Last (x) movies you saw

Eyebrows working overtime:

https://www.youtube.com/watch?v=cH-yFLKTjqQ

Pet Peeve: child actors who blink overtime when playing 'curious'.

xpost hahah

Enjoyed watching all of these movies
Prisoners
Insidious 2
The Kill List
Gravity
12 Years A Slave
Leave Her To Heaven
East Of Eden
To The Wonder

Late Marriage (Dover Kosashvili, 2001) - post- Fill the Void I reminded myself to track a torrent of this. Great sex scene, well-played all round through the ending. The family as oppression made to feel real by also showing how weak minded and pathetic it is, by how childish its threats are.

So far in 2014:

Playtime (Tati, 1967) - I'll be damned if that isn't one of the best, meticulously designed - both image and in sound - movies ever, although it didn't really kick into life and joy till the restaurant scene, Bcz its not that funny and I didn't have time for the "modernism is fucking up human interaction" theme.

Day for Night (Truffaut, 1973) - Leaud is awesome (the scene with Truffaut where he tries to talk him out of his depression - over a girl, natch - feels as for real as anything, surely he was auditioning for La Mama et la Putain) here. Ultimately its not that good on cynicism and the movies like 8 1/2 but what can you do?

Gloria (Sebastian Leilo, 2012) - very beautiful, touching, funny film, and probably the first Chilean film I've seen that isn't about the coup. Just people living, getting hurt, dancing and laughing about it afterwards.

The Missing Picture (Rithy Panh, 2013) - this will get Act of Killing comparisons just because they are about attrocities in Asia and has unusual devices to carry out an impossible re-creation (clay figurines here). This takes an essayistic approach - much more to my tastes - the script is beautiful, the images are relentlessly grim. A friend said that it was too much, even suggesting the possibility of an introduction of humour (just somehow!) before 'laughing' that idea off. Ultimately, its an important film - we don't know enough about the Khmer Rouge, it feels undocumented (and document we must) because of the lack of everything about it, basically. The destruction of all culture - no music, no dancing, no writing, no poetry - was unique. Most Soviet-types states didn't even try to do that, so its an important attempt to understand this attempt to 'make it new', the particular form and shape it took. They still use film to record camps and make propaganda, with a lack of any aesthetic sense (an attempt to be corny with it, like the soviets, or bad) that was disturbing.

Lady in the Lake (1947) Hoaky (a bit) yet impressive

Post Tenebras Lux
Sidelong Glances Of A Pigeon Kicker
Funeral Parade Of Roses
Secret Ceremony (Mia Farrow's most insane and creepy performance ever; she's not a normal person.)
The Lives Of Others

better keep that comment in the film thread, mp!

I thought that there were at least 2 performances in BJ better than Cate of the Tics (Hawkins and Dice Clay).

now you see me- trashy as fuck but knows it and p good fun

>better keep that comment in the film thread, mp!

seriously. your 'thread is off-topic' post was my one sad lol of the afternoon.

American Hustle (Russell '13)
The Wages of Fear (Clouzot '53)
Pennies from Heaven (Ross '81) - technically a rewatch, though it had been 32 years and I didn't remember much
The Third Man (Reed '49) - rewatch
The Godfather (Coppola '72)
Tinker Tailor Soldier Spy (Alfredson '11)
Klute (Pakula '71)
Predator (McTiernan '87)
Suspicion (Hitchcock '41)
The Godfather Part II (Coppola '74)
The Men Who Tread on the Tiger's Tail (Kurosawa '45)

First time watchin godfather!

Yeah, and Part II also. I kept putting them off and putting them off, and before I knew it I'd been putting them off for 25 years. Will probably skip Part 3.

The Other End of the Line (4/10)
Blue Is the Warmest Color (7/10)
The Brood (7.5/10)
Dallas Buyers Club (6/10)
The Electric Horseman (7/10)
John and Mary (6.5/10)
A Fragile Trust: Plagiarism, Power, and Jayson Blair at the New York Times (6.5/10)
Her (7.5/10)
Washington Behind Closed Doors (7/10)
Cocksucker Blues (7/10)

A Moment of Innocence (Makhmalbaf, 1996)
Histoire(s) de Cinema (Godard, 1988-98)*
Ring (Nakata, 1998)*
A Story of Floating Weeds (Ozu, 1934)
Koyaanisqatsi (Reggio, 1982)
Yol (Güney, 1982)
The King of Comedy (Scorsese, 1983)

Il Sorpasso (4/5)
Van Gogh* (4/5)
Inside LLewyn Davis (3/5)

*rewatch

Watched Blue is the Warmest Colour again. Really brilliant at times, peeled a further layer or two.

