Transmissions Fest footage is new to me, awesome. I wish more people openly talked about his later work without full on the talk of "well, I don't know about this, but look at what he used to do." The only thing that I can't fully grasp is the Hitomi material, some of it is played in that Transmissions Fest video. Kinda feel like it goes down easier when you get to watch him play like that, on record is another thing. There is another noodley electric gig on youtube that actually does have a lot of syncopation; and getting to hear old styles on an electric is pretty nice. There aren't many artists that went so far in the other direction, let alone an instance where you get to watch past material with a new technique. Defiantly would rather have had Fahey do all that then not. I dig The Mill Pond lots. It's not too different than some of the stuff that is out there today. Womblife gets so zonked in parts you can't help but grin.
― Neal Cassady, Tuesday, 16 December 2014 22:03 (four years ago) Permalink
Loving this Glenn Jones tune, "The Teething Necklace (For John Fahey)"xxx.youtube.com/watch?v=6qd7pWITPQQ
― Neal Cassady, Tuesday, 16 December 2014 22:05 (four years ago) Permalink
Couple things I put together,
John Fahey's Adelphi Sessions, the Dance of Death outtakes. Uploaded as MP3's, posted on my blog:http://broadcastsfrompoorfarm.tumblr.com/post/105403178308/john-fahey-adelphi-sessions-the-dance-of-death
Scanned my copy of the mail order catalog from Fonotone Records, interesting curio. Includes the numerous early Fahey comps Joe Bussard curated for Fonotone.http://broadcastsfrompoorfarm.tumblr.com/post/105401770173/fonotone-records-mail-order-catalog-pdf-booklet
I finally put together some new lapstyle material and wanted to share it here. "Blue For al-Watawit of Yashkur" sits as is, in a sorta demo state. I didn't want to forget all the new ideas I've been having, yet also told myself I wouldn't record again until I bought a nice microphone. Of course, I got impatient, so here we are. Before they find a home somewhere, I do want to properly record them.http://raglore.com/album/blue-for-al-watawit-of-yashkur
Link for the MP3's are posted here,http://broadcastsfrompoorfarm.tumblr.com/post/105403934713/rag-lore-blue-for-al-watawit-of
― Neal Cassady, Wednesday, 17 December 2014 02:51 (four years ago) Permalink
Look forward to checking this stuff out
― you say tomato/i say imago (upper mississippi sh@kedown), Wednesday, 17 December 2014 03:28 (four years ago) Permalink
Cool, thanks Neal! Actually already listened to your "Blue For al-Watawit of Yashkur" tracks (Mr. Avant Ghetto threw them up on twitter yesterday), really enjoyed them. First track sucked me right in, so yeah make a recording you are happy with and I am on board!
― grandavis, Wednesday, 17 December 2014 17:57 (four years ago) Permalink
neal - or others - what microphones/mic pres do you guys use? this coming year i need to get serious about recording an album
― you say tomato/i say imago (upper mississippi sh@kedown), Wednesday, 17 December 2014 19:11 (four years ago) Permalink
like your new stuff neal
the only Tashi Dorji song on Spotify is a cool little curio, electronic remix featuring his guitar of a song by some psychey dude name Al Lover
― you say tomato/i say imago (upper mississippi sh@kedown), Wednesday, 17 December 2014 21:00 (four years ago) Permalink
Thanks dudes, I have always just been using a portable digital Tascam recorder from B&H Photo that I bought a while back. It fits in your pocket so I've used it while out and walking around, but it's not a good choice for recording guitar at this point, I loved it at first bc of how much of an improvement it was over using the internal MacBook mic. I sold my two amps (+all other musical electronics) years ago during collage, which I regret now. As I would like to record traditionally with a mic and amp set up. Either using the sound hole or install a pick up. How about USB mics? Been talked about here before I think. Decent clarity from the models available now?
― Neal Cassady, Wednesday, 17 December 2014 21:34 (four years ago) Permalink
I think the solution is to just meet someone in town with a set up :) - that way I can avoid all of this.
