Big Star

Isn't there one if those live on the radio things with Lightman on bass? WLIX or WLIR or something

look for Nobody Can Dance from the late 90s:
https://www.youtube.com/watch?v=045DkSUKCsQ

sorry, i should just back in and research it myself.

"Chilton and Stephens recruited bassist John Lightman for a handful of East Coast live dates, including a WLIR radio broadcast later issued as Big Star Live." looks like this was in 74/75, after Hummel left.

uh guys there's a whole live set on the Big Star box

http://www.bbc.co.uk/leicester/content/images/2006/10/19/dmu_head_in_hands_315x420.jpg

http://blog.nola.com/entertainment_impact_music/2009/08/medium_jody%20stephens.jpg

lol

although i am disappointed in my lack of skills, i am really looking forward to checking out that live disc when i get home!

no live recordings w/ bell that i know of. the live set on the box is super killer, lots of great chilton guitar work, some tunes they don't play anywhere else. sounds as if they're playing to about three people.
this bootleg is very nice too, only instance of the band playing "candy says": http://www.aquariumdrunkard.com/2012/12/14/big-star-cambridge-performing-arts-center-march-31-1974/

Weren't there only a handful (at most) of shows with Bell?

yeah, i think probably less than a dozen? the jovanovic book mentions them covering "cinnamon girl" which would be interesting to hear.

Some of these shows on Youtube. WLIR and Cambridge Performing Arts, at least.

some very good chilton thangs + reunited big star over here too: http://dbs-repercussion.blogspot.com/search/label/Alex%20Chilton
the 1977 chilton shows are fantastic: http://dbs-repercussion.blogspot.com/2012/03/alex-chilton-rip-live-1977-feat-chris.html

Big Start got their biggest push from the Replacements, and to a lesser degree, REM.

So weird, Chilton seemed to avoid Big Star songs as a solo artist. Although he played "Motel Blues" on the really good bootlegged Alex Chilton live show (released last year Electricity By Candlelight http://theseconddisc.com/2013/11/06/alex-chilton-jeff-vargon-interview/) and that was a cover he played during the Big Star years (and is on the original Big Star Live album.)

he didn't think his big star songs were very good iirc

got their biggest push from the Replacements

completely not coincidentally, the promo cd comp that ryko put out to hype their 1992 big star reissues was called "a little big star."

(funny, though, to think there was once a time when getting a push from the replacements meant something.)

well and another reason that Big Star faded off the map was because their distribution was really hosed by the label issues, and it was exacerbated by a lack of product on CD until Ryko came along. Pretty sure the only way to get a CD of Big Star prior to Ryko was import only (that's how I got mine.)

Yeah, that twofer of the first 2 albums on Line (German label) was one of the most valued things I owned back in the olden days.

so uh whoever said Bell being gay isn't germane -- if yer making a 110-minute doc about the band, it's relevant. Esp if "You and Your Sister" is written to a boy, and there's anything more than snark to Chilton saying in a late '70s radio interview "The band isn't together because Chris is a homosexual."

Didn't say it wasn't germane, said it wasn't germane to the story of the band, unless of course there is significant evidence that Chris wasn't in the band because he was gay. You think that was the case? I've never heard that before nor read about it. Can't remember offhand, but I don't think Bell's sexuality was discussed in that biography or in the 33 1/3 book either.

they talk plenty about Bell's sexuality (and Christianity) in the bio iirc. not so much in the 33 1/3 since it's about Radio City.

ah thanks. I'm too lazy to go pull that off the shelf.

So yeah, then maybe they should have dwelled more on that then.

I made this comment a few months ago....

Does anyone know, specifically, what Chilton's problem was? He seemed to become spectacularly spacey and incompetent almost at the same time he was producing some of his strongest work... Hallucinogens? Booze? Doesn't have the telltale signs of coke or heroin, although Bell obviously went down to horse so hard drugs were obviously on the scene...

― fields of salmon, Tuesday, September 10, 2013 6:18 PM (4 months ago) Bookmark Flag Post Permalink

And I actually still feel that way after watching the doc. There's that one comment—who was it?—"well, Alex was just interested in drugs and booze" (I'm paraphrasing). This doc could have told us more about that, about the failed move to NYC and a return to Memphis that must have felt anticlimactic, or did it? I also echo the sentiment upthread that the doc didn't focus on Aldridge—or really any relationships—enough. Other things I wondered about:

1. What was it like being a privileged white person in that area in the early 70s?
2. What was it like being a white musician making British-influenced music in a predominantly black city known for its own forms and styles
3. Couldn't the doc have actually tried a little harder to figure who was ultimately responsible for fucking up the promotion and distribution of Big Star records?
4. What was Alex's life like in NYC?
5. What was Alex's life like in the 80s and 90s in New Orleans?
6. What happened to Hummel?
7. What does Jody do now?

