Live Aid: Wembley Stadium, 13th July 1985 poll.

Agreed - he was past it already. This high-profile fuck-up was the final nail in the coffin.

I think we were kind of excited at the time about the return of Adam Ant and then he played the song and well, we never thought of him again until people were horribly cruel about the whole gorilla thing :(

One of those latter singles of the Boomtown Rats was a picture disc ("Dave", I think) which had a gig ticket inlayed, the promo idea being that it would get you free admission to the next gig.

Of course, the next gig for some people turned out to be Live Aid.

I believe Bob was a bit snotty about it in the end. Like, "yeah, turn up. See what happens.."

I don't suppose anyone did.

and he opened with "TVC 15"!

― The burrito of ennui (Alfred, Lord Sotosyn), Tuesday, July 14, 2015 11:06 PM (13 minutes ago) Bookmark Flag Post Permalink

Hahahaha! Yeah, I always thought that was a bit of a bold choice, given the amount of songs he had to choose from.

Howard Jones setlist: "Hide and Seek"

^ way to rock the party, howie zzzzzzzzzzzzzzzzzzzzzzzzzz

xp

and of course he nixed one of his own scheduled songs (5 Years iirc?) so that they could show the Cars / Drive clip that he'd somehow seen the week prior in the office of a tv exec.

yeah truly amazing how many artists forgot about the whole 'Global Jukebox' thing and just played new stuff.

Ferry got a lot of grief from future sideman Johnny Marr about playing new stuff.

yeah truly amazing how many artists forgot about the whole 'Global Jukebox' thing and just played new stuff.

― piscesx, Tuesday, July 14, 2015 11:36 PM (3 minutes ago) Bookmark Flag Post Permalink

Yeah, you'd think they were just using Live Aid as a platform to promote their new records or something... er...

And on the other hand there was Dire Straits' 11 minute version of Sultans of Swing. It's actually pretty cool that there was a bunch of different approaches to this.

Mark Knopfler's solo was longer than Adam Ant's entire set.

I dunno, I think it's very fair to say that a lot of people who played Live Aid definitely had one eye on what it could do for their career and/or record sales, you just wouldn't have found any that would have admitted it. I'll bet the backstage area looked like a fucking snowstorm, too!

That Howard jones song wasn't even a recent single though, it was just a random boring song from the album before last.

the Who's set was as shaky as you'd expect, but it contained Kenney Jones' single finest moment as a Who member, massively thundering back into "Won't Get Fooled Again" like he knew it was the last time he'd ever do that (and it was). Also, Townshend fell over.

U2 will probably get my vote. Queen shmeen. Never understood what was supposed to be the big deal about their set.

I've heard that Freddie was advised not to perform at Live Aid, because apparently his throat wasn't it great condition. They did put in a great performance, though, especially 'Hammer To Fall'

What was the objection to people playing new stuff...made it look self-promoting?

As opposed to .. playing the back catalogue and reviving the career / greatest hits comp?

Well, Elvis Costello sang "All you need is love", a song that he never released on record.

the idea was, as Geldof saw it, this is the 'global jukebox' so you come on, you play the hits, you fuck off after 17 minutes. that way people put more money in on the phones, as they've been hearing the songs they know and love. so uh.. a jukebox in reverse! it's a wonky concept for sure but you get the idea. i'm not sure how strict he was with bands about this beforehand, clearly not too much as loads of bands didn't do that.

it was all over the posters beforehand

http://cdn.sting.com/non_secure/images/20110712/live_aid_poster/live_aid_poster_640.jpg

dude from my high school played in bryan ferry's band for that show -- jon carin on keys. he's also played w/pink floyd and the who. and kate bush in her recent shows. plus he was in a chillwave band (whatever that is) with another dude from my high school.
http://cdn.discogs.com/tru5dZPmA3ixeTV-WxTFwagIue4=/fit-in/300x300/filters:strip_icc%28%29:format%28jpeg%29:mode_rgb%28%29/discogs-images/R-429407-1226509120.jpeg.jpg

Cocaine is a hell of a drug.

https://www.youtube.com/watch?v=7E-uCWXYq58

Elton & Kiki with a smoking version of Don't Go Breaking My Heart. I adore this song.
https://youtu.be/3rFre07UXNc?t=39s

Francis Rossi: "Bowie was the only one sober, immaculately dressed, when everyone else looked shit-faced. I never found out how he'd managed it."

will insist Ferry takes the honors.

xpost:

Probably because the days of Bowie putting his piss in the fridge were long behind him and he'd learned from the experience, whereas Rossi's nose had yet to completely give way!

picked Sade her set is so ill. beach boys were the best of the whole concert tho.

https://www.youtube.com/watch?v=cfs5D4waGPM

More summer music:

https://www.youtube.com/watch?v=yA19EtcTofY

For some reason, I always keep forgetting that The Style Council played Live Aid. It makes sense for them to have done so (The Council was Weller's most "political" period), but I was always under the impression that Weller was really unpopular with the '80s "in-crowd", no doubt because he was always slagging most of 'em off in print.

he scored a bunch of hits in England, and "My Ever Changing Moods" is his only American top 40 success.

