The Presets

new thing to have nightmares about: indie kids with glowsticks.

What have Pitchfork got to do with this?

The DJs were fucking great but the support act was horrible.

they have done the right thing - 12" is out with club edit of the original + hell and juan maclean remixes!

they were great at Daft Punk & the new single My People is a rockin' good time. not clever or original in any way but it pushes my buttons.

also i like the fact that one dude looks like marc almond in the video: http://www.youtube.com/watch?v=M1ufW2INWmM

idleidle upthread is australian dance heavyweight and chart superstar muscl3s, fact fans

haha really. he was not great at daft punk.

this album is way better than the Cut Copy one!!!!!!!!!!!!!!!!

"Together" sounds like Dead or Alive!!!

i was surprised to learn that presets are quite a bit more popular than CC here too.. keen to see if modular hit the debut-at-#1 trifecta with the van she album too (unlikely but anything's possible)

can't wait til this is up on emusic

no free t-shirt from emusic!

(unlikely but anything's possible)

lucky to debut at #68 morelike

rly? is not so good?

well, Cutters and Presets are bands that have played good slots on a dozen festivals across summer*, were the main supports on the Nevereverland tour**, are building on the success of well-received first albums and years of gigging, have had filmed shows repeatedly televised, have done lots of OS touring, and had huuge amounts of marketing spend... Van She, what, do a lot of support slots and free O Week shows? Their biggest hit is an uncredited remix of a Utah Saints song that doesn't even acknowledge the actual year they did it and hasn't cracked the Top 50? Nothing against them or anything, haven't heard the record -- but they're not even smelling the same league as the other two.

on the chart where Apocalypso debuts #1 - Presets sold out Enmore Theatre in two hours and added a second show that hasn't sold out. Pnau sold out Enmore in about two months, but much of the balcony held for comps - in the wake of that tour and a bonus-disc deluxe reissue of the album, they got up to #31 from #48 -- highest position to date on the fourth chart entry ever, for an album that came out five months ago. and Van She played first support on that show.

* Presets wrapped both Laneway and V - that's closing after both Smashing Pumpkins and Duran Duran at V
** yeah VS played this too, but at 3pm when the headline band isn't on until 10 - on a tour that happens to be put on by their label...

truth bombs

i was surprised to learn that presets are quite a bit more popular than CC here too..

also Presets deal a lot in distorted treble wot the fluorolectro kiddies have been reared on, not deliberately '80s throwback lushness

Presets wrapped both Laneway and V - that's closing after both Smashing Pumpkins and Duran Duran at V

Well, that's not actually true. There were bands playing simultaneously on two other stages at Laneway and a DJ on another when The Presets were playing and all acts finished at the same time. Personally, Bridezilla wrapped my Laneway.

As for V, in Melbourne at least, The Smashing Pumpkins' set was from 8.15pm - 9.45pm on one of the main stages and The Presets from 8.45pm - 9.45pm in a shed. Sorry.

mentally append an "in Sydney" to my comments then!

(i didn't know there was a new cut/copy!)

anyway. what's with the Tony Hadley vocal impressions on this album?

early faves so far: my people, this boy's in love, talk like that.

the epic intro pipe organ intro to 'talk like that' sort of undercuts the rest of it tho. there's a lot of things like that on here - really good bits of overall ok track

mentally append an "in Sydney" to my comments then!

Yeah, I don't think that's increased the accuracy of your statement!

also Presets deal a lot in distorted treble wot the fluorolectro kiddies have been reared on, not deliberately '80s throwback lushness

hmmmn, this is what I thought would work in CC's favour - 80s throwback lushness = crossover audience? while I wasn't too sure of the, uh, depth of the indieclash crowd. proven wrong, if the figures in the cut copy thread re: presets debut sales figures are true.

need to listen to give this a proper listen.

increased the accuracy

The one time I went to Laneway in Sydney the "laneway" stage finished half an hour after the others, so yeah, that's straight assumption. They were def scheduled to finish after Pumpkins at V tho!

