TURN ON THE BRIGHT LIGHTS -- whatcha reckon?

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I definitely am out of the loop, because I've never even heard of them until this place. But I want to hear them now - a 3rd of those 'comparison' bands listed above, I liked. (But disliked another 3rd)

Ned - can you point me towards this 'Chams list'?
(I'll never be able to actually see it, of course hahaha - SLAP ouch)

Ray M (rdmanston), Tuesday, 27 August 2002 12:27 (twenty-one years ago) link

Actually Tom the trainspotting thing is a certain element of enjoying the record.

Beyond that we can sort of isolate two skills in music-making: there's the skill of advancement and aesthetic creation and such, and there's the thrill of good content, good conception and execution of something that's neither hugely derivative nor pathbreaking. Interpol are really good at the latter, which is why it's sort of a shame to play the spot-the-similarities game with them: everything good about them is wrapped up in the movement of the songs, which are incredibly solidly constructed.

Someone on one of the other threads was talking about the phrasing of a line in "NYC" -- "the city is a porno" -- and noted that little tricks and slips of unexpected delivery are all over this record. That's absolutely true, although I'm not sure how I would tell you about it: you probably just have to hear moments like (a) the bit of "Obstacle 1" where they launch into full-on drama queen rock but the line he's so desperately singing is "her stories are boring and stuff," or (b) later on in the "Stella" song where he mashes up syllables and repeats "Stell-la, Stell-lah-ha."

What they do well is sounding completely exasperated -- not so much mopey-miserablist but pissy and frustrated but not giving a shit either way, perfectly willing to whine and then deflate their own whining as if it didn't matter in the first place. Also, like the Strokes album, it's a part of that re-emerging concept of the rock album as a solid album, something where every song should be as tight as a single, rather than stretching out into all sorts of interludes and experiments. (That's not an inherently better form but it's far better for Interpol.)

nabisco (nabisco), Tuesday, 27 August 2002 13:50 (twenty-one years ago) link

Am I completely out of the modern music loop for never having heard Interpol?

You're not alone. It's weird -- I know I can just go to the Matador site and download at least one song or so, but I can't be bothered! I'd rather just get the album straight up. :-)

Ned - can you point me towards this 'Chams list'?
(I'll never be able to actually see it, of course hahaha - SLAP ouch)

You frighten me. Anyway, yes, drop me a line and I'll send ya the info. It's low key but spirited (and there's much talk about the upcoming American tour, yay).

Ned Raggett (Ned), Tuesday, 27 August 2002 14:00 (twenty-one years ago) link

Oh and also, Tom, you know how when Belle and Sebastian emerged people said "well I know it doesn't sound so much like the Smiths, but it feels like it?" And then only much later on did people begin to be able to actually look into it and try to figure out exactly why it felt that way, and whether that was a good thing or not? Okay: Interpol have a similar thing going on, hence all the comparisons -- sort of a "yes, this really feels like Smiths or Cure or Echo and the Bunnymen pop albums." Not as significantly so as Belle and Sebastian -- Interpol come across as a good solid rock band, but not anything striking or amazing or let's say wardrobe-shaping as B&S -- but there's that lingering sense there, and once again I think it'll take a little while to figure out precisely what it is and whether it's worthwhile or not.

nabisco (nabisco), Tuesday, 27 August 2002 15:16 (twenty-one years ago) link

(Err I think the difference of strikingness-level between B&S and Interpol is that B&S seemed to posit this whole "lifestyle" around them that you could try to imagine or sign up for, whereas Interpol don't.)

nabisco (nabisco), Tuesday, 27 August 2002 15:18 (twenty-one years ago) link

Hows about Interpol actually sound like Interpol. Who cares really who they sound like all that matters is the music is quality.

Chris V. (Chris V), Tuesday, 27 August 2002 15:31 (twenty-one years ago) link

yeah, man. when did it all go wrong. we used to folk out around the bonfire, just singin and clappin. man, what the hell happened?

boxcubed (boxcubed), Tuesday, 27 August 2002 16:42 (twenty-one years ago) link

nabisco: you know how when Belle and Sebastian emerged people said "well I know it doesn't sound so much like the Smiths, but it *feels* like it?"

Hm. I felt exactly like that, except with The Band of Holy Joy substituted for The Smiths.

OleM (OleM), Tuesday, 27 August 2002 19:55 (twenty-one years ago) link

What band will be the first to be referred to as Interpolish?

Andy K (Andy K), Tuesday, 27 August 2002 20:23 (twenty-one years ago) link

Sounds like something you use on your car.

Ned Raggett (Ned), Tuesday, 27 August 2002 20:26 (twenty-one years ago) link

(Or something you'd use to get from Warsaw to Krakow.)

nabisco (nabisco), Wednesday, 28 August 2002 13:45 (twenty-one years ago) link

Can someone please post something about this band that isn't actually about their own record collection??
I tried writing a review of the album without mentioning any other artists- it's probably pretty bad, but here goes: perma link to it (if that doesn't work, scroll down).

Anyway, I'm still pretty happy with the album- NYC is a *great* song.

lyra (lyra), Wednesday, 28 August 2002 22:58 (twenty-one years ago) link

three weeks pass...
I finally heard it. And yeah, the Kitchens Of Distinction comparisons are spot on. I can't get excited about this record at all. It's like the homogenization of all these hip 80s bands. I'd rather listen to the original bands.. or the Doves for that matter.

donut bitch (donut), Tuesday, 24 September 2002 21:37 (twenty-one years ago) link

I'm starting to wonder whether I should never hear it and just imagine what it sounds like. It can be the bastard child of Durutti Column and the Comsat Angels when I'm in a good mood and Zerra X outtakes when I'm in a bad one.

Ned Raggett (Ned), Wednesday, 25 September 2002 01:48 (twenty-one years ago) link

I reckon Mark Edwards should sue for royalties.

hstencil, Wednesday, 25 September 2002 01:49 (twenty-one years ago) link

I don't know about the Mark Edwards comparison. Certain the first track off My Dad Is Dead's "Peace, Love, and Murder" comes to mind, but I think there was something brutally honest in MDID stuff that just isn't in Interpol...

donut bitch (donut), Wednesday, 25 September 2002 03:02 (twenty-one years ago) link

Actually you're all wrong: they sound like The Velvet Underground!!!

Nate Patrin, Wednesday, 25 September 2002 03:25 (twenty-one years ago) link

five years pass...

still stands up.

pisces, Tuesday, 8 April 2008 07:57 (sixteen years ago) link

First album, yes. Anything that came afterwards is poop.

Johnny Fever, Tuesday, 8 April 2008 08:34 (sixteen years ago) link

I like the other two albums too, but this is their best, no question.

zeus, Tuesday, 8 April 2008 09:53 (sixteen years ago) link

the fukd id ep is their pinnacle

electricsound, Tuesday, 8 April 2008 11:28 (sixteen years ago) link

Not so long ago I listened to this album for the first time in, what, three or four years? Shocked at how much is still ***LOVE*** it.

RabiesAngentleman, Tuesday, 8 April 2008 11:58 (sixteen years ago) link

nine years pass...

Paul's delivery at :52

https://www.youtube.com/watch?v=VGcm8M4DcQc

flappy bird, Friday, 23 June 2017 05:25 (six years ago) link


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