New Orleans Brass Bands S/D

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Oh shit, Hot 8 is playing in Chicago today through Sunday, apparently.

Jordan, Wednesday, 11 April 2007 16:37 (seventeen years ago) link

I guess you'll be seeing them Jul 15 2007 3:00P at La Fete de Marquette Madison. They just keep on keepin' on. They haven't been in DC since they played the Smithsonian Folklife Fest last summer or was it the summer before...

I'm not heading down to New Orleans for the FQ Fest or Jazzfest or the Ponderosa Stomp this year. Wait till next year I guess.

curmudgeon, Thursday, 12 April 2007 13:18 (seventeen years ago) link

Wouldn't miss it. I think we're playing that show too.

I'll be down May 4th - 7th.

Jordan, Thursday, 12 April 2007 16:46 (seventeen years ago) link

Any recommendations on which Jazzfest weekend is best this year? At quick first glance, first looks to edge out second by a hair...

Colin, Thursday, 12 April 2007 17:27 (seventeen years ago) link

First weekend has Rebirth, New Birth, Hot 8, Leroy Jones, & Ludacris, second weekend has Stooges, TBC (guess they get a stage instead of playing down the street?), Soul Rebels, and Harry Connick. I guess first weekend looks better, I'm going second anyway. I'm sure there will be some hot shit not at the grounds.

Jordan, Thursday, 12 April 2007 17:50 (seventeen years ago) link

http://seattletimes.nwsource.com/html/artsentertainment/2003674612_popcon1.html?syndication=rss Paul de Barros from the Seattle Times re: a New Orleans panel at the EMP Pop Conference

This afternoon's "Resurrecting New Orleans" panel could not be accused, like other moments in the conference, of lacking passion. Ned Sublette, Larry Blumenfeld, Alex Rawls and Don McLeese sounded united in their anger and outrage, yet also in their belief and hope -- to borrow their own words -- about post-Katrina music in the Crescent City. Sublette took us through a ghastly litany of offenses in slavery days and Rawls, a local, noted, with some sadness, that "people are slowly coming around to the realization that the city will never be the way it was."

Though uninspiring as a speaker, McLeese offered the best talk, an inventory (with welcome musical examples) of tracks made after the hurricane by Allen Toussaint, Irma Thomas (well, almost after), Chris Thomas King, Donald Harrison and the Dirty Dozen Brass Band, with penetrating comments appended to each.

Blumenfeld gave an update on the lawsuit against the city brought by the Social Aid and Pleasure Clubs -- the groups that organize the "second line" neighborhood parades that are the soul of New Orleans music -- because of last year's near-tripling of parade fees. (What can the city be thinking?) On a more hopeful note, he quoted New Orleans clarinetist Michael White, who told Blumenfeld, "This is all going to continue."

curmudgeon, Sunday, 22 April 2007 21:09 (seventeen years ago) link

"Do you know what it Means to Miss New Orleans..." I'm not there. Colin, Jordan, and American Routes folks can you post something about Jazzfest sometime (or when you get back). This first weekend includes:

Irma Thomas, Ludacris, Jerry Lee Lewis,Rebirth Brass Band, Percy Sledge, Kermit Ruffins, Troy "Trombone Shorty" Andrews, Terence Blanchard, George Porter, Jr., Marva Wright, Zachary Richard avec Francis Cabrel, Bobby Charles, Irvin Mayfield, Lucky Peterson, Eddie Bo, Henry Butler, Kirk Joseph's Backyard Groove, Geno Delafose, Pine Leaf Boys, Astral Project, Bob French & the Original Tuxedo Jazz Band, , Charmaine Neville Band, Steve Riley, Ray Abshire, Burnside Exploration, Mem Shannon, New Orleans Klezmer Allstars, C.J. Chenier, and as mentioned above New Birth and Hot 8...

