Aldo reads DC's New 52 (So you don't have to)

I hope not! The couple of issues of All Star Western I've read have been some of the best of the new 52.

It's not one of the announced ones, but I won't be that surprised as Jonah Hex always flirted with cancellation.

(Just checked the sales numbers, just under 30k in December - 3 times what Hex sold - which means there are 21 worse sellers in the New 52.)

DC has become the NBC of the comics world...but somehow more incompetent? It makes me wonder if the brass at Time Warner care enough about some of these properties to boot Didio out on his ass before every creator worth a toss refuses to do any further work for them.

I think I was thinking of Men Of War, sorry

The brass at Time Warner plainly don't have any comprehension of "the properties," let alone care

Rob Liefeld inking while driving and filming himself, nbd

https://www.youtube.com/watch?v=HZ9hjJabvaI

this explains everything really

I sure hope GJ's new Shazam back-up finally injects some much-needed personal tragedy and teeth-gritting into the superhero who fights a genius worm with help from a sharp-dressed talking tiger.

The genius worm was already "grittified" in 53, wasn't it?

Sorry, I meant 52.

And then re-appeared in Action ungrittified again, last seen heading off into space.

But none of that matters, post-Flashpoint.

I obviously haven’t been tracking this one enough, but previously:
Stormwatch: #2 - fill-in artist added.

DC announce Paul Jenkins as fill-in-writer on Stormwatch #7 and #8.
Regular Paul Cornell allows that, actually, he’s walked off the book altogether.
HEY KIDS! Make sure you pick up Suicide Squad issues 6 and 7 for the crossover with Stormwatch #6’s explosive events!
HEY KIDS! Follow the ending of Stormwatch #6 in upcoming issues of Grifter and Voodoo, not in future issues of Stormwatch!
HEY KIDS! Don’t forget that fed-up and fucking-off writer Cornell’s Demon Knights is actually Ancient Stormwatch – you can’t afford to miss an issue!

UPDATE!

DECEMBER: Fill-in writer Paul Jenkins publicly announces that he’d like to stay on the book long-term:

Of course, there will be my takes on the characters and this will be a story I want to explore with these characters, so I'll end up putting my own stamp on it. And in fact, I've talked to DC about a couple of new characters. I have a couple in mind. It depends how long term we go.
Newsarama: Yeah, because you're just on the book for a couple issues, right?
Jenkins: That's right. Initially I'm coming to do two issues, and we'll see what happens after that. We'll find out how much we like working with each other, and we'll see if Stormwatch fits me and whether my ideas fit with their editorial vision for the book. And if so, maybe we'll do more. But at the moment, we've got a pretty cool two-issue arc laid out.

FURTHER UPDATE!

JANUARY:
Pete Milligan is booted off the stupidly titled Justice League Dark and assigned to Stormwatch.
Jeff Lemire is assigned JL DAKEN: DARK WOLVERINE, with the mandate to draw it closer to JUSTICE LEAGUE BRIGHT and work with Geoff Johns on making the two books mesh together.

Note that both Jenkins and Milligan, on their ONE-MONTH-APART Formal Official Newsarama entrance PR interviews, talk extensively about how they don’t want to mess around with the editor’s choice of characters or the editor’s “direction” for the book. Note also that in nine months, the editor has required three different writers to attempt to enact this direction with these characters.

(There’s also a new fill-in artist on Jenkins’ second fill-in issue. This is actually positive, if it means the ongoing creative team get a better chance to gel from the start.)

after reading the bullshit regarding Static Shock's "editorial direction" I am starting to think the editors are just jerking people around

Blackhawks #5: DEAD BOOK WALKING. This even feels like it was rewritten once cancellation was announced to make it feel like they weren't really bvothered because it was only ever going to be eight books, DO YOU SEE it's there all in the writing DO YOU SEE. The threat from the previous issues is beaten by dropping a penny from the top of the Empire State Building a tungsten rod from space then somebody else goes to rescue the guys in a spaceship BECAUSE HE'S A PILOT. It's not all moustaches and airport hotels, you know. Then at the end the woman who was a living computer before is infected by the just killed baddie. Oh, you said 8 issues and not 6. That explains it.

