Search And Destroy: Billy Joel

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I think Nicole nailed it way the hell back.

Ned Raggett (Ned), Monday, 12 April 2004 16:23 (twenty years ago) link

my best song is Summer Highland Falls

Bill Joel, Monday, 12 April 2004 16:35 (twenty years ago) link

Jeepers crikey Billy Joel ain't THAT bad!!

SEARCH: "Uptown Girl," the part in the Simpsons that features "Uptown Girl," "We Didn't Start the Fire," "Tell Her About It," "Piano Man," "Pressure," "The Longest Time," and "My Life"

DESTROY: that "ack ack ack ack" song, "Captain Jack"

Mr. Snrub (Mr. Snrub), Monday, 12 April 2004 17:01 (twenty years ago) link

so many people have so much hate for billy joel, and you know what, so do I, but can't we admit his strange appeal? This guy, who's basically a tool, has that knack for melody. Whether he uses it for good or evil is irrelevent. I give credit to anyone who writes things that stick in your head, whether I like them or not. I definately think he made a deal with the devil. But credit where credit due...

Dan Selzer (Dan Selzer), Monday, 12 April 2004 17:58 (twenty years ago) link

and seriously, Moving Out and My Life have this intense emotional/nostalgic resonance for me. Something about a sort of jewish NYC late 70s brown shag carpetting with the Eames lounge chair and a wall that's completely mirrored, parents having fondue listening to Tapestry autumn in Central Park dinner at Serandipity Upper West Side thing going on.

Dan Selzer (Dan Selzer), Monday, 12 April 2004 18:06 (twenty years ago) link

That was a beautifully composed post, Dan. Well fucking done.e

Alex in NYC (vassifer), Monday, 12 April 2004 18:14 (twenty years ago) link

You know who loves Billy Joel is Daft Punk.

Mark (MarkR), Monday, 12 April 2004 18:42 (twenty years ago) link

Could one of our French readers run over to Daft Punk's apartment and kick them in their disco robot crotches?

VengaDan Perry (Dan Perry), Monday, 12 April 2004 18:48 (twenty years ago) link

Boy, I can't take him at all. Under Pressure I can dig the one about the Italian restaurant; and "Allentown" as a sort of version of something Randy Newman might've done better isn't horrible. As I recall good use of the synthesizers in "The Entertainer," but where's Larry Olivier when you need him?

His early stuff like "Captain Jack" and "Piano Man" is heinous '70s pop at its absolute nadir. This is why rock and roll is about guitars, not pianos, fuck pianos. "My Life" and "You May Be Right" are two of the most damning indictments of the yuppie generation I've ever heard, and I think the couplet "Don't get me wrong/I still belong" is as close to the true work of the Devil as my atheist soul is ever gonna hear.

eddie hurt (ddduncan), Tuesday, 13 April 2004 00:20 (twenty years ago) link

JFK BLOWN AWAY WHAT ELSE DO I HAVE TO SAY!?!?!?!

Anthony Miccio (Anthony Miccio), Tuesday, 13 April 2004 00:22 (twenty years ago) link

wait, I forgot about "Movin' Out (Anthony's Song)." that song is awesome.

Anthony Miccio (Anthony Miccio), Tuesday, 13 April 2004 00:23 (twenty years ago) link

TROUBLE IN THE SUEZ!!!!

Anthony Miccio (Anthony Miccio), Tuesday, 13 April 2004 00:25 (twenty years ago) link

the weirdest thing about Allentown was that they showed a dude's ass in the video.

what?

Eisbär (llamasfur), Tuesday, 13 April 2004 00:33 (twenty years ago) link

That Loverboy dude's?

Ned Raggett (Ned), Tuesday, 13 April 2004 00:34 (twenty years ago) link

five months pass...
SEARCH: every album up to "An Innocent Man", the best being "The Nylon Curtain" by some distance. The remainder amounts to not much more than run-of-the-mill AOR, really, but they're milestones if you like the genre. If you don't, my friends, just stay away and nobody gets hurt.

DESTROY: everything he's done since. When he married Christie, he probably didn't realize they were the perfect real-life incarnation of Brenda and Eddie. She must have sucked up most of Billy's creative juices, because his albums from "The Bridge" onwards were inexplicably bad by any standard. The one exception, of course, is "Kontsert".

"Ain't it wonderful to be alive when the rock'n'roll plays?"

Diego (from Italy), Monday, 27 September 2004 14:34 (nineteen years ago) link

Captain Jack is GREAT GREAT GREAT. So is Summer Highland Falls.

My name is Kenny (My name is Kenny), Monday, 27 September 2004 15:41 (nineteen years ago) link

S: The Nylon Curtain. Good songs mentioned above like "Allentown", "Laura", and "Pressure", but also "She's Right On Time", a really cool self-depreciating song that had a goofy slapstick video to it. Also "Scandanavian Skies" where he tried to do the eighties version of "Strawberry Fields".

Also Search songs like "Vienna" and "Only the Good Die Young", a song that he was threatened with DEATH for writing.