The Ponderosa Stomp coming up in a few days has its usual spectacular bill...

curmudgeon, Thursday, 26 April 2007 04:00 (sixteen years ago) link

[url][Removed Illegal Link] Not Wash Away
The fight for New Orleans' culture continues, one parade at a time
by Larry Blumenfeld
April 24th, 2007 Village Voice

an excerpt regarding today's court case involving the ACLU vs. the city of New Orleans regarding parade security fees:

[i]Just three days before members of the Nine Times Social Aid & Pleasure Club dance their way through the Jazz & Heritage Festival Fair Grounds—second-lining with the Mahogany Brass Band—they'll be represented in federal court, fighting to protect the century-old tradition from threats to its future.

On April 25, a federal judge will hear arguments on behalf of a consortium of Social Aid & Pleasure clubs, aided by the ACLU, in a lawsuit protesting the city's hiking of police security fees—in some cases, triple or more from pre-Katrina rates—for second-line parades, the regular Sunday events, held September through May, at which members snake through neighborhoods, dancing to brass bands. The suit invokes the First Amendment right to freedom of speech and expression, claiming that parade permit schemes "effectively tax" such expression. "Should the law not be enjoined," reads the complaint filed in Social Aid & Pleasure Club Task Force v. City of New Orleans, "there is very little doubt that plaintiff's cultural tradition will cease to exist."

"It's a solid, core ACLU issue," says staff attorney Katie Schwartzmann. "We handle freedom of speech cases all the time. But this one is different in that the speech at issue signifies this city and an entire cultural tradition. At some point, I mean, the power to tax is the power to eliminate, right? At some point, if the government can put enough fees and enough obstacles in the way of somebody exercising their First Amendment right, then they're ultimately going to eliminate it."

Second-line parades derive from funeral rituals, transforming mourners into celebrants; the term "second-line" refers not just to up-tempo rhythms signifying spiritual rebirth, but also to the tight-knit communities who follow the musicians, dancing and clapping along. Yet now the very tradition itself appears endangered. For all the ink spilled about post-Katrina New Orleans, surprisingly little has been written about the cultural costs of this ongoing tragedy—what it means for centuries-old rituals and for jazz tradition in general, and what it says about how Americans value our homegrown arts, if we value them at all.

Erosion of our coastal wetlands may have paved the way for the natural disaster that hammered this city. But the least- mentioned aspect of the resulting devastation—the erosion of what ethnographer Michael P. Smith once called "America's cultural wetlands"—is of tantamount concern. The resilient African-American cultural traditions of New Orleans, famously seminal to everything from jazz to rock to funk to Southern rap, also contain seeds of protest and solidarity that guard against storm surges of a man-made variety. Erasure of these wetlands exposes many to the types of ill winds that shatter souls.

The brass band–led second-line tradition is particularly and somewhat curiously caught in the crosshairs of violence and controversy now fixed on New Orleans. The wave of homicides that swept through New Orleans in late December and early January claimed among its victims Dinerral Shavers, the 25-year-old snare drummer of the Hot 8 Brass Band and a teacher who had established Rabouin High School's first-ever marching band. Hundreds gathered at the gate to Louis Armstrong Park earlier this year for an all-star second-line, yet not a note was played nor a step danced for two miles. The silence—unthinkable throughout the hundred-plus- year history of this raucous tradition—was a carefully thought-through statement. It addressed the violence afflicting the city, the desperately slow process of post-Katrina recovery, and the enabling power of jazz culture for disenfranchised (in many cases, still displaced) communities. Two miles into that procession, not far from where M.L. King Boulevard meets South Liberty Street—the statement having been made—the men of the Nine Times club (in lime-green suits and royal-blue fedoras) and the Prince of Wales club (in red suits and mustard-colored hats and gloves) started jumping and sliding to the irrepressible sounds of the Hot 8 and Rebirth Brass Bands. Such scenes underscore what's now at stake, both in and out of court.[i]

curmudgeon, Thursday, 26 April 2007 04:13 (sixteen years ago) link

Jazzfest starts today. I wonder how the federal court hearing on parade fees went yesterday?

curmudgeon, Thursday, 26 April 2007 13:15 (sixteen years ago) link

Actually I think Jazzfest starts Friday.

curmudgeon, Thursday, 26 April 2007 13:27 (sixteen years ago) link

Hundreds gathered at the gate to Louis Armstrong Park earlier this year for an all-star second-line, yet not a note was played nor a step danced for two miles.

