i have noticed that as i get older "whither novelty?" has become a question i've no inclination to ask myself
― gong mad (Noodle Vague), Thursday, 28 May 2015 10:01 (eight years ago) link
Well we're different. I like novelty. It's one of the key reasons I enjoy finding out about new and different types of music.
Going back to it, unless everyone takes up the yaybahar and it gets crazy popular, it is software that's going to make the biggest differences in music, right?
― p:s nerds know (dog latin), Thursday, 28 May 2015 10:09 (eight years ago) link
I don't think we're even anywhere near the point of exhausting the possibilities of the human voice let alone instrumentation or arrangement or technology.
― Matt DC, Thursday, 28 May 2015 10:13 (eight years ago) link
I like how anvil put it. It's the idea of (new) things sounding cutting edge that's 'short-sighted' if anything - something to get over as you get older. It's laughable to hold up something like Jungle as an innovative pinnacle in that respect too, rather than a vital link in a chain as dependent on its antecedents as the evolution of digital. I'll still spend the rest of my life being blown away by sounds irrespective of when they happened, however the means to achieve them develop.
― nashwan, Thursday, 28 May 2015 10:28 (eight years ago) link
People who hold up jungle as an idealised moment in musical history always seem to want to think of music and genres in terms of constantly progressing lines and I don't know any genres that actually work like that. Genres tend to stick around rather than disappear and be replaced every two years and they build more and more layers on top of themselves. If you really can't find something out there, from whatever point in history, that sounds like nothing you've ever heard before then I'm impressed, you've listened to a lot of music.
― Matt DC, Thursday, 28 May 2015 10:32 (eight years ago) link
Put the word progressing in scare quotes there.
― Matt DC, Thursday, 28 May 2015 10:33 (eight years ago) link
Katie Gately, Jute Gyte, much of the footwork scene, Blanche Blanche Blanche, Dawn Richard, Ueno Maasaki along with most of Editions Mego and Autechre, still
― an absolute feast of hardcore fanboy LOLs surrounding (imago), Thursday, 28 May 2015 10:33 (eight years ago) link
And a reminder to myself to revisit the Jlin album
― an absolute feast of hardcore fanboy LOLs surrounding (imago), Thursday, 28 May 2015 10:37 (eight years ago) link
Was Dylan's Ballad of a Thin Man the first rock artefact to float the idea that the older we get, the more difficult it is for us to recognise crucial shifts and sea changes in popular ('youth') culture, even when they're happening right under our noses? I remember Tony Wilson saying much the same thing, once upon a time.
― sʌxihɔːl (Ward Fowler), Thursday, 28 May 2015 10:45 (eight years ago) link
Jute Gyte
Is perhaps the most startling artist I've heard in the last few months. But I can't bare to listen to him (them?) for too long.
― the joke should be over once the kid is eaten. (chap), Thursday, 28 May 2015 10:46 (eight years ago) link
I'm interested in, for example, how before the proliferation of recorded sound, vibrato was considered bad form for opera singers. but because of limited tech in the early 20th century, vibrato was found to be more audible on playback than straight singing, and so it became a norm and shaped the sound of what we now think of as 'opera'.
I noticed a parallel the other day when a friend remarked on the amount of autotune on a song we were listening to, but to me it just sounded like that was the way the singer had chosen to sing.
― p:s nerds know (dog latin), Thursday, 28 May 2015 10:47 (eight years ago) link
'U
― glumdalclitch, Thursday, 28 May 2015 10:50 (eight years ago) link
Jute Gyte is interesting because he's not the first to use microtonal/atonal tunings, but he is one of the first to use it in the context of extreme metal. But yeah, I can stand to listen to one track and that's enough at a time for me. Same as Jlin - she's def part of the footwork family, but there's something about the approach and attitude in there that sounds just a tiny bit removed from the Chi-Town producers that makes it sound fresh. They're not pivotal or transcendental in their delivery, but they are carving out their own niches. Whether those niches will develop or have any further impact on the muso-sphere as a whole is anyone's guess. Flick to any page in this month's Wire and there'll be 'cutting edge' music featured there - but it's doubtful as to whether even 1% of it will have influence beyond its own limited reach.