Something did happen to him once he married Christie Brinkley (the story about meeting her in a bar in Jamica and serendading her, Elle MacPherson, and Whitney Houston with piano songs is great.) The only song past 1984 that's any good would be "A Matter of Trust" which, as one person pointed out on another thread, has one of the strongest count-in's of any other rock song.

because he physically looks too much like an ugly Michael Keaton

I always thought that he looked like an ugly Joe Torre.

Pleasant Plains (Pleasant Plains), Monday, 27 September 2004 16:01 (nineteen years ago) link

Sure, the runt's always been an insecure asshole, but an extremely talented one; and since when has assholery been a detriment to the creation of great (or at least extremely well-crafted) rock and roll (or at least pop) music? (Since NEVER.) Even tho I'd make a few substitutions if I could, Greatest Hits Vol. I & II is pretty darn great and probably has all the Billy Joel you need (as well as some you DON'T need).

And I've said it before, but it's worth repeating how much I love that oft-dissed & dismissed Attila album!

Myonga Von Bontee (Myonga Von Bontee), Monday, 27 September 2004 17:10 (nineteen years ago) link

"an *ugly* Michael Keaton" ...

What's the corollary? A *handsome* Billy Joel?

Maybe I'm too drunk at the moment to deal with these convolutions.

MeKIS, Tuesday, 28 September 2004 05:30 (nineteen years ago) link

No no no no no no no no no you had to be da bigshot

57 7th (calstars), Tuesday, 28 September 2004 20:22 (nineteen years ago) link

working too hard can give you a heart attack ack ack ack ack ack

57 7th (calstars), Tuesday, 28 September 2004 20:27 (nineteen years ago) link

"Sure, the runt's always been an insecure asshole, but an extremely talented one; and since when has assholery been a detriment to the creation of great (or at least extremely well-crafted) rock and roll (or at least pop) music?"

The man hath not an ounce of talent in his entire being.

Burr (Burr), Tuesday, 28 September 2004 23:27 (nineteen years ago) link

"Piano Man" is the worst, a Dylan-by-numbers song (combining elements of "Tambourine Man" and "Desolation Row") all the way down to the suck and blow harp.

Guilty pleasure: "For the Longest Time," his Doo Wop number, mid-'80s?

shookout (shookout), Tuesday, 28 September 2004 23:42 (nineteen years ago) link

The man hath not an ounce of talent in his entire being

Not as you define it, evidently.

Myonga Von Bontee (Myonga Von Bontee), Wednesday, 29 September 2004 00:31 (nineteen years ago) link

I can think of about a hundred bands/artists who deserve the ire of ILM more than Billy Joel.

Mr. Snrub, Wednesday, 29 September 2004 00:57 (nineteen years ago) link

At least he doesn't wear a piece.

http://www.thevillager.com/villager_12/billy.jpg

Pleasant Plains (Pleasant Plains), Wednesday, 29 September 2004 02:41 (nineteen years ago) link

And here he is with the Oak Ridge Boys.

http://www.oakridgeboys.com/Media/Boys_Billy_Joel.jpeg

Look, all I'm saying is that some of you all's anger could probably be placed somewhere else.

Pleasant Plains (Pleasant Plains), Wednesday, 29 September 2004 03:08 (nineteen years ago) link

one year passes...
Fun article in Slate today by Jody Rosen:

Billy Joel - Oh, the squandered genius!

o. nate (onate), Thursday, 1 December 2005 19:50 (eighteen years ago) link

saw him being interviewed by some dork at the CMA awards, Billy looked nervous to me. but, "there a lotta good pickers in Nashville..." so he's hep.

edd s hurt (ddduncan), Thursday, 1 December 2005 19:56 (eighteen years ago) link

Someone burn me a copy of the Attila album. I must have it.

pdf (Phil Freeman), Thursday, 1 December 2005 20:15 (eighteen years ago) link

S: 1. Cover of Leonard Cohen's "Light As The Breeze" - better arrangement than the original. 2. Unabashedly Brill-Building songwriting on "The Stranger".

D: "We Didn't Start..."

Eazy (Eazy), Thursday, 1 December 2005 20:39 (eighteen years ago) link

JBR OTM X10

Pleasant Plains /// (Pleasant Plains ///), Thursday, 1 December 2005 20:46 (eighteen years ago) link

Jody Rosen and JBR are not the same person. I think that's mentioned in the FAQ somewhere.

o. nate (onate), Thursday, 1 December 2005 20:50 (eighteen years ago) link

Oh.

Pleasant Plains /// (Pleasant Plains ///), Thursday, 1 December 2005 21:00 (eighteen years ago) link

Well, JBR still OTM in most cases.

(I did think that it was weird that she was talking about "twenty years ago".)

Pleasant Plains /// (Pleasant Plains ///), Thursday, 1 December 2005 21:01 (eighteen years ago) link

I haven't read that FAQ in awhile.

