ballet (also starring: ballet on dvd)

Are you talking about <a href="http://www.amazon.com/Keeping-Score-Revolutions-Stravinskys-Spring/dp/B000JBWWTW/ref=sr_1_2?ie=UTF8&s=dvd&qid=1210048254&sr=8-2";>this Michael Tilson Thomas special</a>? I actually caught a snippet of that, which was what got me interested in ballet in the first place.

i think this is it

http://tinyurl.com/6lk35p

sorry that site doesn't actually give a lot of info

http://ftvdb.bfi.org.uk/sift/title/441400

http://i33.tinypic.com/2vb3blc.jpg

Vladimir Vasiliev and Ekaterina Maximova, Act III, Adagio, Spartacus.

http://i35.tinypic.com/2ic8so6.jpg

It saddens me to say, but I think I now lack the attention span to follow a full opera or ballet from start to finish. That wasn't always true, but now, even when I'm enthused near the beginning, my thoughts are drifting by intermission.

There's a local station here that plays a bunch of classical and opera videos, with the occasional ballet solo thrown in. Maximova and Vasiliev's duet from Spartacus came on a while ago, and although I'd seen it before, this time it sucked me in and melted my cynical 2009 heart. It just ruined me. Lately I've been stuck at a pointless job and feeling disconnected from everything, wondering what the fuck I'm supposed to be doing, and really witnessing the most petty aspects of humanity close up, everyday. This duet, in contrast, is so otherworldly that I can barely draw the lines between my own existence and theirs. It's just stunning. They need to update that Voyager Golden Record that Carl Sagan and friends sent out to space, and throw on a dvd player and a video of this dance. It's humanity at its most beautiful.

I couldn't find any video clips of Maximova and Vasiliev performing it back in their prime (late 60s), and I don't want to cheapen it by showing someone else do it.

if you do i'd love to see it

i just watched center stage bc i own the dvd lol

i am such a sucker for this shit

i realized i love this movie bc they use rach 2 in it. <3 <3 <3 <3 <3 rach 2 for all time!!!!!!

btw rach 2 played by cecile licad live made me want to play piano as a five year old, but if it makes me appreciate ballet more as a 27-year old, then :D :D :D

cooper nielson aka ethan stiefel came to a ballet performance at my former workplace. it was kinda neat to see him irl!

Great post on Mark Eitzel's blog about a visit to the ballet:

as if our lives were beautiful movements danced by beautiful people

went to see "la danse" last night, the new documentary about the paris opera ballet. stunning stuff. i highly recommend it. it's playing a few nights here in boston at the brattle & coolidge. in nyc it's at the film forum, i think.

https://www.youtube.com/watch?v=Dz6MEEYLTfs&feature=player_embedded

so sad i missed this at TIFF. looks amazing.

Live stream of Pacific Northwest Ballet in a couple hours today (also tomorrow): http://www.ustream.tv/channel/worksandprocess

is Pina (win wenders doc) any good?

What's the Joffrey's reputation nowadays? Worth going to see them?

don't know much of anything about the subject of this thread but these two go together

https://www.youtube.com/watch?v=XmgaKGSxQVw

https://www.youtube.com/watch?v=Yl8XfeXVz04

http://vimeo.com/66721776

https://www.youtube.com/watch?v=cyC4X6aGn_M

Saw this last night, was floored:

https://www.youtube.com/watch?v=EetjgQUdrfI

Is anyone going to see the new Wayne McGregor / Steve Reich piece?

http://www.roh.org.uk/mixed-programmes/chroma-new-wayne-mcgregor-carbon-life

Also looking forward to seeing Osipova in the revival of Woolf Works:

http://www.roh.org.uk/productions/woolf-works-by-wayne-mcgregor

The McGregor programme was so much fun! Life gives limited opportunities to see Steve Reich and Brody Dalle on the same stage within ten minutes of each other.

Chroma is marvellous, I'd never seen it before. It's liquid and punchy at the same time.

The new piece with Reich was nothing hugely special and dipped close to trenchant commentary a bit but carried attention.

Carbon Life is odd - a collaboration with Dalle, Mark Ronson, Sam Sparro, Rose from the Pipettes and others, who were there performing live. It started off a little busy but thinned out into an excellent set of pairs. The music was surprisingly good too.

I probably only see four or five contemporary dance things a year but should make more effort. As far as vfm goes you can't really beat decent seats for £10.

Didn't expect to find another McGregor fan here! Shari, are you still posting/into ballet?

Still posting, yes. I haven’t seen much recently though. I need to start going again.

My last ex-boyfriend was very, very much into ballet, studying it at a high school for the arts and dancing professionally for a few years. One of his heroes was Mikhail Baryshnikov and another was George Balanchine; in fact, one of his main mentors and someone he was very close to was a ballet instructor who studied directly under Balanchine. I really wish I could remember said instructor's name; he died not all that long ago and I remember my ex being very devastated by that loss. Anyway, my ex's interest in ballet lent itself greatly to his love of Russia/Russian culture, because in Russia it's considered very manly to be a male ballet dancer; my ex was originally from rural Maine and the exact opposite was the case where he came from. Anyway, all I know about ballet is due to that prior relationship and I'm glad he expanded my horizons in that direction.

The thing with Balanchine, especially with respect to ballet in the US, is that he's pretty central to its development (I will mention as an aside that SF Ballet, which I love and go to several times a year, is actually the first ballet company in the country), and because of the difficulty in notating dance, a lot of the American repertory that has been has come straight from people who've learned the specific choreography from Balanchine himself. So it becomes like Gregg Popovich's coaching tree: since Balanchine is so influential AND because his creative output spanned such a long time, ballet still has a lot of people who've interacted with him personally.

And that's the last I'll ever talk about Balanchine, because I actually don't care for the neoclassical stuff. Contemporary is my jam, 100%.

a lot of the American repertory that has *survived*

Fair enough! I don't know much else, but I did manage to figure out the name of my last ex's beloved mentor: Samuel Kurkjian. Does this name ring a bell to you?

Oh, and you've got an awesome memory, remembering my Spurs fandom and name-checking Coach Pop like that.

Die Toteninsel by Liam Scarlett was awesome! Doomy underworld intensity never let up, my inner Goth was duly thrilled. Shostakovich score was great, too.

Die Toteninsel by Liam Scarlett was awesome! Doomy underworld intensity never let up, my inner Goth was duly thrilled. Shostakovich score was great, too.

And a much better introduction to Shostakovich than the Shostakovich Trilogy was.

Nearly 4 years since I attended any performances, and I went in back-to-back weeks to the new works festival, and largely speaking it's been a total triumph. However, one work in particular deserves highlighting:

https://www.youtube.com/watch?v=Wb7_wzxaUWU

I was completely riveted from curtain to curtain, and I never wanted it to end.

Broken Wings, aka the Frida Kahlo ballet, is astounding. The choreography, the makeup, the costumes, the music, it's such a sensory feast, if you have the chance to see it, absolutely do.

https://www.youtube.com/watch?v=iNrBioYAHiU