Great albums Robert Christgau hates

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The time we had our first chat I gave him shit about the Dolls album and he got defensive ("What's the matter? It speaks to me!" or something).

The burrito of ennui (Alfred, Lord Sotosyn), Thursday, 23 April 2015 18:23 (nine years ago) link

yeah i never assume this shit is disingenuous - dude seems enough of an unrepentant screwball that his "and they mentioned Gore by name. A." shit represents an earnest salute to the cd player

da croupier, Thursday, 23 April 2015 18:26 (nine years ago) link

Hey anybody who mentions Lesley Gore gets an A in my book.

Vic Perry, Thursday, 23 April 2015 18:29 (nine years ago) link

oh come on, i clearly meant Martin.

da croupier, Thursday, 23 April 2015 18:37 (nine years ago) link

exactly. I enjoy reading him even if I wouldn't take a music recommendation

frogbs, Thursday, 23 April 2015 18:57 (nine years ago) link

" Like a lot of young black pop artists, Missy deals in aural aura rather than song, which means that even after you connect--as I did with "Izzy Izzy Ahh" well before "The Rain" hit MTV--she can take awhile to absorb."

I like that

Arctic Noon Auk, Thursday, 23 April 2015 22:03 (nine years ago) link

Reminder that Christgau gave To Pimp a Butterfly the same score as Rae Strummond in the same week https://medium.com/cuepoint/robert-christgau-expert-witness-9fa87a06ebde

utter fool.

Arctic Noon Auk, Monday, 27 April 2015 22:04 (eight years ago) link

which of those two scores are you complaining about?

fact checking cuz, Monday, 27 April 2015 22:06 (eight years ago) link

hehehe

Arctic Noon Auk, Monday, 27 April 2015 22:48 (eight years ago) link

That A- he gave Kendrick feels a little low for the review he wrote

thom yorke state of mind (voodoo chili), Monday, 27 April 2015 23:08 (eight years ago) link

four years pass...

Rob Unkut has been posting his reviews of classic hip hop stuff, just awful

SCHOOLLY-D (Schoolly-D) From the beginning, rap has been a music of aggressive, expansive possibility, claiming the world on beat and boast alone. This Philadelphia street tough claims only his turf. His powerful scratch rhythms are as oppressive and constricted as his neighborhood, and his sullen slur conveys no more hope or humor than the hostile egotism of his raps themselves. I'm not saying he isn't realer than all the cheerful liars the biz has thrown back to the projects, or that his integrity doesn't pack a mean punch. But he's still an ignorant thug, and he's cheating both his audience and himself by choosing to remain that way. B PLUS


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