'Children of Men', the new Alfonso Cuaron sci-fi flick

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really really well executed, but, like, I think I worried more about most of the troops in Black Hawk Down than I did about anybody in this film, and I like this cast, a lot.

Leaving out Caine's final scene could have improved this movie a lot of ways, for me - watching that was such a gut check that afterwards the rest of the movie was really kind of a "whatever" experience except for the March Of The Crying Infant.

the livestock roaming the warzone ghetto were pretty funny, TBH. I didn't LOL though.

TOMB07 (TOMBOT), Tuesday, 16 January 2007 14:46 (seventeen years ago) link

(BTW if I had to choose between "Dreamgirls" and this movie, I would pick this movie intercut with all of Jennifer Hudson's numbers from "Dreamgirls".)

The Android Cat (Dan Perry), Tuesday, 16 January 2007 14:49 (seventeen years ago) link

i was in, or close to, tears for a lot of this movie.

so many amazing details. off the top of my head, i liked:

that being nearly killed in a bombing isn't enough to get off work or even worth mentioning, but transparently complaiing about a diana-style celebrity death is.

the ethnic balkanization of the bexhill camp (british ramallah innit)

geoff (gcannon), Tuesday, 16 January 2007 15:44 (seventeen years ago) link

That dreadlocked guy did get killed!

baron kickass von awesomehausen (nickalicious), Tuesday, 16 January 2007 15:46 (seventeen years ago) link

In fact, I thought it was weird how dude got killed in such an unsatisfying way, in most movies when someone has earned so well the hate of the audience, they are generally killed off in a way where the audience gets to be all woohoo and shit; his death was really sudden and kind of unnoticed.

baron kickass von awesomehausen (nickalicious), Tuesday, 16 January 2007 15:50 (seventeen years ago) link

Which I liked, because the hero doesn't always get to say something smart ass to the "bad guy" before gouging his eyes out with his thumbs or whatever.

baron kickass von awesomehausen (nickalicious), Tuesday, 16 January 2007 15:51 (seventeen years ago) link

DANGER DANGER PREPOSITION CONFUSION

The Android Cat (Dan Perry), Tuesday, 16 January 2007 15:53 (seventeen years ago) link

self-destructive hero!

s1ocki (slutsky), Tuesday, 16 January 2007 15:57 (seventeen years ago) link

hahahahaha d'oh

baron kickass von awesomehausen (nickalicious), Tuesday, 16 January 2007 15:57 (seventeen years ago) link

I meant to do that. [/peewee]

baron kickass von awesomehausen (nickalicious), Tuesday, 16 January 2007 15:57 (seventeen years ago) link

Deliberately so, I'd suggest - by the point that he dies, he's totally unimportant to the portagonist/audience (Theo - who the audience "is", as we see everything from his POV), because the baby exists. There are greater things at stake than revenge, so his death is incidental rather than celebratory.

several Xs!

Sick Mouthy (Nick Southall), Tuesday, 16 January 2007 16:10 (seventeen years ago) link

I liked how it looked like Clive Owen got shot before taking her out of the building, but he seemed okay and I wasn't really sure until the boat.

Jordan (Jordan), Tuesday, 16 January 2007 16:13 (seventeen years ago) link

nice one Nick. slocki is making a joke, there. is it worth bothering to add SPOILERS to the thread title?

TOMB07 (TOMBOT), Tuesday, 16 January 2007 16:13 (seventeen years ago) link

Also see Sid's death (if he did die): a sudden wack with a car battery, nasty and quick.

xpost re rasta dude

chap (chap), Tuesday, 16 January 2007 16:16 (seventeen years ago) link

I would like a replica of Clive Owen's industrial-strength flip-flops.

Alfred, Lord Sotosyn (Alfred Soto), Tuesday, 16 January 2007 16:16 (seventeen years ago) link

I actually read that last one a few days ago when I noticed it was the worst review on Metacritic. It's dumb.

jaymc (jaymc), Tuesday, 16 January 2007 16:19 (seventeen years ago) link

hero suddenly revealed to have been mortally wounded 20 mins ago is a klassik device.

Dr Morbius (Dr Morbius), Tuesday, 16 January 2007 16:20 (seventeen years ago) link

wow, hacks be reachin

geoff (gcannon), Tuesday, 16 January 2007 16:23 (seventeen years ago) link

The critics from Newsweek and Variety were also unable to figure out why immigrants were flooding into England.

