ben wheatley - kill list

SPOILERS:
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Another interesting tidbit someone reminded me of: When Jay cuts his hand in the car, he wasn't reopening a gangrenous wound, he was apparently cutting a new wound in unbroken skin. I noticed this as I was watching but I wrote it off as a minor inconsistency and promptly forgot about it. Now, I think it's another interesting, intentional surreal touch.

OK, I'm really not good at this. I gave a spoiler warning for _Kill List_ but then I absentmindedly spoiled THREE other movies in the post! So sorry. I've flagged the post, hopefully I can get them removed and start over.

Opinions differ on spoilers, as always, but usually on a thread dedicated to a film that's been out for a while people are cool with discussing such things. You've probably covered yourself adequately with spoiler warnings but if you did want to remove anything your best bet is probably to start a thread on the Moderator Request Forum.

This film isn't even out in cinemas yet is it?

Errr, Kill List? It was released in 2011, Michael.

need to see kill list again. can't believe i left it so long to watch down terrace, definitely gave a different spin to the next folk gig i went to in brighton. also been listening to the field in england soundtrack which i think only got released electronically fairly recently. pretty enjoyable, but it does feel very much like a retread of what ghost box-ish people were doing a few years back with a bit of wicker man ost thrown in.

i thought he was discussing "high rise", emily. lazy skimming on my part.

terrific film this. I really liked the last third in fact.

kill list? yeah it's amazing. wheatley is one of my favourite current directors and he gets england/englishness better than almost anyone

watched it again for the second time. definitely a film to go back to. it might be in my top ten horror movies now.

I had that eerie whistling tune stuck in my head last night when I went to bed... brrr!

it's a deliberate puzzle box with no solution but it speaks to me a lot about England as construct and project and it's pretty beautiful

― the SI unit of ignorance (Noodle Vague),

Ya

Loadsa clues he's a nutter

But nothing definite.

But here.

If you started playing it backwards do eg the rabbit scenes, the swordfight scenes, converge/mirror? Is there an obvious point of convergence or a scene where we can say OK this isnt happening.....

Either way it was great...

Watching Down Terrace tonight

not bad as a first film. Tight and compact, the plot and characters felt like one of the bloodier Shakespearean tragedies - all these long-simmering familial conflicts setting off a pattern of paranoia, recrimination and murder. I gather this was received as something of a satire of British gangster films? Not having seen any that went right over my head, if so. Enjoyable nonetheless.

I'm going to a preview screening of High-Rise this evening, with Wheatley doing a Q&A afterwards. I will report back...

I'm at the stage where I'd put Kill List in my firm top 5 films of the last 10 years at least. It does everything I like: mixes the mundane with the arcane; leaves things open to interpretation; toys with symbolism and suggestion; demands repeat viewings; all within a UK suburban/rural horror context. Along with Berberian Sound Studio, it's the closest thing we have to a modern Wickerman and absolutely the best way to do horror in the 21st century. Totally psyched to see High Rise and to check out some of his other films.

based on everything you like, suggest clearing your schedule to watch a field in england twice in a row tonight if you haven't already done so

High-Rise was... pretty good. It was played for laughs a lot of the time and did that well, it looked great (superb production design) and had an excellent cast. On the less positive side there were some pretty heavy-handed references to Thatcher and Thatcherism chucked in there (in a DO YOU SEE??? sort of way), and it dialled back on the hard satirical edge of Ballard's book. I'm not sure Hiddleston's affectless performance survived well when up against a certain amount of scenery chewing from the other characters. Definitely worth a watch, but it's a black comedy with some satirical elements.

Some pretty great posters for High Rise knocking about.

Film4 are showing Kill List, Sightseers, and A Field in England this Friday night from 10:45pm. I fancy a rewatch of all three, but I don't think I'll be staying up till 4am doing the triple bill.

mother of god

I am going to stay up b/c I haven't seen either of the latter two. Though now I'm really really craving wine but I don't wanna leave my house, outside is terrible.

is the Ballard book a good one?

I love sightseers so much, enjoy his sense of the landscape as much as the humour

xpost
High Rise might well be Ballard's best book

Maybe it's the use of popol vuh triggering the thought, but it'd kind of herzogian in that regard xp

idk if Ballard ever wrote a bad book tbh, altho of course some are better than others

Sightseers was my introduction to Wheatley but in retrospect it's my least favourite of his. I find it relatively cozy compared to his other films, kill list especially left me gasping for air. Field in England is gloriously disorientating. Psyched for high rise, although how Wheatley's humanism will mesh with Ballard's disregard for anything related to human emotion, I don't know.

Sightseers def the weakest in his ouevre. I think he and Jump (why is she always ommitted?!?) a great match for Ballard, personally

their ouevre, I should've said. see, now you've got me doing it

let me add to my post just there^

this film is fucking incredible

Which

Both

Help out here.

He's such a mensch as well - came off so well in the q+a. He reminds me, not just physically, of Richard Dawson. Maybe the southern version, chronicling the dark & violent folk history of his people with rare aesthetic brilliance. Also he made it quite clear how much Amy Jump gives to their films - she's as much responsible for them as he is.

High-Rise? I mean...there's just so much there, too much to fit in one post, but the number of exceptional shots alone is worthy of mention. And the spectacular use of sound. Even before we dive within the sensory, it's a savage, beautiful banquet.

Amy Jump doesn't even have a wiki page >:(

Kill List obviously amazing too but this felt like it had 30x more money thrown at it, even though it didn't - everything was realised so magnificently, and the folkloric signifiers arguably stitched in even more sublimely.

Sightseers is fun but its basically Nuts In May with psychopaths. If Im up late enough ill give "a field in england" another watch. I found it a but inscrutible last time i watched

Looking forward to High Rise

A Field in England def benefits from multiple viewings (I watched it twice in a row, and then a third time much later with the wife)

AFIE is maybe my favourite one still? but it'd probably be on an all-time list of mine so i'm biased

difficult for a man to know where he stands these days...

my brother was watching Kill List for the first time when I came home earlier. so naturally I watched it again. this time now in about 7 or 8 months and I'm still noticing little pieces of the puzzle slot into place.

Loved Sightseers, but I think I was helped along by the fact that I always thought that the couple from Nuts in May were serial killers, so it's basically my fanon come to life.

Holy fucking shit A Field in England.

My favorite movie of the decade

any of the tv work worth (re)visiting?

Time Trumpet (2006) – Writer (4 Episodes)
Modern Toss (2008) – Director (4 Episodes)
The Wrong Door (2008) – Writer/Director (6 Episodes)
Steve Coogan: The Inside Story (2009) – Director
Ideal (2009–10) – Director (14 Episodes)
Doctor Who (2014) – Director (2 Episodes)

Time Trumpet had its moments iirc, either don't know or am at best ambivalent about the other stuff

my current ordering of the films would be AFiE > DT > KL >> S with very little between the top 3. Sightseers still has lots going for it but i feel like it isn't fully a Wheatley/Jump joint in the way the other 3 are

That's my own ordering, without having seen DT - guess I'll have to

Dt has this lovely claustrophobic tightness, being filmed almost exclusively in a shitty terraced house works nicely as the protagonist gets more desperate. Lack of jump is really noticeable in the third act imo.

the claustrophobia and psychic destructiveness of the family unit is a running theme thru the first 4 movies i think

all of them tbh