why late at night in the u.s. does ilm get all yessed out

I just watched some of that DVD "The Future Is Wild", the cheezy computer animated forecast of what freakish species will dominate this planet in 200 million years. It was very Yessed out too, CGI supercontinent-formation footage and giant global oceans (topographic tales of .. .)

http://stat.discogs.com/R/262506-1103102672.jpg

Olias of Sunhillow Critical Edition, with commentary track guest starring the 'scientists' from The Future Is Wild

maybe a little like the trevor horn yes (or maybe i just wish it sounded more like trevor horn yes).

it's basically arp-heavy metronomic 1978 eurosynth cheese.

I always see a Dean landscape, or some Art Nouveau P. Craig Russell planet landscape whenever I listen to Yes. Except for Yes mach-90125 and onward.

I guess the only interesting thing in them was that apparently Eddie Jobson was in the "Owner Of A Lonely Heart" video. They tried to edit him out when he ended up not being in the band, but couldn't do it completely. The edits are one reason why the "plot" is so hard to follow.

and yes, there ARE maggots on the dude's eyes.

BUT! just guess what my classic rock station is playing right now on their so-called DEEP CUT weekedn at this ungodly hour ...

yup, STARSHIP TROOPER!!

good god what a tune.

and i'm out

I found my mint LP copy of Relayer for a dollar in a used bin.

http://www.drjazz.ch/album/bilder/Moraz30.jpg

damn, and i'm not even close to being drunk tonight!!

http://i4.photobucket.com/albums/y123/Eisbaer29/be70040c-9265-47c2-ab7b-0dc6abe418a.jpg

I'm yessed out on poppy pod tea and I just played guitar for an hour. Yes!

karaoke, yes-style!!
http://www.youtube.com/watch?v=xwoE9r11a-c

Oh dear...

http://www.youtube.com/watch?v=wlgH7Oec__s

Nothing succeeds like excess: http://www.youtube.com/watch?v=NMF1-OEZYBE

Watching Bruford in that clip makes me think of the story (perhaps apocryphal) of the Genesis tour he was on when he'd get bored and start playing different beats just to screw things up.

DIG IT! (the "it" being really bad stock footage, apparently)

as much shit as tormato gets, i do like squire's bass sound on that
and wtf with wakeman's synths? the birotron - cheesy to the max
xpost

LOL cheesy late 70s video effects -- also, it reminds me of the "i want candy" video.

"don't kill the whale" is actually an OK song, maybe the best thing on tormato. and the really painful wakeman synths are in the beginning of "arriving UFO" (maybe the worst yes song of all time?)

The Birotron was an ill-fated tape replay keyboard conceived by Dave Biro of Yalesville, Connecticut, USA, and funded by Rick Wakeman of the progressive-rock group Yes in the late 1970s.

The Birotron was a keyboard instrument that used 8-track cartridge tapes to play sounds whenever a key was pressed on the keyboard. It is similar in concept to the Chamberlin and Mellotron, and was a forerunner of digital sampling. Keyboards like the Mellotron and Birotron were mainly used for strings, choirs, brass, and flutes; sounds not easily reproduced on the synthesizers of that era. The major innovation of the Birotron was that it stored its sounds using 8-track tape loops, which allowed it to play the sounds indefinitely, a great improvement from the 8-second limit of the Mellotron.

History
Dave Biro invented this instrument and showed it to Rick Wakeman, who was so impressed by the idea that he offerred to fund its manufacture. It was developed by Birotronics, Ltd which was one of Wakeman's Complex 7 businesses. The Packhorse road case company was under this umbrella as well. Birotronics apparently made a very limited number of these instruments (David Biro says only 17 were made, including the original and 4 prototypes, while Rick Wakeman claims 35.) 4 of those were owned by Rick Wakeman, who noted in an interview in 1999 that 2 were stolen and 2 were damaged beyond repair. Only 5 or 6 Birotrons are accounted for today.

Two major factors led to the Birotron's demise. The most direct cause was a lack of necessary and consistent funding. The Birotron also suffered from poor timing, being introduced very shortly before the arrival of the digital sampling technology (such as the Fairlight_CMI) which would render it obsolete.

OOooooh the band Yes... I thought you meant high.

Squire on "On The Silent Wings Of Freedom" here: http://youtube.com/watch?v=Q5KQIaHFma4

The world of Yes tribute bands on YouTube is very strange, but I gotta give them points for trying...

The packs of Marlboros in the foreground totally makes this video: http://youtube.com/watch?v=lvjkG5EgFxA

OOooooh the band Yes... I thought you meant high.

-- trashthumb, Sunday, October 21, 2007 7:29 AM

OMG I AM YESSED OUT FOR THE FIRST TIME IN A COON'S AGE

A raccoon killed my pet rabbit. It grabbed the thing through the cage, and smashed it again and again through the rails, and a lot of its body that the raccoon couldn't get dropped down into the plastic tub that captured its feces. So be careful what you say BIG HOOS aka the steendriver, or you might totally ruin my yes sesh..

Utterly ridiculous, but Howe really kills it here.