Fleischhutliebe! like a warm, furry meatloaf (Fluffy Bear Hearts Rainbows), Tuesday, 16 January 2007 16:26 (seventeen years ago) link

why is Hamlet so obsessed with killing his father? I mean, the scene with the Ghost was interesting and all, but none of it hangs together in the slightest. 2 stars (fair).

geoff (gcannon), Tuesday, 16 January 2007 16:27 (seventeen years ago) link

haha 'uncle' hoist on my own lame comedy petard

geoff (gcannon), Tuesday, 16 January 2007 16:28 (seventeen years ago) link

no your mistake there is actually in line with all the reviewers panning this because they can't keep up

TOMB07 (TOMBOT), Tuesday, 16 January 2007 16:31 (seventeen years ago) link

As I type this in London in the middle of January, I'm not sure why immigrants are flooding into England NOW.

chap (chap), Tuesday, 16 January 2007 16:36 (seventeen years ago) link

yeah, i mean this was very carefully and clearly NOT an "in a world" movie. it just rolled into itself and laid out the important details on the fly. would they have rather had a lame text-crawl at the beginning?

actually who cares what morons would have rather seen! haha zap! take that, retards!

geoff (gcannon), Tuesday, 16 January 2007 16:37 (seventeen years ago) link

As much as I enjoyed watching this movie and was rooted to my seat by it the entire time, I am really bothered by a couple of unusual things, a day later:

a. I don't particularly want to see it again.
b. I don't particularly want to talk about it to anyone who hasn't already seen it.
--> C. This is because instead of thinking about the awesome parts of this film, I am stuck pondering relatively tiresome metaphysical bullshit, because (I think!) the ending was so open-ended as to be a poorly thought out cock-up.

TOMB07 (TOMBOT), Tuesday, 16 January 2007 16:42 (seventeen years ago) link

hero suddenly revealed to have been mortally wounded 20 mins ago is a klassik device.

-- Dr Morbius (wjwe...), January 16th, 2007 4:20 PM. (Dr Morbius) (later)

agreed. this was one of the weaker points in the movie and it's an easy-out for a redemptive arc.

s1ocki (slutsky), Tuesday, 16 January 2007 16:46 (seventeen years ago) link

Yeah, the ending was the only part I didn't like.

I did go see it again, and while I noticed a lot of things I hadn't before, once you know what's going to happen it's not nearly as good.

Euai Kapaui (tracerhand), Tuesday, 16 January 2007 16:47 (seventeen years ago) link

would they have rather had a lame text-crawl at the beginning?

There was a text crawl at the beginning! (on the tv screen at the coffee shop)

baron kickass von awesomehausen (nickalicious), Tuesday, 16 January 2007 16:49 (seventeen years ago) link

I think I hate movies with poorly thought out cock-ups at the end. God Dammit.

TOMB07 (TOMBOT), Tuesday, 16 January 2007 16:50 (seventeen years ago) link

The only way the ending could have been better is if she didn't name the kid Dylan (which was OK, but a little distracting) and if we were left waiting and hoping for tomorow to come instead of witnessing its arrival (faith and hope and all that).

While the unknown wound, like the naming of the child, was a little distracting and cliche, two aspects of his death were important: 1) how Kee and Theo each handled his dying, and 2) Kee left alone with the child in a little boat in the fog on the ocean.

Fleischhutliebe! like a warm, furry meatloaf (Fluffy Bear Hearts Rainbows), Tuesday, 16 January 2007 16:53 (seventeen years ago) link

i thought it was pretty obvious that luc shot him!

i liked the ending in a self-frustrating way, like a john fowles novel or something. enough tenuous information is out there in the film (that the tomorrow is a hospital ship, that the ship will take them to experts on the azores) that the ship actually showing up makes all that stuff true enough. maybe the ship patches theo up, maybe they take care of kee and the baby, maybe not. but why wouldn't it all be true?

geoff (gcannon), Tuesday, 16 January 2007 16:54 (seventeen years ago) link

not to get all predator-ship on you guys, but isn't the fill-in-the-blank nature of the ending is a realization of the MESSAGE of STRUGGLE and HOPE etc etc, like, you can have a happy ending here if you want one.

geoff (gcannon), Tuesday, 16 January 2007 16:56 (seventeen years ago) link

I don't see the ending as a cock-up. I think it was well thought out.

Fleischhutliebe! like a warm, furry meatloaf (Fluffy Bear Hearts Rainbows), Tuesday, 16 January 2007 16:58 (seventeen years ago) link

This is why I think it feels like a short. Very simple concept that it follows single-mindedly, and the abrupt and open ending.