― p:s nerds know (dog latin), Thursday, 28 May 2015 10:55 (eight years ago) link
http://news.bbc.co.uk/olmedia/1490000/images/_1492964_mcnulty_300.jpg
― bureau belfast model (LocalGarda), Thursday, 28 May 2015 11:01 (eight years ago) link
there are loads of other BM bands who sound a lot like Jute Gyte.
― Keith Moom (Neil S), Thursday, 28 May 2015 11:02 (eight years ago) link
name them
― an absolute feast of hardcore fanboy LOLs surrounding (imago), Thursday, 28 May 2015 11:37 (eight years ago) link
here are three: Aluk Todolo, Krallice, Botanist
― Keith Moom (Neil S), Thursday, 28 May 2015 11:40 (eight years ago) link
Botanist doesn't really do the same thing as Jute Gyte IIRC? The whole point (or gimmick) behind JG is he uses bizarre tunings to create uncanny atmospheres. Botanist's gimmick is that the guitars are replaced by an amplified dulcimer. They're working in the same place but they don't sound the same really.
― p:s nerds know (dog latin), Thursday, 28 May 2015 11:47 (eight years ago) link
well all those bands mentioned are engaged in "experimental black metal" I think, and we'd really be getting into the narcissism of small differences if we were to say that JG are sui generis as compared to those other bands.
― Keith Moom (Neil S), Thursday, 28 May 2015 11:51 (eight years ago) link
lol no
botanist is unusual in a different way but not exactly mould-shattering, albeit excellent
the other two I don't know so well but they are surely doing very different things with less neoclassical theory & tonal exploration
Jute Gyte released an album earlier this year which sounds a bit like Autechre's weirder material, that mindset informing BM is nothing like anything else I can think of
― an absolute feast of hardcore fanboy LOLs surrounding (imago), Thursday, 28 May 2015 11:56 (eight years ago) link
I've listened to several 'experimental black metal' bands, including a few mentioned, and JG is definitely the most weird and striking to me.
― the joke should be over once the kid is eaten. (chap), Thursday, 28 May 2015 11:58 (eight years ago) link
But it's a genre I dip my toe in now and then rather than immerse myself in, so I'm hardly an expert.
― the joke should be over once the kid is eaten. (chap), Thursday, 28 May 2015 11:59 (eight years ago) link
fair enough.
xxp which JG record was that? I will check it out. Lots of them, hard to keep up!
― Keith Moom (Neil S), Thursday, 28 May 2015 11:59 (eight years ago) link
xxxp okay. i guess it's pointless arguing over that. avant-metal has a lot of strange stuff going on by definition.
that's avant garde music for you I guess - it's only as groundbreaking as its influence, otherwise it's just shouting into a vacuum. I love it when people slather over a perceived novelty in music and someone always has to chip in with "you obviously haven't heard Cornelius Cardew/Wyschnegradsky/White Noise - those guys were doing this waaaay before your new favourite act", because often they're not taking into account the cultural context. Non--standard time signatures are par for the course in genres like metal, classical music and jazz, but when the beat flexes out of time on Hey Ya or Ignition (Remix), that could be seen as perhaps an even bolder move in its own right.
― p:s nerds know (dog latin), Thursday, 28 May 2015 12:06 (eight years ago) link
ctrl-f 'chief keef' --> 0 results
ilm you fail me
― tpp, Thursday, 28 May 2015 12:15 (eight years ago) link
Oh, and Micachu
Jute Gyte avant-electronic album is Dialectics, check it
Paradigm shifts in pop culture are equally worthy of note and the Dawn Richard album feels like a leap of expression rather than musicality
― an absolute feast of hardcore fanboy LOLs surrounding (imago), Thursday, 28 May 2015 12:20 (eight years ago) link
I love it when people slather over a perceived novelty in music and someone always has to chip in with "you obviously haven't heard Cornelius Cardew/Wyschnegradsky/White Noise
...
the new is in the hearing not in the record
― anvil, Thursday, 28 May 2015 12:21 (eight years ago) link
^ yeah, totes.
as i said on a couple of other threads, but recent trap-style hip hop feels VERY *ahem* 'future' to me, and not just with the production but also the whole approach to vocal delivery exhibited by guys like Young Thug - it's unlike anything I could describe from even five years ago.
