Last (x) movies you saw

The Perils of Gwendoline FTW

Pi (1998, Aronofsky) Π/Π

(not really)

ok i saw Allan Quatermain and the Lost City of Gold (1986) and it was way worse than the first movie. far less of the two leads and too much comedic relief and generic fantasy stuff. King Solomon's Mines was filmed at the same time but is a way better movie.

KSM is a classic imho

e/π is fair for Pi I think

O/-

One Way Ticket to Love (Shinoda 1960)
Veronika Voss (Fassbender 1982)
Suzanne's Career (Rohmer 1963)
Horse Money (Costa 2014)
Emotion (Obayashi 1966)
La Commare Secca (Bertolucci 1962)
A Short Film About Love (Kieślowski 1989)
Tout Va Bien (Godard/Gorin 1972)
Woman of Tokyo (Ozu 1933)
L'assassin habite au 21 (Clouzot 1942)
Night Journey (Hammid 1960)
Young Mr. Jazz (Lloyd 1919)

Aguirre: Wrath of God (Herzog, 1972) - 9/10
Cruel Story of Youth (Ōshima, 1960) - 5/10
Love (Noe, 2015) - 6/10
Eden (Hansen-Løve, 2015) - 7/10
Magic Mike XXL (Jacobs, 2015) - 6/10
Timbuktu (Sissako, 2014) - 8/10
Song of the Sea (Moore, 2015) - 9/10

rewatches:
Dawn of the Planet of the Apes (Reeves, 2014) - 7/10
Jurassic World (Trevorrow, 2015) - 2/10
The Imaginarium of Doctor Parnassus (Gilliam, 2009) - 7/10

*Snow White and the Seven Dwarfs (Hand, 1937) 7/10
The Candidate (Ritchie, 1972) 7/10
Fletch (Ritchie, 1985) 7/10
The Boys in the Band (Friedkin, 1970) 8/10
Chi-raq (Lee, 2015) 8/10
Hail, Caesar! (Coens, 2016) 7/10
Best of Enemies (Neville and Gordon, 2015) 5/10
Tangerine (Baker, 2015) 7/10
Class (Carlino, 1983) 4/10

Guess I should see "Chi-raq" then.

Youth (Sorrentino, 2015) 5/10
Spotlight (McCarthy, 2015) 7/10
Arabian Nights: Volume One, The Restless One (Gomes, 2015) 8/10
Arabian Nights: Volume Two, The Desolate One (Gomes, 2015) 7/10
Arabian Nights: Volume Three, The Enchanted One (Gomes, 2015) 7/10
Hitchcock/Truffaut (Jones, 2015) 5/10

Future Shock! The Story of 2000AD (Goodwin, 2014) 5/10
Amour Fou (Hausner, 2014) 8/10
The Nanny (Holt, 1965) 7/10
Never Take Sweets From a Stranger (Frankel, 1960) 6/10

Amy (2015) 9
World on a wire (1973) 7
45 years  (2015) 7
8 1/2 (1963) 9
Valhalla rising (2009) 8
The passenger (1975) 10

*The Ladies Man (1961, Lewis) 9/10
Queen of Earth (2015, Perry) 5/10
Benilde or The Virgin Mother (1975, Oliveira) 7/10
Wake (Subic) (2015, Gianvito) 8/10
Experimenter (2015, Almereyda) 6/10
Grandma (2015, Weitz) 6/10
Golden Eighties (1986, Akerman) 8/10
*The Look of Silence (2014, Oppenheimer) 8/10
*Tabu (2012, Gomes) 7/10
Our Little Sister (2015, Kore-eda) 6/10
Rider on the Rain (1970, Clement) 5/10
Chi-Raq (2015, Lee) 6/10
The Devil (1972, Zulawski) 6/10
Häxan: Witchcraft Through the Ages (1922, Christensen) 8/10

Hitchcock/Truffaut (Jones, 2015) 5/10

Friend is dragging me to this on Friday - knew from the trailer it wouldn't be any good.

I am missing a screening of Godard's Germany Nine Aero :-(

Lol Zero I mean, not the chocolate bar

Well, there are some nice clips in the H/T doc, and Hitchcock is often p amusing on the excerpts from the tapes. But the parade of talking heads are largely insufferable (dear old Marty partially excepted) and the critical insights on offerare pretty bog-standard - whatever you think of Zizek, there's far more provocative and interesting stuff about Hitchcock in his Pervert's Guide to Cinema series.

H/T might not end up being good, but I can't see it being uninteresting. I'm looking forward to seeing it.

i got the impression it adds very little if you've 1) read the book and 2) have been consuming Hitchcock analysis for years/decades

It turns out to be one of the worst films I've seen in a while.

