RFI: Psychedelic Motown

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Geir, aside from maybe "Tomorrow Never Knows" you're mostly talking about psych-pop.

die9o (dhadis), Friday, 7 March 2003 21:04 (twenty-one years ago) link

another great psychedelic soul band: Rotary Connection. also on Cadet Concept. fronted by lead singer Minnie Ripperton. less on the distorto-rock. more of great arrangements by Charles Stepney.

AND THERE'S SITAR!!
(most famously sampled by ATCQ on bonita applebaum and the fugees on killing me softly.)

JasonD (JasonD), Friday, 7 March 2003 21:16 (twenty-one years ago) link

check the chronology Geir. Despite your moving the goalpost from Sgt. Pepper's to Tomorrow Never Knows, YOU ARE STILL WRONG.

http://members.tripod.com/~lysergia_2/lamaEarlyPsychedelia.htm

Shakey Mo Collier, Friday, 7 March 2003 22:10 (twenty-one years ago) link

Martin, Doug: more thoughts on Whitfield?

please don't argue with Geir

Amateurist (amateurist), Friday, 7 March 2003 22:13 (twenty-one years ago) link

Yeah, Rotary Connection are great,well worth checking out.I like their 'Aladdin'LP

Paul R (paul R), Friday, 7 March 2003 22:16 (twenty-one years ago) link

personally I love Whitfield's production sound, overblown and "cartoony" though it may be. "Psychedelic Shack" in particular is thoroughly enjoyable all the way through - it really does sound like a psychedelic-summer-houseparty. As someone else said upthread, "Electric Mud" also fits well into this category - a lot of the same production techniques and effects are used (especially that great wah-wah+fuzzbox guitar sound) and it's clearly a product of a "hey let's cash in on this trend!" phenomenon that nevertheless produced some genuinely weird and interesting sonic artifacts.

Shakey Mo Collier, Friday, 7 March 2003 22:19 (twenty-one years ago) link

Color me humorless, but I've never taken to things that try to appropriate the gravity of contemporary politics without actually taking a position on anything. "Ball of Confusion" is carefully calibrated so as to say as little as possible. At least "Inner City Blues" located its litany of tribulations and confusions in the ghetto. And the music is far, far too strident for my liking.

Amateurist (amateurist), Friday, 7 March 2003 22:31 (twenty-one years ago) link

In a way, Motown had to do something, because the typical Motown sound - brilliant as it might have been - sounded terribly unfashionable in the summer of love.

B-b-but being fashionable isn't important as long as you have great MELODIES!

man, Friday, 7 March 2003 22:53 (twenty-one years ago) link

I give up.

Amateurist (amateurist), Friday, 7 March 2003 23:14 (twenty-one years ago) link

Amateurist, I'm not going to even try to argue that there is any substantial content to these records, because I don't think I'd win that. I Heard It Through The Grapevine was a big success in 1968 and Whitfield maybe saw new things happening in pop (I think the richness of Pet Sounds is as likely an influence in some ways as Love or the Beatles, at least in terms of the sonic ambition) and tried a new direction. I think it worked. I find the sound of these records compelling and fascinating and very beautiful, which last adjective is what I think Whitfield did better than maybe anyone, before this on things like Just My Imagination and later with stuff like Rose Royce's Love Don't Live Here Anymore. (As so often when I come over to ILM, I wish I could write about music the way Tom Ewing can.)

Martin Skidmore (Martin Skidmore), Friday, 7 March 2003 23:22 (twenty-one years ago) link

As so often when I come over to ILM, I wish I could write about music the way Tom Ewing can.

In my case, him or Ally or Tim Finney or...

Ned Raggett (Ned), Friday, 7 March 2003 23:24 (twenty-one years ago) link

I'd be pretty pleased if I could write about it as well as you do, come to that, Ned.

Martin Skidmore (Martin Skidmore), Friday, 7 March 2003 23:26 (twenty-one years ago) link

I am flattered, trust me! But I feel very pedestrian in comparison to others.

Ned Raggett (Ned), Friday, 7 March 2003 23:34 (twenty-one years ago) link

I Heard It Through The Grapevine was a big success in 1968 and Whitfield maybe saw new things happening in pop (I think the richness of Pet Sounds is as likely an influence in some ways as Love or the Beatles, at least in terms of the sonic ambition) and tried a new direction.

