The High Llamas: C or D?

I always wanted to get hold of the tapes of the material Sean O'Hagen was arranging for Brian Wilson and Andy Paley, has anyone ever heard these tracks (or knows where I can get them from?)

Chew: if you don't have the Paley/Wilson demos, email off board & I'll see what I can do. Patchy, but moments of greatness.

i like stereolab for the synths, bass, drums, horns, strings, disco, more synths, vocals, guitar, probably in that order, but at least all at once
i can see now that 'lab had the tunes and rhyhtms, while o'hagan provided plenty of atmosphere. since there's only so much from the 'lab and i dunno, maybe that's it anyway, which would be very sad as i think they were going in a great new direction, having somewhat jettisoned the guitar rock or at least made it sound like something other than guitar rock, the tragic forced exit of some of the bubble-vocals would make for an interesting album made more of semi-instrumentals i reckon.

anyway i can hear all those noises on this later llamas record, and if the songs themselves make me think of paul mccartney, with all the best intentions and hand-picked band etc. etc., this makes me think that the greatest music from these guys does still boil down to the mandatory good harmonic tune, so i think the llamas-lab axis should continue, with all those noises included. maybe a new band, tripartite songwriting.

Just bought Beet, Maize & Corn. Just finished listening and it seems like I just put it on. Beautifully done background music. Emphasis on background. To give it some credit, I think it would make for great baby-making music. It evokes springtime to a T.

If O'Hagan brings a small orchestra with him, I'll gladly hop along and see the Llamas when/if they come to town. I saw them many years tour for "Hawaii", and it was absolutely amazing. Later, I saw them tour for "Cold and Bouncy" and it was... well, not amazing.

*Highly recommended*.

definitely a favorite disc of mine.

utterly classic
search: almost everything, *especially* Buzzle Bee, think S O'Hagen was the 2nd best thing that ever happened to Stereolab,(John McEntire being the 1st- wrong wrong wrong)
destroy: Gideon Gaye

and the student has become the teacher - Brian who?
-said for effect

this i agree with, Sean's arrangement work is by far is greatest strength, and he's feckin good at it. Buzzle Bee is no more or less dull than most of the HLs stuff.

Has anyone here heard the Musical Wheel thing that Sean O'Hagan put together with some French artist? The soundtrack for La Vie D'Artiste last year was excellent, so I imagine this is just as inspired/interesting:

http://www.jpmuller.be/musical-painting/

It's probably a D&L thing but Cold & Bouncy has bullied its way into my very being. I accept that I have little/no taste but bugger it.

I've always loved Buzzle Bee.

new one: Talahomi Way, out 4/19/11.

Classic.

Sean O'Hagan is a genius IMO. Creates worlds with his music. It's not so much about the songwriting to me.

yeah, the albums are wonderful sonic journeys -- dunno if o'hagen has written a ton of great "songs", but he's a master at (like you say) creating little worlds.

I view him in the tradition of like Penguin Cafe Orchestra. It's music that takes you away, gliding over the sea, wandering through snow valleys. Just really strikes the right chord with me, plus he does great work for other bands.

I think when he has written actual "songs," he's done a great job. "Put Yourself Down" on the first High Llamas album is something I go back to often and I think Can Cladders could be considered the most song-oriented album he's done since the early days. I enjoyed that one immensely.

Psyched for this even though I thought Can Cladders wasn't as good as it could have been.

i thought can cladders deserved a little more attention than it got. my fave is still gideon gaye, but i don't think they've made a bad album yet.

Anyone check out the latest soundtrack, the Copacabana OST with Tim Gane? I enjoyed it. Pretty insubstantial and sounds about what you'd expect it to sound like, but I'm fond of that niche so it's been one I come back to.

