oh sure. but tbh i think my philosophical foundation/vague correlation w/the "truthiness" of the photo i took is just as flawed - i don't print my own stuff, so outsource a bunch of decisions affecting how things come out, & if i did print i'd be making all of those authorial decisions -- so why feel awkward about doing it on screen?
i have no idea whether that camera that allowed you to retroactively shift focus, change DoF, &c, are going to become standard, but i guess that would be the ultimate (or an ultimate) of this sorta thing - in which shooting & refining are two p distinct stages of a process. i almost feel like there's something extra, philosophically, with digital that makes further 'negotiation' of an image different - that working with pixels means you have a different relationship w/the verisimilitude of a "source", ie with hold-it-up-to-the-light-emulsion-film that exists physically and outside of the camera.
― , Blogger (schlump), Thursday, 9 August 2012 23:26 (seven years ago) link
When I'm scanning film I tend to make minimal adjustments to the settings, mostly concentrate on cloning out dust spots etc. The temptation to adjust things comes with the digital stuff, but the amount of adjustment I do has been tempered somewhat by having worked with film a lot more over the last 9mths or so. I tend to be less happy with my straight from camera images than the film ones, though maybe shooting RAW isn't helping too much there.
― michaellambert, Thursday, 9 August 2012 23:27 (seven years ago) link