an attempt at a general "What are you currently digging re. classical music" thread

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Philip--

Elliott Carter - Double Concerto

the dyspeptic Hirax (Jon Lewis), Monday, 14 January 2013 21:19 (eleven years ago) link

thanks for the recs! I didn't really know where to go from nancarrow(sp?) or nico muhly.

Philip Nunez, Monday, 14 January 2013 21:29 (eleven years ago) link

Also, Xenakis - Jonchaies

the dyspeptic Hirax (Jon Lewis), Monday, 14 January 2013 21:39 (eleven years ago) link

phil: i would just explore influences, regions, time periods. frinstance if you like nancarrow's player piano music you should explore ligeti's etudes, &c

#YOLO magic orchestra (clouds), Monday, 14 January 2013 21:52 (eleven years ago) link

Eonta is my go to Xenakis these days.

Philip - v few classical mixed composer sets that work as albums but Trio Surplus worked up some inspiration. Quite unexpectedly varied yet within a tight spectrum, whether Liza Lim mining talking to the dead or Xenakis as having an almost lightly easternised vibe on Dmaathen, which actually is not his best on its own but works with the rest of the record.

Best of all is A Book of Maps by Ian Willcock.

xyzzzz__, Tuesday, 15 January 2013 10:24 (eleven years ago) link

I attended the recording of this BBC Symphony orchestra performance of some John Zorn works on Saturday - http://www.bbc.co.uk/programmes/b01ppw1t. Some of it, the first piece in particular, was absolutely stupendous. Wasn't so keen on the works that had soloists however. They weren't bad by any means but the pieces seemed to work best when the orchestra was working as a whole, without a focal point.

neilasimpson, Tuesday, 15 January 2013 13:42 (eleven years ago) link

phil: i would just explore influences, regions, time periods. frinstance if you like nancarrow's player piano music you should explore ligeti's etudes, &c

― #YOLO magic orchestra (clouds), Monday, January 14, 2013 4:52 PM (Yesterday) Bookmark Flag Post Permalink

This is p much how I learned classical music. Aside from the above method of branching out, you can also make good discoveries by following performers. As in, I loved this recording of Jan DeGaetani singing composer X, maybe I'll check out this record of Jan DeGaetani singing composer Y.

the dyspeptic Hirax (Jon Lewis), Tuesday, 15 January 2013 15:50 (eleven years ago) link

Surprised you've never heard that Nono piece, Paul!

I don't have an easy time appreciating his tape pieces. Something about them. Maybe his tendency to collage together a lot of unmanipulated instrumental and vocal sounds, and that omnipresent muddy reverberation. Just not drawn to that sound world the way I am to Davidovsky's, say, or to the "Acousmatic" school's (if I may lump them together)…

il caresse sa dingding (Paul in Santa Cruz), Tuesday, 15 January 2013 20:32 (eleven years ago) link

The only Nono in my collection is the ~20 minute extract from Prometeo on an Abbado/Berlin PO Prometheus-themed disc.

the dyspeptic Hirax (Jon Lewis), Tuesday, 15 January 2013 20:41 (eleven years ago) link

Maybe his tendency to collage together a lot of unmanipulated instrumental and vocal sounds, and that omnipresent muddy reverberation.

Ah ok that piece won't persuade you as I really like a lot of those things. My favourite is Non consumiamo Marx, a collage of sounds from Paris '68.

xyzzzz__, Tuesday, 15 January 2013 22:10 (eleven years ago) link

Found this piece which mentions Non... here:

On March 6, 1970, at the close of the Second International Free Composers Tribune in Prague, the final composer to be represented at the conference, Luigi Nono, spoke for more than 10 minutes before a large audience of mostly Czech musicians, vigorously criticizing my score for the short film “Pour,” which preceded his presentation. Although the protocol of the tribune permitted each composer only 10 minutes to speak about his or her own music, Nono took those 10 minutes to speak about mine, concluding with a scathing condemnation of my use of vernacular music.

