Jerry Lewis: The Total Film-Maker

https://www.youtube.com/watch?v=qZbpYq2TA0U

rewatch of his (theatrical) directorial swan song tonight

pitless watermelon

https://www.youtube.com/watch?v=Klg0R9wQSaM

They had what I assume to be a 1st ed. hardcover copy of the book this thread took its name from in the collectibles case at my local Half-Price for $100.

I saw that book for cheap once and inexplicably didn't buy it. A new printing is rumored.

Jerry has a "pointless cameo" as Nic Cage's dad in a new thriller.

http://variety.com/2016/film/festivals/the-trust-review-nicolas-cage-elijah-wood-sxsw-1201729052/

90!

http://m.lasvegassun.com/blogs/kats-report/2016/mar/15/jerry-lewis-at-90-its-a-monster-number/

Happy birthday, Jerry!

not sure i've posted the 'turkey dinner' sketch, recently discussed by JL with Scorsese.

https://www.youtube.com/watch?v=erLJdTPa2i4

Max Rose to be distributed this summer, finally

http://www.hollywoodreporter.com/news/jerry-lewis-max-rose-lands-876217

https://www.facebook.com/photo.php?fbid=10208938637327723&set=a.1603159283429.2080924.1369518799&type=3

OK, so a documentary about The Day the Clown Cried has just come on my TV screen...

... ugh, Terry Wogan

Was just watching that too: https://www.youtube.com/watch?v=jbZIyXNRxos

We've got ten years to wait.

thx guys for staying on form

party time

http://abcnews.go.com/Entertainment/wireStory/friars-club-hosts-90th-birthday-tribute-jerry-lewis-38268340

https://www.youtube.com/watch?v=F1UHm8DcRAo

Max Rose is nothing special, tho Old Jerry has a nice gravitas. (The most kinetic performance in the film is a one-scene climactic spin by Dean Stockwell.)

JL entered the packed MoMA theater (assisted by his people) for it, got a standing ovation, and loudly asked "When do we eat?" The he did his usual passive / aggressive japery in the postscreening interview and Q&A. Someone asked him what growing up in Newark was like in the '30s. "Do you want to know about my bris? Jesus Christ. NEXT!"

and here it is

https://www.youtube.com/watch?v=Pm9v8yFrQic

the only thing that survives of Jerry's animated TV show from '70 (to which he did not actually contribute; Squiggy from LaVerne and Shirley played Jerry). looks like about 99% racial stereotype stuff

https://www.youtube.com/watch?v=X0g6-vEDTLw

i vaaaaguely remember the existence of that

RIP Bill Richmond, co-writer on 7 Lewis films

http://www.hollywoodreporter.com/news/bill-richmond-dead-jerry-lewis-904166

https://www.youtube.com/watch?v=y_ulADfytmQ

Mel (Brooks) and I only worked together on the script for THE LADIES' MAN for about two weeks. Mel and I would pitch ideas back and forth to each other. Once we had a good idea Mel would say, "Let's run it by Jerry and see if he likes it." So we'd call Jerry, and Jerry would say, "I can't talk right now, but let me get back to you." Now if anybody had a bigger ego than Jerry Lewis, it was Mel Brooks. Jerry did this to Mel about four times, so finally Mel literally just said, "Fuck this, I quit." So that left me to write the movie.

http://blog.tvstoreonline.com/2015/05/part-one-three-time-emmy-winner-and.html

Oh man, had totally forgotten about the animated show! I could still recall parts of that great bubblegummy theme song, but not a thing about the cartoon itself.

A pretty good Egyptian tomb sketch from JL's '67-69 NBC show, with a very game and funny Janet Leigh, with Jer as the nutty professor (who he recycled frequently in this series). There's a DVD if you'd like to see it w/out soup and subtitles.

https://www.youtube.com/watch?v=Ioy920ZAnj8

DECONSTRUCTING JERRY: LEWIS AS DIRECTOR
A special dossier to accompany the Jerry Lewis program of the Melbourne International Film Festival 2016.

The comedian went on to discuss the duality in his own mind between his screen personality and the man who plays him, he spoke of the person on the screen as “him”. “Sometimes I write a memo in the morning”, he explained, “and then later, on the set when it’s carried out, I rebel against it – I’ve forgotten that it was me that asked for it.”

The only trouble with my doing my own screen writing is that I get so involved with the character I play that the perspective gets distorted and I begin to send out messages which have nothing to do with what I started out to create.

http://sensesofcinema.com/2016/jerry-lewis/

https://www.youtube.com/watch?v=GutZv_D7DKk

love the Ren & Stimpy style intro music. also fun to see him tear into his former employer, "A network that would fire a father of five 3 days before Christmas".

https://www.youtube.com/watch?v=Qv_4dIj5q_I

this full episode features a really cool Gary Lewis performance followed by silly Nazis followed by Lassi!

there u go LA

http://americancinemathequecalendar.com/content/jerry-lewis-to-the-max

The star explores unusually rich dramatic territory in the title role of soon-to-be-released MAX ROSE.

