is it brostep?

i've been told "OMG so good" "Whoa! this is SICK."

https://www.youtube.com/watch?v=_dJHP0brCnI

http://www.explosm.net/db/files/Comics/Rob/intervention.png

"I only listen to classic jazz! Not stuff like jazz fusion and smooth jazz."

that tommy's theme wasn't entirely disagreeable

no wub wub wub, at least. reminded me of... the avalanches

that Noisa track = Michael Bay-step imo... Teal-and-Orange-step.

I think I've mentioned a couple times that Noisia isn't bad, based on the one track of theirs that was in Wipeout HD that the tune is space also linked in another thread

please tell me that's pronounced like "noisy-ah"

I think so? Or maybe like nausea only with an 'o' sound

i hope you say it like 'moesha'. also chris s otm, 'michael bay-step' is probably the future of this stuff

I feel as though friends and acquaintances Have been trying to shove Noisia down my throat like Cod liver oil in an orphanage these last few years. So far I've pretty much resisted because, well, it's a racket I'm never really in the mood for, but it's funny we're only just discussing this now.

Rusko's thoughts on Brostep:

https://www.youtube.com/watch?v=rEuFTBG0Rbg

michael bay-step == pretends to have a plot, actually just hyperactive genre cliches replayed fast enough and poorly enough?

with heart-strings

relevant: http://criterioncollection.blogspot.com/2005/09/40-armageddon.html

(With Grand Results)

lmao

Some tweets from Snoop

SnoopDogg Snoop Dogg
Who's coming out to see the Dogg in the UK? might perform some of these Dubstep tracks snoopdogg.com/events/
5 hours ago Favorite Retweet Reply

SnoopDogg Snoop Dogg
Free Dubstep Mixtape i did wid @mistajam @dubstepla feat @12thplanet @FLINCH @Fluxpavilion and the whole DPG fan bit.ly/ph7q3f

lol, can now tell dad how 2 future he was really being when letting me borrow his doggpound tape in sixth grade.

how old are you? omg.

30 wut

also it was doggystyle, not out until 93 so i guess that's eighth instead

Family Force 5 (often abbreviated FF5, formerly known as The Phamily and The Brothers) is a Christian crunk rock band from Atlanta, Georgia.[1] They consist of Solomon "Soul Glow Activatur" Olds, Jacob "Crouton" Olds, Joshua "Fatty" Olds, Nathan "Nadaddy" Currin, and Derek "Chap Stique" Mount. They have released three studio albums, Business Up Front/Party in the Back, Dance or Die, and Family Force 5 Christmas Pageant, as well an extension album, Business Up Front/Party in the Back Diamond Edition and a remix album, Dance or Die with a Vengeance.

https://www.youtube.com/watch?v=pp017eFimVA

haha, great find

omg dubstep cereal (is already here?)

https://www.youtube.com/watch?v=2YpOw8o34BM

snoop has been on the dubstep train for like a year, y'all

crunch-step, part of this balanced break-fest

I'm hanging on to "brastep" for girly stuff.

Love that cartoon upthread. At this point people sniffily defending real dubstep are perhaps more of a problem than LISTEN TO DUBSTEP bros vomiting all over their computer speakers.

holy shit that weetabix commercial

I feel sorry for the DEFEND REAL DUBSTEP types not cause brostep usurped their thunder so much as cause they don't realize their music sux too.

what is "real dubstep" according to these types?

it doesn't matter.

yeah it does

nah it don't

inquiring minds want to know

It's a moving goalpost I think. There are people who defend the real dubstep of benga/skream from the rank broisms of skrillex et. al. but this strikes me as fairly narc of sd.

The cartoon is probably about people who miss the glory days of DMZ and nowadays collect Swamp 81 records.

i ask because there seem to be many def'ns of "real dubstep". is it skream? rusko? youngsta?

all are plying rather different trades these days

Agreed.

But in this sense it's not really any different to people talking about "real" house / techno / jungle / trance etc.

Perhaps a sign of a genre's maturity when this happens. A bit scary to think that the first officially-designated "dubstep" mix (that I'm aware of) is now almost 10 years old.

dubstep allstars 1?

Kode9 did a mix just called "Dubstep" I think in early 2002 - the follow-up to the excellent "21st Century Skank" mix which was dubstep avant la lettre.

DA1 came out in 2004.

That was back when people were still talking about "yardcore" and "nu-dark swing" et. al.

first use of the term?

"dark garage"

http://www.udubstep.com/the-history-of-dubstep/

They don't mention the mix but do refer to Kode9's radio show at that time.

Tim is right that the DRD kru carries various banners, but I seem to hear a lot of "Fuck Skrillex, I listen to Shackleton!", who is alright and all but zzzzzz

see that's interesting to me because i don't even think of shackleton as dubstep!

Well he's not really any more. Obv he was totally dubstep on his early releases.

One of the issues here as well is that you get a lot of people who have gotten on board with dubstep since 2008 or so and then have worked backwards to the earlier stuff so when they talk in hushed tones about Loefah and Mala they're like to be talking about "Anti-War Dub" or w/e rather than 2011 material.

In much the same way that people getting into dubstep circa 2005 were talking in hushed tones about Steve Gurley and El-B.

The difference being that the official history of dubstep has been so thoroughly prepared and documented (take a bow blackdown!) that a neophyte can pretty quickly get a historical perspective on earlier dubstep without missing the point entirely.

I haven't really heard Shackleton's recent material, but yeah, he was totally dubstep at least at one point.

People I heard associated w/dubstep, not pre-dubstep per se (like Horsepower Productions):

Various, Digital Mystikz, Loefah, Mala, Coki, Benga, Distance, Hatcha, Skream

Honestly, anyone who had a name ending in "a" and I kind of felt embarrassed about saying their name, but I'm north american.

Shackleton's always been "post-dubstep" or at least outer reaches. After crossing w/other material he veered off, imo.

"Roots of Dubstep":
http://www.discogs.com/Various-Ammunition-And-Blackdown-Present-The-Roots-Of-Dubstep/release/776211

Shackleton's always been "post-dubstep" or at least outer reaches.

Why would Shackleton's early material be any more "outer reaches" than, say, Mala?

I mean if the definition of dubstep is basically Benga/Skream/Distance, then, sure, but at that point I think my narc of sd point seriously applies vis a vis Skrillex etc.

But in this sense it's not really any different to people talking about "real" house / techno / jungle / trance etc.

or punk/rap/whatever the fuck else