Crosby, Stills, Nash, and Young: C/D, S/D

hahaha was that tracked at a japanese karaoke bar?

See how many songs you can finish from that album.

lol that is pretty unfortunate. love the cover art tho.
this is a little better
https://www.youtube.com/watch?v=BSI49GwnvSw&feature=kp

though it is funny -- "the loner" is one of neil's riffiest riffs, but stills is like "here let me totally rewrite that riff for you."

^^Stills very much in character.

Live box in hand...188 pg. booklet wtf?

Only two songs in but not the vocals sound pretty ragged

Didn't notice until now that Stills and Crosby trade lines on Wooden Ships

Oh uh speaking of Stills, here he is, live with the Memphis Horns, L.A. '71:
http://bigozine2.com/roio/?p=1888
27 tracks, including those titled labeled "tuning/talk", but they're all set up to be downloaded individually.

damn, Stills sounds fucking wasted when he opens his mouth on "black queen" from the new live box

he's thinking about his black queen

In the live box afterglow, Nash has been talking about maybe doing an expanded reissue of Deju Vu. Anybody heard boots from those sessions?

David Crosby, he tweets...http://www.rollingstone.com/music/news/david-crosby-neil-young-is-very-angry-with-me-20141011

[Croz tweeted some more shade, "I know at least 20 better guitar players than Neil. 3 in Snarky Puppy alone ..Hendrix , Stevie ray, get a grip." Stephen Stills and Graham Nash have yet to respond to Young's CSNY comments

Looks like Neil is leaving the door open for a Stills-Young Band reunion.

B-b-but how does he feel about Richie Furay?

Ready for the next CHVP tour!

http://25.media.tumblr.com/tumblr_m5nxqxdQsk1qihm0xo1_1280.jpg

scary

stills looks like he's saying some foul shit

Crosby, Stills, Nash & Jail Bait

four way skeez

stills is doing the talking and yeah clearly saying something horrible, cros as per usual giving the avuncular creep stare, neil is estimating how much the gas mileage will decrease with one additional passenger, nash is shaking his head slightly as if to say 'you don't want to get in this car'

otm loooooooooooool

lolll

Ah damn! Rick Rojas recently, and now this:

Chris Barrus retweeted
Tom Ceraulo ‏@tceraulo 2h2 hours ago

RIP Dallas Taylor, classic CSNY (and Manassas) drummer. From MUSIC SCENE, 1970: http://youtu.be/F0NjZrPX-l0

Sorry

https://www.youtube.com/watch?v=F0NjZrPX-l0&feature=youtu.be

Tim Drummond too. Rule of three.

RIP

"Dallas couldn't play my shit for crap."--Neil Young, on why Taylor was fired from CSNY

He and Stills must have been tight, since he was back for Manassas, and remember too that like 90% of the instrumentation on the 1st CSN album is Taylor & Stills.

Prior to that, Taylor was in Clear Light with Cliff DeYoung, later of Shock Treatment fame.

oh yeah, Doug Lubahn, who played bass on some Doors tracks, was in Clear Light too. Interesting anecdotes in their Wiki(which also says Dallas was in a band with Lowell George), although it does refer to Danny "Kootch" Kortchmar, of The Section (James Taylor/Carole King/etc/ backing band), as an "ex-Fug," which is---news.

Anybody heard Clear Light? I only knew of their existence via Lubahn mentions in Doors coverage.

I have the Clear Light album on CD. There's some good stuff on it, and some not so good stuff on it. one of their better songs was a non-lp b-side that ended up (along with the band) in The President's Analyst.

https://www.youtube.com/watch?v=JTSf94gmmrY

Action-packed! I'll have to keep an eye out for that whole flick on TCM. Thanks.

kortchmar was a fug for pretty much all their reprise era lps, from memory (most surprising fug member: stefan grossman). i understood taylor got kicked out of csny due to his wanting his compositions included on their albums... need to check out the clear light lp sometime.

Wow! When Taylor, King and The Section got back together a few years ago, celebrating the anniversary of their early epochal tours, Rolling Stone did a big piece, with lots about the Section (incl. getting physically assaulted by Carole's terminally druggie husband, esp. after especially well-received shows: he was crazy jealous of their success, let alone Carole's). Don't think it mentioned DK's work with the Fugs (though may have); did indicate that he was more open-minded than many of his fellow mellow mafiosi. He liked punk and new wave, and I think even made some recordings (albums?) along those lines, or intended to be.

(should have edited that, sorry) Didn't Dallas also sue for royalties on Deja Vu, maybe others as well? Claiming that some of his contributions should be considered co-composing, or at least as important components of the arrangements?

In one account (the one in Shakey), Greg Reeves (the bass player on Deja Vu) was dismissed because he'd written a song he lobbied the band to record; Young was in favor, but Crosby felt he was just a sideman would overstepped his bounds. Another report (the one in his wiki says Stills fired him because Reeves flipped out on drugs and thought himself to be an Apache witch doctor.

Only room for ONE drug casualty who thinks he's an apache witch doctor, eh Stills?

"That guy's eatin my lunch!"

I never thought of this until looking at that 'river' clip but Neil Young and David Byrne share a certain facial resemblance when they sing, although the haircuts obscure it.

Somebody's gotta be an Apache witch doctor: bottom line.

http://cache.coverbrowser.com/image/rolling-stone/168-1.jpg

"We got a lot of little teenage blue eyed groupies
Who do anything we say
We got a genu-wine Indian Guru
Who's teaching us a better way
We got all the friends that money can buy
So we never have to be alone
And we keep gettin' richer but we can't get our picture
On the cover of the Rollin' Stone"

Just remembered another weird thing--Taylor, seen below on the back cover of the CSN debut, was photoshopped off said cover when it was given the expanded remaster treatment in the mid-2000's.

http://www.lpvinylmusic.com/images/csn.jpg

I got this box for my dad for Xmas and after he burned it to his computer he gave the physical thing back to me and I listened to the whole thing over the long wknd and man...as much as I love Neil, I cannot hang with CSN.

And speaking of Stills ego-gems: I also rewatched the Neil "American Masters" ep (it is up on YouTube) and Stills is talking about "Ohio" as being "almost as good as "For It What's Worth", Neil basically tried to do the same thing I did...I always thought it needed another verse to be great but what do I know?"

"Almost as good"

what does he know indeed

There was a piece on CSN cover photographer Henry Diltz on TV yesterday where he told this story:

On the cover the members are, left to right, Nash, Stills, and Crosby, for no particular reason, the reverse of the order of the album title. The photo was taken by their friend and photographer Henry Diltz before they came up with a name for the group. They found an abandoned house at 815 Palm Avenue, West Hollywood, across from the Santa Palm car wash that they thought would be a perfect fit for their image. A few days later they decided on the name “Crosby, Stills, and Nash”. To prevent confusion, they went back to the house a day or so later to re-shoot the cover in the correct order, but when they got there they found the house had been reduced to a pile of timber.

but when they got there they found the house had been reduced to a pile of timber.

taylor had to be the prime suspect

Croz fell asleep with lit cigarette iirc

haha i love the idea that everyone's been listening to "Ohio" all these years and being like, man song's okay but you know another verse that would really put it over the top

"coulda used a bridge that was all nash n me going 'dee dee doo deeeeeee!'"

this is the dude who said McCartney should stop using the Hofner bass or some shit