Wow, I didn't hear about that.

Jordan, Thursday, 26 April 2007 14:13 (sixteen years ago) link

Nor had I. A pretty stunning statement.

curmudgeon, Thursday, 26 April 2007 14:19 (sixteen years ago) link

Awwww man, missing New Birth and Hot 8 (and more) down at Jazzfest today or this weekend. I think they're are various folks blogging the fest--I'll look 'em up later.

curmudgeon, Friday, 27 April 2007 13:25 (sixteen years ago) link

I'll be down next weekend.

Jordan, Friday, 27 April 2007 13:46 (sixteen years ago) link

http://www.artsjournal.com/listengood/2007/04/secondline_frontlines_the_sequ.html#more

Writer Larry Blumenfeld on his nice Listen Good blog detailing the settlement reached on parade fees, outside Federal Court in New Orleans yesterday.

curmudgeon, Friday, 27 April 2007 13:57 (sixteen years ago) link

http://www.jazzfestblog.com/

A jazz-fest blog posting by Alicia Ault. You have to skim down a bit to get to the bits about the fest.

curmudgeon, Saturday, 28 April 2007 17:13 (sixteen years ago) link

http://www.alanat.com/women/new-orleans-jazz-fest-honors-ed-bradley-2/

Published April 27, 2007 by Editor-in-Chief

NEW ORLEANS - CBS newsman Ed Bradley was a big fan of the New Orleans Jazz and Heritage Festival. On Friday, the Jazz Fest honored his memory and his two decades of support with an opening-day jazz funeral procession, complete with two brass bands.

Bradley, who died in November, had wanted to be remembered at the festival with a second line parade, so-called because watchers often fall in to form a second line of paraders.

He put it in his will. He wanted a second line and a New Orleans brass band and Quint Davis to put it all together, said his widow, Patricia Blanchet.

curmudgeon, Saturday, 28 April 2007 18:10 (sixteen years ago) link

Julie Melrose, guest blogger at the following website is seeking help in buying sousaphones for New Orleans musicians

[url][Removed Illegal Link]

[i]Donations are now being sought for the third and fourth group sousaphone purchases, since two suitable fixer-uppers will be available only a couple of days from now. With donated shipping and professional instrument restoration already in place, acquiring the actual instruments (at an anticipated cost of under $700) is the only missing link in giving two NOLA musicians the tools they need to return to employment.

Please contact me at girlbanjoistsrule at yahoo.com if you are interested in making a modest contribution toward an upcoming sousaphone purchase, or would like more information about the musical instrument recycling program of the Tipitina’s Music Co-op. All financial and used instrument donations are fully tax deductible, with a “thank you” letter on Tipitina’s Foundation letterhead documenting your donation.

The shipping address for donations of used musical instruments in reparable condition is:
Mark Fowler
Tipitina’s Music Co-op
501 Napoleon Avenue
New Orleans, LA 70115

Co-op manager Mark Fowler can be reached by email at mfow✧✧✧@tipiti✧✧✧.c✧✧, or by phone at (504) 891-0580. As this year’s New Orleans Jazz & Heritage Festival miraculously kicks off two weekends of festivities, I thank you in advance for helping to restore the unique musical culture of New Orleans.[/i}

curmudgeon, Sunday, 29 April 2007 00:43 (sixteen years ago) link

http://www.metacentricities.com/2007/04/buying_used_sou.html

curmudgeon, Sunday, 29 April 2007 00:44 (sixteen years ago) link

Jon Pareles of the NY Times is down there reporting from the fest:

http://artsbeat.blogs.nytimes.com/2007/04/29/jazzfest-thank-god-i-made-it/#more-19

The Mahogany Brass Band played a slow version of “Just a Closer Walk With Thee,” used at jazz funerals, and then its trumpeter dedicated the song to New Orleans and spoke about how it had felt “to have the world pulled from under your feet.” But he also saw some progress: “Last night,” he said, “me and my wife slept in our own bed in our own
home for the first time.”

curmudgeon, Sunday, 29 April 2007 18:17 (sixteen years ago) link

Keith Spera from the Times-Picayune:

http://blog.nola.com/keithspera/2007/04/stage_shuffling.html

Troy "Trombone Shorty" Andrews survived a near-disastrous leap off the Congo Square Stage, landing awkwardly on a riser in the photo pit. But the show must go on: He straightened out his sunglasses and white suit and finished the set.

