LCD Soundsystem - "Losing My Edge"

I had a real moment with Losing My Edge, my friend had gone to park his car on Saturday and I was in the bar waiting for him to come back and it came on. I hadn't heard it before and I knew it had to be it, it was long enough that my friend got back and was able to be impressed aswell. Fantastic. And I have no frame of reference with the Fall or Talking Heads or anyone but nonetheless, fantastic. (I did think it was a bit like Alex Gopher)

!!! Ronan what on earth are you talking about? Certainly none of the Alex Gopher I've heard.

Boy, the last few Six Finger Satellite records still sound great/annoying.

Most of the D&B breaks used after the genre ditched the "Jungle" term/techniques were from "The Incredible Bongo Band's" version of "Apache" (not that this question was literal...)

"To get a good idea of the LCD's sound one must imagine Daft Punk, Chic and the Talking Heads in the back room of a seedy NYC dive engaged in an anything-goes sexathon circa 1978."

"Beat Connection" is excellent.

I'm being serious.

If I told you what the blanks are, the song becomes personal self-fulfilling prophecy, doncha know!! "It took me YEARS to find out what he's saying, you think I'ma tell you, twerpy internet seeker?"

I was there in 1968.
I was there at the first Can show in Cologne.
I'm losing my edge.
I'm losing my edge to the kids whose footsteps I hear when they get on the decks.
I'm losing my edge to the Internet seekers who can tell me every member of every good group from 1962 to 1978.
I'm losing my edge.

voice one: To all the kids in Tokyo and Berlin.
voice two: I'm losing my edge to the art-school Brooklynites in little jackets and borrowed nostalgia for the unremembered eighties.

But I'm losing my edge.
I'm losing my edge, but I was there.
I was there.
But I was there.

I'm losing my edge.
I'm losing my edge.
I can hear the footsteps every night on the decks.
But I was there.
I was there in 1974 at the first Suicide practices in a loft in New York City.
I was working on the organ sounds with much patience.
I was there when Captain Beefheart started up his first band.
I told him, "Don't do it that way, you'll never make a dime."
I was there.
I was the first guy playing Daft Punk to the rock kids.
I played it at CBGBs.
Everybody thought I was crazy.
We all know.
I was there.
I was there.
I've never been wrong.

I used to work in the record store.
I had everything before anyone.
I was there in the Paradise Garage DJ booth with Larry Levan.
I was there in Jamaica during the great sound clashes.
I woke up naked on the beach in Ibiza in 1988.

But I'm losing my edge to better-looking people with better ideas and more talent.
And they're actually really, really nice.

I'm losing my edge.

I heard you have a compilation of every good song ever done by anybody. Every great song by the Beach Boys. All the underground hits. All the Modern Lovers tracks. I heard you have a vinyl of every Niagra record on German import. I heard that you have a white label of every seminal Detroit techno hit - 1985, '86, '87. I heard that you have a CD compilation of every good '60s cut and another box set from the '70s.

I hear you're buying a synthesizer and an arpeggiator and are throwing your computer out the window because you want to make something real. You want to make a Yaz record.

I hear that you and your band have sold your guitars and bought turntables.
I hear that you and your band have sold your turntables and bought guitars.

I hear everybody that you know is more relevant than everybody that I know.

But have you seen my records? This Heat, Pere Ubu, Outsiders, Nation of Ulysses, M|A|R|R|S, The Trojans, The Black Dice, Todd Terry, the Germs, Section 25, Althea and Donna, Sexual Harrassment, a-ha, Pere Ubu, Dorothy Ashby, PIL, the Fania All-Stars, the Bar-Kays, the Human League, the Normal, Lou Reed, Scott Walker, Monks, Niagra,

voice one: Joy Division, Lower 48, the Association, Sun Ra, [unintelligible]
voice two: Scientists, Royal Trux, 10cc,

Eric B. and Rakim, Index, Basic Channel, Soulsonic Force ("just hit me"!), Juan Atkins, [unintelligible], David Axelrod, Electric Prunes, Gil! Scott! Heron!, the Slits, Faust, Mantronix, Pharaoh Sanders and the Fire Engines, the Swans, the Soft Cell, the Sonics, the Sonics, the Sonics, the Sonics.

You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.
You don't know what you really want.

Now, if somebody could just fill in the [unintelligible]s...

"I'm losing myself"

Same with the M|A|R|R|S/Mars deal. It's definitely the latter, because a lot of the other bands he mentions (Pere Ubu, PIL, Lou Reed) are post-punky, not house.

And WHY have I never heard of it before now!?!?!??!

Isn't Laurent Garnier in the lyric to Losing My Edge somewhere?

personal crisis starts hear. i remember dancing to this at my first Glastonbury (I was there!)

starts hear?

ha yeah i can never get that Piven "TEN (horn honk!) YEARS!" thing out of my head when a decade's gone by.

always preferred the B side but then that's a classic indie tossbag thing that 'the kids' on the actual song might say.

Was just talking about this with a friend last night, but I misremembered this as having come out 2003. Now I feel older than I already did.

"Memmmmmmmmmories..."

http://stereogum.com/1087342/losing-my-edge-turns-10/top-stories/

Almost a tween.

Nice article, although everyone I know pronounces it I-beetha or Ib-eetha - is it different in the States?

most ppl I know say Ih-bee-zah unless they've actually been there

"I once wrote an entire paragraph about how people pronounce 'Ibiza' without researching it"

that is a very good article. i especially like the quotes from james murphy discussing how the song was born of his own fears about the declining social value of music knowledge in an era of "internet seekers" who can track down obscure information relatively easily. the song is definitely a landmark.

The Ibeza/Ibetha paragraph had me shaking my head, I haven't heard eye-bee-za since my teenaged brother proclaimed he was 'into trance' and bought a FSoL CD

Remix of a (loose) cover of a Fear song that seems to owe something to LCD:

https://www.youtube.com/watch?v=ycR3K1IIf9U

(which is on the Maceo Plex DJ Kicks)

/the good stuff they've been putting out: Shocking Pinks, Syclops, et al/

ugh, worst things they've put out

wait what?

shocking pinks def in my bottom 5 dfa.

Syclops is fucking fantastic, esp the new record

I noticed that on LCD's first song ("Losing My Edge") and final(?) song ("Home"), the bassline shares the same rhythmic pattern... i.e., that of Killing Joke's "Change".

Intentional or not?

Intentional I think. LCD Soundsystem always seemed like a band that had a terminal "mission" if that makes sense. When they showed up they already had a strong sense of themselves as a project or idea.

yeah i'd definitely figure it for intentional.

Pow Pow is the last song they recorded iirc, which also makes sense irt Losing My Edge being their first song.

bump

what a brilliant song to debut your band with