OMFG. "Awaken" sounding transcendent right now really LOUD after a night of bourbon & Guiness. On headphones, mind.

interesting that they covered "america" -- the beginning of "el condor pasa" sounds a lot like the beginning of "roundabout"

my wife and I were playing Yessongs after we got home from a show last night around 2 A.M. and I was telling her about this thread.

I come to revive this and look who posted last.

Really feeling CTTE this last week, listening to "And You And I" atm.

to answer the question way up above, yes, tormato is as bad as everyone says, and I can be captain save a yes. but really I think pretty much everything after 90125 (which I love) is awful, except for some things on Magnification, and drama is my third favorite Yes album after the Yes Album and Fragile.

Can never decide between Relayer and The Yes Album as my favourite. Going For The One and CTTE round out my top 4. Have never really liked Fragile; honestly I'd much rather listen to TFTO.

Gotta love Jon!

guy is saintly

a samurai sword

https://www.youtube.com/watch?v=S-qKboHKPEA

Yes, Arcade Fire are working with with James Murphy" -anybody else get unnecessarily excited by this pitchfork headline?

here's a fun prog DJ moment - there's a bit in Fermented Hours by Wobbler which imitates the big church organ middle section in Close to the Edge. I stitched em together and some old guy at the bar said "oh NOW we're talkin"

Old guy at the bar otm

The 1994 album Talk, out of print forever because it was on an indie label that went out of business basically the week the record was released, is being reissued soon, both on its own and as a 4CD box also containing a disc of outtakes and a complete live concert from 1994.

I ranked it pretty high (#12 out of 33) when I reviewed all their albums for Stereogum in 2015; here's what I said:

The final album by the version of Yes that made 90125, Big Generator, and contributed to Union, Talk is actually a better-than-decent melodic rock record for much of its running time. Guitarist Trevor Rabin unplugs some of his pedals and sounds more like Steve Howe than he ever has; the songs are straightforward, but don't seem as cravenly aimed at the radio as they were on Union. Indeed, this was the record on which Jon Anderson and Trevor Rabin finally started to work well together, each man's vision for the group fitting together with the other's. In some ways, the album recalls Rush's Counterparts -- a veteran band exploring modern ideas, in a somewhat stripped-down way, without losing their grip on their own identities. The final track, "The Endless Dream," is where Talk becomes essential listening for serious Yes fans, though. It runs nearly 16 minutes, and perfectly bridges the gap between their 1970s glory years and their poppier work of the '80s and '90s. It's got the epic sweep and meditative beauty of Close To The Edge, with occasional outbursts of high-tech energy and some atmospheric yet aggressive guitar from Rabin.

This was the first Yes album not to appear on a major label -- after two decades with Atco, they shifted to Arista for Union, but Talk was released on the comparatively tiny Victory Music imprint, which went bankrupt soon after, sending it out of print. So it's kind of the "forgotten" Yes album. Too bad, since it's their best 1990s release.

that's cool, definitely one I think I need to revisit - my recollection is that it sounds like Yes with Trevor Rabin, as opposed to 90125 and Big Generator which are more like Trevor Rabin with Yes. I do remember the songs being good but mostly too long. But I still listen to "Where Will You Be?" a lot, its such a pretty song, exactly what I hoped Jon's solo records would sound like (and maybe they do, I only really know Olias). interested in the live stuff as well, I actually have no clue what this version of the band sounded like live

also nice it's coming out on vinyl, for some reason copies of this are very expensive, must not have been a lot pressed. original edition was a single LP which is pretty ambitious for a 55 minute album. might actually be the only Yes studio album that's difficult to get on wax. I thought Union might be too but it's not really. though it was also originally pressed as a single LP and this one's 60 minutes. that's getting into Todd Rundgren territory. maybe they didn't think anyone would actually listen to it.

this is a bewildering release to me, I can't imagine there is much if any demand for it beyond the vinyl. But I hate this album, I think this and Open Your Eyes are their absolute nadir (until Heaven and Earth); some of this is circumstantial, as I first heard it while working a contract job for 3 months for these two guys who were absolute assholes with shit music taste, and one of them would play this album first thing in the morning in our basically empty office at ear-splitting volume.

I don't know if there's demand for anything anymore, but considering how long it's been out of print, I'm sure there's a subset of Yes fans who'll be thrilled to own a copy. I listened to it again yesterday and my original opinion holds up — I'm into it. Had it been force-fed to me at the time, I could easily see turning against it, though.

Never heard this one. I bet True Yes Fans took one look at the new logo and fainted.
I wonder if this means that Tin Machine II, also a victim of Victory Music, will return sometime soon.

tin machine 2 got a vinyl reissue a few years back somehow.

anyway, reading on wiki again about the recording of Talk is kind of a trip as it was tracked to like, Mac SEs or something, with software that was being written at the time. They needed 27 mics to capture the drums and it wound up taking up 34GB of uncompressed space which is something, considering everything was stored on dynatec hard drives which were like, 8 GB and probably cost a trillion dollars. Early digital recording like this sounds like more hassle than it was worth.

“So the story goes…”

listens to leave it

https://m.media-amazon.com/images/I/71B9r8ZqkbL._AC_UF1000,1000_QL80_.jpg

im reading this book and its so weird and nerdy i kind of love it - but album still sucks