Nono then went on for another 10 minutes about the making of his own work, especially pointing out the theoretically correct choice of the pre-recorded sounds he had employed. He then played a tape of his composition “Non Consumiamo Marx.” When the piece was over there were three people left in the hall at the Janacek Composers’ Club at 3 Besedni Street: Luigi Nono, Mr. Okurka (the technician who operated the tape recorder and sound system) and me.

xyzzzz__, Tuesday, 15 January 2013 22:15 (eleven years ago) link

The choral works I connect with far more readily …

il caresse sa dingding (Paul in Santa Cruz), Tuesday, 15 January 2013 22:25 (eleven years ago) link

Love Sara Dolce Tacere myself. I think a concert w/Renaissance works and choral pieces by Nono and Bussotti would be a must for me.

xyzzzz__, Tuesday, 15 January 2013 22:35 (eleven years ago) link

(I must say I connect with most Nono I've heard, although I need a refresher on some of the works form the 50s so thx Nilmar)

xyzzzz__, Tuesday, 15 January 2013 22:36 (eleven years ago) link

i don't know nono that well, promoteo, hay que caminar, the string quartets

liebeslied is on one of the wien modern albums that abbado recorded late 80s / early 90s, some pristine live recordings of ligeti, boulez, kurtag etc

things that are jokes pretty much (Nilmar Honorato da Silva), Tuesday, 15 January 2013 22:40 (eleven years ago) link

Another good Nono piece is "A floresta é jovem e cheja de vida"

Designated Striver (Tom D.), Wednesday, 16 January 2013 13:54 (eleven years ago) link

Gonna start making my way through Newman's sonatas. They strike me as no other, like updates on older classical sources yet not as physical, also played by Finnissy.

Here is a cut from the CD on MODE

xyzzzz__, Thursday, 17 January 2013 11:19 (eleven years ago) link

not as physical like yer modernists I mean

xyzzzz__, Thursday, 17 January 2013 11:34 (eleven years ago) link

Really enjoying Julius Eastman - Unjust Malaise (it's on Spotify). Great piece here on new music box:

http://www.newmusicbox.org/articles/In-Search-of-Julius-Eastman/

Crackle Box, Thursday, 17 January 2013 13:33 (eleven years ago) link

That set was the biggest surprise - Julius had a real Cage-ian do it yourself ethos from his compositions, a very indepedently minded spirit to his music.

xyzzzz__, Thursday, 17 January 2013 14:14 (eleven years ago) link

Hello classical music enthusiasts.

Question: If I am totally fixated on David Munrow's version of Lamento Di Tristano, but don't particularly love the other versions that I've heard, what is it that I'm liking? The only thing I can think of is that the beginning sounds ridiculously similar to Willow's Song (before the faster dance portion), and I like his story and that seems to put a stamp of YES on everything. Musically I can only guess it's the spareness and drone? I am just trying to figure out how to find more, but I don't even know what I'm searching for. It's not the songs, but the way he arranges them, I guess. Maybe I would like some weird old Sino-Russian music or something?

I would put this on the Early Music thread but I feel like this one is ok for weird questions.

this customer is a jerk (La Lechera), Thursday, 17 January 2013 15:09 (eleven years ago) link

That's him doing the Baaaaaaaaaaaaaaaaannnnnnnnnnnnnnnggggggggggggggggggg bit on Dinosaur L 'Go Bang' too! And yeah 'very independently minded' gets right to it. Love that story about him performing a Cage piece and his interpretation involved stripping a male model and it totally pissing Cage off.

Crackle Box, Thursday, 17 January 2013 15:10 (eleven years ago) link

Note -- It's partially the songs, but I don't love all of them like I love that particular one.

this customer is a jerk (La Lechera), Thursday, 17 January 2013 15:13 (eleven years ago) link

got some nice vinyl for myself the other day:

poulenc - stabat mater (angel)

music for a great cathedral - the choir of st. paul's cathedral (guild)

haydn - theresa mass (argo)

ravel - chansons medecasses/sites auriculaires frontispice/sonata for violin & cello (nonesuch)

brahms - symphony no. 2 - boult/baker/london phil (angel) (couldn't remember if i had this or not)

america sings 1920-1950 (vox box) (barber, carter, cowell, foss, ives, piston, etc, etc.)

america sings volume v - american choral music after 1950 (vox box) (bergsma, carter, bruckman, harrison, etc, etc.)

josquin desprez - marian motets (archiv)

bach - motet: jesus, priceless treasure and sacred part-songs - choir of king's college, cambridge (argo)

monteverdi & gesualdo - motets & madrigals - monteverdi choir (argo)

britten - part songs - elizabethan singers (argo)

bach cantatas - elly ameling (philips)

hugo wolf - lieder/schumann - frauenlibe und leben - helen watts/geoffrey parsons (l'oiseau lyre)

brahms - the young brahms: early songs - fischer-dieskau/moore (angel)

scott seward, Thursday, 17 January 2013 15:29 (eleven years ago) link

anyway, my kind of stuff. and i am such a sucker for those argo and l'oiseau lyre pressings. and guild! never see them around these parts. can you get old guild pressings in the dollar bins in the u.k.?

