The Father John Misty Thread

hmm Oldham is an interesting point of comparison - particularly "Sings Greatest Palace Music". I'm not interested in peeling layers in general though. it's the songs that count.

he does have an I'm Still Here beard

and I see that he pooped on my spotify as I slept last night

xp Do they, though? There are far, far better songwriters who put out records last year that don't seem to get the same attention, mostly because their music doesn't lend itself as easily to lifestyle reporting. I also don't think it's a coincidence that Kozelek's star seemed to rise in proportion to his trolling.

kozelek's trolling better described as "bread bowling"

xp Do they, though? There are far, far better songwriters who put out records last year that don't seem to get the same attention, mostly because their music doesn't lend itself as easily to lifestyle reporting. I also don't think it's a coincidence that Kozelek's star seemed to rise in proportion to his trolling.

― Jimmywine Dyspeptic, Tuesday, February 10, 2015 12:44 PM (17 minutes ago) Bookmark Flag Post Permalink

If you make yourself equal to a compelling character in an indie flick people start to care. Your backstory or whatever else on the outside needs to fuel your musical output and is more important than how interesting the music itself is.

with FJM the persona and all its attendant bells and whistles ultimately benefit the music & lyrics, so it isn't bothersome to me

yeah I find it a compelling character, much like Bonnie Prince Billie (or Dylan or any other number of "I can't tell if this is a joke" ironists) in that respect

I think most importantly the songs are confident and colorful, and the arrangements are big but detailed and not boring. Also it's very well-sequenced. "Holy Shit" and "I Went to the Store One Day" are a great closing pair.

Just got the vinyl, which came w a cassette of demos (incl a cass mccombs cover)

What song did he cover?

nobody's nixon

Great choice. Love that song, love the EP it's from.

lol @ the canned audience in Bored in the USA - figured that was just a Letterman gag

on first couple listens - this has a more uniform sound than the previous one (dude sure loves his string section), and I don't hear anything as immediately catchy. it feels v langurous, albeit in a predictably bitter and mysanthropic way. the last few songs seem like the peak.

(not in terms of jazz-rock chops obviously, but in terms of juxtaposing slick, pretty music with bleakly cynical/ironic lyrics)

steely dan lyrics way more oblique than this dude. the juxtaposition you identify here is literally everywhere in music

well I didn't say it was unique

agree that the Dan's stuff is more oblique

I think I probably find the persona more interesting than I would've otherwise because I was already very familiar with his much more po-faced output as J. Tillman.

I guess the other reason I brought up the Dan is because the sonic territory FJM is mining here sounds p explicitly LA 70s, albeit from more of the country-rock end then the jazz-rock end

can't escape this dude's music playing in coffee shops

Have started enjoying this more once I have stopped worrying whether it is any good or not, if that makes sense?

Sometimes self satisfied, undeniably, but this > "and then he drops a song that is just plain beautiful like I Went To The Store One Day".

http://www.citypaper.com/music/music-boxes/strum-und-twang/bcp-strum-und-twang-fuck-father-john-misty-fuck-bob-dylan-listen-to-zane-campbell-20150303,0,6672882.story

Guy who has produced unknown Maryland artist Zane Campbell writes guest article for Baltimore City Paper ripping into Father John Misty and others

He starts like this:

First things first: There is no more room in the United States for even one more Father Chode or Father John Misty or whatever the fuck the newest know-it-all trippy sensitive white yuppie songwriter rehashing the ’60s is called. Will the bros and rich kids please stay the fuck out of country and folk music, for crying out loud? You have fucking ruined it beyond all repair with your literary allusions and private-school educations and insecure fake tough-guy shit. Don’t come back either. You aren’t funny or tough or witty and you are clogging up the inboxes of all the booking agents and critics with your reverb-drenched non-singing guitar-noodling ass horseshit and creating more traffic on the roadways while “going on tour.”

I know this dude has a clear motive, but he's not wrong.

laughable authenticity policing bullshit

Yup

Fjm is the worst tho

This is narcissism of the smallest difference.

No bros or rich kids in country music! Enough is enough amirite

Anyway Holy Shit seems to be the standout track to me now. Album ends strong.

Down with this kind of artifice! Up with the kind of artifice I like!

this is literally a concept album about a coffee-shop intellectual falling in love with a hipster party girl

That article's embarrassing. What relevance does FJM have to country anyway?

zero

your literary allusions and private-school educations
http://www.nndb.com/people/908/000023839/KrisKristofferson.jpg
^^^rhodes scholar

^^^bro

I like how the subeditor of that article clearly thinks there is a real artist called Father Chode

http://concert.arte.tv/fr/soiree-de-poche-father-john-misty

ILYH has grown on me a lot since it came out. One of my faves of the year now.

there's a couple missteps but yeah it's good

i generally have an aversion to stuff like this but this album is excellent.

Finally heard this. Adam Green did the kind of nice singing w some cuss words thrown in for shock better imo. The production is really nice, you can tell he wants to be Harry Nilsson, but doesn't have the bite or wit or gift w a melody of any of the aforementioned.

He killed it at Glastonbury. Reminded me of Nick Cave as a performer. Honeybear, Bored in the USA and Ideal Husband were particularly great. iplayer link for UK Ilxors:

http://www.bbc.co.uk/iplayer/episode/p02v3j54/glastonbury-2015-father-john-misty

Saw this on Facebook today:

Father John Misty
1 hr ·
I’d like to briefly clarify my comments to Billboard about duality, and “where I belong” etc.
In the past year or so the question of where I’m going to go in terms of a label, publishing, etc and what I want for my career has been up in the air. I’ve never been in a position to field interest from major labels and publishers before and I’ll admit it can make you nervous and raise existential type questions like “Who am I? What do I believe in? What kind of artist am I?” etc
Drawing a line, recognizing certain dualities, or making a distinction, like I’m talking about to the interviewer, is important in terms of not becoming totally misguided in a process like this. While pragmatism is good, sometimes ideals are important too, and perhaps even more useful in making a decision with real consequences on your ability to survive creatively. I personally think I am more likely to thrive outside the major label thing and my minor brushes with mainstream levels of attention have left me with totally bewildered how anyone habitually lives with it.
I don’t harbor any delusion my music is too radically unique or subversive to be appreciated by the masses, and there are more than enough examples of iconoclast major label artists to make a case that as a rule pop art is more frequently progressive where artists like me are relatively provincial.
As a consumer of music, I only have the things that I instinctually do and don’t like, like anyone else. I tend to intellectualize, to my peril, the reasons I don't like the things I don’t like, but that’s just for cheap thrills (or at worst to sanctify my taste). I won’t bore anyone with a comprehensive list of pop artists that I like, or contrarily the non-mainstream music I don’t like.
As far as “objective judgments based on beauty” and whatever, I’m in the habit lately of blindly attacking a post-modern strawman that may or may not exist. It’s my current hobbyhorse, what can I say.
All in all, I’ve kind of lost my sense of humor with the whole enterprise of press, which is unfortunate for anyone with an internet connection.
Yours eventually,
JT

the sort of self indulgent waffle one might gladly expect from this bad artist

forgive me but one should never have to clarify anything, especially not like this

I am perhaps uncharitable but I have endured the gentleman's music

I love his stuff, but I'm not sure what this is in reference to. Tried to look him up on Billboard, but couldn't see anything related to these comments.

http://www.billboard.com/articles/columns/rock/6746284/father-john-misty-talks-taylor-swift-1989-covers-pop-music-at-pitchfork-festival-paris

Ah.