Given that the two films it most focused on brutalised their lead actresses the lack of any women contributors was amazing. Also this was a kind of argument for film studies, or at least it would've been benefited from someone coming at this from film studies (Linda Ruth Williams, say) to talk about Hitch in more depth rather than David Fincher going on about how he lets it all hang out or whatever.

(btw was Wes Anderson included for his fkn jacket or what?)

In the end the bk - which I looked at a long time ago - seemed here pretty much a dead doc, mutual appreciation society. Like what did they get out of each other? Couldn't Truffaut take a more critical stance (yes Hitch would probably have cut him off but so fkn what?) And so if Truffaut takes a more improvisational approach wtf was he doing admiring this stuff.

Agree Hitch's voice and remarks were the best thing in it - but in Kent Jones' hands his films almost always look unwatchable to me (Vertigo aside which really does stand out). That's quite an achievement as I like Hitch a whole fucking lot. All the problems in his films are waved away.

Well, there are some nice clips in the H/T doc, and Hitchcock is often p amusing on the excerpts from the tapes. But the parade of talking heads are largely insufferable (dear old Marty partially excepted) and the critical insights on offerare pretty bog-standard

I had the same reaction last summer. Besides my knowing what these dull talking heads were gonna say, I couldn't stop thinking the idea about making a documentary about a book of interviews was bizarre.

Grandma (2015, Weitz) 6/10

Ha -- you liked this marginally more than I did.

Good actors; I think people over 50 can't help but be more receptive.

A critic friend wrote on Letterboxd "Lily Tomlin being an asshole to everyone and then apologizing is one plot point too many."

Brolin was marvelous, wasn't he? As fine as he was in the Blythe Danner flick last year.

you mean Sam Elliott

yeah sorry Elliott -- same impressive hair

an unforgivable confusion

45 Years (Haigh, 2015) 8/10
*The Walker (Schrader, 2007) 7/10
Carol (Haynes, 2015) 7/10
Brooklyn (Crowley, 2015) 6/10
*The Limey (Soderbergh, 1999) 7/10
Lost Soul: The Doomed Journey of Richard Stanley's 'Island of Dr. Moreau' (Gregory, 2014) 6/10
Force Majeure (Ostlund, 2014) 7/10

The Thing (2011) - 6/10. --- this was better than expected. Delivered some fun b-grade spooks and fwiw infinitely better than, say, "Prometheus"
Divertimento - 8/10 --- prefer "La Belle Noiseuse".
Chi-Raq -7/10
Derek And Clive Get The Horn - 8/10 -- you either love 'em or you don't. I do.
Bedazzled (1967) - 8/10

The Man Who Fell to Earth (6.5)
The Master (7.0)
Until the End of the World (6.5)
The Agony and the Ecstasy (5.5)
Wings of Desire (5.5)
Margin Call (7.0)
L’Avventura (ongoing project)
School of Rock (8.0)
Crazy About Tiffany’s (6.0)
It Follows (6.0)

Results (2015) 2.5/5
Gueros (2014) 4/5
Creed (2015) 4/5
Amour Fou (2014) 3.5/5
Jafar Panahi's Taxi (2015) 3/5
The Black Panthers: Vanguard of the Revolution (2015) 4/5
Sweetie (1989) 3.5/5
Hail, Caesar! (2016) 3.5/5
The Cult of JT Leroy (2014) 3/5
A Tale of Winter (1992) 4/5

The Agony and the Ecstasy (5.5)
Wings of Desire (5.5)

christ on a cracker

200 Motels (Zappa/Palmer, 1971)
The Revenant (Iñarritu, 2015)
Design for Living (Lubitsch, 1933)
Slow West (Maclean, 2015)
Wild Boys of the Road (Wellman, 1933)
The Outlaw (Hughes, 1943)
Drunk Stoned Brilliant Dead (Tirola, 2015)
Red Desert (Antonioni, 1964)
Bon Voyage (Hitchcock, 1944)
The Nomi Song (Horn, 2004)
Le Million (Clair, 1931)

the candidate ('72 Ritchie) 6/10
mistress ('92 barry primus) 8/10
music box ('89 costa-gavras) 5/10
the new girlfriend ('15 ozon) 5/10
the african queen ('51 Huston) 8/10
summer of '42 ('71 mulligan) 8/10
running on empty ('88 lumet) 7/10
anomalisa ('15 kauffman & duke Johnson) 7/10
carol ('15 Haynes) 8/10
solitary man ('09 koppelman/david levien) 4/10

