I wonder if MechaChristina will reject her robotic implants and follow Alanis' path towards self-righteous purging?
And HOW could Slint be forgotten? Their influence on Tortoise is definitely worth noting (not to mention David Pajo's initial involvement with them once upon a time). _Spiderland_ is an exemplary record illustrating the use of SILENCE in a "rock" recording - I think Tool was taking notes. However, I really can't see Tortoise themselves having made much of an impact outside of the critical arena.
And the Spice Girls? Um, why? Spearheading the re-emergence of teeny pop? (That's it, isn't it?) Gak.
And I'm surprised there hasn't been a case made for Pearl Jam's _Ten_. Commercially, it's been a MUCH more replicated sound than Nirvana. Nirvana really only had a lasting impact insomuch as they inadvertently made it safe for folks like Blink 182 and Green Day to achieve fame. Pearl Jam can be seen as the grunge archetype that's served as the base for most of the nu metal / hard rock the kiddies go ga-ga for. I don't know who said it first, but "Smells Like Teen Spirit" didn't really change the world - it only made it seem like change was possible.
― David Raposa, Tuesday, 19 June 2001 00:00 (twenty-two years ago) link
So: Unfortunately, despite Alanis selling an obscene amount of records, it seemed that it took the collectivity of Lilith Fair to make record companies take female solo artists seriously.
And the Spice Girls? Um, why? Spearheading the re-emergence of teeny pop? (That's it, isn't it?)
Yes, that is correct and is the limit of their influence -- and manufactured pop has dominated the charts ever since.
Pearl Jam (and Live, RATM, RHCP, Smashing Pumpkins, Green Day) have had more of an influence on the sound of U.S. rock in the 90s than Nirvana, that is certainly the case but that single song did make the change possible and in a macro way it did change what is and isn't commercially viable rock. Simplistic and overstated but still...when Nirvana "broke" the Pumpkins, Chili Peppers, and Pearl Jam were driving around the U.S. on a club tour together, and each of their albums pre-dated "Nevermind" and made its impact post-"Teen Spirit."
― scott p., Tuesday, 19 June 2001 00:00 (twenty-two years ago) link
― K-reg, Tuesday, 19 June 2001 00:00 (twenty-two years ago) link
― the pinefox, Tuesday, 19 June 2001 00:00 (twenty-two years ago) link
― Dave, Tuesday, 19 June 2001 00:00 (twenty-two years ago) link
Anyhow, one influential (and fuckin' awesome) record that sprang to mind was "Return of the D.J. Vol. 1", on Bomb Hip-Hop Records. This was released in '95, about half a decade after sampling overtook turntablism as the most prevalent production method in rap music, and this comp was not only a sort of backlash against that trend but the catalyst for the current resurgence in DJing. Lots of names that wound up blowing up huge- Rob Swift, Beat Junkies, Invisbl Skratch Piklz, Mixmaster Mike, Cut Chemist and DJ Babu. Eventually Swift (and his group the X-Cutioners) got writeups in the New York Times, the Beat Junkies mixed the US Top 40 Rawkus comp "Soundbombing 2", the Skratch Piklz became for turntablism what the original Mothers of Invention were for rock, Mixmaster Mike hooked up with the Beastie Boys, Cut Chemist gained fame as part of Jurassic 5, and Babu became the DJ for Dilated Peoples. Not a bad record (in either sense of the word).
― Nate Patrin, Sunday, 24 June 2001 00:00 (twenty-two years ago) link
― Josh, Sunday, 24 June 2001 00:00 (twenty-two years ago) link
― Tadeusz Suchodolski, Sunday, 24 June 2001 00:00 (twenty-two years ago) link
― 2dk, Friday, 3 August 2001 00:00 (twenty-two years ago) link
― Tracer Hand, Friday, 3 August 2001 00:00 (twenty-two years ago) link
― ethan, Friday, 3 August 2001 00:00 (twenty-two years ago) link
― JC, Friday, 3 August 2001 00:00 (twenty-two years ago) link
― nick hennessy, Monday, 17 September 2001 00:00 (twenty-two years ago) link
― weasel diesel (K1l14n), Wednesday, 20 February 2002 01:00 (twenty-two years ago) link
― Ronan, Wednesday, 20 February 2002 01:00 (twenty-two years ago) link
― powertonevolume, Wednesday, 20 February 2002 01:00 (twenty-two years ago) link
This is the problem.
― Ned Raggett, Wednesday, 20 February 2002 01:00 (twenty-two years ago) link
― weasel diesel (K1l14n), Tuesday, 26 February 2002 01:00 (twenty-two years ago) link
Perhaps so. Note I didn't say it was a *good* thing. And you left out the most obvious example, namely "Fake Plastic Trees," which is miles better on its own than Buckley's outrageously annoying oeuvre...
― Ned Raggett, Tuesday, 26 February 2002 01:00 (twenty-two years ago) link
― Mike Milburn, Monday, 4 March 2002 01:00 (twenty-two years ago) link
― Prude, Monday, 4 March 2002 01:00 (twenty-two years ago) link
― Ned Raggett, Monday, 4 March 2002 01:00 (twenty-two years ago) link
― Curt, Monday, 4 March 2002 01:00 (twenty-two years ago) link
not far behind albulms from...Stone Roses, Liz Phair, Massive Attack, Pavement, The Pixies (1989), PJ Harvey,The Chemical Brothers, Oasis
a bit further back... The Orb, NIN, Moby, My Bloody Valinetine, REM, Janes Addiction(1989) Cheers
― kiwi, Thursday, 14 March 2002 01:00 (twenty-two years ago) link
― Bob Zemko, Thursday, 14 March 2002 01:00 (twenty-two years ago) link
― Eirsha Inrum, Monday, 18 March 2002 01:00 (twenty-two years ago) link
― weasel diesel (K1l14n), Wednesday, 20 March 2002 01:00 (twenty-two years ago) link
― Damian, Wednesday, 20 March 2002 01:00 (twenty-two years ago) link
It's all too easy, sometimes.
And after listening to an album's worth of tuneless nu-metal dirges by the likes of Korn and Papa Roach youd give your right arm for some of Linkin Park's gleaming pop hooks.
Then clearly the trick is to not listen to said album's worth of material.
― Ned Raggett, Wednesday, 20 March 2002 01:00 (twenty-two years ago) link
― max, Friday, 22 March 2002 01:00 (twenty-two years ago) link
― Dan Perry, Friday, 22 March 2002 01:00 (twenty-two years ago) link
― Ned Raggett, Friday, 22 March 2002 01:00 (twenty-two years ago) link
Also up there : Portishead, 'Dummy' Gastr Del Sol, 'Camofleur' Super Furry Animals, 'Radiator' Radiohead, 'OK Computer' PJ Harvey, 'Rid of me' Bjork, 'Homogenic' Magnetic Fields, '69 Love Songs' (tries for my number 1 spot)
That's all I can think of right now...
― Ryan Detwiler, Monday, 1 April 2002 00:00 (twenty-two years ago) link
― Alex in SF, Tuesday, 2 April 2002 00:00 (twenty-two years ago) link