At Congo Square, sousaphonist Kirk Joseph's Backyard Groove was a mini-orchestra: Four percussionists, four singers, drums, two guitars, sax and trombone. Guest vocalist Theryl "Houseman" DeClouet made only his second hometown appearance since Hurricane Katrina exiled him to Chicago.

curmudgeon, Sunday, 29 April 2007 18:35 (sixteen years ago) link

http://www.bloggingneworleans.com/2007/04/29/jazz-fest-hot-8-brass-band/

Somebody named Kelly Leahy blogging about Hot 8 at Jazzfest

The show was upbeat, dedicating one song to a newly married member and celebrating his one-day-old marriage. Things got a little emotional when later a song was dedicated to Dinerral Shavers who was murdered last winter. Shavers' son, DJ, was introduced (he couldn't be more than eight or nine years old) and placed behind a couple of snare drums where he played along with the band for their final number.

In case you missed them today, the Hot 8 Brass Band will be playing tonight at The Parkway Tavern from 7-10 pm. Get on your dancing shoes and go!

curmudgeon, Monday, 30 April 2007 15:59 (sixteen years ago) link

We need someone who is down there to post here. Jordan's heading down in a few days I guess.

curmudgeon, Tuesday, 1 May 2007 14:51 (sixteen years ago) link

I'll post next week. Rebirth put out a dvd btw, and apparently TBC has a live record now.

Jordan, Tuesday, 1 May 2007 18:51 (sixteen years ago) link

Well he's not quite a brassbander but he may as well be mentioned here:

http://seattlepi.nwsource.com/pop/1403AP_Obit_Batiste.html

New Orleans clarinetist Batiste dies
By MARY FOSTER
ASSOCIATED PRESS WRITER



NEW ORLEANS -- Clarinetist Alvin Batiste, who toured with Ray Charles, recorded with Branford Marsalis and taught pianist Henry Butler, died Sunday of an apparent heart attack. He was in his 70s.

Batiste died only hours before he was to perform with Harry Connick Jr. and Marsalis at the New Orleans Jazz & Heritage Festival, festival officials said.

Marsalis' record label released Batiste's latest CD, "Marsalis Music Honors Alvin Batiste," just a few weeks ago. Marsalis also played on the album.

Batiste, a jazz clarinetist, was considered one of the founders of the modern jazz scene in New Orleans. While his exact age was not immediately known, festival officials said he was born in New Orleans in 1932.

Batiste also wrote for and toured with Billy Cobham and Cannonball Adderley.

A longtime teacher at Southern University in Baton Rouge, he created the Batiste Jazz Institute - one of the first programs of its kind in the nation - and taught jazz at the New Orleans Center for Creative Arts.

His students included Marsalis, Donald Harrison, Kent Jordan, Michael Ward, Herlin Riley, Charlie Singleton, Woodie Douglas and others.

"He was not only a teacher, he was my father away from home," Butler said. "He taught us about music, the history of music and the business of music. The ones who had the benefit of learning from him are better musicians and better people today."

Batiste toured with Charles in 1958, but remained largely unknown to the general population until he recorded with Clarinet Summit in the 1980s. The quartet also included John Carter, David Murray, and Jimmy Hamilton.

Batiste recorded an album, "Bayou Magic" in 1988, and made the 1993 album "Late." "Songs, Words and Messages, Connections" appeared in 1999.