*Smorgasbord (1983, Lewis) 6/10
*That’s My Boy (1951, Walker) 6/10
Tu dors Nicole (2014, Lafleur) 6/10
Mantrap (1926, Fleming) 7/10
The Breaker (1974, Shields) 5/10
The Event (2015, Loznitsa) 8/10
*Breaker Morant (1980, Beresford) 7/10
Two Friends (2015, L Garrel) 3/10
Birthright (1939, Micheaux) 6/10
*The Bellboy (1960, Lewis) 8/10

Clara Bow!

none other

newly restored 35mm print too

Opening Night (Cassavetes, 1977) - I only wish I had seen this before watching Birdman. Gena Rowlands is simply terrific. 8/10
Saboteur (Hitchcock, 1942) - Some nice camerawork and what-have-you, but overall a relatively subpar 'wrong man' chase thriller from Hitchcock. 6/10
Hail, Caeser! (Coen Brothers, 2016) - A couple of weeks removed from seeing it, and this has left very little lasting impression. A muddle of vague ideas and weak jokes. 6/10
The Quatermass Xperiment (Guest, 1955) - The low-key eeriness and '50s Brit-cinema realism work well for the film, though you can see why a tetchy Nigel Kneale disowned it. Bluff American Brian Donlevy is horribly miscast as Professor Quatermass. 7/10
Cleopatra (DeMille, 1934) - Lavish but no-nonsense DeMille epic. A magnetic Claudette Colbert all cheekbones and self-possessed smirk. 7/10
Cleopatra (Gaskill, 1912) - Helen Gardner (producer, editor, costume designer, star,) all wild gesticulation and posing, epitomises everything that is unfairly associated with silent cinema acting. It's sometimes hard to judge films so ancient, but this is recognisably a shoddy vanity piece. 3/10
The Naked City (Dassin, 1948) - The script is corny, missing the usual hardbitten wit of noir, and the performances are variable, but it is of course a great New York movie. The beautiful photography showcases the tapestry of NYC in the '40s in the raw, "the buildings in their naked stone, the people, without make-up." 7/10
The Black Panther (Merrick, 1977) - Grim, bleak, spare, '70s true-crime Brit-thriller. Based on the robbery-and-murder spree of disgruntled ex-squaddie Donald Neilson that took place a few short years before the film, this briefly had elements of being a grotty, British First Blood or even Taxi Driver or something. Very little dialogue and also insight into the motives behind the crimes, but incredibly effective. Also a great time capsule of a rain-sodden mid-70s Midlands. 8/10

rewatches:

Under the Skin (Glazer, 2013) - 9/10
Taxi Driver (Scorsese, 1976) - 10/10
Hearts of Darkness: A Filmmaker's Apocalypse (Bahr, Coppola, Hikenlooper, 1991) - 8/10

Comment Ca Va (JLG, 1976)
JLG/JLG: Self-Portrait in December (er JLG, 1995)
Histoire(s) Du Cinema (JLG, 1988 - 1998)

Visit or Memories and Confessions (Manoel De Oliveira, 1982/2016) - one of the best films to be seen this year was actually made in 1982 and only released this year.

Goodbye, South, Goodbye (8/10) : seeing this projected on a big screen is something else
Evolution (Hadzihalilovic -- 6/10)

Hail, Caesar! (Coen Bros., 2016) 6/10
*Rumble Fish (Coppola, 1983) 8/10
*Sightseers (Wheatley, 2012) 7/10
Come and See (Klimov, 1985) 10/10
Year of The Dragon (Cimino, 1985) 6/10
*God Bless America (Goldthwait, 2011) 5/10
The Witch (Eggars, 2016) 7/10

documentaries

His & Hers (Wardrop, 2009) 6/10
Standard Operating Procedure (Morris, 2008) 8/10
Overnight (Smith/Montana, 2003) 7/10

The Big Short (6.5)
The Third Man (9.0)
Submarine (6.5)
Before Stonewall (7.5)
The Cool School (6.5)
Seconds (6.0)
Cemetery of Splendor (6.5)
Carlos (8.5)
Hail, Caesar! (5.5)
Eldridge Cleaver, Black Panther (8.0)

Apichatpong Weerasethakul, I'm trying.

Seconds (6.0)

this movie is incredible.

Apichatpong Weerasethakul, I'm trying.

― clemenza, 25. marts 2016 15:34 (8 minutes ago) Bookmark Flag Post Permalink

Did you remember to fall asleep?

I really, really tried to stay alert and mostly succeeded. I lost maybe five minutes. But that's me. I think I probably drifted off just long enough in Hail, Caesar! to miss Frances McDormand.

Syndromes and a Century did nothing for me, so I haven't bothered paying attention to him since.

I've seen three (not Tropical Malady), and I feel like they're films I should like (i.e., there's a rhythm and temperament shared by many films I love), that I want to like, but I'm coming up short. With two of them, including the new one, I loved the ending.

you need more than one, crypto