Where does folk leave off and country begin?

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Me too, especially since my crummy (preserved) comments pale in comparison to what go lost.

m.e.a. (m.e.a.), Tuesday, 21 December 2004 05:21 (nineteen years ago) link

I seem to remember Tracer Hand saying something about George Thorogood and a lump of coal and a mandolin, but the rest of it is slowly fading away.`

Ken L (Ken L), Tuesday, 21 December 2004 05:54 (nineteen years ago) link

"What kind of country is Gillian Welch? See, I don't get that at all. To me she is 100% purebred schoolmarm folkie, with not an ounce of excitment or energy in her body. But that's just me; are there, like, some dreary one-room-schoolhouse country artists of the '20s that she's supposed to resemble who I've just never heard, or something?"

Chuck, I saw her and David Rawlings with EmmyLou Harris and Buddy Miller this past summer live, and she seemed more relaxed and less tied in to trying to look and sound like a member of the Carter Family or something. I liked her, but then I go for some of that npr-friendly folk-country stuff more than you do. I've always liked her voice which was in fine form that night.

steve-k, Tuesday, 21 December 2004 06:45 (nineteen years ago) link

Attempt at Reconstruction:
I recall posting something like

Folk music is what upper-middle class college students thought the folk SHOULD be singing in order to better their lot.

Country is what the folk actually sang about themselves.

Then Hurting said: "I don't think Johnny Cash was 'singing about himself'"

Ah, forget it. It's water under the bridge.

Ken L (Ken L), Tuesday, 21 December 2004 13:10 (nineteen years ago) link

now now, folk also means all those good early dylan albums that Johhny cahs was digging, and und also dave van ronk (uneven, sure but check for inst NO DIRTY NAMES, with a "One Meat Ball" must've made beefheart plotz,y "Alabama Song" and lots better [performances] than that) Folk might plausibly incl. Kevin Coyne's BBC Sessions and CASE HISTORY...plus, and Roy Harper and Hamill On Trial and Ani DiFranco 9speakig of uneven) and Holy Modal Rounders and SMITHSONIAN ANTH and tmy local colleagues who were enjoying Henry Pugh's jazz organ-izing all the years between its selling-pretty-good-for-jazz years. And my high scholl friend's much older half-brother, who joined the Navy to see the world and get out of the cottom patch, and then becoame a folk singer and a carpenter, down or rather over in New Orleans, and who would pass a reel of songs around the world, with songs and verses added alll along, and the jr. hi kids who write shocking verses to beloved tunes, and self-edited remixes toasted and posted real nice. Country is better about bragging about having fun though. hank Jr, "N-n-n-n-nekid wimmin and beer!" xpost yeah, it's the standard thing to say, next to "but it sounds good when you're stoned/dead," but Gillian really *is a lot better live!

don, Tuesday, 21 December 2004 15:47 (nineteen years ago) link

http://images.amazon.com/images/P/B000009HR6.01.LZZZZZZZ.jpg

Rickey Wright (Rrrickey), Tuesday, 21 December 2004 16:10 (nineteen years ago) link

Re Kevin's musings on political/class issues: hear the Bottle Rockets' song "Idiot's Delight."

Rickey Wright (Rrrickey), Tuesday, 21 December 2004 16:17 (nineteen years ago) link

Somewhere back when we were in The City on the Edge of Forever, eddie (or was it don?) mentioned Gram Parsons as a father figure to alt-country and the song "$1000 Wedding" and then lovebug starski (or was it gyspy mothra) came back with the Bottle Rocket's "$1000 Car."

Ken L (Ken L), Tuesday, 21 December 2004 16:22 (nineteen years ago) link

"What kind of country is Gillian Welch? See, I don't get that at all. To me she is 100% purebred schoolmarm folkie, with not an ounce of excitment or energy in her body. But that's just me; are there, like, some dreary one-room-schoolhouse country artists of the '20s that she's supposed to resemble who I've just never heard, or something?"