The show at the jazz tent of the festival - "Marsalis Music honors Alvin Batiste & Bob French" - went on as planned. "The show will go on," festival spokesman Matthew Goldman said.

curmudgeon, Monday, 7 May 2007 01:13 (sixteen years ago) link

Hey Jordan, just saw some photos on a jazzfest blog of lots of rain and water everywhere at the 2nd weekend of Jazzfest. How was it?

curmudgeon, Monday, 7 May 2007 11:04 (sixteen years ago) link

Saw your answers on the Ponderosa Stomp thread. So I don't remember Da Truth Brass Band from last year, but their myspace site suggests they've been around a few years (although they are only recently out of high shcool I think it said). Maybe I just missed them last year the weekend I was there.

curmudgeon, Tuesday, 8 May 2007 18:33 (sixteen years ago) link

They're young kids, but really good. A bunch of them played with us on Friday night. They were busking outside the festival a block away from TBC (playing a lot of the same tunes, Night Shift, Just My Imagination, etc.) and opened for the Rebels at Cafe Brasil on Saturday. These bands coming up now are not fucking around, esp. Free Agents (who are older than TBC and da Truth, incl. some of the Stooges guys).

Jordan, Tuesday, 8 May 2007 18:37 (sixteen years ago) link

New shit:

I highly recommend getting the Rebirth dvd that's at Louisiana Music Factory while it's still available (says "limited festival release" for whatever that's worth). I wish it was a full concert film instead of a documentary, but it's still great. It goes through all their records in order w/interviews with the dudes and the producers, and it's got some good show and second-line footage stuck in (which is frustrating, because you know the full recordings are out there somewhere).

Also Hot 8 <a href="http://www.jazzfestlive.com">Live @ Jazzfest '07</a> is fire.

Jordan, Wednesday, 9 May 2007 18:46 (sixteen years ago) link

Live @ Jazzfest '07

Jordan, Wednesday, 9 May 2007 18:47 (sixteen years ago) link

two weeks pass...

So I hear that David Simon, producer of HBO's The Wire (and writer of Homicide) had Rebirth and Kermit Ruffins come up to Baltimore and perform at his son's Bar Mitzvah. Simon's doing a New Orleans show as well.

curmudgeon, Friday, 25 May 2007 05:27 (sixteen years ago) link

In a lot of ways, New Orleans is Baltimore but it can carry a tune. I thought Katrina was literally America having to pause for a moment and contemplate the other America that somehow, tragically, Americans forgot. It's like America looking across the chasm saying, "Oh, are you still here? Oh, and you're wet. And you're angry."

David Simon in an old Rolling Stone http://www.rollingstone.com/politics/story/11788752/interview_talking_with_the_creator_of_the_wire/2

curmudgeon, Friday, 25 May 2007 13:04 (sixteen years ago) link

Has anybody ever heard that brass band from Mobile called something like the "Bay State Brass Band?" Are they any good? For that matter, has anybody been to Mardi Gras in Mobile?

novamax, Friday, 25 May 2007 20:47 (sixteen years ago) link

Nope.

curmudgeon, Saturday, 26 May 2007 05:00 (sixteen years ago) link

Google tells me it's the Bay City Brass Band, the Bay state one is from Massachusetts. There's a little on Bay City here (with a list of top Mardi Gras songs): http://www.mardigrasdigest.com/Sec_music/music_page.html

I heard good things about the below:

ELDER BABB & THE MADISON BUMBLE BEES OF WINNSBORO (GOSPEL) A choir of 12 trombones, led by trombonist Elder Babb, plus a tuba, bari, drums and cymbals, raise a joyful noise in praise from this exciting ensemble of the United House of Praise for All People from South Carolina.

curmudgeon, Saturday, 26 May 2007 18:27 (sixteen years ago) link

I saw that trombone shout choir at Jazzfest, it was cool. Sounded just like the bands on this record: http://www.folkways.si.edu/search/AlbumDetails.aspx?ID=2649

Jordan, Sunday, 27 May 2007 18:14 (sixteen years ago) link

two weeks pass...

