oneohtrix point never

saw him live two nights ago and there was way more distortion and the whole thing was super loud. when he talked to the audience he would still use the filter that rendered what he said indecipherable and it was a pretty funny gag.

My ears were definitely ringing afterwards. There's a surprising amount of bass engineered into his later work as well.

he's playing at a pretty small club here in march - 300 capacity - i don't know if he's announced a full spring tour yet, but i'm curious if the idea is to play at mostly "rock"/"punk" type venues as part of the whole G.O.D. project

seeing him tonight, can't wait - hope it's not just songs from G.O.D.

i'll be there too. i can see GoD stuff being really great live. psyched for whichever way he takes it tbh.

he's playing Thursday in NYC. what are his live shows like? does he have backup dancers or anything like that?

Totes. The choreography between Lopatin and his backup dancers is really some next level shit.

position position is lying

i will be there thursday too btw.

at his shows, there is a light component, but mostly it's just him up there pressing buttons and turning knobs and singing.

saw him live two nights ago and there was way more distortion and the whole thing was super loud. when he talked to the audience he would still use the filter that rendered what he said indecipherable and it was a pretty funny gag.

― Treeship, Sunday, November 22, 2015 6:09 PM (3 months ago) Bookmark Flag Post Permalink

position position is lying

― Treeship, Tuesday, March 15, 2016 8:48 PM (3 minutes ago) Bookmark Flag Post Permalink

yeah. i just thought the imagery was funny, art rock show with william hung-style backup dancers.

make sure to catch Jason Lescalleet.. i believe he's opening for a few of the current shows

i wish i saw him on the Replica and R Plus Seven tours. G.O.D. and Returnal are still a bit too harsh for me. Last night he played most of G.O.D. and the song "Returnal" (which i love). He also played a completely rearranged version of "Zebra" with none of its original elements except for a minute of the outro. the set was all a bit samey after a while. The unrelenting bass made me and all my friends really tired, bizarre feeling walking out of the show, felt like i took an ambien. During Jason Lescalleet's set, he played this tone that made me feel like time had slowed down - it was hard to breathe, my girlfriend said she almost fainted. we though it was neat. i enjoyed Lopatin's crowd banter processed beyond recognition. also, there were signs pasted all over the venue that read "PHOTOGRAPHERS: You are welcome to photograph ONEOHTRIX POINT NEVER for the *FIRST* song of their set. That's it. Thanks!" Doors opened an hour and a half late, too. Can't help but think it was all part of the rock band cliche concept of G.O.D., which was cool. I enjoyed all the conceptual accoutrement more than the music. There was someone in front of me that inexplicably knew every word to "Freaky Eyes" and was belting it out, beer in the air.

this was interesting: https://soundcloud.com/hrishihirway/song-exploder-oneohtrix-point-never

I went to the SF show on the R+7 tour. Audience seemed like they were very much there for the beats, not so much the kosmische stuff. Everybody staring at him cheering for the drops.

lol i saw him saturday and i mentioned in another thread that i fell asleep in the front row but this is really more my issue than with the music. it was cute how he kept circling his hand to illustrate that he was playing loops. yes i know you are playing loops.

― ℗⎣▲✘ (ico), Monday, August 8, 2011 1:48 PM (4 years ago) Bookmark Flag Post Permalink

I am here yall.

This is way looser than the last set I saw from him.

Can anyone please suggest anything that has the same kind of sound as his pre 'R plus Seven' work?

http://www.factmag.com/2016/11/22/oneohtrix-point-never-remastered-chuck-person-eccojams-vol-1/

ohhkayyyyy http://www.factmag.com/2017/05/11/david-byrne-working-with-oneohtrix-point-never-promises-new-album-next-year/

Congratulations, Daniel Lopatin!