scott seward, Thursday, 17 January 2013 15:31 (eleven years ago) link

I haven't heard the Munrow version, I have a version played by some hardcore authenticity obsessed people. The opening theme is played on something that sounds like a hammered dulcimer. This gives off a similar vibe to me:

https://www.youtube.com/watch?v=U2zRuYWl4aU

May be way off though, dunno! x-posts

Crackle Box, Thursday, 17 January 2013 15:40 (eleven years ago) link

Really enjoying Julius Eastman - Unjust Malaise

'Gay Guerilla' on that set is one of my favourite pieces of music ever - would love to see it performed, one day

Ward Fowler, Thursday, 17 January 2013 15:44 (eleven years ago) link

lechera, u'd probably enjoy the clemencic consorts recording of gabrieli's canzonas and sonatas:

https://www.youtube.com/watch?v=X9eL2akC6r0

#YOLO magic orchestra (clouds), Thursday, 17 January 2013 15:46 (eleven years ago) link

Wow that Harry Partsch song sounds like awesome dream sequence music. Hm, I have heard that guy's name but never looked into it. Is this representative? Sorry for all the questions. I am trying to figure out what I am currently digging re: classical.

I'll c/p your recommendation for later, clouds. Thank you.

this customer is a jerk (La Lechera), Thursday, 17 January 2013 15:54 (eleven years ago) link

america sings 1920-1950 (vox box) (barber, carter, cowell, foss, ives, piston, etc, etc.)

america sings volume v - american choral music after 1950 (vox box) (bergsma, carter, bruckman, harrison, etc, etc.)

WANT

Crackle Box, Thursday, 17 January 2013 16:02 (eleven years ago) link

LL I think u would dig the Partch CD titled 'Historic Speech-Music Recordings' as an intro to his world.

Welcome to the classical thread where no one but me and scott ever wanna talk about old fart pre-WWII stuff!

consistency is the owlbear of small minds (Jon Lewis), Thursday, 17 January 2013 16:08 (eleven years ago) link

*crosses arms*

#YOLO magic orchestra (clouds), Thursday, 17 January 2013 16:10 (eleven years ago) link

Gonna have to do some ear research on the Munrow/Tristano question. But I just scared up something rly interesting; it sounds like there is a Henze composition that Munrow fans need to hear (let me know if this Google Books link works or not):

http://books.google.com/books?id=uxB39t7O3FcC&pg=PA56&lpg=PA56&dq=david+munrow+lamento+di+tristano&source=bl&ots=9dG-FrHyWW&sig=zdr9M4-OoEvbNDb02DIbajU8Nlc&hl=en&sa=X&ei=qiD4UJ-VGuqy0QHQp4GYCQ&ved=0CF4Q6AEwBw#v=onepage&q=david%20munrow%20lamento%20di%20tristano&f=false

consistency is the owlbear of small minds (Jon Lewis), Thursday, 17 January 2013 16:13 (eleven years ago) link

AND CLOUDS

xpost

consistency is the owlbear of small minds (Jon Lewis), Thursday, 17 January 2013 16:13 (eleven years ago) link

That album title is deliciously boring. I love it, will investigate.
I had already counted clouds among my allies ;)

this customer is a jerk (La Lechera), Thursday, 17 January 2013 16:14 (eleven years ago) link

also I am all for including early music in cm discussions. Especially with how much we talk about post-war stuff itt and how much the post-war avant garde was thinking about early music in their own work.

consistency is the owlbear of small minds (Jon Lewis), Thursday, 17 January 2013 16:14 (eleven years ago) link

yeah it is a hella dry title but it includes works that quote hobo inscriptions from the railings of train stations and transcribed cries of san fran newsboys!

consistency is the owlbear of small minds (Jon Lewis), Thursday, 17 January 2013 16:15 (eleven years ago) link

this is magical cd which includes a nice version of the partch piece:

http://www.allmusic.com/album/just-west-coast-mw0001407432

any bach experts here? i have a bach question on the sandy bull thread...

