John Maus

The forthcoming tour will allow for compare/contrast again there -- he was also talking about how he's looking forward to playing with Puro again, loved them at the SXSW shows they did.

yeah her face was all made up

Did you get to discuss the recording process, his working ways? And if you don't mind me asking, for which publication are you writing this interview?

Great record, kicking myself for not seeing him live when he played round here 6 months back.

just want to say that jacuzzi is a must see live imo

saw her years ago and she was rolling on the floor screaming in sparkly clothes while a bunch of strobe lights went off and now she has like a whole fuckin stage performance, like she is a real live performer

But she's just a cdr performer. I would've been happy to see her when she came to town a couple weeks ago, but they doubled the ticket price from $10 to $20 ($7 for preorders).

Also, it was dance music and nobody was dancing. Trite complaint, I know, but I felt a little like dancing at the time.

man I didn't even mention the prerecorded aspect of it because I've just seen so many performances like that and was so happy to see one that was good

but yeah you made the right call $20 is way too expensive for her

Did you get to discuss the recording process, his working ways? And if you don't mind me asking, for which publication are you writing this interview?

I did, and you'll find out more when the piece runs next week in the OC Weekly. :-D (In brief, it's very much an on the fly thing.)

Maus/Puro playing in LA when I'm in town, I think the Echo.

Great Ned! :-) Looking forward to it!

Yeah, that lineup's playing earlier that week in Costa Mesa (thus the story).

Meanwhile, interview up at the Quietus:

http://thequietus.com/articles/06499-john-maus-interview

Yeah, good album. Interviewing the guy tomorrow, anyone want me to ask him anything?

man do i regret not reading this thread last week! i didnt have the record until this wknd tho...

This is a great record, I want to write more but my thoughts are mostly about "degradation" plug-ins, mastering to VHS, "Is this chillwave and what does liking it say about a man" etc.

"Is this chillwave and what does liking it say about a man"

hope it says good things!

yeah this is the sorta record that tempts you into writing/saying a bunch of grandiose garbage about it, mb? it also feels like the sorta thing that i might be embarrassed about liking cuz its so pseud-friendly

my thoughts are mostly like: '...'

I'm kind of worried about attending to it in too much depth.

Would love to see him live.. there's a great YT of him doing 'Matter Of Fact' in Paris, he looks like he gets into it.

Absolutely not making any grand theoretical statements about it, but... it is undeniable that it is a fucking great record.

It is a great record! Also thx this record for alerting me to the existence of Molly Nilsson, since "Hey Moon" was the track to leap out at me on the first few listens.

That is the first one that jumped out at me, as well.
Molly Nilsson, eh? Any relation?

The grand theoretical statements about this record are wildly offputting.

Probably so (ditto Ford & Lopatin), but the record IS pretty great. As is, of course, the Ford & Lopatin thing.

Hooray my interview. (Euclidean thoughts? Not my headline!)

Nice piece, Ned! And you indeed get him to talk about what he sees as the "artist's process", the unveiling of artistic work.

It does read as if you could've written an article four times as long!

Hahah I could well have done. But wordcounts are wordcounts!

That's not a bad headline! I thought it was gonna be "The Maus That Floored...Me" or something like that.

Every interview I read with that guy he's so Tragic and Heavy I LOVE IT

He actually sounded pretty exuberant! If intense.

http://www.washingtonpost.com/blogs/click-track/post/in-concert-john-maus-at-black-cat/2011/07/06/gIQAInK50H_blog.html

Washington Post writer hates the live show
an excerpt:

A number of questions run through your mind during a John Maus concert.

What's he saying? Is he being serious? Is he okay? Isn't this a Kajagoogoo song? Who told that kid dancing up front that was an acceptable haircut?

But one question comes up more than any other — what's the point?

When Maus performs, as he did Tuesday at the Black Cat's backstage, it's like '80s karaoke night minus the hits — plus a hint of crazy. For 25 minutes the 31-year-old electronic music composer stalked the stage, leaped into the air, pulled his hair and howled along to his pre-recorded music that sounded like the third generation audio cassette dub of a long-forgotten new wave band. The way he shouted, flexed and bulged his eyes you half expected his skin to turn green and for him to transform into The Incredible Maus.

Sounds like a review of mid-2000s Ariel Pink

All week I've been planning on picking this up after wory today, but now that BNM is going to mean it'll be sold out if they didn't order enough copies. Thats really my only beef with Pitchfork.

