idk, I think there's a lot of shonky work in there. I mean (just to take the trad criticism) he blows the couplet with such regularity! Slips into cheese or platitude or a tortuous rhyme. I am cheering for him when he actually pulls off a final one-two. But I think the up-and-down-ness is the delight of it - he's in this intense psychological world that basically no-one else is worrying at round then, and is finding forms & a language for it, & sometimes getting lost, & sometimes hitting the basic renaissance toolkit, & sometimes just doing the numbers - but there isn't an achievement like it, both read at length & for those poems where he absolutely nails it.
― woof, Friday, 8 February 2013 00:25 (eleven years ago) link