It's like cooly g (nite version)
― lex pretend, Tuesday, 9 July 2013 14:52 (ten years ago) link
yeah this is pretty great
― big black nemesis, Puya chilensis (DJP), Tuesday, 9 July 2013 15:07 (ten years ago) link
Had been waiting for dan to get on this!
― lex pretend, Tuesday, 9 July 2013 15:16 (ten years ago) link
love this. love this
― emo canon in twee major (BradNelson), Tuesday, 9 July 2013 15:19 (ten years ago) link
Just hitting "Everything" now; the grooves are placid but not boring and make for great work listening. I really look forward to playing this when I can really pay attention and on speakers with good bass.
― big black nemesis, Puya chilensis (DJP), Tuesday, 9 July 2013 15:20 (ten years ago) link
Been waiting for this one
― sjuttiosju_u (wins), Tuesday, 9 July 2013 15:29 (ten years ago) link
haven't gotten all the way through the album yet but so far my first-listen standouts are "Blame", "Everything" and "Wait For You"
― big black nemesis, Puya chilensis (DJP), Tuesday, 9 July 2013 15:32 (ten years ago) link
progressively samey murk after the (iirc excellent) first four tracks
^^this seems crazy to me, if anything this record gets better AFTER the first four tracks. so gorgeous.
― Roz, Sunday, 21 July 2013 07:19 (ten years ago) link
nah. i'm right
that first four have a modern and lissom poise, light and dark perfectly intertwined, shadow for undertow
the rest is leaden dredge of 1997 cut-out bin - blood simple western neo-noir, goth triphop, some shit that sounds like underworld, tricky. withdrawal into thumbsucking clumsy
― r|t|c, Sunday, 21 July 2013 10:28 (ten years ago) link
the cover art too, nuff said. unkle doing army of the twelve monkeys?
― r|t|c, Sunday, 21 July 2013 10:29 (ten years ago) link
bizarre how little coverage the new Maya Jane Coles album is getting -- you'd think after Nicki Minaj sampled her there'd be an interview a minute
the album is great, but that isn't surprising
― sick, fucking funny, and well tasty (katherine), Friday, 1 September 2017 15:59 (six years ago) link
I listened to it, part of it, the other night. It's looooong. But very nice.
― Ⓓⓡ. (Johnny Fever), Friday, 1 September 2017 17:17 (six years ago) link
Still digesting this. Some of it is too much a throwback to a 90s sound I don't especially care for (Darkside being a good example--I also don't like the guest vocals on that). I had been enjoying the Won't Let You Down EP though.
― _Rudipherous_, Saturday, 2 September 2017 23:10 (six years ago) link
Is this thing going to deviate from leaden trip-hop even once over it's frankly bewildering 24-track duration?
― Matt DC, Wednesday, 6 September 2017 17:09 (six years ago) link
heh rtc called it leaden trip hop upthread 4 years ago
― flopson, Thursday, 7 September 2017 01:35 (six years ago) link
Except the first album got a lot of mileage out of exploring that overlap between house music and 90s Bristol. It still felt like body music rather than monging music.
I got bored and gave up about a quarter of the way in but I guess it takes off at some point? Like is it worth starting at the half way point?
― Matt DC, Thursday, 7 September 2017 08:02 (six years ago) link
Saw her late Saturday night (2:30 a.m.) DJing for about 75 people in Chicago and had a great time.
Have to say, she seems to have the enviable life -- must have some good mailbox money from "Truffle Butter" and Katy Perry's "Swish" and Lady Gaga's "Sour Candy" (all sampling "What I Say") without having to even incorporate that into a club set.
― deep luminous trombone (Eazy), Monday, 27 June 2022 17:16 (one year ago) link
er, make that "What They Say"
― deep luminous trombone (Eazy), Monday, 27 June 2022 17:18 (one year ago) link
It's sweet that you think that, but she made $350 last night. I guess that her hotel (+ under?) was paid. Depressing.
― paulhw, Tuesday, 28 June 2022 01:17 (one year ago) link
Surprised at that based on the cover charge. Anyway, great set, and felt lucky to see her in a smaller crowd.
― deep luminous trombone (Eazy), Tuesday, 28 June 2022 01:21 (one year ago) link