― Neal Cassady, Wednesday, 17 December 2014 21:36 (four years ago) Permalink
I've posted things upthread recorded with the Blue Yeti (120 new but you can def find a ton of these used on ebay, got mine for 80 on craigslist)http://www.bhphotovideo.com/bnh/controller/home?O=&sku=857749&gclid=Cj0KEQiA8MSkBRCP5LaRlcOAusMBEiQAiqldkgFeoLzZuCr_Hg1GQ03TBk1qSggFdqEqo5fQpNn1jLgaAgF98P8HAQ&is=REG&Q=&A=details
you can hear the stuff i've done, which is minimally processed, a bit EQd and maybe compressed slighty with some audicity plugin reverb on it, but overall I'd say USB mics have come a long way
of course, I'm just plotting about how I want to get a USB DAC/Mic pre unit and a better XLR mic so I suppose one is always unsatisfied.
― you say tomato/i say imago (upper mississippi sh@kedown), Wednesday, 17 December 2014 21:38 (four years ago) Permalink
gonna check out yr new thing neal! i've dug the rag lore things i've heard so far. just got hipped to this thing via soft abuse's twitter -- maybe it was mentioned on the old thread? https://moonbros.bandcamp.com/album/frijolillo - kind of low-key/dreamy/fieldrecording-y/acoustic action. i like it!
― tylerw, Wednesday, 17 December 2014 21:45 (four years ago) Permalink
Neal there is also a USB model of the Blue Spark which is supposed to be great on acoustics
― you say tomato/i say imago (upper mississippi sh@kedown), Thursday, 18 December 2014 00:48 (four years ago) Permalink
Nice yeah, I remember reading a while back about you UMS using the Blue Yeti for your material. If you search a phrase like 'USB mic acoustic guitar' on youtube the Blue Yeti seems to comes up the most, also something called the Snowball. Though, I think based on the sound samples the Yeti comes out on top. I'll look into that Blue Spark too.
No other time than now to get a project down. Should defiantly put together something. Stick it on a tape and send it to people, flinging around links is nerve racking sometimes though.
I used to work at the main public library of Virginia and was hired at the perfect moment where they were getting rid of all the old analog stereo equipment and vinyl records. It was a dream to hoard of that kind of stuff. I got a working reel to reel, but haven't yet grabbed any tape to use it. Would love to have it up and running.
― Neal Cassady, Thursday, 18 December 2014 03:31 (four years ago) Permalink
Reel to reel would sound great
― you say tomato/i say imago (upper mississippi sh@kedown), Thursday, 18 December 2014 03:41 (four years ago) Permalink
Grandavis did you end up heading to the hometown Daniel Bachman gig in Fredericksburg? A full video of it was posted a few days ago - includes some of the new material that should be coming up on the Three Lobed Record.
― Neal Cassady, Thursday, 18 December 2014 04:34 (four years ago) Permalink
Nah, I had to skip it as it was early in the day and I had too much to do. Watched the video already though! Wanna reiterate that I really like the new tunes that'll be on the next record. Bachman is chugging along into some sweet territory. The lap stuff is a real joy live too.
― grandavis, Thursday, 18 December 2014 13:03 (four years ago) Permalink
listening to that new Bachman right now, loving it, getting some sweet "Paris, Texas" vibes off of "Coming Home"
― some kind of terrible IDM with guitars (sleeve), Friday, 19 December 2014 01:07 (four years ago) Permalink
btw global is gonna be opening for bachman in mpls in the new year!
― you say tomato/i say imago (upper mississippi sh@kedown), Friday, 19 December 2014 02:59 (four years ago) Permalink
Very good shows happening in mpls these days, would love to catch that Metzger one (w/ Global and UMS) as well. Have fun with that.
― grandavis, Friday, 19 December 2014 13:25 (four years ago) Permalink
Pretty nice playlist here from John Mulvey (his Uncut series). Lots of stuff hit up in this thread, but throwing more kudos towards Neal's Rag Lore "Blue For al-Watawit of Yashkur" tracks. Cool to see folks from here getting out there and bringing it. Hope you get that record made this year UMS!
― grandavis, Friday, 19 December 2014 13:28 (four years ago) Permalink
my goal is to upgrade to a small basement studio, been scoping out gear and i think i get get a good setup going for less than $500
― you say tomato/i say imago (upper mississippi sh@kedown), Friday, 19 December 2014 15:47 (four years ago) Permalink
so easy to get obsessed w/researching gear/recording stuff but you also gotta remember that you won't ever make anything 1/2 as a good as a blind blake record that was recorded at less fidelity than the microphone on your iphone
― you say tomato/i say imago (upper mississippi sh@kedown), Friday, 19 December 2014 15:48 (four years ago) Permalink
i use my phone to record and i think it sounds pretty good!
