The Cronenberg Thread

Shivers
Naked Lunch
Videodrome
ExistenZ
Dead Ringers

I like Crash and The Fly, too, and Scanners (although I was anticipating the head-blowing-up scene too much to really appreciate much else of the film).

I'm not the biggest fan of Crash, but I think a lot of that has to do w/ the subject matter (and the portrayal of it) (the fierce unyielding atavistic obsession the characters have re: the fetish), so I'm thinking the movie worked really well. I'm thinking "atavistic obsession" could summarize DC's career succinctly.

the only other director who can finesse some of the same essence out of a scenario the way that he can is nicolas roeg. they're working in two different arenas, in general, but both are adept at channeling the anxiety of being an awkward fleshy thing with a brittle skeleton beneath, and i very much like the endings in their films. and the beginnings middles and rests too.

ok, strike the only out of that sentence. i hate that kinda talk.

* Commentary by Jeremy Irons
* Behind-the-scenes featurette
* Cast/filmmaker interviews and filmographies
* Dead Ringers Psychological Profiler (menu-based quiz)
* Theatrical trailer

ok, i see. still im not gonna need to buy this. the criterion edition from a few years back has much better features.

I'm going to shock everyone by saying that Existenz is probably the one I enjoy the most.

I adore eXistenZ, it's incredibly funny! Poor Jude Law's excessive uptightness really makes it.

I like just about everything Cronenberg's ever done, including Crash. When I lived in Paris the Cahiers du Cinema people did a big retrospective, they screened all his films and brought Cronenberg there to give a few talks & such. He is super nice and seemed rather surprised by all the attention from that realm, i.e. the film scholar/auteur worshipping contingent instead of, you know, Fangoria. (Not that there's anything wrong with that.)

As part of the retrospective they had an exhibition of various props and plans and things from his films.. This turned out to be extremely hilarious, because on the ground floor of the same building there happened to be an exhibition of a century's worth of advertising art for Lu, the dessert company. So you'd walk in and it was all bright sunlight and cheery vintage Art Nouveau posters and candy and cookies, and then you got to go downstairs to this gloomy, dark basement (really!) and look at tools for operating on mutant women. I wonder if Cronenberg ever made it over there to see what they'd done, I think he would have been amused.

xpost
Holy shit, "psychological profiler"? That's messed up. Awesome.

Personally, I think I like Crash and The Dead Zone the best.

Dead Ringers, the Dead Zone, Scanners, videodrome: all great. I LOVE his Naked Lunch adaptation; again, adapting this was a thankless job and he got a lot of flak for not doing the book (like he could really film the book) and instead focusing on Burroughs biography, but I think he made a real masterpiece here, his best and most emotional film.

I liked the fish gun in Existenz and that was all.

i think anyway, i switched over in protest at this botch up.

what made you say that? it was howard shore, btw.

The Crash score is by Howard Shore and it's really, really great.

yeah i know it was howard shore, but i was surprised by the running guitar motifs - i thought he was famous for/usually employed to provide orchestral scores?

Also, he's fun as an actor, like in Last Night and Nightbreed.

And I discovered the Brood around the same time I first saw Oliver Reed in Ken Russell's The Devils.