Soul Rebels set up shop in H-Town:

http://www.houstonpress.com/2007-06-14/music/the-soul-rebels-brass-band-find-a-houston-home/print

novamax, Wednesday, 13 June 2007 22:14 (sixteen years ago) link

So I've been on a New Orleans reading jag too....I read Burns's Keeping the Beat on the Street. I thought it was okay, but a little too skewed toward the traditional end for my taste.

Non-brass band stuff here, but also finished Jed Horne's Desire Street. That's a pretty damn impressive piece of work. Reminded me of a season or two of the Wire in book form.

novamax, Wednesday, 13 June 2007 22:22 (sixteen years ago) link

Been meaning to get and read that Burns book.

So Offbeat has Matt Perrine, sousaphonist for Bonerama and various other New Orleans rock and jazz outfits, on the cover. What do you folks know about him? I generally stick with the brass bands and stay away from folks that I think are associated with the jam band world, but maybe I need to just hear him and one of his groups and give him a shot.

curmudgeon, Friday, 15 June 2007 11:53 (sixteen years ago) link

http://blog.nola.com/entertainment/2007/06/kermit_ruffins_performed_at_wh.html

Kermit Ruffins and the President...Should we be surprised what the Prez said:

I want to thank our Chef, Paul Prudhomme, from New Orleans, Louisiana -- one of the great chefs in America. Thanks for coming, Paul. (Applause.) I thank Tony Snow and his bunch of, well, mediocre musicians -- (laughter) -- no, great musicians. Beats Workin, thanks for coming. (Applause.) Kermit, come up here. Kermit, we're proud to have you.

MR. RUFFINS: Well, thanks for having us.

THE PRESIDENT: Kermit Ruffins and the Barbeque Swingers, right out of New Orleans, Louisiana. (Applause.)

MR. RUFFINS: Thank you. Thanks for having us. We're glad to be here.

THE PRESIDENT: Proud you're here. Thanks for coming. You all enjoy yourself. Make sure you pick up all the trash after it's over. (Laughter.)

God bless you, and may God bless America. Thanks for coming. (Applause)

curmudgeon, Tuesday, 26 June 2007 05:20 (sixteen years ago) link

two weeks pass...

HIGH NOON August 26 Sunday we are organizing a Silent second line in protest of the lack of local, state and national support for our local musicians. We will be paying 2 brass bands to march without playing. Hankies waving, umbrellas, indians in costume from Armstrong Park to Jackson square. No music.

We will ask musicians all over the world to support the protest with 1 hour of Silence.

Please support us. We need to know we are not alone as we approach the 2nd anniversary of Hurricane Katrina.

Our task force will be circulating our Save New Orleans Musicians Manifesto after a meeting at the musicians union hall on July 31.

Cheers, Bethany

Bethany Ewald Bultman
NOMC Co-Founder and Program Director
neworleansmusiciansclinic.org
New Orleans Musicians' Clinic
504 415-3514 NOMC OFC.

curmudgeon, Sunday, 15 July 2007 16:30 (sixteen years ago) link

two weeks pass...

Oliver Morgan, 'La La' hitmaker
R&B singer 'had 9th Ward soul' Wednesday, August 01, 2007By Keith Spera
From the New Orleans Times-Picayune
http://www.nola.com/news/t-p/metro/index.ssf?/base/news-23/118594883216750.xml&coll=1

Oliver Morgan, the New Orleans rhythm & blues vocalist best known for his 1964 hit "Who Shot the La La," died Tuesday in Atlanta. He was 74.

Mr. Morgan grew up in the 9th Ward alongside Fats Domino, Jessie Hill and Smiley Lewis. He sang in church and with friends from the neighborhood. He recorded his first singles in 1961 for AFO Records under the pseudonym "Nookie Boy."

Three years later, "Who Shot the La La," a whimsical take on the mysterious 1963 death of singer Lawrence "Prince La La" Nelson -- who was not shot, but died of an apparent drug overdose -- became his first and only national hit. Recorded at one of engineer Cosimo Matassa's studios and released by the GNP-Crescendo label, the strutting party anthem featured keyboardist Eddie Bo, who is credited as the song's writer even though Mr. Morgan claimed to have written it himself.