Night of the Hunter (Charles Laughton, 1955). Can't believe its taken me this long to watch it.

Bad Day at Black Rock (J. Sturges, 1955)
The Collector (Wyler, 1965)
Upstream Color (Carruth, 2013)
Babette's Feast (Axel, 1987)
Lifeboat (Hitchcock, 1944)
Harakiri (Kobayashi, 1962)
Lenny (Fosse, 1974)
Elmer Gantry (Brooks, 1960)
Safety Last! (Newmeyer/Taylor, 1923; w/Harold Lloyd)
The Wolf of Wall Street (Scorsese, 2013)
Margaret (Lonergan, 2011; extended cut)

alan partridge: alpha papa 5/10
*barry lyndon 9/10
the bling ring 8/10
the three caballeros 6/10
world war z 6/10
*do the right thing 10/10
no 8/10

* rewatch

what did u think of The Collector, WmC? a former ILXor tot trashed it on Letterboxd, i remember thinking it was ok

I liked it quite a bit! I was glad Wyler didn't give in to happy-ending pressure, and thought Eggar and Stamp were both very good. I'm sure there are articles to be written, or which have been written, about where Miranda is willing to do what it takes to escape vs. where she loses her nerve.

Saw it ages ago, don't remember it that well. What I do remember is that it was possibly the only Wyler film Andrew Sarris ranked very high in The American Cinema's yearly lists at the back of the book--maybe second or third for 1965.

City on Fire (Lam, 1987)
You, the Living (Andersson, 2007)
The Prodigal Son (Hung, 1981)
The White Diamond (Herzog, 2004)
Computer Chess (Bujalski, 2013)
Beyond the Hills (Mungiu, 2012)
The Song of the Styrene (Resnais, 1958)
Last Year at Marienbad (Resnais, 1961)*

I really love those early Resnais shorts.

whats the asterisk for

rescreens

Street Angel (Borzage, 1928) 8/10 quality romance. I watched this a couple of weeks ago and its stayed with me, a slow burner if you will.
Sir Arne's Treasure (Stiller, 1919) 9/10
Destiny (Lang, 1921) 7/10 I love how imaginative some of the early European films were. Cursed treasure! Deals with death! fun.
Rushmore (Anderson, 1999) 9/10 rewatch
Phantom of the Opera (Julian, 1925) 8/10
Blind Husbands (Stroheim, 1919) 9/10
Lady Windermere's Fan (Lubitsch, 1925) 6/10 this had some nice, subtle touches. it dragged a bit though.
Tol'able David (King, 1925) 8/10 decent modern day telling of David and Goliath
Nanook of the North (Flaherty, 1922) 7/10
The Lodger (Hitchcock, 1926) 8/10

Jane B. par Agnes V. (7/10)
Twixt (6/10)
La Bandera (9/10)
Panique (8/10)
Chaplin (5/10)

Before Midnight (Linklater, 2013) 4.5/5
I Could Never Be Your Woman (Heckerling, 2007) 3/5
*Shutter Island (Scorsese, 2010) 2/5
Room 237 (Ascher, 2012) 4/5
The Verdict (Lumet, 1982) 3/5
My Favorite Year (Benjamin, 1982) 2/5
Only God Forgives (Refn, 2013) 1/5
Carrie (Peirce, 2013) 2.5/5
*Apocalypse Now (Coppola, 1979) 5/5
Life Itself (James, 2014) 3.5/5

*rewatches

Cinema:
American Hustle (Russell, 2013) 5/10
12 Years a Slave (McQueen, 2013) 7/10
The Wolf of Wall Street (Scorcese, 2013) 8/10
Inside Llewyn Davis (Coen Bros, 2013) 8/10