Wasn't this completed over two years ago? Did it finally find a distributor?

yes. apparently the cut that was shown in Cannes some years ago was rushed and premature. (it's still not good)

“So just being alive is love?”

“Of course it is,” he says. Then there is a beat....

“Just being alive?” he says. “Think about what you just said. Just being alive. If God heard you right now, Oliver, he’d smack you. He would smack you all over this joint.”

http://observer.com/2016/08/what-jerry-lewis-talks-about-when-he-talks-about-love/

So just why is Jerry Lewis known for being difficult?

“Because I am,” he said with firm declaration. “I expect people that come to the studio to work to come with the same energy I come with. If I see less than that, I get very strong about, if you want to do this, come with a sense of pride, come with eagerness and anxiety.

“And those people that think you’re difficult, respect you tremendously. Because the creative aspect of film will never change,” he added. “They may not like it, but they respect it.”

...A question about the notorious unreleased, unseen film “The Day the Clown Cried,” which writer-director Lewis made in Europe in the early 1970s and in which he starred as a Jewish clown who leads children to the Nazi gas chambers during WWII, invokes a third and final Jerry Lewis death stare.

“Can’t talk about it. I won’t,” Lewis said. “You can ask me anything you want, that doesn’t mean I’m going to answer you.”

It was reported in 2015 that Lewis’ archives were going to the Library of Congress and that “The Day the Clown Cried” may at last be available for public view in 10 years’ time. Lewis has other thoughts on the matter.

“Never,” he said as to whether the film would finally be shown publicly. “After I’m dead 30 years you won’t see it. I’ve got it worked out so there’s nothing to show.”

And with that, a wink. Playful, inviting and mischievous, it is the exact opposite of the door-slam death stare. ...

http://www.latimes.com/entertainment/movies/la-et-mn-max-rose-jerry-lewis-profile-20160823-snap-story.html

I think Morbs would dig this:
http://www.wtfpod.com/podcast/wtf-uncovered-3-jerry-lewis

will try later

really is too bad it was cut short! seemed like it was going pretty well...

@NickPinkerton
It can at one and the same time be true that a) Jerry Lewis is a prick and a holy terror and b) That's great and hilarious, good for him.

Funny how Maron complained that he only got 30 minutes out of Jerry Lewis, not realizing that in fact he had rode the mechanical bull longer than anyone.

Strikes me that Jerry is like Lou, inasmuch as "Make your questions be about what they are doing now, and let *them* make reference to the past, and they more than likely will.

Jerry Lewis and the Gender of Work

During his mature solo period, Lewis plays a working-class character in eight out of nine of the films directed by himself or Tashlin, which makes it safe to say that this is the basic solo Lewis persona. It is interesting, however, that in his most famous and critically respected film, The Nutty Professor, he does not play that character. Critics have seemingly warmed more easily to The Nutty Professor in part because it has a plot and a conventional narrative structure, however glaringly odd that may appear in the era of late David Lynch. The Nutty Professor, The Patsy, and all of the Tashlin-directed Lewis films struggle to find a compromise between conventional narrative structure and a comedic style based on visual/conceptual gags and sketches, sometimes grouped together as themed montages. In what I’m calling a “work film,” the subject of the sketches and montages is work....

http://brightlightsfilm.com/jerry-lewis-work-gender-rock-a-bye-baby-disorderly-orderly/#

Lol just saw his Batman cameo

91 today

https://www.youtube.com/watch?v=Ua4suRfdbWU

Now dead.

http://www.bbc.co.uk/news/world-us-canada-40994864

Condolences to Morbz.

https://www.youtube.com/watch?v=kS21T_p0pNA

Condolences to Morbz.

Lewis’ characters are not only accidental fools, but self-determined ones, never the victims of circumstance à la classic comedy, so the question is which self it is that determines. If we assume that the Lewis character is performing his act knowingly, we can marvel at his feats of silliness, comfily complicit with Jerry Lewis, the character, that his image is of his choosing; if we assume he acts unknowingly, we can be comfily complicit with Jerry Lewis, the author, who mocks this moron in a genteel world. Different audiences have probably done both with different Lewises.

http://www.lafuriaumana.it/index.php/archives/31-lfu-12/83-david-phelps-the-pisher-dada-menschs-fodder-division-of-the-soul-s-labor

RIP ya daffy bastard. Hopefully TV might show a few of his films for a change.

When I was a nipper seems they would only show one of the worst ones, Hook, Line and Sinker

I grew up with them, now the only one you might conceivably see is "The Nutty Professor".

Its the only one I've seen.

Oh, the one where he's a college student? "I don't need (these glasses) anymore"

Poster from my collection. Bought it in 1984 at Bleecker Street Cinema. One of my faves. #JerryLewis pic.twitter.com/4KS4T0LxBh

— Dennis Perrin (@DennisThePerrin) August 20, 2017