George Harrison - All Things Must POLL

In an interview with Crawdaddy magazine, Harrison explained: "That was the song, when I left from the Let It Be movie, there's a scene where Paul and I are having an argument, and we're trying to cover it up. Then the next scene I'm not there and Yoko's just screaming, doing her screeching number. Well, that's where I'd left, and I went home to write 'Wah-Wah.' It had given me a wah-wah, like I had such a headache with that whole argument. It was such a headache."

Yeah, I remember that story. Not about to weigh in on who was the villain in their argument or something. McCartney has been dumped on to a ridiculous degree over the years.

He has, but also, if you watch Let It Be, the thought of being in a band with Paul McCartney takes on a shitty new meaning.

Don't remember it that way, but I haven't seen it in decades. And anyone can have a bad day, etc.

Do remember that people seemed to view Paul's perspective on those sessions more favorably when this book came out.

i regret i didn't vote for wah wah

wah wah

Is it just me or does Harrison sound like he's singing "I love dick" in the second verse of 'I Dig Love'?

Let it roll is my fave Harrison song ever. Is it controversial to say this record is my favourite Beatles associated album

I’ll see your Let it Roll and raise you Run of the Mill

It doesn't get any better than the funky ass intro to 'Art of Dying'!

I don't think I've told this story before: when I was a teenager my cousin and I made several short movies with my dad's 8mm camera and editor. One was called "The Art of Dying," and the soundtrack (on cassette!) was segments of Harrison's Electronic Sound. The plot was mostly a ripoff of the TV series "Kung Fu," with my cousin and I in our karate uniforms. After fighting his "deadly" german shepherd we died in a field. The End.

(:

i'm with ross

"behind that locked door" is number two

wait sorry i'm with ross in that 'let it roll' is my fav off this album

i'm in ross in that he seems like a really nice guy too!

with

Hey brimstead I appreciate that :) I enjoy your posts

09. Run Of The Mill 1
08. Let It Down 1

:|

Is it just me or does Harrison sound like he's singing "I love dick" in the second verse of 'I Dig Love'?

― Dog Man Star took a suck on a pill... (Turrican), Friday, October 11, 2013

apparently George offered "Isn't it a Pity" to Frank Sinatra

"Let it Down" is pretty much Spiritualized 30 years before Spiritualized.

― Emperor Cos Dashit (Adam Bruneau), Sunday, October 28, 2012 11:11 PM

Too bad nothing on Let It Come Down is as good as this.

Also I think I've finally come around to this album. Hearing the 2010 mix has made all the difference.

Did they dick about with the mixes for the CD reissue/s?

.. as in, the 2000 version.

It's a lossless release that you could download straight from the official website and that has since been withdrawn but if you can get your hands on it, I'd say it's very much worth your while. It sounds a lot more natural and less Spector-esque to my ears. Even the folks over at Steve Hoffman agree that it's the ideal way to hear All Things Must Pass.

Never much liked the echo-laden mix, but don't especially like most of the songs either. Harrison's 70s decline is over-emphasized, there are as many good songs on Extra Texture as on All Things Must Pass (three or four). I'd have voted "What is Life".

what are your big 3 or 4?

"What is Life", "I'd Have You Anytime", "Beware of Darkness", maybe "Isn't It a Pity" or "My Sweet Lord". Most of the remaining songs just don't get over melodically or lyrically, and the Apple Jam album is junk.

"Apple Scruffs" slaps.

I love ATMP - except for the "jam" disc, it's always been an excellent album to me, and I don't even consider that third disc to be part of the album anymore. (When George promoted the reissue in 2000, he stated in a Billboard interview that "For the jams, I didn't want to just throw in the cupboard, and yet at the same time it wasn't part of the record; that's why I put it on a separate label to go in the package as a kind of bonus." There's at least one interview from 1970 where Harrison basically said the same, adding that he was annoyed that the list price was also raised accordingly because he was under the impression that Capitol would price it as a double LP per his request.)

"You" has been the only track I ever liked from Extra Texture, but if there's something else on there that I should revisit, I would definitely give it another listen.

Harrison otm about its "grotty" self-production. His singing is worse than on Dark Horse.