Chuck, I saw her and David Rawlings with EmmyLou Harris and Buddy Miller this past summer live, and she seemed more relaxed and less tied in to trying to look and sound like a member of the Carter Family or something. I liked her, but then I go for some of that npr-friendly folk-country stuff more than you do. I've always liked her voice which was in fine form that night.

-- steve-k

I kinda thought she had grown beyond the coal miner's daughter schtick by Time: The Revelator. Then again, it is interesting to notice that it was precisely that 'schtick' that helped her break away from the fray of singer/songwriters and become something of a brand name, particularly through Oh Brother. I guess that would tie into the great (now gone) post about people being a certain genre partly because that's how they're marketed; not to say, though, that Welch didn't herself want to go that route at first.

I saw her live at the Bowery Ballroom a couple months ago, and she sounded equally natural singing "Caleb Meyer" and covering Radiohead and Stevie Nicks songs.

Hurting (Hurting), Tuesday, 21 December 2004 18:25 (nineteen years ago) link

I'm just joining the chorus of lost posters here -- I just went looking for this thread and am bummed like everyone else to find it scotched by the server gods. Oh well. Maybe ILM needs its Great Lost Threads. Tribal lore.

gypsy mothra (gypsy mothra), Thursday, 23 December 2004 09:10 (nineteen years ago) link

eighteen years pass...

Marvin Rainwater gets mentioned in this thread, so I'll post here...One of the things I got at a record store I posted about a couple of weeks ago was the Marvin Rainwater Bear Family box set on CD for, no lie, $4. Four CDs, 116 songs; no booklet, and (if there is one) no box, but all four CDs have their proper cases. Probably one of the best deals I've ever stumbled over.

Anyway, I don't hear him as folk verging as country; I always thought he was a country guy, but--after finishing CD-1--he seems like straight-up rockabilly more often than not.

https://www.bear-family.com/rainwater-marvin-classic-recordings-4-cd-box-set.html

clemenza, Tuesday, 14 March 2023 21:04 (one year ago) link

Wow this thread is a wild ride.

Arguably folk became country music when it started to be recorded - no one called Jimmie rogers or the carter family “country music” until a ways later on.

The other important argument is whether any piece of music that isn’t derived from an actual folk oral, is by definition not folk music.

IMO the real transition from folk music to country happens in that 1920s, specifically when original songs are written specifically to be recorded. Alternatively you can place it when record companies began marketing “hillbilly” and “old-time” music, or to when rural performers began to playvppp songs they learned from sheer music or phonograph records.

Phonograph records were around but not accessible to many people, which leads to my other belief which is that after it was determined what kinds of records sold, it influenced what was recorded. Along with radio (a huge part of it!!) this all forms “country music” as we know it in the popular sense.

The depression has a lot to do with it too.

Sorry I’m on my phone, there’s a lot here buys complicated.

ian, Tuesday, 14 March 2023 21:29 (one year ago) link

sorry gonna re-write/expand a few bits here ---

The other important argument is whether any piece of music NOT derived from an actual folk/oral tradition can even be considered folk music in the first place. This is kind of a hadrliner position but one I'm very pretty sympathetic to honestly. Singer songwrites? Not folk music. The traditional music of the globe? folk music.

a tl;dr might be this --

"Country music" began to be regnized as such in the 15 years from say 1920-1935ish. This is due the influence of record sales on further recordings, the proliferation of radio, and the depression -- when push came to shove and Victor records had to choose between recording the Carter Family again or sending a team of field agents out for untested old musicians, well... it was an easy choice. Likewise the radio, and what was seen as commercially viable, was very influential in condensing a fairly wide variety of folk/rural sounds into a marketable genre.

ian, Tuesday, 14 March 2023 21:35 (one year ago) link

what are now considered to be the earliest country music records were fiddle tunes recorded by Eck Robertson & Henry Gilliland in 1922 in Texas, iirc. At that time the labels didn't even use a distinctive marketing label at all - the designation was just "violin solo" and "violin duet"

ian, Tuesday, 14 March 2023 21:40 (one year ago) link

The early years of the recording industry are fucking wild, and to some degree, when it all started they were recording and releasing all manner of stuff and seeing what stuck.

