4AD - classic all round?

IF THEY HADN'T EXISTED, IT WOULD NOT HAVE BEEN NECESSARY TO INVENT THEM

1/ Killdozer

2/ The Catherine Wheel

3/ Cud

All three of which seemed very odd indeed to bring up in an unfaves of 2000 piece. If it had been an unfaves of 1993, it would have been a wee bit more understandable.

Anyway -- the original supposition is of course wrong. There's been crap, with *the* crappest one being the decision to release a live album by LA's Paladins, a somewhat inessential bar-band blues outfit that's been doing its thing for over a decade now to mass indifference. Ivo must have been sick, and if MarkH likes it, MarkH is equally ill.

However, there's oh so much to love (he said, staggering under the weight of his Cocteau and Pixies and Birthday Party and DCD and This Mortal Coil and Kristin Hersh and etc. etc. releases). I'm pleased to see both the Pale Saints and Ian Masters get mentioned -- he's got this cryptic web site now that occasionally has news on it, but seems more to be a way to keep himself amused.

Side note to Momus -- yeah, what was that one guy who led the band thinking?

One World - 4AD Label special

This week's One World Show on Radio 1 features: One World: 4AD Label Special

<em>This week on One World, tune in for 25 years of the 4AD Record label - home to the likes of The Pixies, Bauhaus, The Birthday Party, Dead Can Dance, The Cocteau Twins, Throwing Muses, Mojave 3 and The Breeders to name but a few. </em>

» One World

[Reminder, this show has a listen again feature - after broadcast for upto 7 days]

sounds very joy division !

Rema Rema is a must!

The early 4AD 7" by The Past Seven Days is one of the most precious records to me in my entire collection. I still flip over that, to this day.

the worst 4ad album by far is the Paladins one. Piano Magic's second 4ad album is also fairly worthless.

I used to have the Scheer album, don't know what happened to it. "I Wish You Were Dead" was good. Evanescence is a good reference point! But the Scheer vocalist wasn't nearly so bombastic.

does not compute

Not enough Johnny Fever. Thou must experience early Xymox to understand, I think. "Medusa" was just amazing when it first came out. I don't know what I would think of it now...first album was pretty cool too.

I agree with most of that. Even the new Kristin Hersh is only OK by her standards (so far; may well reveal itself over time)

it's still great!

Cuba (or Air Cuba, as they cam to be known stateside)
Tarnation
Liquorice
That Dog (well, Guernica, but basically the same label)

way underrated 4AD releases:

Cass McCombs - A
Insides - Euphoria, Clearskin
Air Miami - Me Me Me
Underground Lovers - Leaves Me Blind
The Late Cord - Lights From The Wheelhouse

in fact, the Guernica offshoot more than deserves it's own thread...don't you think?

insides = classic.

Tarnation"

I disagree. I rather like Tarnation, and am pleased that there is a 2007 release planned for these guys.

But yeah, anyone putting Tarnation on a list of 4AD duds is RETARDED!

I nominate Thievery Corporation be accorded "dud" status, effective immediately...

the hell were they doing on 4AD?

Had a massive 4ad "rediscovery" over the last year or so which has probably helped me to find Harding and Herndon (both would fit on "the curated 4ad", I'd guess).

https://www.mixcloud.com/camp_fr/arcane-delights-28th-november-2020/

Glen Johnson's Arcane Delights - a 4AD special.

I quite like this:

https://www.youtube.com/watch?v=6PuqlOTyJt0

(Dry Cleaning)

Genuine 4AD rejection letter. 1980. pic.twitter.com/HMs9SACgc5

— Steve @ Pressing Matters. (@HarbingerSound) April 16, 2022

“TRY VIRGIN”

So I did a little guide for the first two decades

https://theshfl.com/guide/pre-millennial-4ad

The absence of Xmal Deutschland is because I essentially ran out of room. The absence of the Red House Painters is incredibly intentional.

> Kurt Ralske’s final album as Ultra Vivid Scene was also that artistic guise’s creative high point

so wrong about this... 8)

and i can't find page 2 where you obviously talk at length about pale saints.

