The Blue Nile: C or D?

I was trying to think of more music from the eighties that fits into this area of explicitly emotional quasi-dance pop, but I couldn't get far beyond The Hounds of Love. Any ideas?

Associates surely fit this description.

But Tim is OTM regarding Tinseltown being a lost dance classic, I certainly remember hearing it in clubs in Dundee in the mid-80's. Apparently they had some of their work from Hats remixed by Oakenfold (or some other name remixer), but they nixed it on hearing it. Now that I'd like to hear.

Where did the up and happy songs go, then? Left to rot as demos?

I don't think I'd have the bare-faced gall to actually talk to the man though.

It feels a bit criminal to actually listen to the Blue Nile at this time of year though, like I'm going to shatter the mood.

1. The only track I know is 'I Love This Life', which the Nipper gave me. The Nipper is right about it.

2. Cozen's big post above is indeed good, and indeed structurally resembles one of mine. But no, I didn't take my own structure from anyone else.

3. Whether or not the Bedingfield link is apt, I don't think 'emotional overinvolvement' etc is necessarily the key to 'If You're Not The One': what woke me up to that track was simply the rare quality of its tune.

This feels terrifyingly prescient in light of recent of events. If I can be specious for a moment.

the city doesnt have to be imaginary. any city is good when the street lights are reflected in puddles on the sidewalk.

; )

still utterly classic. i only wish someone else would make music this good sometime soon, i thk i might've worn out my copies of hats and rooftops.

I fell asleep listening to Hats last night and woke up to track 6, 'Seven A.M.,' and thought this must be a precursor to Stereolab's mutation of Neu!'s motorik sound. I'm listening to it again now and not really hearing it. Maybe I was dreaming, or confused. Okay, now it's coming on.

"The Blue Nile's debut album has a rather fascinating genesis. Scotland's Linn Electronics, makers of the famous LinnDrums rhythm boxes, wanted a demo track to demonstrate the fidelity and versatility of their new digital recording console and tapped a struggling local trio, the Blue Nile, to provide it. Their effort was a deliberately disjunctive song called "A Walk Across the Rooftops." To demonstrate the recording equipment's dynamic range and clarity, the song was arranged most peculiarly, with vocals, guitar, bass, keyboards, drums, and full string and horn sections all appearing, but never at the same time. Linn liked the song so much that they formed a record label and bankrolled the recording of this full album."

I'm saving my judgment until I hear it. It'll be hard to top _Hats_ in my book, but I'm not expecting them to set a new watermark. I'm just looking forward to setting up my own vibe with the record, and replaying the earlier albums for contrast & comparison.

-- jean bowman ( ... ), April 23rd, 2003.

That's a great story.

As I lately said to JtN, I fear that the Blue Nile may actually be worse than I want them to be.

I blame RJG's car.

*wince*

Totally incorrect. Linn the hi-fi systems manufacturer has absolutely nothing to do with the long-defunct drum machine manufacturer of the same name. What lazy journalism.

this song from last year by Nigel's project Quiet City featuring vocals by Pat was incredible

Quiet City - Due North (Remix)

https://www.youtube.com/watch?v=vuYDC2zY3wM

I honestly don't know if I can think of a single artist/band whose first single (a-side and b-side taken together) is more perfectly fully realized, and totally sui generis. I've never heard pure joy captured more wonderfully and without any mawkishness in music than with "I Love This Life," and the world-weary wisdom and old-soul sadness of "The Second Act" is so moving (and rather shocking coming from a 25-year-old). And to think--they got *better* for the next decade, seems impossible.

OTM, I just fell hard for this single, "The Second Act" even more than the A-side. It's so elegantly sad and makes me wish they had spent more time using a more primitive drum machine.

“Drownin’ in The Blue Nile
You sent me ’The Downtown Lights’
I hadn’t heard it in a while”

(Rumoured to be a new Taylor Swift lyric)

the rumors are true

Taylor Swift brought me here

You scenester

CAMEL graciously acknowledging their influence on the BLUE NILE

https://www.youtube.com/watch?v=jD7JwGvGtYk

https://www.youtube.com/watch?v=Q7r2EM-NsMo

matty did it 🥹

ill camel jawns thanks qualmsley