ian, Tuesday, 14 March 2023 21:43 (one year ago) link

Even in the 50s "country music" is a wide enough category that it includes plenty of traditional music, mainstream pop songs about the prairie where the singer wears a stetson and western swing music which is up to 90% jazz, for example this is "country" only because Bob Wills is sometimes singing "howdy-ho"

https://www.youtube.com/watch?v=KtxAuGx9NcY

Camaraderie at Arms Length, Tuesday, 14 March 2023 21:59 (one year ago) link

mid 40s rather than 50s, sorry

Camaraderie at Arms Length, Tuesday, 14 March 2023 22:00 (one year ago) link

The section of this thread that went missing between Dec 2 and Dec 20th 2004 is really one of those magic takes where the engineer accidentally erased it if not forgetting to hit record.

Think Fast, Mr. Mojo Risin’ (James Redd and the Blecchs), Tuesday, 14 March 2023 22:08 (one year ago) link

western swing is funny, it's seems to really polarize folks.
it's got the trappings (cowboy hats! steel guitar!) and lineage (the light crust dough boys recordings for vocalion in the 1930s are much more traditional country/folk music.) but i definitely agree that the actual music most people think of as prime western swing is hugely jazz music. people liked to do the popular dances, which i guess at that time meant the rise of swing music? again, not an expert on this area.

ian, Tuesday, 14 March 2023 22:10 (one year ago) link

Tyler Mahan Coe has a thing about county & western being "whatever poor white people from the south listen to" and rhythm & blues being "whatever poor black people from the south listen to" (referring to that late 40s/early 50s period) and I think he's at least partially right, the genres were named after the billboard charts which were set up under these names

Camaraderie at Arms Length, Tuesday, 14 March 2023 22:40 (one year ago) link

western swing is funny, it's seems to really polarize folks.
it's got the trappings (cowboy hats! steel guitar!) and lineage (the light crust dough boys recordings for vocalion in the 1930s are much more traditional country/folk music.) but i definitely agree that the actual music most people think of as prime western swing is hugely jazz music. people liked to do the popular dances, which i guess at that time meant the rise of swing music? again, not an expert on this area.

― ian, Tuesday, March 14, 2023 5:10 PM (four hours ago) bookmarkflaglink

Being on a massive bluegrass, flatpicking, and fiddle music kick for the last year, I recently learned that there's a specific style of "Texas" fiddle accompaniment on guitar that is basically just jazz chords. Apparently if you went to a fiddle competition in Texas as opposed to NC or Tenn or Kentucky or wherever you would typically hear this noticeably jazzier accompaniment style.

Bill Monroe's first great fiddle player, Tex Logan, actually started as a western swing player who initially disdained bluegrass, which to me sort of implies that Western Swing was seen as more sophisticated or something.

I'm kind of fascinated by these jazzy, semi-forgotten genres and would love to learn more about how they came to be.

An example where you can hear some of that "texas-style" accompaniment. The heavy presence of rags in bluegrass music is also interesting in itself.

https://www.youtube.com/watch?v=XYWqfYeFXCw

longtime caller, first time listener (man alive), Wednesday, 15 March 2023 02:35 (one year ago) link

The rag thing was present in the pre-bluegrass string band style, pretty much from the very beginning. Ragtime was just a huge phenomenon at the time. But I think in bluegrass it comes from the 1920s/1930s string bands. The same morass that birthed all country music in the US imo.

https://www.youtube.com/watch?v=n4NuXIEeubg

https://www.youtube.com/watch?v=JFZtVWu5IFA

https://www.youtube.com/watch?v=O7m1SM7uNAo

And so on but it’s past my bedtime

ian, Wednesday, 15 March 2023 05:10 (one year ago) link


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