The only influences I can think of are Sly Stone and James Brown. Nothing psychedelic about neither of those, and neither anything psychedelic about Whitfield's funk.

Geir Hongro (GeirHong), Friday, 7 March 2003 23:37 (twenty-one years ago) link

check the chronology Geir. Despite your moving the goalpost from Sgt. Pepper's to Tomorrow Never Knows, YOU ARE STILL WRONG.

Only, 13th Floor Elevators were never psychedelia. They were punk.

Apart from maybe the San Francisco bands, only Brits made psychedelia.

Geir Hongro (GeirHong), Friday, 7 March 2003 23:38 (twenty-one years ago) link

Thankfully, Douglas said "semi-psychedelic" in the question, so we can not worry about the term itself and just think about the stuff he's using it to talk about. Because we are humans! And when you point at something, humans are the only animals who will look where you're pointing, instead of looking at your finger!

nabisco (nabisco), Friday, 7 March 2003 23:52 (twenty-one years ago) link

*woof woof*

Rockist Scientist, Saturday, 8 March 2003 00:12 (twenty-one years ago) link

"Only, 13th Floor Elevators were never psychedelia. They were punk."

If you're going to willfully deny how these terms are actually used by others, I have to assume that you can neither read nor understand the English language. End of argument.

Shakey Mo Collier, Saturday, 8 March 2003 00:36 (twenty-one years ago) link

13th Floor Elevators may have invented punk...

Sigh. Obviously, The Kingsmen invented punk when they recorded "Louie Louie." And then The Monks took up the slack a couple years later.

Kenan Hebert (kenan), Saturday, 8 March 2003 00:43 (twenty-one years ago) link

Apart from maybe the San Francisco bands, only Brits made psychedelia.

Sigh. Why can't you go away?

Kenan Hebert (kenan), Saturday, 8 March 2003 00:46 (twenty-one years ago) link

It's not on Motown, but since this thread has moved from what Douglas asked about initially into a "prove Geir wrong" forum, I have to express my utter shock that no one has mentioned the fucking Chambers Brothers' epochal "Time Has Come Today".

It's got reverb galore, it actually uses the word "psychedelicized" (sp?) and to top it all off it's from 1967. Plus it grooves like a motherfucker and stirs up images of protestors, LBJ, and acid tests almost as vividly as "For What it's Worth".

Dr. Annabel Lies (Michael Kelly), Saturday, 8 March 2003 02:07 (twenty-one years ago) link

"For What It's Worth" wasn't particularly psychedelic anyway. Buffalo Springfield's only song that could almost be called psychedelia (or at least mild psychedelia) was "Expecting To Fly" (the best song Neil Young has ever been involved with IMO)

Geir Hongro (GeirHong), Saturday, 8 March 2003 02:10 (twenty-one years ago) link

It seems like most of the disagreement with Geir revolves around semantics. Geir has a very strict, narrow definition of the word psychedelic, which while it may make total sense to Geir, is more limited than the way that many others on this thread are using the term. If "psychedelia" can only be used to refer to a handful of self-similar English groups, then perhaps we need to find another term that can be used to describe the commonality between bands including Love, the Jimi Hendrix Experience, 13th Floor Elevators, and others. Perhaps those are the psychedelic-hyphen bands, because they are usually described as psychedelic-hyphen-something, such as psych-punk or psych-garage or what-have-you, whereas maybe the bands Geir is talking about are just "psychedelia" with no hyphens.

o. nate (onate), Saturday, 8 March 2003 02:28 (twenty-one years ago) link

three years pass...
Well, on the one hand, I want to thank people in this thread for pointing to a couple of bands that I hadn't heard of and am now looking forward to listening to. On the other, man, Geir makes my brain hurt some days.
(Oh, and The Mothers of Invention were psychedelic before the Beatles, Geir. Unless you're prepared to admit that you're again trying to conflate a tautology with an argument).

js (honestengine), Wednesday, 31 May 2006 23:16 (seventeen years ago) link

you have to remember something: geir doesn't actually understand english.