― p:s nerds know (dog latin), Thursday, 28 May 2015 12:24 (eight years ago) link
that jute gyte was completely unremarkable within the context of marginal experimental electronic music though in terms of marginal electronic music made by metal dorks it is slightly more advanced than the burzum stuff
― lex merk a tory ya? (nakhchivan), Thursday, 28 May 2015 12:29 (eight years ago) link
mark my words, the next breakthrough in music will come from biotech. get ready to love mutant centipede freaks with 5-10 differently-tuned kick drums in their setup, I guess
― Heroic melancholy continues to have a forceful grip on (bernard snowy), Thursday, 28 May 2015 12:31 (eight years ago) link
It sounds like emoticons, the rest is aesthetic preference I guess (re: nu-trap), gimme Lil B every time tho
Jute Gyte electronic album is not particularly groundbreaking but his metal stuff assuredly is and I was using the electronic stuff to illustrate his range and palette of influence
― an absolute feast of hardcore fanboy LOLs surrounding (imago), Thursday, 28 May 2015 12:34 (eight years ago) link
, you divock
― an absolute feast of hardcore fanboy LOLs surrounding (imago), Thursday, 28 May 2015 12:35 (eight years ago) link
Don't think of Dawn Richard as cutting edge in any way (given numerous other artists out there trading similarly, disregarding tiresome genre context) just generally cogent, pleasant, disciplined, well made etc.
― nashwan, Thursday, 28 May 2015 12:40 (eight years ago) link
microtonal metal music is groundbreaking in the least interesting way possible to anyone vaguely familiar with the prewar heterodox avantgarde
― lex merk a tory ya? (nakhchivan), Thursday, 28 May 2015 12:40 (eight years ago) link
i bought the jute gyte electronic album when it came out and it just sounded like early 00s IDM that I used to listen to
― Eric Burdon & War, On Drugs (Cosmic Slop), Thursday, 28 May 2015 12:44 (eight years ago) link
microtonal metal music is groundbreaking in the least interesting way possible to anyone vaguely familiar with the prewar heterodox avantgarde― lex merk a tory ya? (nakhchivan), Thursday, May 28, 2015 1:40 PM (5 minutes ago) Bookmark Flag Post Permalink
― lex merk a tory ya? (nakhchivan), Thursday, May 28, 2015 1:40 PM (5 minutes ago) Bookmark Flag Post Permalink
someone always has to chip in with "you obviously haven't heard Cornelius Cardew/Wyschnegradsky/White Noise - those guys were doing this waaaay before your new favourite act"
― p:s nerds know (dog latin), Thursday, 28 May 2015 12:47 (eight years ago) link
to my diletanttish ears, Jute Gyte has strong sonic affinities with a lot of what has come to be called "cavernous death" -- stuff like Portal & Aevangelist with heavy atmospheric effects that are probably being done with 'cutting edge' software plugins -- Jute Gyte being entirely home-recorded IIRC it makes sense that his sound would be "c.2010 digital studio reverb" rather than "c.1970 Black Sabbath" or whatever, if that makes sense? so the novelty comes not just from the microtonal stuff, but from the convergence of an individual artististic project (microtonal guitar explorations) & a stable aesthetic or subgenre that hasn't yet exhausted its appeal
― Heroic melancholy continues to have a forceful grip on (bernard snowy), Thursday, 28 May 2015 12:48 (eight years ago) link
when ILM in general is looking for 'cutting edge' music i very much doubt 'it' wants metal. I dont see people scurrying off to buy it somehow.