Mr. Morgan toured nationally on the strength of the song, but eventually settled back into the life of a popular local entertainer. In nightclubs and at the annual New Orleans Jazz and Heritage Festival, he performed with his trademark second-line umbrella. He was among the first to incorporate this jazz funeral accessory into a nightclub act, and never hesitated to lead a parade.

He did not release a full-length album until 1998's "I'm Home." Produced by Allen Toussaint and issued by his NYNO Music label, the CD finds Mr. Morgan covering a program of classic R&B compositions by the likes of Toussaint, Lee Dorsey, Otis Redding and Dave Bartholomew.

"He had 9th Ward soul," said Antoinette K-Doe, the widow of Ernie K-Doe and a friend of Mr. Morgan's for more than 40 years. "And he was a good father and a good husband."

For years, Mr. Morgan worked as a custodian at City Hall and then as the caretaker of the New Orleans Pharmacy Museum on Chartres Street. He suffered a stroke in 1997, days after he finished recording "I'm Home." Indicative of his popularity amongst his peers, a January 1998 benefit concert in his honor at Bally's Casino featured Toussaint, Ernie K-Doe, Irma Thomas, Jean Knight, Tommy Ridgley, the Dixie Cups, Frankie Ford and more.

Mr. Morgan and his wife, Sylvia, would have celebrated their 50th wedding anniversary in January. The couple resided on Tennessee Street just off North Claiborne Avenue in the Lower 9th Ward until Hurricane Katrina's breached levees destroyed their home. They moved to Atlanta, where a son and daughter lived, and bought a house there. Mr. Morgan had not performed since Katrina.

Survivors include his wife, Sylvia; five sons, Darrell and Kevin Morgan of Atlanta, Donald and Carl Morgan of New Orleans and Bruce Morgan of South Carolina; three daughters, Sylvia Grant of Atlanta and Anita Robert and Kimberly Hall of New Orleans; and 19 grandchildren. Funeral arrangements are pending.

Oliver 'Who Shot the La La' Morgan was among the first to incorporate a second-line umbrella into a nightclub act, and never hesitated to lead a parade. [3434829]

curmudgeon, Friday, 3 August 2007 05:08 (sixteen years ago) link

I think I saw Oliver 'Who Shot the La La' Morgan at Jazzfest.

Hmmmmm, I wonder if Minneapolis musician Prince Rogers Nelson (aka Prince), born in 1958, was named after singer Lawrence "Prince La La" Nelson --

curmudgeon, Friday, 3 August 2007 18:18 (sixteen years ago) link

http://www.nytimes.com/2007/08/05/business/yourmoney/05tipi.html?pagewanted=1&_r=1&th&emc=th
The Katrina Effect, Measured in Gigs
By ANDREW PARK
Published: August 5, 2007 New York Times

excerpts

Still, nearly two years after Katrina, there are fewer restaurants and bars offering live music, and the ones that do are paying less, musicians say. As the reality of the slow recovery has set in, fewer locals feel that they can afford cover charges or even tips, so clubs that used to have live music four or five nights a week have cut back to two or three.

Conventions, typically a strong source of music gigs, are running at 70 percent of 2004 levels, but leisure travel remains far below pre-Katrina levels, according to the New Orleans Convention and Visitors Bureau

But musicians say they wonder if New Orleans will ever nurture their careers the way it once did. The Hot 8 Brass Band, which was featured prominently in Spike Lee’s documentary film “When the Levees Broke,” is concentrating on touring elsewhere in the United States and abroad — even if that might mean missing Mardi Gras — so it can play for outsiders. Outsiders, say band members, seem to value them more than their hometown.