I think one of his more memorable quotes from the '80s was when he was talking about Wham! and their slogans: "'Go For It!'... go for what?, a fucking all-year suntan?"

I don't think any of Weller's incarnations made much of an impact in America, did they? I'm guessing The Jam definitely didn't, I don't know about his solo career. I know he does have some dedicated American fans, though.

Voted Dire Straits. Never could stand Queen.

"Money for nothing" was their forthcoming single, wasn't it?

It was released a couple of weeks before Live Aid.

Just looked it up, it wasn't really storming up the charts at the time.

they were on fire that day but they were in the middle of a huge world tour (and played 'across the car park' at the Arena the same evening) so fair dos.

I don't think any of Weller's incarnations made much of an impact in America, did they? I'm guessing The Jam definitely didn't, I don't know about his solo career. I know he does have some dedicated American fans, though.

― You’re being too simplistic and you’re insulting my poor heart (Turrican), Wednesday, July 15, 2015 11:08 PM (Yesterday) Bookmark Flag Post Permalink

Nope, other than "My Ever Changing Moods," he never had a US hit. I remember hearing "You're the Best Thing" on the radio a lot at the time, though. Weirdly, I don't think the Style Council ever toured the US.

The Jam couldn't get arrested in the US, though apparently there was a big push by their label around 1980 or so; they appeared on American Bandstand and Fridays. A few cities had sizable Jam followings (NYC, Boston, Chicago, LA), where they played maybe 3000-4000 seat venues. They got off on the wrong foot here, though: their first US dates in the late 70s were opening for Blue Oyster Cult.

Dunno how much overlap there is between Jam fans and Weller solo fans here; some friends of mine saw him a few weeks ago and said it was disappointing, but they only know his Jam stuff, which he didn't play.

their first US dates in the late 70s were opening for Blue Oyster Cult.

fwiw that's not correct, they played headline dates in the US in 1977 but at smallish venues like CBGBs/The Rat, they supported BOC in 1978.

Ah, good point. I couldn't remember if the BOC shows were before or after the CBGBs shows.

Should point out I am not a walking Jam encyclopaedia but by coincidence someone posted a link to a CBGBs chronology on FB yesterday and I was reading the 70s gig listings last night!

Dunno how much overlap there is between Jam fans and Weller solo fans here; some friends of mine saw him a few weeks ago and said it was disappointing, but they only know his Jam stuff, which he didn't play.

― Montgomery Burns' Jazz (Tarfumes The Escape Goat), Thursday, July 16, 2015 3:14 PM (1 hour ago) Bookmark Flag Post Permalink

Even here, I've found with Weller fans that it depends on who you talk to regarding their preferences - every Weller fan I've ever spoken to seems to have a very different opinion. The hardcore of the hardcore love all three Weller periods equally, I guess, but just as often you'll find people who say, like The Jam and nothing else, or The Style Council and nothing else, or they'll like The Jam and Weller's '90s solo work but not the rest of his stuff etc.

I'm just thinking about what happened to a lot of these artists post-Live Aid, not so much the then-"old guard" acts like Status Quo, McCartney, The Who etc. but more the artists that emerged in the first half of the decade/tail end of the previous decade. It's already been mentioned that The Boomtown Rats and Adam Ant were on their way out, but they're not the only examples.

I mean, Spandau Ballet basically had one more Top Ten hit after Live Aid ('Through The Barricades'), Ultravox began to falter with the sacking of Warren Cann and U-Vox (and never recovered), Nik Kershaw's album after Live Aid was a flop, none of Paul Young's singles in 1986/1987 made the UK Top 10. It was pretty much slowly downhill for The Style Council in terms of popularity, too. Howard Jones never had a Top 10 hit again on either side of the Atlantic after 1985. Duran Duran kept on making records and having a dedicated fanbase, but Live Aid was pretty much the end for the original line-up.

Automatic thread bump. This poll is closing tomorrow.

I'm the guy that voted for Elton btw.

Automatic thread bump. This poll's results are now in.

and, sorry, I thought Bowie was excellent. That version of "Heroes" is still my go-to live arena version.

― The burrito of ennui (Alfred, Lord Sotosyn), Tuesday, July 14, 2015 7:06 PM