C/D/S/D: Minutemen

What an exciting band! Firehose plays funky, uptempo music with an infectious spirit of adventure.
Funk, folk, prog, (good) poetry, and totally original songwriting are all extant, united only by a
an incredibly tight band. And trust me, in the technical department, firehose is definitely one of the best
bands I've ever heard. Every groove is perfectly locked in, not like a machine, but like road dogs who have
been rehearsing together, night and day, for decades. But this is no wankfest, and Firehose bears no
relation to any "jam" band. The songs are intelligent, economic (few break the 3-minute barrier) and
sometimes very affecting.
Standout tracks: "Locked In","This", and "Things Could Turn Around," which sounds like a
stripped down, mournful Yes demo
Rating: 9 out of 10

juist before i went on holiday in december I was arguing with anthony miccio. it was a clash vs minuteman thing.

Absolutely heartbreaking and mindblowing and smile-inducing. I've seen Mike Watt live a couple times, and each time he's done some old Minutemen tunes. He shook my hand and I helped him load stuff in (I got to the club early, due to miscommunication.) He's one of my heroes.

Search:
-"Do You Want New Wave Or Do You Want The Truth?"
-"Sickles & Hammers" (awesome instrumental later covered by Sebadoh)
-"Cohesion" (also an awesome instrumental)
-"Joy"
-"Bob Dylan Wrote Propaganda Songs"
-"Shit From An Old Notebook"
-"History Lesson, Part II"
-"Jesus & Tequila"
-"Shit You Hear At Parties"

Destroy:
-the covers EP, "Tour Spiel"
-some of the early stuff (mostly the latter half of the "Politics of Time" comp.) because it sounds like it was recorded with a mic buried under a few inches of dirt.

Classic.

I never really listened to much Minutemen before, but I spent this afternoon watching We Jam Econo and I think I could definitely become a fan. I wasn't expecting such joyful sounds, what a trip

oh man you are in for a treat

I'm excited!

oh man you are in for a treat

― some dude, Monday, January 28, 2013 7:09 PM (15 minutes ago)

so otm

srsly

i wanna watch we jam econo now

that and the fugazi doc always make me want to, you know, go out and do something with my life

Yea, enjoyed Jam Econo and have fond memories of seeing those guys in DC and Baltimore gigs.

Yeah I think the fact that it's so personal makes Jam Econo really just undeniably cool and inspiring.

and I was blown away by the amount of live footage, like did they have friends with a video cam just filming from day 1 or

and Mike Watt's mom is A+

they really are just one of the most inspiring bands ever, to me. i should get that on DVD, i only saw it once when they screened it at the black cat in DC.

Streaming on Netflix, if you have that.

One of the bands I'm most glad to have seen live (last NYC show, Oct '85).

wow awesome

no way! awesome work, morbz!

saw them on my 16th birthday in Pomona. I preferred more emo/goth stuff at the time but man did they ever bring it, no-one could deny

wow awesome

most of my classmates saw them a whole bunch of times. they gigged constantly. I never saw the Gun Club, because they never played all-ages shows, which pisses me off to no end.

if you really cared you would have gotten a fake id, or aged yourself somehow

perhaps via some sort of ray

Minutemen were one of those bands that no matter what bill they were on they would not take no for an answer. They just brought it.

One of the most interesting observations I read (or is it in the doc?) noted what a top heavy drummer Hurley was. While his peers would be all bass-snare-bass-snare, he's doing all these rolls and fills and crashes.

One of my biggest musical regrets is passing up 2 chances to see them in 1985. I was only 15 but double nickels was already a favorite, I don't know what I was thinking or what seemed more important to do those nights...

Yeah George was a very melodic drummer

xpost yeah that was in the doc. and the way he leans foward, like he's going to propel over the front of the kit - he's a trip to watch!

When I saw him a few times with fIREHOSE, he would sort of spin his forelock.

Cool!

https://www.youtube.com/watch?v=36hSmhQdXeY

You can see him spin his hair here!

https://www.youtube.com/watch?v=nxCpF5r8QmY

okay that's rad

how can ed from ohio be old?

he looks like mark e smith with Snape's hair.

Always warms my heart reading love for the Minutemen on here. Which reminds me: I'm talking to Mike Watt on Friday! I'll be sure to link to the interview when it's up some time next month.

what's the deal with his upcoming tour macdara? any idea who he's playing with?

The deal with his upcoming tour: http://hootpage.com/hoot_ilsogno-d-m-labustagialla.html

There's a date for Dublin on 4 March (though tickets aren't on sale yet) hence my contacting for an interview. He's been a very busy man the last few years, hopefully he's happy to talk all about it!

I should check out that new album with the Italian guys on Spotify. Anyone heard it?

It's good, I've listened to most of it, need to give it another spin or two tomorrow. Definitely a mellower experience than the Third Opera.

Saw them in April 1985 in Providence, eight months before D. Boon died. Amazing night. I remember Boon using duct tape to fix a problem with his guitar — probably something you wouldn’t see The Edge do.

listening to Double Nickel On A Dime right now fyi

:D

oops i mean double nickelS on THE dime

(rookie mistake)

I never got to hear 'em until about a week or two before Boon died. :( Couldn't find their records in my time, but Muchmusic aired the videos for "King of the Hill" and "This Ain't No Picnic" on their "underground" show.