I've been a little lukewarm on his stuff prior to this album, but "Cop Killer" and all the iTunes samples I've heard make this sound like pretty much the perfect fit for my ears in 2011.

I've never seen him live, but the pics at that Washington Post link are pretty hilarious.

(to be fair, there are tons of bands I love where live pics of them wouldn't do any justice to how intense the shows can actually be)

Hmm. Do people really have a problem with "Rights For Gays"? I'm surprised that people would write it off as a piss-take.

John's live show reminds me of the live shows of other people I know who also went to CalArts.

https://www.youtube.com/watch?v=wLpadyo9cFw

When I saw him last, his laptop was screwing up with the playback and he shook it and pounded it, in character, 'til it fixed itself. I love this guy.

Pfork article also singles out the gorgeous (imo) "Tenebrae" as a misstep.

Although I disagree with some people who see "Rights For Gays" and "Tenebrae" as missteps, or others who say "Cop Killer" or "Matter Of Fact" are missteps... there's something about John's ironic approach to lyric writing-- real, literate irony, the duality of meaning etc., not 'moustache on a trucker hat' irony-- that kind of makes these differences of opinion a non-issue? I mean, I feel like the unimpeachable pop hit "Believer" is in fact unsophisticated in comparison, but I am cool with the fact that somebody would prefer John Maus when he's singing about Jackie Chan instead of riskier stuff

0 stars in Slant

http://www.slantmagazine.com/music/review/john-maus-we-must-become-the-pitiless-censors-of-ourselves/2552

When I find nothing redeeming in 90% of an album's content I will usually, out of something like sportsmanship, at least entertain the hypothesis that I just didn't get it. In this case, I can't bring myself to care. There's obviously some kind of art-school mindfuckery afoot here, and I suspect that Maus aspires to some meta-theoretical point on the level of "But really, what is music anyway?" And maybe reality is just the hallucination of a five-dimensional computerized intelligence! Generous guy that I am, I'll concede that We Must Become the Pitiless Censors of Ourselves does, on some level, constitute music. Really shitty music.

I just...

There's obviously some kind of art-school mindfuckery afoot here I mean seriously, dude, what? How cynical must one have become to even think this is "obviously" what is going on? Critic in completely-not-getting-it and not-being-able-to-detect-earnestness-and-sincere-music-so-it-must-be-mindfuckery shocker...

What a piece of shit that review, gah. Can't get over it.

The "writer" weighs in in the comments there, saying: "Consider this a satire on an unlikely and undeserving cult hero."

Right.

Stopped reading at this piece of shit opinion: "The Walker Brothers produced little memorable music as a unit"

I know, so so wrong.

What a waste of bytes and time that review is, christ. It is unhealthily winding me up.

loved this dude last time I saw him

chillwave klaus kinski

i'm all about this album

http://pitchfork.com/tv/#/1/1730-john-maus/2784-live-at-glasslands/

I love this guy so much. Can't wait to see him live.

"I learned it from watching you!"

lol all those ppl suck too

xxp - I think our parents' generation went through it earlier on? This is like the hippies that became yuppies after getting older and making $$$, minus the making $$$ part, because some of these dudes still live in the same rent controlled apartments.

some people graduate but be still stupid

xp It’s hard to say because Bush won every age group (including the youngest voters) in ‘88, and the same with Regan (by a much wider margin) in ‘84. Anecdotally, the former-hippie Boomers I know who became Republicans didn’t do so until the early ‘90s, when they were in their early ’40s, and earning $$ wasn’t the driving factor (as that had already happened) as much as other cultural factors.

(Also keep in mind that white voters in every age group voted for Trump in both ‘16 and ‘20—it’s not like it’s some anomaly—but I don’t know how to account specifically for supposed non-Trumpers who went Trump only recently.)

(White millennials seem to have turned out even harder for Trump this year than last time; though CNN shifted their exit-poll age group brackets, so it’s not apples to apples.)

fun situation brewing in the vaporwave community thanks to this guy, apparently George Clanton invited him to headline Electronicon 4, which caused a big stir due to him being at J6 and donating a ton of money to Trump and just being an idiot in general, to the point where George uninvited him, which is now causing all these people to whine about safe spaces and cancel culture and what not, it's just a big dumb mess that could've easily been avoided

George deserves the benefit of the doubt on this imo and he ultimately did the right thing, but the dude can be tone deaf sometimes