j blount (papa la bas), Thursday, 1 June 2006 02:57 (seventeen years ago) link

The Supremes had a few psychedelia-influenced singles, like Reflections, No Matter What Sign You Are, and The Happening. Hardly Sgt Pepper but for Motown, and especially the Supremes, it was the most they'd go for.

musically (musically), Thursday, 1 June 2006 03:17 (seventeen years ago) link

the Supremes album "New Ways But Love Stays" is especially psychedelic (especially the cover of "Come Together")

http://www.tonygreen.com/images/stoned.jpg

jäxøñ (jaxon), Thursday, 1 June 2006 04:19 (seventeen years ago) link

That Yardbirds clip in Blow-Up sounds knida psych to me...does that pre-date Sgt Peppers...then again I'm probably mistaking loud noisy geetars for psych rock.

I've got this cd
MOTOWN : THE HISTORY - VOLUME ONE - FUNKY PSYCHEDELIA
POLYGRAM 1997 CAT NUMBER : 5307122

it's great...but to be honest not much of it sounds pyschedelic to my ears...I mean - its got "ABC" on it.

coincidence : the CD I just threw on before I logged on and now listening to is :
MOTOWN MEETS THE BEATLES....full of gems !


grapple (grapple), Thursday, 1 June 2006 04:39 (seventeen years ago) link

the Four Tops - Fool on the Hill....nice !

grapple (grapple), Thursday, 1 June 2006 05:01 (seventeen years ago) link

The only Motown stuff that sounded truly psychedelic (that is, twee, not funky) was by R. Dean Taylor.

Geir Hongro (GeirHong), Sunday, 11 June 2006 17:21 (seventeen years ago) link

Oh, and The Mothers of Invention were psychedelic before the Beatles, Geir

I never think of the Mothers as psychedelic, just arty and weird like The Residents. It doesn't help that the leader/composer was anti-drug. I never got much out of listening to Zappa when I was on acid. In fact, I hated it.

Uri Frendimein (Uri Frendimein), Tuesday, 13 June 2006 19:53 (seventeen years ago) link

oh geirpaws.

Shakey Mo Collier (Shakey Mo Collier), Tuesday, 13 June 2006 20:02 (seventeen years ago) link

I think it is so nice of all you kids to tell those of us who lived through that era who was and who was not considered psychedelic. Unfortunately for us, your crystal-clear 20/20 hindsight granny glasses weren't available to us.

One thing we were able to appreciate,even though the memories are calcified through advancing ravages of time, is that psychedelic music did not spring full formed from the breasts of Lennon/McCartney. They were influenced by things they had heard and certainly that included eastern ragas and musique concrete.

It was de rigueur to have a Ravi Shankar lp as well as an Edgar Varese to toss on the turntable to enhance the mood. But we were too stupid to realize that we had to wait, here in America, for Sgt. Pepper's Lonely Hearts Club to understand psychedelia.

Instead, we could hear the new sounds forming in the Yardbirds, Donovan, and yes, despite his anti-drug stance, Zappa's MOI Freak Out with its Help I'm a Rock, Who Are The Brain Police, and

J Arthur Rank (Quin Tillian), Wednesday, 14 June 2006 11:12 (seventeen years ago) link

I think it is so nice of all you kids to tell those of us who lived through that era who was and who was not considered psychedelic. Unfortunately for us, your crystal-clear 20/20 hindsight granny glasses weren't available to us.

One thing we were able to appreciate,even though the memories are calcified through advancing ravages of time, is that psychedelic music did not spring full formed from the breasts of Lennon/McCartney. They were influenced by things they had heard and certainly that included eastern ragas and musique concrete.

It was de rigueur to have a Ravi Shankar lp as well as an Edgar Varese to toss on the turntable to enhance the mood. But we were too stupid to realize that we had to wait, here in America, for Sgt. Pepper's Lonely Hearts Club to understand psychedelia.

Instead, we could hear the new sounds forming in the Yardbirds, Donovan, and yes, despite his anti-drug stance, Zappa's MOI Freak Out with its Help I'm a Rock, Who Are The Brain Police, and Return of the Son of Monster Magnet.

I suppose if your idea of psychedelia is limited to lace bodice foppery, gamboling in a fen while contemplatinng the radiant beauty of Lady Farquar, Sgt. Peppers is the ideal vehicle.