Album art for the new one is on here: http://stereogum.com/tag/the-high-llamas/

i'd like to hear that sdtk, but haven't gotten around to it.
in case anyone's interested i interviewed o'hagan around the time of can cladders: http://www.junkmedia.org/index.php?i=1997

The High Llamas in conversation and playing a few tunes from Hey Panda + signing LPs and CDs at Rough Trade East on 3rd April. Ticket price includes the album in the physical format of your choice. Tickets on sale now via DICE.

Hint from Sean on Instagram of some proper live dates later on.

9/10 in Uncut.

Haven't seen the Llamas get such a high score from the press in a long while.

Though they're all 9/10s to me.

Looks like Drag City is about to re-issue the Llamas back-catalog, beginning with Hawaii.

Actually, I think beginning with Gideon Gaye. I keep forgetting about Gideon Gaye, which is also an excellent album.

Looks like Drag City is about to re-issue the Llamas back-catalog, beginning with Hawaii.

― afriendlypioneer

This is great news. I've been hoping they would do this for years.

I am so hyped for the new album. All the reviews I'm reading make it sound very interesting.

With a title track that references Sean O'Hagan's obsession with a carrot eating panda he watched on TikTok during lockdown, it's clear The High Llamas are leaning into mass culture on this one. 2016's 'Here Come the Rattling Trees' was still indebted to the '60s pop and exotica that had shaped the band's entire output up to that point, but here they sound driven by a different beat. O'Hagan's voice is often distorted by AutoTune - on 'The Water Moves' he sounds like a sunnier Rainy Miller, and on 'La Masse' he croons over an interpolation of the Super Mario theme - and his accompaniments are bright, breezy and unashamedly electronic. There's still a trace of exotica, of course ('The Grade' is a great blend of cruise-liner pop and contemporary R&B), but The High Llamas have evolved.

'How the Best Was Won', a duet with Bonnie "Prince" Billy, is probably the most striking deviation. Anchored by a skittering trap beat (really), the track comes off like Jeremih singing country in the style of blue-eyed soul, with a chorus that might be the theme from a children's song. It's not even the only Will Oldham collaboration either; the fabled folk revivalist crops up again on 'Hungriest Man', a cybernetic Dylan-alike that's best compared with Bon Iver's quirkiest cottage rap. It's all good fun, and when it works, 'Hey Panda' is effortlessly charming: 'Sisters Friends', a collaboration with Blackpool-born singer-songwriter 'Sisters Friends' sounds like Steely Dan jamming with T-Pain, if you can imagine it.

https://boomkat.com/products/hey-panda

Isn't "when it works" Boomkat code for "buy something else"?

There’s other positive blurbs out there, just liked the way they described it.

Listened this morning.

Probably the most experimental Llamas album. Surprising lack of strings though production is busy and I may have missed some elements

Will Oldham is great. They should collaborate more. Old posts in here complained about Sean’s thin voice and his presence adds a new element.

It’s also fun and weird. Great late era album from one of my all time favorite artists.

It's going to take me a while to wrap my head around this album, was not expecting this direction, had more or less given up on new music from them altogether. It's strange hearing all these electronic elements after they pretty much abandoned that aspect of their music for the last 20 years.

this owns

i like this but am still not entirely sure what to make of it, it's wild

it is equally irritating and compelling?

It's oddly the most personal album Sean's made. Some of the lyrics are actually about feelings & thoughts. Granted, I read a couple interviews for added context, particularly this one - https://www.irishtimes.com/culture/music/2024/03/30/sean-ohagan-that-lovely-beautiful-humanity-i-had-with-cathal-coughlan-in-those-later-years-was-amazing/

I really like it.

Best HL album since Gideon Gaye. I'm surprised by how much I'm liking this and I generally hate autotune but the Bonnie Prince Billy tracks are really effective. "Sisters Friends" has really grown on me too. He seems to have finally shaken off his Beach Boys obsession (although traces are still there of course). Sounds contemporary but still with enough avant pop leanings and nifty chord changes to make it distinctively O'Hagan.