Birthday Party - Classic or Dud

and if you can hunt down the version of Dead Joe that Nick did on his solo Australian tour a few years back, GET IT. It's great. He just pummels the piano and screams that shit.

but we can add "Wild World" and make it the top six, in no particular order.

I kinda like some of the uh.. wackier stuff like "Capers" "Rowland Around in that Stuff" "Hats on Wrong" and "Waving My Arms" also. "Capers" has gone on many a mix tape.

Jennifer's Veil
Mr. Clarinet
Friend Catcher
Wild World
Swampland

Junkyard changed my life, easily one of my favorite albums ever! Just don't want to over-represent it 'cause all phases of the Birthday Party are GREAT GREAT GREAT

1. "Mutiny in Heaven"
2. "She's Hit"
3. "Nick the Stripper"
4. "Six Inch Gold Blade"
5. "Release the Bats"

6. "Blast Off"
7. "Deep in the Woods"
8. Their cover of the Stooges' "Loose" on The John Peel Sessions

He did that on his solo American tour, too. I was really fucking amazed and happy to hear a Birthday Party song when I saw him in Chicago.

Rrrrats in paradissssse, rrrrrats in paradisssse!

my 2 pennorth'

When I was really obsessed with the Birthday Party I looked all over the place for Crime and the City Solution records (except the disappointing Paradise Discotheque) and couldn't find any - did anyone ever reissue them? maybe I should check on slsk.

I like the two I've heard.

!

But... how, who, why?

― StanM, Thursday, December 29, 2016 11:44 PM (one week ago) Bookmark Flag Post Permalink

Talking to the people in the know, First Ave had a pretty pro video/sound recording set up at time and filmed/recorded most of the gigs in the big room for closed circuit big screen projection (you can see it for a second in the BP clip). The person I know was surprised more complete shows from that era haven't turned up yet.

This show is totally awesome.

That is a great show.
Love Nick's Seinfeld puffy shirt.
Love Mick's brute drumming.
Rowland is, of course, on fire and unfairly beautiful.

Talking to the people in the know, First Ave had a pretty pro video/sound recording set up at time and filmed/recorded most of the gigs in the big room for closed circuit big screen projection (you can see it for a second in the BP clip).

― chr1sb3singer, Thursday, January 5, 2017 2:16 PM (five days ago) Bookmark Flag Post Permalink
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I don't quite get the set up on this, when I first read what you said I thought it was for showing in parts of the venue taht you can't see the stage from fully or something. I think the venue in Croydon that Sonic YOuth played at in the early 80s had a similar set up. But that was broadcasting what was happening on the stage at teh time it was happenning
But watching the thing through you can see that there have been some post production effects added. There is footage overlaying footage etc. So i would assume that that meant some editing of the tapes after teh fact wouldn't it?
So was there any plan ever to do anything with this footage?

I don't remember seeing much being done by the ex-memebers of teh band since I thought they got their rights backk. There was teh Live 81-82 lp and I think vinyl with free cd versions fo at least junkyard. Not sure if taht was actually from the band though.
Somebody said to me that it was a shame that the full length footage from the Brixton Ace hadn't been compiled somewhere. The 3 tracks that were on channel 4 originally and are now on the Pleasure Heads Must Burn dvd are awesome enough in themselves, if there is another half hour or whatever of taht stuff it would be great if they would officially release it.
Would be good if they did taht with this and any other footage too.

This show illustrates why not to lend Nick a jacket. I think he goes onstage with the suit jacket intact, within the first few tracks it's split at the armpit seam.
I think Ian Johnson says something in Bad Seed along the lines of people getting misshapen jackets back after lending them to him.

& Cave doesn't seem to have the greatest sense of balance. Can't get through a song without falling over tehn writhing around on the stage. & squatting in a near foetal position probably isn't the greatest position to sing from either is it? Don't think Tona De Brett would encourage it.

The Clinton Walker book Stranded which cover s teh Birthday Party, Moodists , Scientists etc etc i.e. the Australian turn of the 80s is reissued next week on February 26th according to Book Depository.
Been hoping to get to read that for the last decade possibly 2. & probably longer since I don't think I was actually aware of it per se but would have loved a book covering that area for another couple decades before that.

Revised and expanded I see .

https://rhythms.com.au/clinton-walkers-stranded-gets-reboot/

https://www.birthdaypartymovie.com/

Mutiny in Heaven-The Birthday Party doc, directed by Ian White is now out in the US a few theatres at a time. It's a warts and all doc with lots of live footage, behind the scenes clips, and voiceovers about their drug issues and differences as well as the music, books, art that brought them together and kept them inspired as the Boys Next Door and the Birthday Party from the late 70s to 1983.

Here's the trailer

https://www.youtube.com/watch?v=MhmSg9zUgFo

looking forward to seeing this!

Looks great, aside from the animations (all due respect to the animators, I just hate documentaries which think cartoons make it more interesting).

Saw an advance screener and they don't rely too much on the animation

good

I was cautious of the Sparks movie knowing it had animation in it, but it ended up being probably less than a minute.

The doc screened last night at the AFI Silver in Md near Washington DC, and will be there for one more screening the night of September 25.

My short preview of it for Washington City Paper got posted yesterday in their Fall Arts special

Saw the doc tonight - you can rent it on Amazon. All of the concert and recording footage is terrific - most of it I've never seen before. The animation is, well, there - I didn't think it was particularly special, but didn't distract. What I didn't care for at all was the fake film scratching/sepiatone whenever there's a talking head on screen. It's apparent that the filmmakers were using footage from different eras (Nick Cave suddenly has a mustache, now he doesn't) and use the fake effects to give it some uniformity but it just looked dumb. Similarly, there are segments where a song is playing with lyrics and notebooks animating along, but there's never a point where the camera just holds on them. If I saw this in a theater, I'd go crazy because you'll want to hit pause all the time. Also, subtitles are mandatory.

BTW, the Rowland S. Howard documentary (Autoluminscent) is also rentable on Amazon. That one is an absolute must see. (I'd see that one first actually)

i saw it at the cinema and loved it. it was a one off screening so was packed and there was an incredible atmosphere; a real electricity in the air. i'd highly recommend watching that way if possible.

and agree about the RSH one. essential.

thirded

if you don't want to give your money to Jeff fucking Bezos for making space penises, you could even rent it from the filmmakers:

https://vimeo.com/ondemand/autoluminescent

Oh sweet gonna buy that, last time I looked at their site they didn't have VOD options.

The RSH doc is also available on Vimeo
https://vimeo.com/ondemand/autoluminescent

(same link!) I don't know of any non Bezos source for the Birthday Party piece.

i saw this doc a few days ago also - agree there is some great footage - esp. the studio stuff - although by the 13th live sequence featuring nick cave writhing around on the floor i had checked out a bit

semi-agree re the excess of gfx treatment but would say overall the film-makers did a great job taking material from disparate sources and shaping it into a unified whole

to me it felt about 20 mins too long? which is ofc mainly a requirement of getting it to feature length - but also perhaps reflects that TBP story isn’t thaaat interesting? they have a great sound - were clearly an incredible live force - but they don’t develop much over their lifespan and kind of grind to an exhausted, drugfucked halt

they were clearly remarkable in that historical moment and the film does a good job of capturing that - you could show it to a teenager and they would get what made the band compelling (eg I don’t think the recentish Triffids doc achieved this) - but I am not sure it manages any wider resonance beyond this specific story (which ie I think the recent Crimson doco managed to do)

Haven’t seen the movie yet, but what always fascinated me about the BP’s development is that they’re the rare band got rawer and more unhinged and less subtle as they moved towards that final implosion.