The Wolf of Wall Street (new Scorsese)

i have a share there

This was the best Marx Brothers movies since the Marx Brothers... Except for that time when Joe Dante was making Marx Brothers movies...

the ludes scene, omg

this movie ruled

http://www.newyorker.com/online/blogs/movies/2014/01/the-lasting-power-of-the-wolf-of-wall-street.html anyone link to this yet?

brody otm

You're dead from the neck down if you read that Brody piece.

This is how music cues are done. Robertson's work here is vastly more accomplished than anything he's done since he split the Band (and nearly as brilliant as Casino). And I can't stand the Lemonheads or Billy Joel. It just makes the ham-fisted choices and placements in American Hustle look even more amateurish.

the lemonheads wld be cool if all their songs were as good as mrs robinson

https://www.youtube.com/watch?v=7WIXVGCt9nY

And I figured there was some CGI, but damn.

http://gizmodo.com/its-crazy-how-much-of-the-wolf-of-wall-street-is-actua-1501402962

the lemonheads wld be cool if all their songs were as good as mrs robinson

― lag∞n, Wednesday, January 15, 2014 11:46 AM (3 minutes ago) Bookmark Flag Post Permalink

And if someone other than Evan Dando was their singer.

yeah its a shame
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
about ray

was fincher the first guy to decide that cgi needed to be used for absolutely everything just so itd be perfect

ha they felt like aunt whatsherface needed a more modest home in order to be interested in the scam

you know what's a great movie about male excess with great musical cues and striking imagery and zero CGI? All That Jazz. I just watched it again on Sunday, such an awesome movie.

r-scheid is incredible in that

one of my all time favs

about 30secs in to george benson's "broadway" in the opening scene is when i was sold

sorry, we dont have an All That Jazz thread, i just wanted to talk about it somewhere

you just reminded me I needed to rescreen it so thank you, gr80.

All That Jazz - 1979 (starring Roy Scheider, dir. by Bob Fosse)

Oh, and Jimmy Castor Bunch!

― Josh in Chicago, Sunday, December 29, 2013 5:32 PM (2 weeks ago) Bookmark Flag Post Permalink

This bit floored me while blowing my mind. Up there with "Magic Bus" (or "Atlantis") in Goodfellas or "Jumping Jack Flash" in Mean Streets or "I Ain't Superstitious" in Casino.

or Rubber Biscuit in Mean Streets.

this movie was funny as hell. flagged a little in the third hour but I think every movie is too long basically.

not a McConaughey fan really but his restaurant scene at the beginning was great

the argument over intentions is weird to me, you can have a movie about a rich thieving douche shot from the douche's perspective that you watch and are entertained by, and with your critical faculties you observe "wow, that guy was a douche"

weinstein cut included michael moore voiceover

Jimmy Castor Bunch cue just confused me; as with the Lemonheads, there's no intuitive reason to put that song with that scene.

the use of music seemed kinda - excusably - aphasic, to me, like there was just no regard for its form and it was entirely treated as just raw material with which to condition the energy level of a scene, like slapping benny goodman over a dance scene or something. a lot of the music in this was garbage but it was usually effective.

the party scene with the marching band, confetti, booze, hookers and head shaving was some shit. love shots like that where a million things are happening in the frame. (when it works)

a lot of the music in this was garbage but it was usually effective.

I don't think those songs are garbage

try listening to that Irish pirate punk song outside the context of the Departed tho haha

yeah i remember talking to some folks after seeing the departed one dude remarked somberly that "he made me like the dropkick murphys for a second"

Jimmy Castor Bunch cue just confused me; as with the Lemonheads, there's no intuitive reason to put that song with that scene.

― eclectic husbandry (Dr Morbius), Wednesday, January 15, 2014 1:22 PM (19 minutes ago) Bookmark Flag Post Permalink

Exactly. It's like "Atlantis": why the fuck is this song playing over this scene (as someone behind me in the theater said out loud when I first saw Goodfellas)? I dunno, but it's just crazy enough to work.

yeah i remember talking to some folks after seeing the departed one dude remarked somberly that "he made me like the dropkick murphys for a second"

― goole, Wednesday, January 15, 2014 1:38 PM (8 minutes ago) Bookmark Flag Post Permalink

ha yeah its pretty magical

nope xp

tho making the dropkick murphys sound like a good idea is some kind of achievement

― geoff (gcannon), Tuesday, October 17, 2006 11:33 AM (7 years ago) Bookmark Flag Post Permalink

;)

http://www.quintessentialpublications.com/tracyrtwyman/wp-content/uploads/2011/12/time.jpg

xpost Haven't read about CGI in this movie, but Fincher's had pretty good reason to use it in his films. All the floor-to-floor tracking in "Panic Room," for example, would have impossible, and in "Zodiac" he has a really good point that getting all the period stuff right, from the skyline to street corners, would have been prohibitively expensive or impossible without CGI. And then, CGI sets and whatnot afford multiple takes without having to reset everything; certainly this has been revolutionary in horror movies that don't have to deal with sticky, stinky fake blood as much.

One of my favorite quotes was from a director (forget which one; Soderbergh?) who cited his favorite use of CGI in Ang Lee's "Sense & Sensibility." You couldn't even tell there was CGI, said the interviewer. Exactly, answered the director.

Wow, that clip. I even remember asking myself when I saw the movie if they really went down to the Bahamas or whatever to film that 10 second wedding scene.

one of the funniest parts of this movie for me was when they were sitting around jordan's mansion waiting for the ludes to kick in and it shows a full 20 seconds of the episode of 'family matters' that they're watching. like no matter how rich these guys get they're still gonna act like high school stoners in their parents' basement. also just the thought of scorsese screening several episodes of family matters to decide which clip to use was killing me.

and it was such a perfect clip!

he's a details guy. Unfortunately this movie has trees and no forest.

There must be some magic clue, inside these gentle walls.

also just the thought of scorsese screening several episodes of family matters to decide which clip to use was killing me.

― slam dunk, Thursday, January 16, 2014 11:08 AM (5 minutes ago) Bookmark Flag Post Permalink

"Ah, here we go, this is perfect: the Urkel character is clearly exhibiting faulty reasoning, while simultaneously irritating the father and putting them both in mortal danger, and yet this is all played for comedic effect. Fascinating."

and it was such a perfect clip!

― slam dunk, Thursday, January 16, 2014 11:09 AM (53 minutes ago) Bookmark Flag Post Permalink

if it had stephan urquell in it then it wouldve been perfect anything less is merely adequate case closed

stephan urquell is not only the most important character in the history of family matters hes also a perfect cocaine metaphor

HAHAHA

There's a clear throughline from Myrtle Urkel to Joanna Lumley.

not to mention Carl Winslow to Donnie Azoff