― vigetable (La Lechera), Friday, 19 December 2014 16:21 (four years ago) Permalink
for a basement recording with a device not built intentionally to record music
― vigetable (La Lechera), Friday, 19 December 2014 16:22 (four years ago) Permalink
i am usually amazed by how good those iphone recordings come out. i mean, obviously not pro quality or anything... but good!
― tylerw, Friday, 19 December 2014 16:31 (four years ago) Permalink
fwiw I once again voice my preference for separate threads for making this music / listening to this music. I'd frequent both, but these threads get p unwieldy as it is without microphone reviews and stuff.
― Jimmywine Dyspeptic, Friday, 19 December 2014 16:58 (four years ago) Permalink
merry christmas guys
"hello there, uh John Fahey here.."https://www.youtube.com/watch?v=QrJQystmyl8
― Neal Cassady, Friday, 26 December 2014 04:04 (four years ago) Permalink
I thought "https" was supposed to block video embeds?
Oh well :/ still wishing well to everyone here anyway!
― Neal Cassady, Friday, 26 December 2014 04:07 (four years ago) Permalink
Alright, ventured into test threads.
Both "http" and "https" will embed viewable youtubes for me in Safari and Chrome.If I use "www" as well as no URL prefix at all, the video won't embed.
Though, if I head back to the old thread, "https" links are still the way they were: not embedded.That's all I've got, maybe this isn't the case for everyone else, but I'll leave out all http(s) going forward.
― Neal Cassady, Friday, 26 December 2014 05:09 (four years ago) Permalink
Always nice to spin the New Possibility during Xmas
― Wu-Tang Clannad (upper mississippi sh@kedown), Friday, 26 December 2014 12:15 (four years ago) Permalink
this track here sounding awesome. wish records from these folks weren't so expensive to get shipped to the states... they're all so great!!
― global tetrahedron, Saturday, 27 December 2014 18:26 (four years ago) Permalink
hey my wife came across this LP bc she's a massive dorothy parker fan and we mail-ordered it, it's music set to lyrics taken from parker's poetry. i think it would appeal to a lot of you guys.
― LIKE If you are against racism (omar little), Tuesday, 30 December 2014 00:00 (four years ago) Permalink
heh, i just sold that to somebody. i liked it, but found i wasn't returning to it very often.
― I dunno. (amateurist), Tuesday, 30 December 2014 00:07 (four years ago) Permalink
was listening to "the new possibility" last night and realized i don't really like it all that much. it seems very staid and unexciting compared to other fahey albums of the era. not the same heady mix of influences except in a few isolated passages. how to fahey fans rate those xmas albums anyway?
― I dunno. (amateurist), Tuesday, 30 December 2014 00:09 (four years ago) Permalink
i think it sounds like a good idea on paper but it's a bit flat overall. especially as he kept on doing more and more of them. i think definitely an attempt to get some crossover money from the windham hill/leo kottke 'hot tub music' crowd.
don't really need to listen to it when i've got the Charlie Brown Christmas soundtrack
― global tetrahedron, Tuesday, 30 December 2014 00:32 (four years ago) Permalink
the crossover money must have worked for him, pretty sure every single fahey section in used record stores around town is stocked with multiple copies of those. i'm always hopeful when i start to rifle through and then i see a dozen xmas lps and one battered to shit copy of 'after the ball'...
― LIKE If you are against racism (omar little), Tuesday, 30 December 2014 00:35 (four years ago) Permalink
The second Fahey christmas album is way better than the first because it sounds less like a christmas album and more like a proper Fahey album.
― austinato (Austin), Tuesday, 30 December 2014 00:37 (four years ago) Permalink
yeah, i do like that one better... ironically (?) that one is harder to find, i think it's OOP.
― I dunno. (amateurist), Tuesday, 30 December 2014 00:45 (four years ago) Permalink
Speaking as a fan of Fahey and a fan of Christmas music, I don't listen to them much either - they sound too dry, austere to bring me much joy.
― ticket to rmde (seandalai), Tuesday, 30 December 2014 00:53 (four years ago) Permalink
i th ink of them as being more conventionally pretty but less engaging than other fahey albums.
