 11artov chain 47th slip 3
pendulu casual 3spth 3.5spaces how v 3freulaeux 4oneum 4
― chad valley of the shadow of death (ledge), Monday, 8 August 2016 08:26 (seven years ago) link
lol
― imago, Monday, 8 August 2016 08:35 (seven years ago) link
ikr
― chad valley of the shadow of death (ledge), Monday, 8 August 2016 09:24 (seven years ago) link
latentcall is properly amazing true
― imago, Monday, 8 August 2016 10:26 (seven years ago) link
yeah ely6 0nset was really peeling back the old cerebral membrane for me the other day, top track
― The bald Phil Collins impersonator cash grab (Joan Crawford Loves Chachi), Monday, 8 August 2016 15:06 (seven years ago) link
i'm not sure i like what it turns into, too quiet for one!, but those first ten minutes my god.
yeah i'm finally digging into this. it's pretty fucking wild. mesh cinereaL is one of the best things they've ever done.
― bagging area (map), Friday, 12 August 2016 01:26 (seven years ago) link
Mesh cinereaL sounds better every time - when it comes crashing back after the fakeout ending is a lol for sure.
autechre is kind of still dance music and this is a breakdown imo
― bagging area (map), Friday, 12 August 2016 01:38 (seven years ago) link
or what matt in dc said
Mesh Cinereal is amazing and that bit 15mins in is about as close to a hands in the air moment as I expected from this record.
― bagging area (map), Friday, 12 August 2016 01:40 (seven years ago) link