― Graham (graham), Thursday, 22 August 2002 11:10 (twenty-one years ago) link
― Ronan (Ronan), Thursday, 22 August 2002 11:16 (twenty-one years ago) link
Jules: "Get your head checked melissa" constitutes personal attack with intent. But what's this claptrap about banning the guy??? Tell me that's a fucking joke. I thought what he said was valid ranting.
And right-on Mark P - you are on the money.
― Roger Fascist, Thursday, 22 August 2002 11:19 (twenty-one years ago) link
yeah. I've heard everything they've done up to this and when I saw the descriptions it just reminded of the past. Irony indeed.
''its one thing to be convinced that radiohead are inauthentic or overrated; its another entirely to pounce like a wolf on anybody else who sees something in them, especially when the crux of that fan-music connection is one borne out of vulnerability.''
i did not intend to 'pounce'. I didn't know it was borne out of some 'vulnerability'.
''he (or anyone else) can take the sadness, confusion, anger, fear and deride it, mock it, HATE it all he wants.''
I love or hate a lot of music with nothing in between, which is unfortunate sometimes.
melissa- hope you accept my apologies.
''"Get your head checked melissa" constitutes personal attack with intent.''
yeah, and I apologised for that.
― Julio Desouza (jdesouza), Thursday, 22 August 2002 11:23 (twenty-one years ago) link
So yeah, deleting ILM would probably be a much more satisfactory solution than baring people. Don't tempt me.
― Graham (graham), Thursday, 22 August 2002 11:28 (twenty-one years ago) link
― Leigh, Thursday, 22 August 2002 11:36 (twenty-one years ago) link
― Graham (graham), Thursday, 22 August 2002 11:37 (twenty-one years ago) link
― Ronan (Ronan), Thursday, 22 August 2002 11:41 (twenty-one years ago) link
Genuinely, though, he's apologised, and I don't think his attack was that vicious in the first place (although I understand Melissa's upset at being told to "get her head checked"). Kiss and make up, folks.
― weasel diesel (K1l14n), Thursday, 22 August 2002 11:41 (twenty-one years ago) link
― Julio Desouza (jdesouza), Thursday, 22 August 2002 11:48 (twenty-one years ago) link
DELETE FROM boards WHERE boardid='2';
Finger on the fucking enter key.
― Graham (graham), Thursday, 22 August 2002 11:54 (twenty-one years ago) link
Punch Up At A Wedding is wonderful, however. Yorke seems to have perfected his knack for singing nasty, horrible lyrics while sounding all sweetness and light. "I don't know why you bother / nothing's ever good enough for you / ... / you've come here just to start a fight."
I don't think anyone's going to be surprised about the lyrical content of the songs -- it's still confusion, loss, despair, anger and so on. Scatterbrain and Sail To The Moon do show an unexpected tender side, almost. Wolf From The Door features a stream of consciousness rant full of non sequiturs which is geniunely unsettling.
I imagine the studio versions will be significantly different, though.
― Clive, Thursday, 22 August 2002 11:55 (twenty-one years ago) link
Lift - a very old song, was supposed to be on Ok Computer, Ed's soaring backing vox on the chorus have been chopped and it's been slowed down quite a bit, not as good as the old version, although you may hear my high pitched squeaking on the bootlegs from the 1st night in Lisbon.
Wolf from the door - thom could be heard mumbling 'ooh baby, baby, baby...' over the middle eight, i guess he hadn't bothered to write lyrics before they played it, there was reference to Stepford Wives though.
Stand up, Sit Down - most like the Kid A/Amnesiac stuff, lots of analogue synth action from Jonny and vocal harmonies from Ed - speeds up towards the end with 'little raindrops' repeated over and over again.
I didn't get to hear the other new stuff cos i had to come home.
Didn't realise how crap i was at describing the new stuff until i posted this, you live and learn i suppose.
The band seemed the most happy and relaxed i'd ever seen them, a friend who has seen them more than 50 times seemed to concur.
It'll remain to be seen whether they'll manage to lay them down in 2 weeks as planned, something tells me the March 2003 release date may be pushed back.
― Leigh, Thursday, 22 August 2002 11:57 (twenty-one years ago) link
― Ronan (Ronan), Thursday, 22 August 2002 11:58 (twenty-one years ago) link
― DG (D_To_The_G), Thursday, 22 August 2002 12:07 (twenty-one years ago) link
― Graham (graham), Thursday, 22 August 2002 12:08 (twenty-one years ago) link
I didn't think I was being vicious. I was actually trying to discuss some of the things around the music that was being described. why was [x] song the 'angriest' what made it angry in the first place. Sure, I didn't hear the music but there is the music and then there is the 'matter' that surrounds it. and i have heard radiohead...
also, are there a set of chords which make music mournful and why do they keep doing it over and over...