― I dunno. (amateurist), Tuesday, 30 December 2014 00:56 (four years ago) Permalink
it's also sort of jarring to hear a lot of fahey's 'tricks' and picking techniques applied to something so straightforward as a christmas song you've heard a million times
― global tetrahedron, Tuesday, 30 December 2014 01:56 (four years ago) Permalink
"christ's saints of god fantasy" is a legit great piece, I like the slightly ridiculous russian christmas overture on the second album a lot too. all the best fahey duets are on old fashioned love imo but the ruskin ones aren't bad. I like some of the standards esp silent night on slide guitar, that's so gorgeous. the last piece on the second album is a bizarre mix of fahey in brooding bola sete mode and festive cheer that's my kind of christmas tune
― ogmor, Tuesday, 30 December 2014 02:21 (four years ago) Permalink
^Agreed about "Christ's Saints of God Fantasy". From what I can recall, there were more than a couple moments that I do dig on the New Possibility. Maybe it's that all those moments came from this tune + "Silent Night".
The New Possibility (1968)Christmas With John Fahey Volume II (1975)Christmas Guitar - Volume One (1982)Popular Songs of Christmas & New Years - with Terry Robb (1983)
I've always confusingly stared at inclusion of "Volume One" on the 1980 release, maybe it's because Varrick envisioned an entire series of "Christmas Guitar" on their label? Come to think of it, I've never listened to the 1983 release with Terry Robb. Not exactly a Christmas album, but "Yes, Jesus Loves Me - Guitar Hymns" (1980), could be included in this vein as well, and I'd say it's a pretty good one. Fahey is probably the only Christian music I've loved this much, hah! Imagine if his only recorded output was the Christmas albums and albums of hymns. What would our contemporary look like?
― Neal Cassady, Tuesday, 30 December 2014 02:51 (four years ago) Permalink
**I've always confusingly stared at inclusion of "Volume One" on the 1982 release
― Neal Cassady, Tuesday, 30 December 2014 02:52 (four years ago) Permalink
IIRC the playing can get a little sloppy (or "goopy" IMO) on yes, jesus loves me, but it's still somehow one of the better fahey albums, just because he draws a lot of inspiration from those old hymns.
i wonder why the 2nd christmas LP hasn't been properly reissued/remastered.
― I dunno. (amateurist), Tuesday, 30 December 2014 03:13 (four years ago) Permalink
I was taking a look at discogs for that post and noticed Takoma & Rhino combined both Christmas volume 1 and 2 for a CD and cassette reissue in 1993. Then in 2012 Burnside Records cropped melodies and combined material from what looks like all the Christmas albums for a compilation generically titled "The John Fahey Christmas Album"... and in the process used a variation on the "Yes, Jesus Loves Me" album art for the cover of their comp. Man, if his catalog isn't one confusing thing after another.
Another bit of odd info is that Fahey used one of Ragtime Ralph's (credited as Ralph Johnston) compositions on the "Christmas Guitar - Volume One" album. I've always been bummed that Ralph's work still remain's officially unreleased at this point in time. Thankfully he used the resources of the internet though and has shared all his stuff with us that way. He says he's got a new album "Delta Slider Blues" ready for next year on his self-release label Empty Square.
― Neal Cassady, Tuesday, 30 December 2014 03:36 (four years ago) Permalink
I guess I'll be the one to stump for the New Possibility, where I can understand why people don't like it as a great Fahey record, and it is very autere and fairly unadventerous for him but I guess I sort of grew up going to a Lutheran church so I kind of find some kind of odd power in those fusty white key hymnal melodies and I think something in them resonates w.Fahey as well, whether it was greed driven or not it certainly wouldn't be the first or last time someone created art while trying to make a buck
but yeah it's very stately and sort of mournful to me, which i guess could be gloopy or overly staid to another's ears but something about it resonates w/me
it's definitely one of the most "uncool" Fahey records, maybe aside from the corny parts of Old Fashioned Love (which I kinda like too actually)
but yeah xmas hymns sort of resonate in some way back part of my mind being a little kid and going to "candlelight" xmas eve services w/my grandma or mom, where they turn the lights down and everyone gets to hold a candle which seemed really eerie to me in a way that stuff can only seem when you are very little
― Wu-Tang Clannad (upper mississippi sh@kedown), Wednesday, 31 December 2014 17:56 (four years ago) Permalink
I have the same exact resonance with tunes like "Silent Night" and childhood church experiences. Can remember some seriously extended versions (that would be primarily instrumental) that would go as long as it would take for the candle-lighting to make its way to the back of the room. I got lost in that moment for sure, both eerie and beautiful and heavy all at once. Still love that tune (as evidenced by the cover I posted last year).