Jordan (Jordan), Tuesday, 16 January 2007 16:58 (seventeen years ago) link

after every other thing that happens in the film the idea that the human project exists and is this big happy family of altruistic, trustworthy, competent do-gooders living on paradise island seems frighteningly naive, and now Kee and Dylan's last reliable custodian has bled to death. Hope and redemption my ass. Not sure this particular brand of the human race is exactly salvageable or worth salvaging anyway, seriously. I told Ally on the way home I think the crew of the Tomorrow is probably shape-shifting aliens and the ship itself is a camouflaged UFO (that Jasper saw over the heath). I mean, I can have THAT ending too.

TOMB07 (TOMBOT), Tuesday, 16 January 2007 17:04 (seventeen years ago) link

Yeah, in no way was the ending in any sort of way a cock-up. UH xpost

AllyzayEisenschefterBDawkinsFlyingSquirrelRomoCrying.jpg (allyzay), Tuesday, 16 January 2007 17:07 (seventeen years ago) link

(xpost) I don't think it's naivete that drives them to the Human Project. Obviously the Fishes are out, and going public in a fascist state means handing Kee and Dylan over to the Government. That's out. So you have hiding out in England alone without any support (and you probably keep running because people are going to betray you and people are going to find out) or you have the Human Project.

They're fucked, but they have to hope in something. Theo has one pretty decent excuse to go to the Human Project: Julian. He can trust her the way she ultimately trusted him. That seems to be one of the major points of the movie that the most elevated human ideas of love and hope and trust and empathy are personal and not political.

Fleischhutliebe! like a warm, furry meatloaf (Fluffy Bear Hearts Rainbows), Tuesday, 16 January 2007 17:14 (seventeen years ago) link

Just a light in the distance rather than the actual ship! It would have made all the difference to me. Bah.

Euai Kapaui (tracerhand), Tuesday, 16 January 2007 17:14 (seventeen years ago) link

But the ship is just as ominous as leaving her in the middle of the ocean.

AllyzayEisenschefterBDawkinsFlyingSquirrelRomoCrying.jpg (allyzay), Tuesday, 16 January 2007 17:15 (seventeen years ago) link

yeah a light might have been better--although wouldn't that be even more baldly symbolic?

s1ocki (slutsky), Tuesday, 16 January 2007 17:16 (seventeen years ago) link

It's a fable; seeing the ship as anything but the best chance at salvation just means, well, you read the news. (ie, I said "well, that'll be a voyage of the damned")

Dr Morbius (Dr Morbius), Tuesday, 16 January 2007 17:16 (seventeen years ago) link

also i like that you don't know nothing about the human project. they could be good, they could just as likely be bad (i like how owen warns her to keep the child close)

s1ocki (slutsky), Tuesday, 16 January 2007 17:17 (seventeen years ago) link

and it's pretty clear that owen dies. when the hero of a movie is bleeding like crazy in the last scene, having just redeemed himself, and nods off with a little smile... that is a death scene.

s1ocki (slutsky), Tuesday, 16 January 2007 17:18 (seventeen years ago) link

You really wouldn't even have to be taking it as an allegory to current events though--I mean, you just had to watch the movie to be even vaguely mistrustful of whoever is on the boat, or at the other end of that boat ride. (ie what slocki just said too I suppose!! xpost and also LOL @ "that is a death scene")

AllyzayEisenschefterBDawkinsFlyingSquirrelRomoCrying.jpg (allyzay), Tuesday, 16 January 2007 17:20 (seventeen years ago) link

Is it the fact that the ending is open-ended that bothers you? Or is it the fact that they go to the Human Project without any real intel?

Fleischhutliebe! like a warm, furry meatloaf (Fluffy Bear Hearts Rainbows), Tuesday, 16 January 2007 17:21 (seventeen years ago) link

it always bothers me when a movie ends without the characters having properly gathered intel.

s1ocki (slutsky), Tuesday, 16 January 2007 17:22 (seventeen years ago) link

It's just too determined. The feeling when the ship arrives, the way it's shot, the music - it's comforting. That it ends so abruptly takes a little of the restful pleasure away from it, but it's a dénoument all the same. I had forgotten that he says to keep the baby close. Maybe a couple more reminders like that, or more pot-fuelled arguments over whether the Human Project were good guys or bad guys and I would have liked the ending as-is.

Euai Kapaui (tracerhand), Tuesday, 16 January 2007 17:26 (seventeen years ago) link

Basically I saw no reason to believe that Gene Hackman was on that boat so I'm pretty sure this movie sucked.

TOMB07 (TOMBOT), Tuesday, 16 January 2007 17:28 (seventeen years ago) link

Here's what hapens on the deck of the Tomorrow

http://www.cswu.cz/music/characters/medals.jpg

Fleischhutliebe! like a warm, furry meatloaf (Fluffy Bear Hearts Rainbows), Tuesday, 16 January 2007 17:32 (seventeen years ago) link


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