Green Lantern New Guardians #5: So this whole poltline takes place before Red Lanterns #3? Riiiiiiiiiiiiiiiiiiight... Anyway, this kind of does exactly what you'd expect it to. It turns out the whole plan about them going to get the guy who allegedly stole the rings is all a big Larfleeze revenge idea because he's a prick. Which maybe makes him the most Johnsiverse Lantern of them all. It looks like all the planets in the Giant Celestial Model of Doom are, in fact, planets we (or the characters in the book) know well. And at the end a whole new BEST EVER GIANTEST MOST EVIL MOST GOOD BESTEST LANTERN EMENY EVARR turn up. Ho hum.

Savage Hawkman #5: Is it just me, or did this nearly get good? Hawkman's zombie hallucinations are all linked to the introduction of the Gentleman Ghost who actually looks like an EXCITING CHARACTER this time round after ditching the 60s camp. And the build up to the reveal is pretty exciting to - the pacing is good and somehow the art has actually got readable and clear. The punk computer kid is still a huge mis-step but I'd almost consider buying this again on the evidence of this issue (if I was stupid enough to buy more DC books and not just rob them so I an read the crap ones).

Teen Titans #5: I'm not sure when I cancelled this, but I did. Oh well. As Kid Flash says "it involves a lot of hitting". I'm not sure reading it whether Superboy's mind powers aren't cheating on some way. Does this make him too powerful? (Who am I kidding, this is the guy who previously punched the universe...) There's a knock-down slugfight as the Titans attack Superboy one at a time (including typos such as "this lasso is a GRIFT from the Gods") including him headbutting a GURL but then after a philosophical discussion he decides he doesn't want any of it after all and just flies off leaving them behind. The next issue features "the most unexpected guest star of all" - I don't think they realise what I'm capable of expecting. Doiby Dickles? Comet the Super-Horse? Extrano? I CAN(NOT) WAIT.

Firestorm #5: This is just some kind of weird Cold War throwback at this stage, with a couple of modern concessions such as a non-comedy black character. Oh look, a Quraci suicide bomber. And Russia wants to take over the world. Expect some commentary on the War on Drugs next time, and maybe somebody talking about looking forward to that new TV series The A Team. Nearly unreadable.

Voodoo #5: Clones, half-breeds, big chomping dinosaur mouths, bewbs. This should be fun but isn't. It's just so keyed into Wildstorm history that I can't get into it. The closest I can get is to say it's not awful. There are plenty of worse books than this, but I can see cancellation looming - there's just no way this is anybody's favourite.

haha I am totally loving Voodoo

(including typos such as "this lasso is a GRIFT from the Gods")

morelike amazingly clever wordplay hinting at a Wildstorm character appearance amirite

No, I just think it's ineptitude. But it's not like DC's current editors are capable of that, right?

Dan, I completely see how people could love Voodoo. But I guess it's how people who aren't LoSH fans feel when they try and read Legion Lost.

It's very odd, they decided to go whole hog with the section of the Wildstorm universe that I mostly ignored (I was always way more team Stormwatch/Authority than team WildCATS, with occasional diversions into Gen13/DV8) and my basic verdict is the exact opposite of how I felt about the characters when they were still in the Wildstorm universe, where I thought Voodoo was a wasted character, Grifter was occasionally entertaining and I would devour anything Stormwatch/Authority-related starting with Ellis's run.

I haven't picked up an issue of nu-Stormwatch since #1 but it pissed me off to so much that Cornell's team was basically "the white ppl from The Authority + Martian Manhunter and some nobodies" that I have no interest in seeing if it got better. Swift was a great character mostly because she didn't have a ridiculously flashy power but she was still a badass and credible as a member of The Authority and excising her in favor of some random made-up characters was intensely annoying, particularly when there were a ton of interesting Stormwatch characters to choose from (Battalion, Flint, Fahrenheit, Fuji, Hellstrike, Winter, Rose Tattoo, Synergy) if you wanted to do more than just "The Authority in the DC Universe".

lol I googled "grift typo titans" to read the page myself and http://www.bleedingcool.com/forums/dc-comics/54437-teen-titans-typo-%5Ctisn%5Ct.html

Some serious benefit of the doubt being given there imo.