...couldn't find their records in my TOWN. But "time" works too, since I didn't find a copy of "Double Nickels" until nearly a year later.

So I spoke to Mike Watt for like an hour-and-a-half yesterday. Man I was nervous as hell - it was my first phoner, and it's intimidating meeting your heroes! - but he was totally gracious and cool, of course. Lots to transcribe but I'll post the link when the piece is done.

― double pickles on the wein (k3vin k.), Monday, July 6, 2009 10:05 PM Bookmark Suggest Ban Permalink

minutemen rule obv

I was informed by the devotees over on the Watt list that none of the Minutemen material actually needs a remaster. Could have fooled me.

Would certainly love to see a lot of SST stuff getting upgraded properly while the cd is still a medium. THere's a lot of very interesting material that the label released over the years that I'd like to get in best possible audio. & I think it's probably the best part of 20 years since most of it was translated to cd and the medium has advanced a lot since then hasn't it?

Traps PS adapt the Minutemen blueprint in a more dance-punk direction and with more atmospheric production.

thread reminding me to listen to the bandsplain episode on the minutemen

also paper mice's "the funny papers" is more NMN than minutemen but is excellence in a similar vein

not so contemporary but ahleuchatistas' "what you will"(2006) is very minutemen-y instrumentals.
watt himself with belfi & pilia as "il sogno del marinaio" does very well, espec on their second cd, and also as member of "the hand to man band"

although the hand to man band is more languid beefhearty red krayola than herky jerk

Interesting that want for a band like a contemporary equivalent to a band while doingtheir own thing thing. Have had a simiilar question for a new MC5 that would somehow still sound as individual while picking up on a similar array of influences. But can't sound like teh band they're an equivalent to because that would undermine the request or whatever.
Minutemen were a product of their times so swept up into hardcore while still being as individual as they were. So had some kind of external influence somewhat directing their sound.
Would like to find other bands as original and a few of them did wind up on SST at the same time as the Minutemen.
Did the underground/alternative scene factionalise after a point so the subcultural Venn overlap drift apart and you don't get as many bands having a framework sound to mess around with and find their own take on to the same degree. Or are the pistols and the Clash etc still as important an influence outside of generic punk . Like just thinking taht without the presence of a punk scene would these bands have been even more maverick and have wound up just doing their own thing and being completely unknown. Would they have been able to gig and thereby develop their own sound without having a wider movement like that to add momentum and tap into.
The band obviously picked up on some current UK bands though probably more Wire, Gang of Four and the Pop Group bands who themselves were cherry picking what influences they picked up from the pool while adding in their own. I think there are direct quo9tes from Pop Group instrumental passages on Double Nickels.

I thought for a moment that maybe the back catalogue was being looked at and hopefully remastered.

You remember right Stevo, there was an Insta post from John Golden over a year ago where he was doing new stampers for Double Nickels, but who knows if they were remasters from the tapes or a refresh of the latter-day ones without the run-out grooves on LP1.

I also get what you’re saying in general and it’s a point that’s been made before: that some artists are so unique (or at least synthesise their influences in such a unique way) that defies future iteration by those it influences. Everyone knows the old saying about The Velvet Underground but there’s a fundamental simplicity there that was easy to pick up on. Whereas there’s an argument to be made that the music (in the style of) of the Minutemen could only have been made by the Minutemen and that specific musical and personal interplay between Watt and D. and George, a ferment of musical and political ideas, the head and the heart, etc.

one element of the band would be its individuality so as soon as it starts sounding like a version of an earlier band it loses that element. Possibly a bit Catch 22 but I think of note.

& yeah may be down to interpersonal chemistry within the band. Might be of note to see the difference between bands picking up on largely teh same influences and see how much the band interpersonal chemistry changes things between bands. Assuming it is a given that different players will pick up on the same influences in different ways and so on.

Hoping that teh process of playing is a process of reinvention. The philosopher Gadamer has a great perspective on tradition taht I'm reminded of there. where what keeps a tradition able to continu8e is the process of continual reinvention of a core idea/set of ideas.

I know it's essentially a question without an answer: "Who is totally unique but sounds like these other guys?" But I was also thinking of the other part of the question, "but still has a similar sense of groove?" They incorporated disparate genres and elements in a way that was jagged and sharp but also loose. I've heard plenty of bands who draw on eclectic influences but end up sounding all over the place (black midi) or like the Red Hot Chili Peppers or Primus. So the question is more, "who has a similarly refined aesthetic?" I know there will be another Watt and D. Boon. There have been some interesting suggestions so far.

I haven't heard a great deal of Parquet Courts but they seem like something that would about fit the bill. Also White Denim

> I know it's essentially a question without an answer:

I think it's not even possible without the fourth Minuteman: President Ronald Reagan.

> "but still has a similar sense of groove?"

But for the death-before-midrange and jazz sympathies between the players, this Kurws album comes the closest for me:

https://kurws.bandcamp.com/album/dziura-w-getcie-hole-in-the-ghetto

This is probably cheating but Big Walnuts Yonder:

https://www.youtube.com/watch?v=6bfraz58MpI

Nick Reinhart, Mike Watt, Nels Cline, and Greg Saunier