Home:
Kind Hearts and Coronets (Hamer, 1949) 8/10
Night Moves (Penn, 1975) 7/10
Import/Export (Seidl, 2007) 7/10
Los Olvidados (Bunuel, 1950) 8/10
The Devil, Probably (Bresson, 1977) 8/10
The House is Black (Farrokhzad, 1962) 8/10
Wavelength (Snow, 1967) 10/10
A Tale of Tales (Norshteyn, 1979) 6/10
Listen to Britain (Jennings & McAllister, 1942) 7/10
Schalcken the Painter (Megahey, 1979) 7/10

what's wavelength

why it is the primary document of the structural experimental film genre, Hungry4Ass

it's on youtube, give it a go

https://www.youtube.com/watch?v=aBOzOVLxbCE

centurion - 7/10

man that was a fun movie. so much head-chopping!

xp The rare short I can't seem to finish because the soundtrack always starts to give me a headache.

sounds p. chill, i'll watch it after i'm done with this video game

Yeah, it annoyed me as well. But I liked the film anyway. What else should one see of Snow? I've heard La Region Centrale is a must.

You should probably see <----> too.

please dont troll me with fake avantg arde movie names

xpost

the soundtrack was what pushed wavelength in to 10/10 territory for me! i experienced it the same way as tony conrad's the flicker

Snow is... playing music in Brooklyn on Tuesday with Alan Licht?

yeah, Snow also makes avant-gardey drone music (think his main instrument is piano). licht once picked a dbl alb of snow's music as one of his all-time favourite minimalist recs.

here we are, no 17 here:

http://rootstrata.com/rootblog/?p=135

Goke, Body Snatcher from Hell (Sato, 1968)
Memories of Murder (Bong Joon-ho, 2003)
Out of the Past (Tourneur, 1947)
Confidential Report (Welles, 1955)
Zero no shôten (Nomura, 1961)
Rocky VI (Kaurismaki, 1986)
Winter Light (Bergman, 1962)
Beginners (Mills, 2010)
The Junk Shop (Herz, 1965)
Killer Joe (Friedkin, 2011)
Flunky, Work Hard (Naruse, 1931)

just the best, again

*Sunrise (1927, Murnau) 9/10
*Gigi (1958, Minnelli) 9/10
*Los Angeles Plays Itself (2003, Andersen) 8/10
Marianne and Julianne aka The German Sisters (1981, von Trotta) 8/10
That Old Dream That Moves (2001, Guiraudie) 7/10
Berberian Sound Studio (2012, Strickland) 7/10
Visitors (2014, Reggio) 7/10

Thor The Dark Elves or whatever (3/10)
The Counsellor (7/10)
Rembrandt (Laughton version) (9/10)
La Petite Lise (9/10)

Snow is... playing music in Brooklyn on Tuesday with Alan Licht?

― images of war violence and historical smoking (Dr Morbius), Saturday, February 1, 2014 Bookmark Flag Post Permalink

Do the decent thing and do plz. I would but I am no NY-er.

Journey to Italy (Rossellini, 1954) - I struggled with the way they rekindled their love for one another at the end, and I was saddened by how annoyingly unbelievable I found that.
Inside Llweyn Davis (Coen Brother, 2013)

Carrie (de Palma, 1976)
Kramer vs Kramer (Benton, 1979)
Upstream Color (Carruth, 2013)
Ne Me Quitte Pas (Lubbe Bakker & van Koevorden, 2013)
Halloween (Carpenter, 1978)
Rebels of the Neon God (Tsai, 1992)
Takeshis' (Kitano, 2005)
D'Annonzio's Cave (Emigholz, 2005)
Drug War (To, 2013)
A Letter to Freddy Buache (Godard, 1982)
Twentynine Palms (Dumont, 2003)

Nebraska (2013) 3.5/5
Stone Roses: Made of Stone (2013) 3.5/5
Enough Said (2013) 3/5
Shadows (1959) 3.5/5
Her (2013) 4/5
The Talented Mr. Ripley (1999) 3/5
Lola Montes (1955) 3/5
The Long Day Closes (1992; rewatch) 5/5
Dirty Wars (2013) 3.5/5

Oh, and Museum Hours 3.5/5

Stagecoach (1939) 8/10
*The Searchers (1956) 9/10
Sound City (2013) 6/10
I Am Love (2009) 6/10

Frederik, how did you get on w/ Twentynine Palms - it's the one Dumont I haven't seen (iirc, nakh once gave it a lukewarm appraisal somewhere on ILX)?