Sasha on Shadow, Diplo, Eminem & Minstrelsy

"Cousins, first, second, third and distant, let's have Mantan take us all the way back to a much more simpler time. A time wen men were men, women were women, and Neggras knew their place. Cousins, I want all of you to go to your windows. Go to your windows and yell. Yell, I'm tired of the drugs, the crack babies born out of wedlock to crackhead aids infested parents. I'm tired of the inflated welfare rolls while good wholesome Americans bring less and less of their paycheck home every two weeks. I'm tired, you're tired, we're all tired of these so-called bible- thumping God fearing, whore mongling Professional athletes. Aren't you tired of these basketball-dunking, football-running, hop-hip rapping ebonic-speaking sex offenders who got ten kids from ten different Ho's?"

ok, 1st thing and this is experience talking so its limited, but this big over pac shit has dick to do w cleverness or melodrama. 2 otm. its just some efficient we cn buy ready to die and be thru w them bullshit. i heard a ton of live pac and big w bonethugs gettin rides w kids in the midwest, no limit too, pun, whatever, but i think to this post or retrospective audience the pac cds are recursive and infinite, untouchable, parentheses like um the quote crack problem, and if you just look at the music videos, pac ridin thru the dust, little preadolescent posthumous notorious clean as fuck, that its most of all a class thing? big rappin abt videogames, plus shakier body image, coffin speculation

earlier today i ws reading this twelve year old luc sante review of clockers and obv much shit has changed not least the way ppl wanna fuck w rap in terms of persona but i like the spirit, the caution

"Still, what engages the reader is not merely the mechanism of the mystery but the depth and spaciousness of the depictions. The book's chief pleasure lies in recognition, that lure of naturalism rendered suspect by modernism, the immediate identification of people, places, and things we've maybe only glimpsed peripherally in life, but which are here suddenly presented in rounded trompe l'oeil, not to mention trompe l'oreille. There is, of course, more than a hint of voyeurism in our appreciation of this vantage."

"The surface particulars of the inner-city experience have been represented with varying degrees of glibness so many times that they have become hollow conventions in the minds of most people who do not live there, no more substantial than the main street of Dodge City or the floor of Doc Holliday's saloon, so that their bona fide counterparts on the evening news can be briefly perceived and then dismissed as abstractions."

"After all, while fiction may be fiction and owe no fealty to the matter it transforms, a novel that depicts an ongoing disaster bears a special responsibility. Price's intentions are entirely noble, and his skills are more than sufficient to give them force. It may be, however, that no intentions or skills can contend with the poverty of realism in an age of documentary saturation. It may seem unfair to cavil this way at Price's large achievement, but then it may be a measure of its success that it suggests a further step: that the reader, who can so easily and passively consume the experience of the novel, be made to work for it."

Has anyone on ILM commented on the fact that Diplo's Electronic Press Kit makes heavy usage of footage of his djing a mostly black high school dance?

Seems to be working on a couple of levels: first, it's a kind of lo-fi, anti-rockstar-rockstar sensibility "Haha I'm playing at a high school, etc." But more importantly, it gives him the "Black People Seal of Approval" -- the same one Eminem needed to launch his career as the first white rapper to escape the gravity of Vanilla Ice. Look, they're dancing to it! They like it! And it also reaffirms his image as a merchant of music raw, exotic and sexual ("look at the freaky dances they do!".)

And yet I have to admit my first reaction to the video was just that I really liked it. In fact I watched it a bunch of times. It made me want to dance. It made me want to have more fun in general. And I think what saves the whole thing from being COMPLETELY condescending is that a lot of the footage is just about kids having fun and acting goofy.

the revive that had to be made

http://www.divecambodia.com/images/DiveSites_KohRongSaloem1.jpg

http://www.geocities.com/katarin3109/ZhuRong.jpg

http://www.holidaycity.com/rong-wei-guangzhou/map.gif

can't we turn our attention to freeing t.i.?

http://www.biografiasyvidas.com/biografia/z/fotos/zhu_rongji.jpg

http://www.nsbd.gov.cn/zx/ldzjt/images/17.jpg

so president bush-- the first one, the old one-- says to rhu rongji, "put us in charge for three days and we'll give you human rights, democracy and a free market." and zhu rongji says to bush, "okay, and we'll give you three 河南人 and america will be GONE in three days."

FREE T.I.

so president bush-- the first one, the old one-- says to rhu rongji, "put us in charge for three days and we'll give you human rights, democracy and a free market." and zhu rongji says to bush, "okay, and we'll give you three 河南人 and america will be GONE in three days."

-- dylannn, Friday, October 19, 2007 1:57 AM (2 minutes ago) Bookmark Link

^^^this was actually funny.

here's another bush joke, big j

so, when george bush eats at a western restaurant in washington, he's always really proper: fork in left hand, knife in the right hand. but when he eats in a chinese restaurant in washington he's got a green onion in his left hand and a bottle of tsingtao in his right hand-- like a 山东大汗.

haha the joke itself wasn't funny, i just loled at the random appearances of "rong"

i don't know anymore zhu rongji jokes, man.

http://news.china.com/zh_cn/history/all/11025807/20070406/images/14029511_366556.jpg

http://bp0.blogger.com/_VXQinw7KBZE/Rxa_cSSjt0I/AAAAAAAAAYY/Uohe9Y4_H8k/s1600/Huaguofeng.JPG

hua guofeng, the forgotten leader between mao getting put in the ground and deng xiaopeng wresting control back. still alive and sleeping at the big 17.

http://graphics8.nytimes.com/packages/images/photo/2007/10/16/20071015CHINA/20345322.JPG

http://www.cas.ac.cn/Images/2003/12/26/1618134.535276E-02.jpg

http://photo.sohu.com/20050103/Img223765752.jpg

http://www.tzxf.gov.cn/upload/060814083648243.jpg

http://cimg2.163.com/cnews/2006/10/4/2006100401082077fe7.jpg

https://www.theguardian.com/music/2020/dec/30/audiences-dont-want-white-anger-how-white-rap-grew-a-conscience

isn't that exactly the same trajectory that Everlast and Vanilla Ice had?

Makes me think of when eminem started producing and people were like, God this is funkless. But maybe he was just embracing his whiteness lol. Message seems to be, everyone should just stick to their own. If that gets rid of Iggy azaleas shtick then great, but pushed to extremes, it seems pretty limiting.