And even if two other bands finished at exactly the same time, they're still playing last on the biggest stage for fuck's sake. Pretty sure they were the last act on the dance stage at Homebake too (and therefore loudest on site!).

(i didn't know there was a new cut/copy!)

cut copy

also Presets deal a lot in distorted treble wot the fluorolectro kiddies have been reared on, not deliberately '80s throwback lushness

I hear plenty of the '80s throwback lushness in there too though! More in the SAW sense than Human League/New Order.

I know that Corgan complained every night during V fest that the Presets were too loud. Awesome.

lol nevermind on second listen this is way less SAW and more VNV Nation than I thought

still good though

'my people' is a strangely aggressive song. not a bad live act, but when i saw them support daft punk i was sort of dozing in the grandstands waiting for the main event

Been listening to bits & pieces of this - "A New Sky"'s vocoder bits are great, "This Boy's In Love"'s falsetto chorus works really well, & "My People" is pleasingly jock jams-ish. Doesn't seem to a "Girl & the Sea" song-for-the-laydeez on this ("If I Know You", sort've...) ... I'm guessing the album sounds a lot more focused & punchier than In Ghost Colours. I'm really pleased about how much like a coked-up "Halo"/"Heart Of The Party"-style Severed Heads some of it sounds like!

i'll like this, won't i?

i think so.

Probably!

I'm ... I like it, but it does seem like Modular's got nowhere to go after this. Fave ended up being "Yippiyo-ay" - the corroded Rex The Dog synths, the snappiness of lines like "that chick don't reply to email")(!!)

Six weeks in, still at #4 in the Aussie album charts! "My People" at #25. Tho, Australia, WTF are you doing buying enough Shihad albums to get it to debut at #11? This is making me scared for the next Evermore release!

haha, do you know how many kiwi's live over there now?

I am still completely infatuated with "This Boy's In Love." Best thing they've ever done by miles.

They've been on every festival bill in Australia for the last two years. I've seen them live at lest 7 or 8 times. I'm completely burnt out. This Boy's In Love is nice though.

That video where they multiply terrified the shit out of me almost as much as The Mars Volta one for The Widow so I like The Presets, I like them a lot. Their whole 'death disco' sound is good.

Only saw the film clip for "This Boy's In Love" for the first time today, though I hear it on the radio everywhere (radio DJ schtick: "Surely it's Daniel Johns singing the chorus, yeah?") and... my god, it's totally their "Domino Dancing", isn't it? Homoeroticism par excellence!

Fauxsohomo

if i know you ftw

Fauxsohomo

not one of Argento's better movies i thought

I'd say the reason The Presets outsell Cut Copy (tho let's not forget both debuted at number 1 - both an achievement and something that sends a very clear message about Oz listening tastes at the mo) is just catchiness. Cut Copy's choruses are a bit erm minimalist and laconic - like, "Hearts On Fire" has that amazing "3am Eternal" meets "Fine Time" bridge and then goes into such a downer of a chorus! - whereas The Presets know that they need verses that sound like choruses and choruses that sound like stadium chants.

Basically Cut Copy are increasingly squarely schmindie, whereas I think The Presets appeal both to electro-house heads and the kind of people who were into Silverchair/Spiderbait/Regurgitator ten years ago.

keep forgetting to check this but i reckon i'll prefer it to cut copy's for reason tim offers (altho i never listened to silverchair etc.)

neither has anything as good as 'charlotte' tho right?

https://www.youtube.com/watch?v=roGmGWOOcTA

https://www.youtube.com/watch?v=HpZAtLJftQE

https://www.youtube.com/watch?v=3P6pJRBYxFI

absolute fucking bangers

these new ones are really brash and ugly and dumb, I love this

whoa, I like Downtown Shutdown better than anything they've done since Pretty Little Eyes

we'll be hearing it in shoe shops for decades to come

these new ones are really brash and ugly and dumb, I love this

― boxedjoy, Friday, 11 May 2018 23:06 (yesterday) Bookmark Flag Post Permalink

and the album's called hi-viz! it seems they're going hard at the mainstream, which is just fine if the rest of the album is anything like these