Action Comics #6: I accidentally read the review of this on CBR before the comic and can't help agree with what was written there - this could be where a lot of people fall out of love with GMoz. I think the easiest criticism is that it seems to wilfully obscure itself. The villains from the last issue are (potentially) dispensed with in a couple of panels with no explanation of who they ever were; the plot detailed at the beginning of the issue doesn't actually happen; the issue takes place in more than one time zone; the resolution is never explained; the closest thing the issue has to a main character happened previously to Superman in another (untold) story which is explained through telepathy... do you see what I'm getting at? It feels like he's taking the piss, almost. I do actually like it, but I don't know why. Plus we get the least worst Solly Fisch backup to date. So not all bad news.

Animal Man #6: Great stuff, but do we really need a non-plot issue less than six months in? I'm guessing it's to let Swamp Thing do what it needs to do before they run with the same story, but all the same... this is about a film Buddy made back when he was an actor. It's all about a guy who shouldn't really be a hero because it's fucking up his home life but he can't stay away. All a bit DO YOU SEE but well written and with great art (it looks like Daredevil). Just an oddity.

Batwing #6: I definitely cancelled this, but it turned up anyway. Oh well. "Three years ago" "Giza, Egypt" "One year ago" - boy, this flashes back and forward. And ends up in issue 1. It turns out the baddie is one of Batwang's old mates from when he was a mercenary but with some kind of augmentation so he can't feel pain (yes, in the same year as Bane hits the big screen) and is on his way to Gotham to kill some gay African superheroes. Despite this we still don't find out why Massacre is after the members of The Kingdom. C'mon guys, throw us some crumbs here? The final page shows Nightwing and Robin (meaning this is either in another universe from B&R or in another time?) joining in as one big giant Batfamily. Gotta catch 'em all!

Detective Comics #6: Next month, Carlsberg sues DC. Seriously, the logo of the Penguin's casino is a direct rip-off, to the extent it even has the same flourish underneath which makes zero sense if it doesn't start with a C. This is pretty good though, although arguably more of an explanatory book with no real signs of resolving anything. We find out who some of the bad guys are and by the end of the issue Bats has done enough detecting (or just plain beating people up tbh) to be at the same position as we are. Can we wrap this plot up soon? Thanks.

OMAC #6: KIRBY KNOCKDOWN FIGHTY GOODNESS. One of the Furies turns up looking for Mother Box in a restaurant (actually, she's the recruitment consultant from previous issues) and we get a bit more interaction between Maxwell Lord and Brother Eye. Then a Kord Industries employee fails to shoot Lord. Wait a minute, KORD Industries? Ted Kord is in the Johnsiverse? Why have we got such a shitty Blue Beetle then? And this book only has two issues to go. Honestly, it's like DC aren't pandering exactly to me or something. Buck up your ideas chaps.

Red Lanterns #6: Yet more "Britain isn't in America" shouting by me is imminent. Oxford appears to be in Florida and the police here routinely carry billy clubs and tazers which they use whenever they feel like. An awful lot of the dialogue in this is GRAAARRRRRR RARRRRR etc, but Milligan has already undone his own plotting. So the Red Lanterns have conventional thoughts, it's just that they can't speak? How does that square with brainless rage machines that have to get thrown in the sea of blood to be self-aware? We get a bit of a fight between Atrocitus and Bleez, which frankly is only in there as an excuse to show us her arse and then next month is teased with Guy Gardner turning up. So where is this in relation to Green Lantern Corps, where Guy's in space stealing guns to fight lantern farmers? My head hurts trying to keep all these together.

Stormwatch #6: OH FOR FUCK'S SAKE. "To find out why see Superman #7" ON THE FIRST FUCKING PAGE. Oh and that picture of Jenny near the end. SHE'S A CHILD, NOT A FUCKING DWARF. Can we pretend this never happened? It turns out the ship is nanobots held together by a tortured Daemonite, which works because Jack has realised that means it's a city. So he persuades it not blow up. In other news, Midnighter comes out as gay which makes him extra considerate of children, apparently. MAKE IT STOP.

Swamp Thing #6: Impossible to describe without major spoilers, this is the best issue yet. Beautiful and horrible and near-perfect. This is such a good book I may even buy the collection. You should too.

Green Arrow #6: So, gun woman can't shoot as she misses Ollie's head from point blank range. But that's all right because it gives him the chance to tell us he's in Justice League #8 while his mate puts a sticking plaster on the graze. It turns out she's an ex-gf of Ollies only she doesn't recognise him and he doesn't recognise her. And then she's a robot. Who gets blown up. Ollie has a beer to celebrate. Ann Nocenti can't make this worse. That's damning with faint praise.