― Eric Burdon & War, On Drugs (Cosmic Slop), Thursday, 28 May 2015 12:51 (eight years ago) link
The most novel thing about Jute Gyte is the strength of the songwriting and the integration of the quartertones as not gimmick but melody
― an absolute feast of hardcore fanboy LOLs surrounding (imago), Thursday, 28 May 2015 12:52 (eight years ago) link
xxp ... my point, which I guess wasn't entirely clear, being: sometimes a critical mass is reached where a particular 'sound' (recording aesthetic, whatever) becomes significantly easier to achieve than it ever had been in the past, & that increased accessibility leads to a temporary influx of creativity (subgenres, or microgenres -- we're talking short pop-culture cycles, here, like producers using trance synths in chart rap)
― Heroic melancholy continues to have a forceful grip on (bernard snowy), Thursday, 28 May 2015 12:54 (eight years ago) link
to answer this question, which isn't so much a question as an invitation to inhabit the noosphere of dog latin and the psychic space of doglatinnery in general, some recent things that sound vaguely distinctive
shxchshcshthe sd laika albumgabor lazarsensate focus/mark felldemdike stare testpressingskouhei matsunagalorenzo sennijames hofflee gamble
― lex merk a tory ya? (nakhchivan), Thursday, 28 May 2015 12:54 (eight years ago) link
dog latin it isn't so much wyschnegradsky, perhaps the eighth or ninth most interesting russian piano music composer of the early 20th c, but a whole school of marginal wackiness following that before its ideological currency was debased to the extent that prog rock and even prog metal people take it up
― lex merk a tory ya? (nakhchivan), Thursday, 28 May 2015 12:56 (eight years ago) link
If anyone is painting pop on a canvas anything like Dawn Richard's then hit me up
ty for the list nakhers, u forgot gaz kingsnorth obv
― an absolute feast of hardcore fanboy LOLs surrounding (imago), Thursday, 28 May 2015 12:57 (eight years ago) link
Bob Dylan -Shadows in the Night
― curmudgeon, Thursday, 28 May 2015 12:58 (eight years ago) link
or like, what about all those Attack! Attack!-style post-metalcore myspace bands we used to have so much fun mocking -- bands doing nothing that hasn't been done before, but doing it in such a spectacularly ill-advised way that the result takes on this fascinating outsider art quality
― Heroic melancholy continues to have a forceful grip on (bernard snowy), Thursday, 28 May 2015 12:58 (eight years ago) link
turn of the century microhouse sounded distinctive because most electronic music did from 98-01 or so due to the proliferation of software of greater complexityprobably something like farben/textstar still sounds quite good although vocalcity while being slightly estranged towers all over the more exoteric clicks and cuts stuff
none of those i just listed sound 'cutting edge' exactly, in that way, though they might have the advantage of being better
― lex merk a tory ya? (nakhchivan), Thursday, 28 May 2015 13:01 (eight years ago) link
x-post to myself--re-contextualizing Sinatra covers in 2015 is as cutting edge as much electronic programmed music is in 2015
― curmudgeon, Thursday, 28 May 2015 13:03 (eight years ago) link
What a gobsmacking sentence.
― the joke should be over once the kid is eaten. (chap), Thursday, 28 May 2015 13:03 (eight years ago) link
this is the thread that could bring back challops in 2015, repackaged in unprecedented forms
― an absolute feast of hardcore fanboy LOLs surrounding (imago), Thursday, 28 May 2015 13:05 (eight years ago) link
but first the very idea of "music" needs to be rethought
― Heroic melancholy continues to have a forceful grip on (bernard snowy), Thursday, 28 May 2015 13:07 (eight years ago) link
at least with Arca it's the molten, elastic, slippery quality- his stuff has so much caprice in the way forms come and go- even programming intensive 90s IDM tended to have a metronomic hi hat grid that ticked away underneath the fancy snare workouts. To my ears, the Arca / M.E.S.H. moment is about giving up the grid and being a lot less reliable, formally. It's spiritually akin to IDM but not the same formally.
― the tune was space, Monday, November 30, 2015 8:53 AM (3 hours ago) Bookmark Flag Post Permalink
well said.
btw people who have only heard Arca's albums should check out his Stretch EPs and the &&&&& mixtape, they're much more beat-oriented and accessible. maybe not quite as singular, but i come back to them more often.
― expertly crafted referential display name (Jordan), Monday, 30 November 2015 18:18 (eight years ago) link
he's also a really sick DJ, I just DJed with him in Iceland last week and he melts down other people's songs in a very startling way when he Djs
― the tune was space, Monday, 30 November 2015 19:06 (eight years ago) link
would love to hear that!
― expertly crafted referential display name (Jordan), Monday, 30 November 2015 19:13 (eight years ago) link
http://killedincars.tumblr.com/image/135585989879
― spiritual hat gaz (Drugs A. Money), Sunday, 10 January 2016 14:14 (eight years ago) link
Hmmm
^I suspect this probably hits a lot of the bases when answering this question
― spiritual hat gaz (Drugs A. Money), Sunday, 10 January 2016 14:15 (eight years ago) link
I thought that this topic, perhaps more than any other, merits a 2016 thread, so I made one - What sounds cutting edge in 2016?
― neilasimpson, Tuesday, 12 January 2016 10:33 (eight years ago) link