The Walking Dead C/D

I gave up on the series a few years ago (pretty soon after half of the cast had been killed by the Evil Moustache Guy and his henchmen) because it didn't feel like Kirkman was willing to advance the main plot in any substantial way beyond Shocking Character Deaths, and those were getting tired too. I don't think zombie apocalypse is a good setting for a series that goes on year after year after year, because it severely limits the kind of stories you can tell within it, so if you at some point you need to actually conclude the story unless you want to bore the readers. (And in zombie apocalypse stories the conclusion usually involves either killing everyone, or a cure being found; is The Walking Dead's plot anywhere near something like that at the moment?) At least with Invincible Kirkman still manages to do some fresh things in his stories even after 10+ years, because the superhero setting has (by design) a lot more storytelling options than the zombie one.

I never regret turning my back on this series at issue #24.

is The Walking Dead's plot anywhere near something like that at the moment?)

Killing everyone--certainly very few of the original cast are left. But the back-matter is pretty much clear in stating that it will never go down the cure (or explaining the cause of the zombies) route

he got around to killing rick, if anyone still cares

My buddy was making a sweet living inking this for quite a few years but now what’s his name has decided to start inking himself :(

yeah, that's as of this issue right?
i imagine it was a plum gig.

does he get money off the trades?

i read the t0rrentz of this but it is basically pedestrian and boring and i should stop, plus kirkman seems like a terrible dickhead

That’s a good question. I don’t think so? I feel like the writer and penciller are usually considered the ‘composers’ of the piece.

Anyway Stefano is mad talented so it’ll be cool to see what he does next.

I have no interest in reading this & regret the loss of a job for a person, but it’s cool when long-time assembly-line artists change their process, especially when it means taking on more authorship