Pale Saints were also on the 'where can I squeeze them in' list, believe me. (But Comforts of Madness is in my shoegaze guide over there.)

As for the UVS claim, DJP agrees with me -- as does, famously from on here, Kurt Ralske himself!

Ultra Vivid Scene (and anything else Kurt Ralske's done) -- C/D?

Joy 1967 - 1990 or whatever it's called is one of my all time favorite albums.

Great little primer Ned. Each of those albums is a classic. The omission of Pale Saints is almost unforgivable though!

It was a hard call, but the limit was 20 and I'd reached the point where I wouldn't forgive myself if I left out the solo Kristin or Lisa Germano in particular.

Well, that's fair. It really is an impossible task to pick just 20 from such a fertile period in the label's history!

You made up for it by leading your list with House Tornado, though. Absolutely the best Muses album imo and seriously underrated to this day. Mexican Women still slays me.

Much as I respect your views Ned I can't help but wonder at citing licenses and ring-ins like Unrest and Lisa Germano as core 4AD - even Mojave 3 were Creation refugees. For a 20-from-20-years I'd be tempted to do one per year. 1980 is tough - Gilbert/Lewis 3R4 is probably best but violates my own ring-in rule. 1981: Matt Johnson Burning Blue Soul. 1982: Cocteau Twins Garlands. 1983: Xmal Deutschland Fetisch. 1984: This Mortal Coil It'll End in Tears. 1985: DCD Spleen and Ideal. 1986: Cocteau Twins Victorialand. 1987: Lonely is an Eyesore with a regretful nod to Sleeps With the Fishes. 1988: Throwing Muses House Tornado (regrets to Surfer Rosa). 1989: Pixies Doolittle. 1990: Breeders Pod + Pale Saints Comforts of Madness (regrets to Heaven or Las Vegas). 1991: The Wolfgang Press Queer (past peak but so much fun). 1992: The Birthday Party Hits (OK, cheating, but Spooky is lousy, sorry, and In Ribbons is caught between aesthetics. OK, UVS Rev, I'll agree there). 1993: I guess I can't deny Breeders Last Splash but I prefer Spoonfed Hybrid. 1994: Hersh Hips and Makers with regrets to Clear Skin and Lush Split. 1995: Kendra Smith Five Ways of Disappearing or if she's a label refugee, The Amps' Pacer; I like the Tarnation album too but it's not 4AD for me. 1996: His Name is Alive Stars on E.S.P. (their perfect record). 1997: uhhhh I will skip. 1998: really lost interest here, the Hope Blister record was awful. 1999: not much for me here either.
After such intense fandom I was done by the millennium. Since then I've been pleasantly surprised when new music I like is on 4AD, feels like catching up with a friend. Dry Cleaning, Deerhunter, Holly Herndon, Grimes, nice ones.
(by the way I was guided by this very nice site for the year by year releases: http://4ad20.themysteryparade.com)

1998 had Kristin Hersh's Strange Angels (better than Hips and Makers), and 1999 had Brendan Perry's Eye of the Hunter... The Hope Blister album WAS disappointing.

disagree on Strange Angels ... and the less I hear Brendan Perry sing the happier I am

2005 was the first year 4AD had zero new releases I cared about or bought

It's amazing to me how many shared experiences Ned and I had in life. Both growing up in Southern California sharing the same love of music for the same type of bands. I do agree with others that Pale Saints is the biggest omission. Pale Saints are one of my biggest loves in the world so of course I would say that. I do understand only 20 spots but they needed to be included. My Clan of Xymox pick would have been the debut as it was a gateway for me and very personal. I love Mojave 3 but my go to album is Out of Tune. Loved that you picked Treasure over Las Vegas. To me 4AD are about This Mortal Coil, Cocteau Twins and Dead Can Dance.

You are so much more educated than I am in regards to this stuff so thanks for sharing Ned.

Loved what you wrote as well matttkkkk, a lot of stuff to check out.