Hawk & Dove #6: Things Rob Liefeld does not understand; a list.

Perspective
Anatomy
The age of children
Scale
Sexuality
Feet
Standing upright
Kneeling
Physics
The meaning of infinity
Harry Potter
Physical strength
Hawk
Batman
Sarcasm

So, not much wrong with this, then. Why not turn over the whole line to him?

(I have just remembered I quite liked the last Hawkman, but Rob's taking that over soon which is a good reason not to put it back on a pull list.)

Justice League International #6: Shit. The team that has existed for the previous 5 issues now actually exists. Godiva defuses a bomb with her hair, which is possibly more useful than wanking Batman off with it (although maybe Bats doesn't agree). There are lots of panels which are just pointless staged shots. IT'S NOT THE EIGHTIES ANY MORE.

Men of War #6: It'll be a mercy killing when this Rock series gets cancelled. Super invincible impossibly old soldiers get beaten by a bloke nobody knew had superpowers shooting light out of his ears, or something. This magically moves the ropes off Rock's mates and ties up the bad guys in an instant, who he then decides just to let go after they've had a nice chat. It actually reads like this is the end of Rock. Dropped from your own book before it gets cancelled. Now that's ignominy. The backup is pretty good though - although the fact it's by John Arcudi and Rich Corben exposes it for the throwaway Hellboy plot it is. Not good enough.

Static Shock #6: In which he is joined by his friends Hardware and Technique. And then the all-black X-Men get invented on the last two pages. That's the best thing I can think of to say about it. It's just a chore to read now.

It'll be a mercy killing when this Rock series gets cancelled.

already done!

me four weeks ago:

UPDATE!
Ivan Brandon is reported to have walked off Men Of War after #6 due to due to frustration with the heavy-handed editorial meddling and micro-management. DC is like “pfft what? That’s silly, everything’s totes chill over here, everything’s under control".
FURTHER UPDATE!
Men Of War #7 will contain not one but TWO separate fill-in stories, by James Robinson and HEROIC MAN OF THE HOUR J.T. Krul!

EZ Snappin three weeks ago:
first cancellations announced, all ending with issue 8 (leaving the final two out of the already announced collections - way to go DC!):

BLACKHAWKS, HAWK AND DOVE, MEN OF WAR, MISTER TERRIFIC, O.M.A.C. and STATIC SHOCK

Yeah I know, but it's not nearly soon enough.

are the "black X-Men" the Blood Syndicate, or did they invent pointless new characters?

No, they just all decide to live in Alva House. "It's a special... school. There are others there that know exactly what you've gone through."

Google only offers skyrim answers, so I'm guessing it's new. (NB I think it's in Harlem. The text isn't clear on that though.)

Action 6 was the first Morrison comic (well, besides that Joker all-text issue) that I just couldn't wait to be over. Though I knew I'd read all the previous issues, this made me feel as though I'd missed a whole bunch somehow. And the Legion stuff... fuck the Legion. The Legion is so fucking boring.

HEY FUCK YOU on behalf of Siegel, teenage-only Shooter, and Giffen. The rest I can't argue with*


*actually I <3 Levitz' second solo run too, but wouldn't throw someone into its deep, soapy end

No no, fuck the boring Legion is about right.

JERRY SIEGEL! KEITH GIFFEN!

To be fair, I haven't read "the good" Legion stuff, it's just they're so shiny and plastic and camp and 1950s-Jetsons-future and dull and dated and stupid that every time they appear in something I actually like my heart sinks. specially when that something, like Action 6, is reduced to gibberish by my lack of assumed knowledge.

ACTION is just not doing much for me. And I was as big a booster of ALL-STAR as you could get. There have been one or two neat things per issue (which, granted, is better than most of the Big Two line). But this feels like coming back to leftovers. It's just not feeling very inspired, and I'm also getting the feeling that like with FINAL CRISIS, I'm reading about half of what could be a good comic, like every other page or something.

with Morrison not even wanting to write this two-ish fill-in, it's no wonder it's falling so drastically flat. having to have Kubert Minor on it can't help. (I've not even bothered to go and get #6, I'll pick it up when #7 or the next Batwoman or Snarked come out)

since he was only committed for 6 issues to begin with, we should be finding out any week now if he's on past #8. if so and it stays $3.99 for 20pp I'm probably bailing.

