REM: Classic or dud?

i must be old because i can't decode any of that sentence. you like so fast so numb, i take it?

also i profess total love for binky because 1) i love when stipe really belts out a lyric (see also chorus to sad professor) and 2) mike mills's vocal is just so weird and probably unadvisable overall but it speaks to the lack of editing done on a lot of that record which is ultimately its most endearing quality.

yes i like it!

oh wait, i get it now. i'm distracted because i should be at high holy-day services.

R.E.M. one of the least Jewish bands of all time. All time!

lol

l'shanah tovah.

New Adventures is the best example i can think of, of an album by a major band that was ho-hummed about on release but that has since become considered an absolute canonical classic. even NME this week in their headline story about the end of the band names it as one of their best 4 albums alongside Murmur, AFTP and ..Pageant.

(all time going back to, say, the garden of eden?)

yeah i think new adventures revisionism is really interesting--i guess i have trouble believing that a lot of ppl would like it as much as i do? it rewards deep listening, that's for sure.

If you mean "Ho-hum, another good R.E.M. record," then sure. It got great reviews in the States, but I guess was dismissed as a failure when it didn't match its predecessors' sales.

mostly what i remember was the radio play it got relative to monster--monster got a ton of love from modern rock radio but they didn't seem to have a very good idea of what to do with new adventures, especially (as i think we've already covered) its lead single.

i thought you meant that a lot of r.e.m. fans want to hear something more in NAIHF than is really there.

and i agree with that.

In a general sense, "New Adventures" was like their "Zooropa."

(Not that it's nearly that radical a departure, mind)

yeah New Adventures got decent reviews but the lack of hit singles (combined with them having just signed that huge contract) kind of cast a pall over the whole thing. definitely one of those albums that seemed better with every inferior album that followed (although i loved it right away at the time).

I was in grad school at the time but still listening to college radio and, yeah, it's true: "E-Bow the Letter" got no more than a few desultory plays (I don't remember "Bittersweet Me" or "Electrolite" at all; "Electrolite," as we've discussed, found a second life as a supermarket standard).

I gave it a four- or five-star review in my college paper, and it made my top ten. I've never stopped loving it. Its luster grew even brighter, as some dude argues, when compared against its successors.

bittersweet me actually got a good amount of play iirc (and i never heard anything other than it or ebow)--i always thought it was a really weird single since its super-simple repetitive structure only works to me once you realize that a lot of new adventures is sort of about hypnosis by rock.

Up got good reviews too (it made SPIN's top twenty) but it was obvious then that the wheels had come off.

'new adventures' is a really good REM album, when it was released and now that they've broken up. for me it was their first 'return to form' album after 'monster' disappointed. sure there have been several false start 'return to form's since. but whatever -- what a great album!

I love "Bittersweet Me" -- the best second R.E.M. single since "Stand."

yeah great song

Up got good reviews too (it made SPIN's top twenty) but it was obvious then that the wheels had come off.

― Anakin Ska Walker (AKA Skarth Vader) (Alfred, Lord Sotosyn), Wednesday, September 28, 2011 9:21 PM (31 seconds ago) Bookmark Suggest Ban Permalink

lol i remember this and i remember really liking it (mostly i liked anything r.e.m. and anything spin told me to like but this was 8th grade or freshman year so).

i've been listening to bits of up in the car over the last couple days and man do i hate that "eclectic" "vintage" production/arrangement style. so i'll just keep sad professor on repeat or something.

it depresses me to even think about the string of rem singles since stand.

In retrospect I'd place NAIHF in the same group as Tori Amos' From the Choirgirl Hotel: records that tread commercial waters but are remembered very fondly by their cults. That 1996-1997 interzone is almost as peculiar as the '89-'90 one.

really weird to me that we're dwelling on 'new adventures' and after

For me, there was a positive trajectory for R.E.M. post-New Adventures apart from the Berry issue. Their songwriting started becoming more compact with Reveal and that trajectory culminates, quite positively in my estimation, in the last two albums.

yeah good call on 96-97 alfred. that was a fuckin' great time for mainstream rock.

The Brits can help me here. Am I wrong in thinking that the NME-Select-Q crowd thought NAIHF a huge aesthetic comeback after Monster? That's what I remember.

seven chinese brothers swallowing the ocean
don't need that jazz, don't dig that stuff
michael built a bridge, michael tore it down
i am not the type of dog that could keep you waiting
etc.

lol Tim if by "compact" you mean "shriveled."

ha yeah alfred otm -- i was just looking at my list of favorite albums of '96 and New Adventures is right next to No Code

No Code is another one! It hit #1, "Who You Are" made the Top 40 (the Billboard charts endured their own interzone during this period), but the commercial decline was about to begin.

love who you are and hail hail tbh

1996-1997 was the period when the also-rans (Live, Bush) outsold their betters.

or at least got more airplay

yellow lips with golden hair scan the graveyard, dig the root

it was a weird time when there were a lot fewer rules about what could get on the radio (tho the eclecticism cost us the ska thing and the swing thing among others).

and then in 98 creed and nu metal showed up and that was that.

1996-1997 was the period when the also-rans (Live, Bush) outsold their betters.

these "post-grunge" years, which gave way to the equally bad "nu-metal" years, were the worst.

lighted in the amber yard, green shell back, green shell back, skylight, stock tight, nero pie-tied in tree, tar black brer sap, reason has harnessed the tame, a lodging, not stockade's game, another greenville, another magic mart, trevor, grab your fiddle

i still think fables of the reconstruction is their best album: an aggressive, tuneful, weird-america take on gothic southern rock.

peel back the mountain, peel back the sky, stomp gravity into the floor

It's interesting to try to work out what R.E.M. ought to have done, singles-wise, with New Adventures in order to make it more of a commerical success.

Perhaps:

1. Bittersweet Me
2. Leave (edited down, perhaps even mixed to reduce the siren which of course I totally love)
3. Undertow (maybe??)
4. Electrolite

I don't feel that any of it works in isolation, really.

the vocal on leave is really low in the mix too--that's a challenging song.

undertow, departure, wake-up bomb are maybe the most single-ish to me

I remember reading at the time that the record company wanted "The Wake-Up Bomb" as a first single.

i still think fables of the reconstruction is their best album: an aggressive, tuneful, weird-america take on gothic southern rock.

and to me this is their most turgid.

New Test Leper could have worked as a single. It's easy to envision an alluring video at least.

Maps & Legends was a very bad choice for song 2. It drags the album down.