I was honestly curious about some of these descriptions and just trying to get some discussion but I think the way i put things in a bad way and i accept that.
― Julio Desouza (jdesouza), Thursday, 22 August 2002 12:09 (twenty-one years ago) link
Julio- I wish the fleas of a 1000 reindeer nestle in your genitals
that is all.
― insectifly, Thursday, 22 August 2002 12:09 (twenty-one years ago) link
I appreciated your descriptions, Mel. It's helpful because I know a little about your taste & have seen some of your writing so I have an idea where you're coming from. Where would you place these new songs in the context of the last three albums? Is there a place where they "fit," in terms of production, mood, etc?
― Mark (MarkR), Thursday, 22 August 2002 12:10 (twenty-one years ago) link
Yeah I wonder!!!!
― Ronan (Ronan), Thursday, 22 August 2002 12:18 (twenty-one years ago) link
― Melissa W (Melissa W), Thursday, 22 August 2002 12:18 (twenty-one years ago) link
― Nicole (Nicole), Thursday, 22 August 2002 12:20 (twenty-one years ago) link
― Leigh, Thursday, 22 August 2002 12:23 (twenty-one years ago) link
― Mr Noodles (Mr Noodles), Thursday, 22 August 2002 12:25 (twenty-one years ago) link
― Leigh, Thursday, 22 August 2002 12:25 (twenty-one years ago) link
― Melissa W (Melissa W), Thursday, 22 August 2002 12:29 (twenty-one years ago) link
Lyrically it's the same ground as the previous two; oblique, cryptic phrases, dealing with some vague non-specific dread. You know.
― Clive, Thursday, 22 August 2002 12:29 (twenty-one years ago) link
― Leigh, Thursday, 22 August 2002 12:38 (twenty-one years ago) link
― Andrew L (Andrew L), Thursday, 22 August 2002 12:53 (twenty-one years ago) link
that is all.''
heh. forget about being nice and civil for now. Posting under our own names would be a start...
― Julio Desouza (jdesouza), Thursday, 22 August 2002 13:45 (twenty-one years ago) link
― Dan Perry (Dan Perry), Thursday, 22 August 2002 13:51 (twenty-one years ago) link
uh this is my real name.. as much of one as you need to know- would posting 'Paul' be any more informative?.. and it was all in fun really... well, mostly at least.
― insectifly, Thursday, 22 August 2002 14:51 (twenty-one years ago) link
― deX! (Dan Perry), Thursday, 22 August 2002 15:17 (twenty-one years ago) link
― Ned Raggett (Ned), Thursday, 22 August 2002 15:29 (twenty-one years ago) link
― naked as sin, Thursday, 22 August 2002 17:37 (twenty-one years ago) link
― b=n=w (bnw), Thursday, 22 August 2002 18:04 (twenty-one years ago) link
that would be 'indie' love then (lurve is too 'black' and therefore not allowed heh). Indie love= I slap her but I do not tell I'm in love with her (because i do not know how).
― Julio Desouza (jdesouza), Thursday, 22 August 2002 19:45 (twenty-one years ago) link
― weasel diesel (K1l14n), Thursday, 22 August 2002 21:16 (twenty-one years ago) link
As far as my friends and I can determine, this request came from a girl that we refer to as "asscrack girl". Her real name has yet to be determined.
― Melissa W (Melissa W), Thursday, 22 August 2002 22:55 (twenty-one years ago) link
― naked as sin, Thursday, 22 August 2002 23:40 (twenty-one years ago) link
― Melissa W (Melissa W), Thursday, 22 August 2002 23:50 (twenty-one years ago) link
if you did such thing I might actually come out on top after yesterday. Though ppl don't like doomie I think.
― Julio Desouza (jdesouza), Friday, 23 August 2002 07:15 (twenty-one years ago) link
Melissa's been hanging with J-Lo, kewl.
― Mr Noodles (Mr Noodles), Friday, 23 August 2002 12:10 (twenty-one years ago) link
― Julio Desouza (jdesouza), Friday, 23 August 2002 12:18 (twenty-one years ago) link
― Melissa W (Melissa W), Friday, 23 August 2002 22:14 (twenty-one years ago) link
― Melissa W (Melissa W), Saturday, 24 August 2002 01:08 (twenty-one years ago) link
― ron (ron), Saturday, 24 August 2002 02:59 (twenty-one years ago) link
In other words what I'm asking is please don't threaten to delete anything, and please don't delete anything either unless it falls into the (pretty tight) guidelines you know about as a moderator. People should be civil on web boards because they want to be not because they're told to be.