Oneohtrix Point Never (Daniel Lopatin) has won the Soundtrack Award at Cannes Film Festival 2017. He was honored for his original score for Good Time, a new crime thriller directed by Josh and Benny Safdie. The film stars Robert Pattinson and Jennifer Jason Leigh. Lopatin beat out Radiohead’s Jonny Greenwood, Jed Kurzel, and Ibrahim Maalouf for the award. He joins former winners Red Hot Chili Peppers’ Cliff Martinez, Howard Shore, Jim Jarmusch’s band SQÜRL, Lim Giong, and more. Lopatin’s score features a collaborative song with Iggy Pop called “The Pure and the Damned,” which can be heard in the film’s trailer below. Good Time hits theaters August 11.

0PN is goat

can someone please come up with a good analogy for him working with iggy, this is bugging me. it's like ... uh ... al capp, working with chris onstad ... or ...ida b wells, working with bell hooks (ok that's sorta an obscene comparison sorry)

<div style="position:relative;height:0;padding-bottom:56.25%"><iframe src="http://www.youtube.com/embed/MRPc2b9i2oc?ecver=2"; width="640" height="360" frameborder="0" style="position:absolute;width:100%;height:100%;left:0" allowfullscreen></iframe></div>

Ha, well. That failed. His new song with Iggy Pop, as part of the aforementioned score, was released.

I've got a wicked cold and I'm listening to Eccojams, I think I'm going to puke

Never encountered Lopatin before, but this film is good and the score is... prominent. V reminiscent of '80s thriller scoring.

The Iggy song I just found kinda ridiculous (end credits).

A rework of Ryuichi Sakamoto's 'Andata' he did a couple of days ago, it's on soundcloud

This soundtrack (Good Time) is out today and it's pretty fucking great on first blush

as is the film

Wasn't on my radar outside of the OPN connection. Definitely gonna check it out.

Can't wait to see the movie - I feel like I should hold off on listening to the OST until I see it. Glad to hear all the positive feedback.

OST has really been growing on me. Worth listening on headphones as the mix is incredibly 3-dimensional. Would like to see the film, but the album totally stands on its own.

speaking of dimensions

attn LA: im going to be around next week and looking to meet up w keyboardists & drummers (jazz/classical/extended technique / trained & down to improvise). must have 4 dimensional feel. if this is you or have suggestions please send them to el✧✧✧.r✧✧✧@gm✧✧✧.c✧✧ pic.twitter.com/MdHVwBkLR7

— OPN (@0PN) November 10, 2017

Saw the movie yesterday, fantastic.
He just did a movie themed mix for Fact:
http://www.factmag.com/2017/11/13/oneohtrix-point-never-fact-mix-good-time/

According to an accompanying fb post of his, the Lewis remix was the blueprint for "The Pure & The Damned".

That's interesting, thanks for the heads up, mix looks great.

brief Good Time scoring interview

http://lwlies.com/articles/oneohtrix-point-never-good-time-score/

new album Age Of out June 1.

https://media.pitchfork.com/photos/5ac4f4e8ff2a10337afa9824/master/pass/WARP295_Packshot_1400%20(1).jpg

01 Age Of
02 Babylon
03 Manifold
04 The Station
05 Toys 2
06 Black Snow
07 myriad.industries
08 Warning
09 We’ll Take It
10 Same
11 RayCats
12 Still Stuff That Doesn’t Happen
13 Last Known Image of a Song

https://pitchfork.com/news/oneohtrix-point-never-announces-new-album-age-of/

paging 2018 noteworthy album covers thread

:-/

ooo

i was already kind of over it after garden of delete, that cover makes me even more over it tbh

i hope Garden of Delete was a one off, really wasn't into the sound palette on that one

Sweet, the Good Time soundtrack didn't get enough love. One of my favorites of last year

rong and rong xp xxp

yeah that was great, i wonder if this one will be anything like it xp

rong?

ok rite and rite idk i loved it

Yeah, cover is bad. But, he is good. So, I guess we'll just have to see. The line between critiquing techno-fetishism and just straight up techno-fetishism does feel increasingly nonexistent in 'art these days'