“They make you feel how valuable you are to New Orleans,” says Raymond Williams, a trumpeter for the band. “I feel like maybe the city should treat musicians in the same way.”

curmudgeon, Sunday, 5 August 2007 14:16 (sixteen years ago) link

Big article in the Aug. 17th Entertainment Weekly by Clark Collis and Vanessa Juarez about New Orleans opens a bit too optimistically before getting more realistic. Can't find it online, just this from the EW blog:

The Lower Ninth is where you will find the house of rock 'n' roll legend Fats Domino which has been renovated. But many other musicians who used to live here — and in other, similarly still devastated neighborhoods — currently dwell in other cities or in FEMA trailers. The latter may sound cozy, but, as we discovered upon entering one, are cramped and fairly hellish. And with recent reports of people getting sick from exposure to formaldehyde, conditions in these aluminum boxes are officially unsafe. One retired trumpeter who has been living in a trailer since Katrina told us that, at first, he joked that his new living quarters were so narrow he could only eat spaghetti. He went on to inform us that he had long since ceased to find his living situation even remotely humorous. In fact, these dispossessed musicians must also dwell in a place inside their own heads, which can be every bit as suffocating and depressing as their physical quarters. As Bethany Bultman, founder of the New Orleans Musicians’ Clinic, told us, “Everyone — myself included — is suffering from post-traumatic stress. Stress-related stroke. Stress-related heart attack. They’ve all increased since Katrina, they’re everywhere.” Many of the stories we heard were certainly tragic. We also heard tales of anger and hope and resilience. Actually, we heard a LOT of tales. Everyone had a story and everyone knew two or three — or ten — other people whose histories they recommended we hear. Initially, two weeks had seemed like an extravagant period of time to get our story, which you can read in the issue on stands this Friday. In the end — despite having the pleasure of chatting with such legends as Fats Domino and Cyril Neville and Irma Thomas as well as a host of less well known local musicians — it, perhaps inevitably, felt like we were only scratching the surface of this problem.

The article quotes Glen David Andrews as saying he's still living in a FEMA trailer. Googling elsewhere I see that Andrews has recently done shows in Amsterdam with his fairly new (I think) Lazy 6 band, and back in New Orleans they're now playing every Sunday at Preservation Hall. I wonder if he's still playing and singing with Treme as well? They're gonna be in the DC area for a free Labor Day show in Arlington, VA not far from the Iwo Jima memorial.

curmudgeon, Saturday, 11 August 2007 04:34 (sixteen years ago) link

Actually the Lazy 6 have been around for awhile, I think. Glenn's also been playing his trombone on the street these days I saw elsewhere.

Meanwhile, his cousin Trombone Shorty is traveling everywhere according to his website.

curmudgeon, Saturday, 11 August 2007 05:14 (sixteen years ago) link

these are good people. send them money. disregard the 1996-style webpage.

adam, Saturday, 11 August 2007 14:59 (sixteen years ago) link

With the anniversary of Katrina coming up there are New Orleans related articles everywhere. Saw a Time Magazine cover in the grocery store checkout line with a harshly worded cover about the levees. The Sunday New York Times had a big article about trumpeter Terence Blanchard, his new cd, and his efforts to revitalize New Orleans (and fix his Mom's house)

curmudgeon, Monday, 13 August 2007 11:58 (sixteen years ago) link

August 29th-Katie Couric CBS Katrina show...

curmudgeon, Wednesday, 22 August 2007 04:22 (sixteen years ago) link

2 years since Katrina today--

HIGH NOON August 26 Sunday we are organizing a Silent second line in protest of the lack of local, state and national support for our local musicians. We will be paying 2 brass bands to march without playing. Hankies waving, umbrellas, indians in costume from Armstrong Park to Jackson square. No music.

We will ask musicians all over the world to support the protest with 1 hour of Silence.

Please support us. We need to know we are not alone as we approach the 2nd anniversary of Hurricane Katrina.

Our task force will be circulating our Save New Orleans Musicians Manifesto after a meeting at the musicians union hall on July 31.

Cheers, Bethany

Bethany Ewald Bultman
NOMC Co-Founder and Program Director
neworleansmusiciansclinic.org
New Orleans Musicians' Clinic
504 415-3514 NOMC OFC

curmudgeon, Sunday, 26 August 2007 17:20 (sixteen years ago) link


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