― Tom (Groke), Saturday, 24 August 2002 08:42 (twenty-one years ago) link
― Tom (Groke), Saturday, 24 August 2002 08:47 (twenty-one years ago) link
I actually sort of agree, though I do think that the songs themselves are good too.
― Melissa W (Melissa W), Saturday, 24 August 2002 08:58 (twenty-one years ago) link
The new issue of The Wire is out, so here's my full review of the Smile album:
The SmileWall Of EyesXL CD/DL/LP Why do The Smile exist? Jonny Greenwood has done brilliant work as a composer for films. Thom Yorke has his solo work and Atoms For Peace. Is it just a way to play concerts without being asked to sing “Karma Police”?The group’s previous studio album and its accompanying live document offer songs that feel as half-sketched as those on the last two (or three, or four) Radiohead albums. Occasional post-punk outbursts tease the prospect of excitement, but middle aged ennui always wins out, and Tom Skinner, one of the most exciting drummers on the London jazz scene, is reduced to delivering somnambulistic half-remembered Ethio-jazz, like a library music version of Sault.The title track lays a gentle Brazilian guitar strum over booming tympani. In the back, electronics crackle like distant firecrackers, and eventually strings come in. The music is gentle but ominous, and it’s hard to be sure which impression they want to linger. “Read The Room” and “Teleharmonic” are more conventional rock songs; the former in particular could have come off any 21st century Radiohead album. “Under Our Pillows” has a math rock feel to start, guitars sliding into place like the gears of a watch; in the song’s second half, a motorik bassline materialises, pumping the energy level up somewhat. “Friend Of A Friend” pulls from multiple early 1970s sources. Yorke’s near falsetto vocals bring to mind Elton John at his most mawkish and the orchestral arrangements amplify that tendency, but there’s some Bowie-ish theatricality and King Crimson-esque buzz around the edges.In the final moments of the inexplicably eight minute “Bending Hectic” someone plugs in an electric guitar, an almost bafflingly aggressive gesture compared with everything before. And/but the minute all these songs end, they vanish from your mind’s ear as if they’d never existed. Again, why?
The group’s previous studio album and its accompanying live document offer songs that feel as half-sketched as those on the last two (or three, or four) Radiohead albums. Occasional post-punk outbursts tease the prospect of excitement, but middle aged ennui always wins out, and Tom Skinner, one of the most exciting drummers on the London jazz scene, is reduced to delivering somnambulistic half-remembered Ethio-jazz, like a library music version of Sault.
The title track lays a gentle Brazilian guitar strum over booming tympani. In the back, electronics crackle like distant firecrackers, and eventually strings come in. The music is gentle but ominous, and it’s hard to be sure which impression they want to linger. “Read The Room” and “Teleharmonic” are more conventional rock songs; the former in particular could have come off any 21st century Radiohead album. “Under Our Pillows” has a math rock feel to start, guitars sliding into place like the gears of a watch; in the song’s second half, a motorik bassline materialises, pumping the energy level up somewhat. “Friend Of A Friend” pulls from multiple early 1970s sources. Yorke’s near falsetto vocals bring to mind Elton John at his most mawkish and the orchestral arrangements amplify that tendency, but there’s some Bowie-ish theatricality and King Crimson-esque buzz around the edges.
In the final moments of the inexplicably eight minute “Bending Hectic” someone plugs in an electric guitar, an almost bafflingly aggressive gesture compared with everything before. And/but the minute all these songs end, they vanish from your mind’s ear as if they’d never existed. Again, why?
― Tahuti Watches L&O:SVU Reruns Without His Ape (unperson), Tuesday, 6 February 2024 15:23 (three months ago) link
Home visiting my folks and going through boxes of stuff from youth, found my copies of the 'Drill' EP 12", the 'Pop Is Dead' 12", original UK 2LP of 'OK Computer' and 2x10" of 'Amnesiac' all in a closet unplayed (and upright) the last 23 years...
https://pbs.twimg.com/media/GGIJLFIWQAA8EOP?format=jpg&name=large
https://pbs.twimg.com/media/GGIJT-wXMAAW9Uq?format=jpg&name=large
Should probably sell them, right?
― Soundslike, Monday, 12 February 2024 15:57 (two months ago) link
always valuable to learn who an obscure young vocalist like this Yorke fellow "brings to mind"
― Evans on Hammond (evol j), Monday, 12 February 2024 19:20 (two months ago) link
Again, why?
― Davey D, Monday, 12 February 2024 19:24 (two months ago) link