I read the 33 1/3 book and it's good but it suffers from the same problems as the doc (in fact the doc almost seems to take its storylines from the book).

6. What happened to Hummel?

from the doc it seems like he sits around waiting to have an opportunity to talk about how badass the tgi fridays scene was back then

Andy Hummel died three years ago.

Before that, he worked in Texas at an airplane factory.

Andy died just a few months after Alex did. Jody is the only one left, and still does occasional "Big Star" shows with Stringfellow and Auer I think, though they probably don't use the name anymore.

all appetizers always half off at that TGI Friday's in the sky

Stephens manages Ardent Studios, I believe.

I seem to recall a quote from Chilton in an interview about how the hardest drugs his circle had access to in the Big Star days were pills, and how they wouldn't have known what to do with coke or heroin even if they had access.

yeah i think 3rd is basically an album under the influence of valium

2. What was it like being a white musician making British-influenced music in a predominantly black city known for its own forms and styles

I wondered about this too. I can't remember if it was in the doc or not, but I remember someone saying that Bell hated Memphis and wished he'd lived in Britain. I found that baffling; I mean, he was into what he was into, and that apparently didn't include the Stax scene, but I just can't for the life of me imagine growing up in Memphis in the 60s and hearing "Green Onions" and thinking, "Meh."

3. Couldn't the doc have actually tried a little harder to figure who was ultimately responsible for fucking up the promotion and distribution of Big Star records?

I don't think there was a single person or event that fucked this up. Stax was in a bad way, and was being attacked from all angles (fairly well covered in the Stax doc Respect Yourself). I would be surprised if there weren't other records that suffered the exact same fate as Big Star's.

imagine growing up in Memphis in the 60s and hearing "Green Onions" and thinking, "Meh."

But imagine hearing it day after day after day while you're being told you ought to sound more like Carl Perkins or the Bar-Kays.

Yeah, I suppose...I can see that.

I guess I feel like, Chilton didn't seem to have any problem incorporating his favorite Memphis and British influences into his songs, so it's a little difficult for me to grok Bell's perspective.

Bell seemed to have a tortured artist persona from day one, though, so the way he viewed the world was probably a little different.

Couldn't the doc have actually tried a little harder to figure who was ultimately responsible for fucking up the promotion and distribution of Big Star records?

this would involve pretty direct finger-pointing and cause friction for all parties being interviewed - people who deserve the blame aren't going to accept it on camera, and people directing the blame at them would just be stirring up shit and opening old wounds. so of course no one's going to go into detail about this.

and how they wouldn't have known what to do with coke or heroin even if they had access.

there's quotes about Chilton injecting things into his neck (throat?) in the Jovanovic book. so they had access to something.

Jody Stephens on LinkedIn
www.linkedin.com/pub/jody-stephens/8/6b4/78a

xp

occasionally I go thru bursts of stalking old skool indie types on LinkedIn

jody stephens is a killer drummer

and how they wouldn't have known what to do with coke or heroin even if they had access.

there's quotes about Chilton injecting things into his neck (throat?) in the Jovanovic book. so they had access to something.

― Ayn Rand Akbar (Shakey Mo Collier), Thursday, January 16, 2014 1:35 PM (12 minutes ago)

As noted many times upthread, Bell had a smack habit...

I always heard the Daisy Glaze lyric "And I'm thinking Christ/Nullify my life" as a heroin cop... hmm.

well it's definitely a ref to the song "heroin"

xpost to the point about making white music in a town known for black music. I asked Robert Gordon something along those lines when I was writing about Third. He said: "I don’t think Stax and soul was ever the dominant sound on the street in Memphis, certainly not on the mainstream street. The people at Stax complained about not getting local radio play. The two dominant radio stations were playing southern rock."

Was that the case in the early/mid-60s though (when Bell and Chilton's Beatles/British Invasion obsessions presumably began) ?

After a switch to all-black programming, WDIA was the city's top station.[2] In June 1954 WDIA was licensed to increase its power to 50,000 watts. Its powerful signal reached down into the Mississippi Delta’s dense African-American population and was heard from the Missouri bootheel to the Gulf coast. As a result WDIA was able to reach 10% of the African-American population in United States.[1][3]

2. What was it like being a white musician making British-influenced music in a predominantly black city known for its own forms and styles

I thought there were quite a lot of younger musicians and bands in Memphis who were more influenced by the Beatles than Stax, in the early 70s I mean

I mean, even Stax was influenced by the Beatles!

heeey
https://www.youtube.com/watch?v=gtgYGvLi2A0

xpost But that doesn't mean Bell and Chilton were listening to WDIA – they may have been listening to the mainstream rock stations. Certainly, Gordon was pretty clear it was an outsider's view of Memphis to assume everyone cared about Stax/Volt. Just like plenty of people who live in Hackney couldn't give a toss about grime.