Kano album sampler leaked

I SENT IT TO YOU

Definitely, but some of the production on this is really good.

:(

only 456 people bought the wiley LP though.

it's quite unfortunate that when you hit 'Boys Love Girls' at the end, you suddenly remember how stunning it could all have been.

Who has heard the "Lethal Bizzle" album?

the bizzle album is good, lots of fun, and high energy, but after a couple of plays, you just think lethal is a bit of a joke. an energetic, fun, rousing joke, but a joke nonetheless. its that ridiculously pumped up hyper aggressive voice he raps with all the time that does it. i miss lethal from more fire crew era.

TS: platinum 45 vs Dexplicit

instead we get fucking 'Nite Nite' and 'I Don't Know Why'.

most of it is pretty great though, just that I've heard most of the highlights already.

dexplicit is good, i just like the old platinum 45 stuff too. id take oi over pow.

ambrose aged 9

DaVinche - 'Ps & Qs' and 'Brown Eyes'
Mike Skinner - 'Nite Nite'
Terror Danjah - 'How We Livin''
TIPC - 'Remember Me'
Paul Epworth - 'I Don't Know Why'
Diplo - 'Reload It'
Kano and Menta - 'Boys Love Girls'
Kano and Fraser T Smith - 'Ghetto Kid', 'Typical Me', 'Nobody Don't Dance No More', 'Signs In Life'
Mikey J - the rest

Get Wild is pretty great, but Kano is sort of the worst thing about it - he used to sound so charismatic but somehow feels less so with every release.

Having trouble believing this will be worse than the Jammer album, which really is a complete mess, and not in a good way.

jammer album is not that bad. def a mess but redeemed slightly by a few standouts. not so redeemable - jammer generally sounding like hes only doing it for the sake of it in hope that some major will snap him up so he can get off big dada.

kano just sounds more desperate with each release.
he was good on the gorillaz soundtrack but he seems like someone that will only ever sound good when they know theyre popular.
til then hes just going to sound/be lost.

*sorry, gorillaz album.

one song on the new one, little sis, i think might be the best thing hes ever done.

Funny that, I thought it represented the now traditional point in a Kano album where the quality nosedives off a cliff never to recover.

idk, i now find him a little unconvincing doing songs like new banger, or hail even, though listening back to some of the older stuff, theres a certain lack of assurance in a lot of his vocals (once he got signed weirdly), which is why i think the softer parts of the album now seem to work better for me. in terms of writing, i think hes a lot more expressive than before, and there are a lot of lines on the album which i could not have imagined him writing earlier, so its nice to hear a bit more about him. i like the album purely for that. i find a lot of his production to be somewhat dreary, but somehow on little sis, its perfect. its like kano doing the streets.

🎤 this is such a minor thing to be gassed about from the show but in all the high levels of production, incredible band and backing singers. Things going back to basics for Class of De Ja passing one wired mic at RAH and murking is emotional 🔥 pic.twitter.com/DopjhowIp3

— Elijah* (@Eli1ah) October 8, 2019

Even with the dodgy sound on the video this looks like absolute fire.