Wait--loan me those tea shades of yours, they help one see so clearly...

Ahhhhh. Here are some antecedents of psychedelia, though not themselves psychedelic:

Karlheinz Stockhausen--Kontakte
Kristof Penderecki--Threnody
Ornette Coleman--Shape of Jazz to Come
John Coltrane--My Favorite Things
Moondog--Moondog (on Prestige)
Edgar Varese--Ionisation
The Byrds--Mr Tambourine Man
Donovan--Sunshine Superman
Harry Partch--Barstow/Petals Fell on Petaluma
Terry Riley--In C

That's ten, and I'm leaving out tons of precedents in jazz, rock, blues, and classical. Here's your glasses back, Geir. Go listen.

J Arthur Rank (Quin Tillian), Wednesday, 14 June 2006 11:17 (seventeen years ago) link

and since this thread is supposed to be about the black funk psychedelic connection...
Yes to Chambers, Isleys, the Parliaments (and the entire P-funk empire), Norman Whitfield, the Rotary Connection. And others.

J Arthur Rank (Quin Tillian), Wednesday, 14 June 2006 11:26 (seventeen years ago) link

>Prince, on "Around THe World In a Day", was the first ever African-American artists who did actually manage to sound like 1967 era The Beatles<

What about the Brothers Johnson, in "Strawberry Letter 23"? (Maybe also the Shuggie Otis version, who knows.) Though, obviously, equating "psychedelia" with "just Sgt Peppers" is still moronic.

xhuxk (xheddy), Wednesday, 14 June 2006 11:28 (seventeen years ago) link

Mathematical proposition.

If Maggot Brain /= Psychedelicized,
then solve for X where X=WTF planet are we on?

J Arthur Rank (Quin Tillian), Thursday, 15 June 2006 23:32 (seventeen years ago) link

Why do some people interpret Motown = any black soul artist from 1960-1980? Not pointed at anyone in this thread, but I've always noticed that Motown has become some catch-all term.

I've been inspired by this thread to make a mix CD of psychedelic Motown songs...I'll comb through my LPs and mp3s and hopefully come up with something great. I'll post my results here if anyone's interested (dunno if the OP is still around).

musically (musically), Friday, 16 June 2006 00:36 (seventeen years ago) link

J Arthur Rank, dude, don't even listen to geir, the rest of us don't.

jäxøñ (jaxon), Friday, 16 June 2006 03:34 (seventeen years ago) link

J Arthur Rank, dude, don't even listen to geir, the rest of us don't.

i know, i know, i know. It's just, sometimes I just gotta let little air out...

J Arthur Rank (Quin Tillian), Friday, 16 June 2006 12:10 (seventeen years ago) link

The only Motown stuff that sounded truly psychedelic (that is, twee, not funky) was by R. Dean Taylor.

And what colour was he again Geir? Was he Norwegian too by any chance?

Il mio nome e' Dadaismus (Dada), Friday, 16 June 2006 12:14 (seventeen years ago) link

O. Nate got it right OTM way back when he said that the chief argument was one of mere semantics ie. the word "psychedelic" itself. And I further remember Wayne Coyne years ago, talking to Xhuxk (I think) and drawing a distinction between "psychedelia" and "acid rock". So why not just agree, for Geir's sake, that the Beatles defined "psychedelia" and move on? Change the thread topic to "acid Motown" or "acid funk" - something which even Geir can't deny exists.

M. Agony Von Bontee (M. Agony Von Bontee), Friday, 16 June 2006 16:36 (seventeen years ago) link

I mean, just 'cause it's too interesting a topic to waste on a bunch of hair-splitting...

M. Agony Von Bontee (M. Agony Von Bontee), Friday, 16 June 2006 16:54 (seventeen years ago) link

(there's already several acid funk threads, btw)

Shakey Mo Collier (Shakey Mo Collier), Friday, 16 June 2006 16:58 (seventeen years ago) link

Chambers Chambers Chambers

trees (treesessplode), Saturday, 17 June 2006 05:25 (seventeen years ago) link

This thread is great for two reasons:

It made me curious enough to scrabble together a copy of The Temptations' 'Psychedelic Shack' and 'All Directions.' Fabulous stuff.