ACTION is just not doing much for me. And I was as big a booster of ALL-STAR as you could get.

Very much so. ALL-STAR was sooooooo good. This has had some fun ideas, but it's really a bit of a mess.

What would have been good would have been to somehow have the All-Star Superman as the new 52 version. Then if Morrison still had Superman stories to tell, he could have done it as a vol 2

I tend to forgive GM's messiness, because he usually finds a way to tie all his multiple narratives together -- albeit sometimes only several years later -- in a way that retroactively justifies all yr efforts.

But yeah, this, with the random story switcheroos and shitty backups, feels properly messy in a non-redemptive way.

THE LIEFELD LINE-UP!

Universally reviled hack Frank Tieri to script Liefeld's GRIFTER! Writer of Rob Liefeld's Avengelyne and Rob Liefeld's Brigade to script Liefeld's THE UNPLEASANT HAWKMAN! Absolutely EVERYBODY GETS A SWORD!!!

http://www.blogcdn.com/www.comicsalliance.com/media/2012/02/liefeldlineup.jpg

ok Oprah

haven't been following Green Lantern over the last five years, can someone tell me why Hal Jordan is wearing a tie?
http://www.newsarama.com/php/multimedia/album_view.php?gid=4012&page=3

That is some dull as dishwater art.

Don't know about the tie, but I see he got the Bomber Jacket memo.

Hal Jordan, protector of thieves.

wait how did I not hear about him taking over Grifter

maybe I just blocked that from my memory

well, at least it reflects how dull hal jordan is

I have been reading Green Lantern comics for 30+ years and I've never seen him wear a tie. I can't tell if the takeaway from the fight scene is that Hal Jordan wears a clip-on or that he wears cheap, easily ripped ties. Anyway, glad to see a fresh take on the character.

The script is predictably terrib, but that's the best (or at least most modern-looking) art I've seen in a DC comic for a while.

yehwha? It looks like something you'd seen in an Avatar comic.

yeah, when I saw it I thought "god this artwork is bad even for DC" (kinda sub-sub-sub steve mcniven, based on that sample)

it was fairly appalling iirc but I don't want to click again

RIGHT OF REPLY!

Scott McDaniel vigorously defends himself against John Rozum's claims that Rozum had no input on Static Shock and the book was subject to idiotic, action-driven editorial over-control... by spending 15,555 words detailing how the editor gave Rozum no input on the book, and insisted on idiotic action being piled into it while multiple levels of higher-up perused every detail of story submissions.

Also resoundingly proves by example what a drastically incompetent writer he is. Also cites God repeatedly, and goes on about NASCAR and NFL on separate occasions for some reason. Also quotes chunks of Rozum's scripts, and reacts to each by saying "This is totally interesting and reads like John Rozum, but it's not BADASS!" Literally has no idea what "literally" means.

Amusingly, the comments are mostly ppl going "fyi dude you sound like a total dickbag in this scenario."

Wow, he really does. I think he needs more WORDS that are CAPITALIZED to really make his POINT though.

Dude seems completely insane

Travel Foreman is done as the artist of Animal Man. However, it was not because of DC. His statement (from CBR forums via Jeff Lemire's twitter):

"I just want to chime in briefly, because everyone here has been so supportive of the book and because there's so much behind the scenes stuff that goes on with these books... I read a lot of comics and I too get confused about whats going on in some books and ultimately feel like we're getting a raw deal sometimes.

The change on Animal Man boils down to the reason I was on the book to begin with, which was that I needed to take on a job after my mother died (to deal with the financial end of someone being sick for a while and then passing) and Animal Man was the only thing DC was going to let me do. Which in any other time frame would have been perfect.
But really the context of me dealing with the death of my mom and drawing the kind of content in Animal Man just burned me out sooner than I thought.

I had hoped to stay on the book until at least the spring so that the artist I wanted to replace me was free from his commitments, but I would have ultimately just dragged the book down if I did, because it was becoming harder and harder to concentrate on the work.

Steve was bending over backwards on his fill-ins to keep the book on schedule so you have to keep that in consideration. Really, he won't skip a beat once he's doing the book full time.

Thanks, everyone."