Crackle Box, Thursday, 17 January 2013 16:32 (eleven years ago) link

Thanks for asking, bc now I looked at that thread and I never knew abt Sandy Bull before now! If that album is on spotify I can prob ID the bach pc for you...

consistency is the owlbear of small minds (Jon Lewis), Thursday, 17 January 2013 16:40 (eleven years ago) link

What? Trade you a Harry Partch for a Sandy Bull. He's great!
I'll be back when I have something more to report about what I am currently digging. Thank you thread!

this customer is a jerk (La Lechera), Thursday, 17 January 2013 16:53 (eleven years ago) link

Really enjoying Julius Eastman - Unjust Malaise (it's on Spotify). Great piece here on new music box:

http://www.newmusicbox.org/articles/In-Search-of-Julius-Eastman/

― Crackle Box, Thursday, 17 January 2013 Bookmark Flag Post Permalink

Sad article, have a quite a few compositions of perfs from many composers that were transferred from tape to mp3s which should be getting a wider issue (not to mention a clearer recording in some cases), with good liner notes so as to perhaps encourage more enthusiasm and performance and understanding.

So much is tied up in older cassettes where you need to contact the people performing, or excellent performances that are tied up in publishing hell.

xyzzzz__, Thursday, 17 January 2013 17:42 (eleven years ago) link

Welcome to the classical thread where no one but me and scott ever wanna talk about old fart pre-WWII stuff!

Getting organized here, give me a minute :-)

Scoobie Dufay (Paul in Santa Cruz), Thursday, 17 January 2013 20:39 (eleven years ago) link

awesome dn there!

consistency is the owlbear of small minds (Jon Lewis), Thursday, 17 January 2013 21:08 (eleven years ago) link

Was hoping someone would listen to the Newman I posted earlier and tell me what other old fart 19th century stuff it sounds like?

When I started posting here I thought we'd discuss classical music from other eras, hoping to make new links too.

xyzzzz__, Thursday, 17 January 2013 22:13 (eleven years ago) link

you know you can always talk about whatever you want. everyone wins.

scott seward, Thursday, 17 January 2013 22:20 (eleven years ago) link

i feel really clueless about more recent stuff. so its always nice to hear about that. my problem is i don't really ever download/stream/etc. i listen to CDs and vinyl and CDs of recent music is hard to come by for me. though i do listen to stuff on youtube.

scott seward, Thursday, 17 January 2013 22:22 (eleven years ago) link

i was so excited when i found a bunch of schnittke CDs at the library book sale last summer! i never ever see them anywhere and that goes double for any vinyl of his stuff. listened to it for months.

scott seward, Thursday, 17 January 2013 22:24 (eleven years ago) link

So I am obsessed at the moment with Bach's organ chorale prelude BWV 659, and particularly with Busoni's solo-piano transcription of the same.

The recording a very elderly Horowitz made in his living room, for the documentary, "The Last Romantic" , I find almost unbearably moving.

https://www.youtube.com/watch?v=2PzGf-_zKuM

(This YT comment fits nicely with the poignancy of the music:

"..it was very beautiful, very beautiful..."
Horrowitz: " But I didn't compose it.... "
In this line he shows his sadness. His dream was to become a composer afterall. I bet he is composing in the life after ;)

Like many of the chorale preludes, this one consists of a freely imitative texture over which phrases of the chorale tune are presented (in this case with an unusual degree of liberty and elaboration). Here is the chorale tune itself, in a harmonization by Bach.

https://www.youtube.com/watch?v=uAiFO4S9G_g

For more information about this tune, including a transcription and English translation of Martin Luther's text, see: http://www.bach-cantatas.com/Texts/Chorale016-Eng3.htm

My other favorite performances of Bach-Busoni BWV 659:

Perahia - more momentum
Paul Jacobs - evokes sound of organ

Here's a nice performance of Bach BWV 659 by organist Hans-Andre Stamm:

https://www.youtube.com/watch?v=R6piOhwgopg

And if you still haven't had your fill of this music, check out the superb musician Stefan Hussong playing a transcription for accordian!

Scoobie Dufay (Paul in Santa Cruz), Thursday, 17 January 2013 22:28 (eleven years ago) link

xyzzzz, I missed when you said the Newman was on Spotify. Listening to his First Sonata now. First mvmt is a dead ringer style-wise for late (last 7 or 8 Piano Sonatas) Schubert. Almost sounds like it could be a po-mo collage of bits from the late schubert!

2nd mvmt puts me in mind more of prokofiev's sonata style, especially his 2nd through 4th sonatas. Also Bartok's early set of Bagatelles.

3 mvmt - harder to pin down similarities. More brittle and strange, made of isolated gestures, than the first 2 mvmts. Oh gosh now the pianist is singing! I like the effect.

consistency is the owlbear of small minds (Jon Lewis), Thursday, 17 January 2013 22:32 (eleven years ago) link


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