C/D Paul McCartney Solo

Capitals are the new italics.

If that's not a special offer I'll EAT MY HAT. Note controversial opinion expressed herein: the best solo Paul McCartney work did not appear until FLOWERS IN THE DIRT. Before anyone rushes to order it, please note that it appears to be two-dimensional.

I used to listen to my mum's copy of "All The Best" all the time. On vinyl, too.

amazing.

Love Coming Up and C Moon too.

And then I wake up.

I had "All the best" on CD for many years, never listened to it, but I'll agree that "Venus and Mars" is a neglected classic, as is the first McCartney LP, very primitive but rather homely.

I had dreams about WINGSPAN last night. or it featured in my last night's dreams. I think it was really big and cost one hundred and twenty-five pounds or twenty-five pounds and was sealed in plastic and didn't tell me the tracklisting.

record shopping w/ allyC, yesterday, we saw many mccartney/wings albums. WINGS AT THE SPEED OF SOUND looked OK but was on cassette and three pounds fifty.

Does anyone else like 'Hope of Deliverance'? I think it has a haunting melody.

p.s. 'for your love'+'bus stop'=gouldman.

Dud: 'Wings at the Speed of Sound', 'Flaming Pie', 'Driving Rain' (a little better than 'FP'), 'Press to Play' (interesting yet not successful experimentation from Macca in 1986...) & 'Back to the Egg' (consistently average, only 'Old Siam Sir' makes any real impression).

Many albums of his i'm mixed about... yet, overall 'Classic', I maybe go towards this strongly as the general consensus is so unfairly a 'dud' opinion. You have to look deep into his work, and will find much that is good...

Too late, it was in the issue with Santana on the cover.

If one's scratching one's head about how badly Paul's solo cheese wears on the nerves, try the following experiment: program disc one of the white album to only play Paul's tracks. Starts off okay but the unrelenting 'Ob-la-di' to 'Martha My Dear' to 'Blackbird', by the time it gets to 'Rocky Racoon' you'll be clawing your face off.

It should be mentioned that it's the MCCARTNEY II version that should be considered "classic." The live version, which Columbia released as a single in the US, pales in comparison (though there's a very strange meteor-shower synth break toward the end).

Am I the only person who thinks BACK TO THE EGG is almost the equal of BAND ON THE RUN/VENUS & MARS? Probably.

Most obvious cases of search:
"Tug Of War", "Flowers In The Dirt", "Band On The Run", "Venus And Mars"

Destroy:
"Wild Life", "McCartney II", "Press To Play", "Wings At The Speed Of Sound", "Pipes Of Peace".

Other than the disastrous "Wild Life", even the worst albums contain at least one or two great tracks each though.

The production on that album is definitely classy, but the songs are just too weak for it to avoid the dustbin. "Tug Of War" has the same marvellous production, and contains almost exclusively great songs. (Yes, even "Ebony & Ivory" isn't that bad, really)

"Waterfalls" is the only really good song on that album. "Coming Up" is a dud IMO. Just because John Lennon liked it doesn't automatically mean it was good (in fact, most of Lennon's solo work sucked anyway)

'Flowers in the Dirt' has a far worse production than 'Pipes of Peace'; it really lacks focus and sympathy for the songs. There is some fine material on there, but much of it is middling.

Do *not* destroy 'McCartney II'... it's a revelation frankly! Such a massive step up from 'Back to the Egg' and more cohesive and compelling I believe than 'McCartney' (though 'Junk' & 'Every Night' are sublime). It is McCartney very interestingly going down the route of electronic music; which sadly he didn't continue so much on his next two (nevertheless good) albums. 'Summer's Day Song' is among McCartney's most beautiful, as is 'Waterfalls'... 'Frozen Jap' and 'Front Parlour' see a Kraftwerk-type influence beautifully used to make jaunty, expressively melancholic electronic pieces. 'Dark Room' is oddball in a great manner... 'One of these Days' is a masterful close to the album.

'Press To Play' possibly does... but it is mis-produced and really inadequate in its music and songwriting (will have to give it another chance, mind).
I fully agree on 'Wings at the Speed of Sound'; apart from 'Silly Love Songs' (a badly produced and sounding recording of it) and the towering pop of 'Le 'Em In', it is a seriously mediocre record and the one with the most detrimental influence of the other Wings members.
'Ram', 'Band on the Run', 'Red Rose Speedway' and 'Venus and Mars' are unreservedly recommended as an fine early quartet of albums.

Wouldn't call any of them awful. Although they are clearly tracks that seem like partly failed attempts to copy his duet partner's musical styles.

I love the production on that one too. But, then again, I enjoy most of what Mitchell Froom and Trevor Horn/Stephen Lipson have ever done sonically.

The hits are mainly produced by Mitchell Froom (Crowded House, Suzanne Vega, early 90s Elvis Costello). But Trevor Horn produced "How Many People" and "Figure Of Eight"

i have heard neither, and know very little about mccartney solo. what are these songs like?

Linda harmonies are usually A+

Red Rose Speedway might be underrated? I need to listen some more but it all sounds good to me.

Love Big Barn Bed and Single Pigeon.

Red Rose Speedway is an all-time favorite of mine. Side B is just about perfect. And personally I'll take Paul/Linda/Denny harmonies over those by Paul/John/George anytime.

https://www.stereogum.com/2257275/vinyl-artwork-rejected-by-paul-mccartney-for-being-too-unflattering-is-being-auctioned-for-charity/news/

hahaha that is horrific

Yikes

lmao

Watching Wingspan (on YT) which I haven’t seen since it aired in 2001 – it’s absolutely a love letter to Linda. He’s interviewed warmly by Stella, and it’s full of warm (at times treacly) remembrances of their relationship.

The opening 45 minutes that covers Paul and Linda’s unorthodox musical romance, the formation of Wings and rather brave tour of English universities is fascinating. Notwithstanding his own massive celebrity, Paul’s partnership with Linda (replete with open air tour buses with baby cribs on the roof and seafaring recording studios in the Virgin Islands) even now scans as a somewhat unlikely path to superstardom.

Have to imagine that it wasn’t a coincidence that he married Heather Mills a year later either.

Mary, not Stella, I think.

To his immense credit the world's biggest star tried to be as 'umble as possible.

Yep, Mary