Pleasant Plains /// (Pleasant Plains ///), Thursday, 1 December 2005 21:01 (eighteen years ago) link

I never knew that it was possible to embarass one's self on a Billy Joel thread.
http://www.newsday.com/media/thumbnails/photo/2003-09/9614483.gif

Pleasant Plains /// (Pleasant Plains ///), Thursday, 1 December 2005 21:06 (eighteen years ago) link

Though I think that the Jody Rosen of Slate did recently post on an ILM thread about French gangsta rap, so there is some connection there.

o. nate (onate), Thursday, 1 December 2005 21:08 (eighteen years ago) link

pp when was that pic of joe torre taken?

j blount (papa la bas), Thursday, 1 December 2005 21:13 (eighteen years ago) link

Does he really think Elvis Costello is above the criticisms he levels at Billy?

k/l (Ken L), Thursday, 1 December 2005 21:14 (eighteen years ago) link

billy joel = american elvis costello, ilx proved this with science awhile back

j blount (papa la bas), Thursday, 1 December 2005 21:16 (eighteen years ago) link

billy joel or elton john. Who really sucks the most?

k/l (Ken L), Thursday, 1 December 2005 21:35 (eighteen years ago) link

Does he really think Elvis Costello is above the criticisms he levels at Billy?

Hi. Jody (not Beth) Rosen here. As it happens, no, I don't think Elvis is above the criticisms I level at Joel. He's even more pretentious in some respects, and even more of a promiscuous genre-hopping hack, particularly in the post-1980 phase of his career. I mainly invoked Costello in the piece in the context of my embarrassing high school epiphany, when the scales were lifted from my eyes and I realized how monstrously wack it was to worship Billy Joel.

I could go on for hours about Costello's problems -- biggest problem: despite his exalted reputation, his lyrics are pretty atrocious -- but I do think it's pretty inarguable that EC made AT LEAST four fantastic albums (I can think of eight that I love); AND he does have a certain toughness about him, at least on the early albums; AND he was an original, at least back in '77-'79. Whereas Joel has always been derivative and gauche.

Do love BJ's tunes, though -- esp. "Movin' Out." (Also, Billy's "Sometimes a Fantasy" is my third favorite Cars song.)

Jody, Thursday, 1 December 2005 21:36 (eighteen years ago) link

Well, I know which one Ray Charles preferred.

Pleasant Plains /// (Pleasant Plains ///), Thursday, 1 December 2005 21:39 (eighteen years ago) link

whichever one was holding

j blount (papa la bas), Thursday, 1 December 2005 21:42 (eighteen years ago) link

I would agree that Costello's lyrics aren't particularly more deep or profound than Joel's. Both are good at expressing a sort of non-specific anger or contempt without a lot of insight behind it. It's fun to listen to them sneer and demolish things, but at the end of the day, their targets are still standing, because they are unable to focus their anger into anything cogent or meaningful. However, I do think that Costello, at least on the earlier albums, at least chose somewhat more elevated targets.

o. nate (onate), Thursday, 1 December 2005 21:46 (eighteen years ago) link

Agreed, o. nate.

I'd add this:

- My biggest problem with Costello's lyrics is that they're suffocatingly pseudo-poetical. The guy just can't say anything straight. (Notice that when he comes close to simplicity -- e.g., "I Want You" -- it's great.) The lyrics mostly worked on the first several albums, because they were just plain sharper, and more evocatively ambiguous. But they've gotten increasingly baroque and pretentious and just plain crap. Of course, on the best records the the lyrics don't really matter because his tunes are so great, and most importantly, because he has Bruce and Pete Thomas playing the shit out everything. Those guys are GODS.

Jody, Thursday, 1 December 2005 21:56 (eighteen years ago) link

I totally agree with you about the lyrics not mattering on Costello's best records. For instance, who knows what "Pump it Up" is about? - I don't - but it's a blast to listen to. As long as he sang with that sneer in his voice, and the Attractions were stomping all over the tunes, he could be singing about ingrown toenails and it would still kind of rock.

o. nate (onate), Thursday, 1 December 2005 22:01 (eighteen years ago) link

You guys should be posting to one of the myriad Costello threads. Such as Elvis Costello: The Exact Moment When This Balding Fat Fucker Jumped The Shark

k/l (Ken L), Thursday, 1 December 2005 22:15 (eighteen years ago) link

I guess I should be trying to tie this back in to Joel somehow, seeing as this is the Billy Joel S&D thread. I think the thing about Joel's bitterness is that it's a bit more obvious about its targets. Costello is good at ambiguity - you know he's angry about something but its hard to say exactly what it is. On a song like Joel's "Honesty" the target is obvious - the fact that no one is really honest - and its stated so clearly and simply that anyone can understand it. So it has a more populist appeal, but it also makes it more of a target for highbrow disdain. If Mamet writes a play about the fact that no one is honest, then critics would fall over themselves to applaud its deep and searching insight, but if Joel writes a song about it, everyone dismisses it as hackery.

o. nate (onate), Thursday, 1 December 2005 22:25 (eighteen years ago) link


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