― grandavis, Wednesday, 31 December 2014 18:14 (four years ago) Permalink
I will also rep for New Possibility, my mom would play that during the holidays when I was young and I've always loved it, it is certainly a different beast though
― some kind of terrible IDM with guitars (sleeve), Wednesday, 31 December 2014 18:51 (four years ago) Permalink
i dig the new possibility, austere is a very good word for it though
― marcos, Wednesday, 31 December 2014 18:51 (four years ago) Permalink
― All along there is the sound of feedback (Sund4r), Sunday, 26 May 2019 13:32 (three weeks ago) Permalink
I liked Lang's "Lost on the Chainbridge Road" a lot.
Also, Sarah Louise was lovely. More singing and keyboards than I expected. Really nice washed-out 12-string electric sound.
― All along there is the sound of feedback (Sund4r), Sunday, 26 May 2019 13:44 (three weeks ago) Permalink
New House and Land song is v nice.
― All along there is the sound of feedback (Sund4r), Monday, 27 May 2019 03:55 (two weeks ago) Permalink
a little roundup of some recent/recommended items — https://aquariumdrunkard.com/2019/05/30/transfigurations-2019-recent-recommended-guitar-soli/
― tylerw, Friday, 31 May 2019 18:05 (two weeks ago) Permalink
That roundup was nice Tyler. A couple of favorites and some new ones too. Obviously I am a Jon Collin fan (as per one of my recent posts) but also I can take all of that kinda M. Morley action that he can put out. I like this mode of his way more than the solo drone records he's been doing lately (which are fine but not this compelling imo). I mean, as a Dead C fan I am wired for it, but that distilled and simplified version really really works for me. You also do a good job of concisely summing up why!
― grandavis, Friday, 31 May 2019 18:52 (two weeks ago) Permalink
yeah the morley seemed kinda underwhelming at first, but i think it might be my fave out of all of those now ... he's doing ... something!
― tylerw, Friday, 31 May 2019 19:35 (two weeks ago) Permalink
His playing just contains a heavy gravitational pull, whether blasted into the void a la Dead C or more quietly floated out, al la this solo release. The key elements remain and operate on my brain in ways I am super into. I imagine it is not for everyone, but those it works for probably all get similar things out of it.
― grandavis, Friday, 31 May 2019 19:39 (two weeks ago) Permalink
with a bit of time and distance, i think the alexander LP and Sarah Louise's VDSQ release are the best acoustic albums of the last decade.
i don't know if i actually think this but if you haven't listened you are missing out, masters of control and composition
― global tetrahedron, Saturday, 8 June 2019 19:03 (one week ago) Permalink
I'd throw Glenn Jones's My Garden State in there, never tire of those songs
― Blues Guitar Solo Heatmap (Free Download) (upper mississippi sh@kedown), Saturday, 8 June 2019 19:35 (one week ago) Permalink
Agree with those sentiments. A) Glenn really nailed it on that album, I can't think of many records like that where the songs get stuck in my head for days and yet the record retains mystery and surprise for me. B) Both the Alexander and Sara Louise VDSQ records are two of my favorites in this realm for sure.
I am lucky in that I am buddies with David (aka Alexander) and have gotten to see him play a bunch over the years, but for like the first 3 years I knew him I had no idea he even played acoustic guitar hah hah, I only saw him play in his droney improv band Nagual. Was blown away the first time I saw him, and then yeah that record rules. That control and composition aspect is key, both of them managing to use the tools but not really sound exactly like any one player I can think of when listening to them. It is always make fun of David's lack of song titles when he plays, cause like they are all untitled/numbered, so you can't intelligently talk about any of them other than to remember what number the track was on the particular album in question.
― grandavis, Saturday, 8 June 2019 20:27 (one week ago) Permalink
Yeah My Garden State is the album where the constant remixing of his choice guitar patterns finally coalesced into some incredibly tight melodies. That album never gets old.
For me Matthew Mullane VDSQ is also one of the best of the decade
― Evan, Sunday, 9 June 2019 06:09 (one week ago) Permalink
The Isasa album from that Aquarium Drunkard link is very nice. Feels a little stronger melodically than some of this stuff can be at times.
― All along there is the sound of feedback (Sund4r), Wednesday, 12 June 2019 13:12 (four days ago) Permalink