The sheer wrongness of Geir's posts and yet he still continues on.

righteousmaelstrom (righteousmaelstrom), Friday, 23 June 2006 15:59 (seventeen years ago) link

It would've been more effective, IMO, if someone had tried to come up with a broader definition of "psychedelia" to counter Geir's very narrow one, rather than simply citing examples of things most people would consider psychedelic that Geir doesn't.

For anyone who's bothering to look, here's a better link for the one upthread that doesn't work (for me, anyway): http://members.tripod.com/~lysergia_2

pleased to mitya (mitya), Friday, 23 June 2006 18:40 (seventeen years ago) link

His argument is bizarre. There are a million examples of psychedelia that are not twee.

Tim Ellison (Tim Ellison), Friday, 23 June 2006 18:55 (seventeen years ago) link

two years pass...

pulled out Quincy Jones' soundtrack to Body Heat and damn if those songs don't sound like lost whitfield produced Temptation songs.

(jaxon) ( .) ( .) (jaxon), Thursday, 2 April 2009 22:29 (fifteen years ago) link

Vanilla Fudge also did "Shotgun" (Junior Walker). Deep Purple did "River Deep, Mountain High" (Tina Turner). The Small Faces did "Every Little Bit Hurts" (Brenda Holloway). The Jimmy Page-era Yardbirds did "My Baby" (Garnet Mimms). Of course Janis Joplin/Big Brother did "Piece of My Heart" (Erma Franklin) which became a hit + part of the classic rock canon, so I guess it's disqualified... likewise "(I Know) I'm Losing You" (The Temptations) by Rod Stewart with the Faces. Janis Joplin also did "Tell Mama" (Etta James) and various other soul tunes. The Who did James Brown songs and "Heat Wave" (Martha & the Vandellas) but that was early in their career. I thought the Velvet Underground might have done "Hitch Hike" (Marvin Gaye) but I guess they just swiped the intro of it. The MC5 did "It's a Man's Man's Man's World" (James Brown).

Josefa, Saturday, 23 July 2022 07:12 (one year ago) link

"Of course Janis Joplin/Big Brother did "Piece of My Heart" (Erma Franklin) which became a hit + part of the classic rock canon, so I guess it's disqualified"

no that's exactly the sort of thing i'm thinking of, i never heard the erma franklin version. a lot of the soul covers i _know_ them from oldies radio, but someone like garnet mimms, nah

the velvets were unique for the era in that they didn't _do_ covers, there's a recording of them doing "green onions" on the andy warhol tapes i think but that's about it.

Kate (rushomancy), Saturday, 23 July 2022 11:03 (one year ago) link

It's interesting that Jerry Ragovoy seems to be involved with many of these songs as a songwriter. He wrote or cowrote the Garnet Mimms songs and "Stop" by Howard Tate and "Piece of My Heart."

His Wikipedia entry lists several other compositions of his that fit the original question.

Josefa, Saturday, 23 July 2022 14:22 (one year ago) link

Yes, that is interesting. Wonder if he and Rudy Clark ever crossed paths. #onethread

Meme for an Imaginary Western (James Redd and the Blecchs), Saturday, 23 July 2022 14:25 (one year ago) link

XP He played piano on the James Gang's version of "Stop" too.

Speaking of Rudy Clark, the Dead also did "Good Lovin'" (originally by the Olympics and popularized by the (Young) Rascals).

Ha!--The Olympics' "Good Lovin'" (which had different lyrics from the actual original by Lemme B. Good) was produced by Ragovoy!

Paul Butterfield (not the heaviest) did "Get Out of My Life, Woman"

Also covered by Iron Butterfly on Heavy.

Halfway there but for you, Saturday, 23 July 2022 16:08 (one year ago) link

(which is also not the heaviest)

Halfway there but for you, Saturday, 23 July 2022 16:34 (one year ago) link

Al Kooper & Mike Bloomfield did "Stop" as an instrumental on Super Session.

Remembering too that they also did a straight vocal version of Gene Chandler's Curtis Mayfield-penned "Man's Temptation" on that same album.

...and speaking of Curtis, Vanilla Fudge did "People Get Ready" and later on Beck Bogert & Appice addressed "I'm So Proud".


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