“let it roll” ffs people

yeah, important to point out that halfway is totally wrong because he doesn’t include beware of darkness or let it roll or let it down

I did mention "Beware of Darkness". "Let It Roll" is a quirky song I can understand liking, "Let It Down" is woefully overblown.

oh I see beware of darkness, i don’t understand digging that one and not digging “run of the mill,” which feels of a piece

It's vaguer musically and lyrically.

Behind That Locked Door is gorgeous imo.

^^^^^YES

great slow dance song <3

awwww i didn't know until now it was a song of encouragement to dylan <3 <3 <3

Yeah, it is a beautiful song, even before they added Drake's pedal steel part.

Who’s getting the gnomes?

https://store.georgeharrison.com/collections/all-things-must-pass-50th-anniversary/products/uber-deluxe/

Holy shit, $1000? I don't think I love any album *that* much.

Looks like the original album mixes aren't a part of this (aside from the 'bonus' jams that had been included with the original triple-LP set). It'll be interesting to hear a new mix, but despite Harrison's reservations about it, Spector's original LP mix may still be the mix for me.

Definitely—the murk is part of what makes the LP so atmospheric for me, though I can see why some might dislike it on the more rockin’ tracks.

lol joestork, i was just checking to see if the gnome figurines were available individually

i'd always said that 3LP set could be boiled down to a great.......8 LP set?

I like the original, but maybe the new mix will be along the lines of the Abbey Road or white album remixes: there are infinitely more EQ options available in 2021 vs 1970, so clearing out some of the sonic clutter may lead to something interesting and hopefully revealing.

While I prefer John Lennon/Plastic Ono Band to ATMP, I'm not really interested in that box; I don't think I want or need multiple takes and false starts of "My Mummy's Dead." But hearing just George, Ringo, and Klaus run through the ATMP tunes, yeah, I definitely want to hear that.

(I would LOVE to hear the Yoko outtakes in the JL/POB box, but those are only on the Blu-Ray, and I don't have a Blu-Ray player.)

The Plastic Ono Band box set is an excellent listen. For anyone who loves the album and is really interested in hearing how it came together and studying the individual parts, it's perfect. It's basically the musical equivalent of wading through a truckload of extras on a great Criterion release. But that doesn't mean it's something you'd want to own for a lot of money. It's something I'd check out or rent from a library once in a blue moon. Studio session collections are typically like that though.

yeah, the only thing like that i've ever really listened to like an album in regular rotation (apart from when I JUST discovered a Smile bootleg) is actually the Beatles Anthology, and mostly just a couple key discs of that.

I finally got around to listening to the super deluxe set. I'm not a fan of the new mixes, especially when I was able to patch my computer into my stereo and hear it properly on good speakers. Even if you don't mind the historical revisionism (and I'm not always a stickler about "sticking with the original") the instrumental balance feels off - it just doesn't sound very good to me.

The fifth and last disc of session recordings is disposable. The opening "Isn't It Shitty" (to the tune of "Isn't It A Pity") is funny, but otherwise there's really nothing here I'd come back to.

That just leaves discs three and four covering the two days of demo sessions, and those are definitely a keeper. Not surprising - most of them have been bootlegged before and even with inferior sound, it was easily my favorite bootleg of George Harrison recordings. The two discs are more complete and presumably straight from the first-generation tapes (a major upgrade), but I kind of wish they left in all the in-between chatter. It's a matter of personal taste, but for something like this, I like hearing it all left in, and it sounds like most of the chatter has been edited out.

The previous deluxe edition (originally released in 2001) only had a handful of bonuses, and they're generally not included here for some reason. No big loss except for this bonus track which I really do miss:

https://www.youtube.com/watch?v=fFDyXBU2fq8

It does appear in demo form, but the 2001 version is a real gem thanks to Pete Drake's pedal steel parts. I can't call it an outtake because it features only Harrison's lead vocal and Pete Drake's pedal steel from the original 1970 recording - all other instruments were actually overdubbed by Harrison and Dhani in 2000.

It's too bad the two discs of demos won't get its own standalone release. If you had those two discs and the 2014 remaster of All Things Must Pass (which includes the 2001 edition's new bonuses), you would have everything essential related to this album. That would've been a perfect four-disc set had they chosen to include the demos with the 2001 reissue.