Why is writing fun?

or do you think that's overkill?' I'd usually roll over and go back to sleep, and I really dug this girl. = or do you think that's overkill?" And I'd like to imagine I'd said "let's fuck instead, but ususally I'd roll over and go back to sleep, and I really dug this girl.

c) Listen! I doubt anybody can give characters voices completely from the atmosphere. Your experience = c) Listen! I doubt anybody can give characters voices completely from the atmosphere. Your experience is your greatest asset, far more so than your limited imagination.

Know a good editor/reader. Doesn't have to formally do it for a living but if you know someone who likes your work but isn't afraid to focus in on things and point them out to you, keep that person as your friend!

I hate actually writing unless it's easy, which it usually isn't. I love having written, though, because I'm not actually writing anymore then.

His brother Ron has been on the news in Chicago 4-EVAH.

If I'm writing to be read, I don't always enjoy the process, because I tend to be rather painstaking (too much, perhaps) -- reading and rereading what I've typed, slowly tweaking -- but most of the time I like what I'm able to come up with. I impress myself a lot. And it instills a certain pride in me that I rarely get elsewhere.

Don't write what you don't believe / like. This is an undergraduate plight. I can't tell you how many papers I grade by people who don't believe in the shit they spout. "Marx was right when he said .... " written by a blonde sorority chick from the OC who drives a Lexus with gold-tinted windows won't convince anybody.

Um, you fucking idiot. Was Marx poor? No. Could he manage to maintain a critical distance between his own circumstance, and that of an economic theory (with social repercussions?). Yes. Oh boy, it would've been fantastic to have papoers graded by a tutor who judged you not on the strength of your ideas, but the colour of your hair..
Dick.
Also, Maria, be careful about taking advice from writers. It's a product, not a process. respect those who've published widely, well, and made money from it; that's what writing as a profession is.

See, the funny thing is that Paul IS a professor.

I'm not exagerrating. Many of the most important writers (academic, literary) are not somehow "representative" of those they write about. In fiction it's called imagination, and in academia, it's called research.
Not bald, and I grade papers. I would fail yours, cos you're a dumb fuck.
Also: didn't claim that music that's good (necessarily) sells well; but most music writing that's good is popular for a reason. Grow up kid, and accept the fact that you've got a long way to go, and few excuses for that distance...

Basically, I have no patience.

And yes, I'm being a dick. I'm actually sorry. I get like this when I suspect somebody's talking down to me. Here's why: I expect I can speak freely about my observations on writing without being called-out as - and I'm quoting you here - "a fucking idiot" for announcing a personal demon: writing on a subject on which one doesn't really have a true considered opinion. Especially given my experience, writing successes, and own personal academic shading. In proper circumstances I'll namecheck any hip culture theorist/ movement from Adorno to Zhdanovshchinan dissidence, but I don't need to trot these out to justify my positions.

Disingenious discourse (meaing writing as a strictly intellectual exercise, currently the vogue of liberal-arts educations in middle-upper class US circumstances) is pointless, masturbatory, and the entire problem with contemporary academia. Professors who require binary or dichotomic response as 'thought exercise' or 'skillbuilding' or 'to test your knowledge' should be dragged into the street and shot for condescending cruelty. In direct contrast to your experience (with talented kids who are also trying really hard (and they're not all rich!), I find that the majority of all the papers I grade are written in a way which supports uncritically (or challenges cursorily, and vaguely) the professor's presumed position. There's no heart, spark, vibrance, or true thinking in most of them - which is absolutely in polarity with the stunning (if unrefined) creative prose I read. The cases which prove me wrong - academic papers strongly written and truly smart - are ALWAYS written by somebody who has a vested, outside, and extra-academic interest in the subject matter. Thus my post: write only what you care about. Dumb blonde OC girls - and I mean this as at type with whom we're both familiar - aren't only dumb, blonde, and lexus-driving. They can be poor, righteous, and and recovering metamphetamine addicts. Point is: they're writing cold and distant jargon to appease a machine, and with no connection to their individual person. This is, as far as I'd make a moral statement: wrong.

Also: I've never claimed to be a great mind (though I doubt I'm a dumb fuck) but the thought of being graded by a man who would lambaste a stranger without personal provocation as 'dick' and 'fucking idiot' for free expression of their ideas is hardly a model of academic integrity.

I have to say, as a non-writer, Jeremy's advice seems pretty sound to me. And he writes pretty well on this thread, even though it was all he could do to activate and reactivate testicular bravery on a thread of mine the other day. In any case, my background and training is in math and science and the nature of such writing is very different from writing in other contexts-the ideal of mathematics writing is the shorter (and more impersonal) the better. In order to write about any non-mathematical topic without sounding like a third-rate sci-fi writer I've had to relieve myself of the notion that everything has to adhere to the rigorous standards of a proof and, to protect myself from problems coming from the other direction, learn to write about what's interesting to me and what I know something about, as opposed to giving a pale imitation of what I think "the (imaginary/idealized) grader" wants to hear. In any case, at the risk of appearing disingenuous, I have to admit I still can't write for much longer stretches than what it takes to fill up one of the tiny message boxes on this board- I assume such stamina comes with practice of some of the good habits mentioned on this thread.

You so did.

And Ken L: NYU? That might explain something

Have you studied here? Do you know how hard I worked to get here from a tiny town in New Zealand by now? Sorry, I wish I had a sense of homour right now, but I bet you work womewhere that I can't add an "that explains something" so easily to, right?

Hahahahaha! (I actually kinda like John McWhorter, though!)

Er.. aside from that, currently wondering why is there such hostility here. That's kind of the mood I'm in after trying to work on a piece of academic writing - I've done so much of it, and it's just killing me how much I've come to dread and hate every aspect of the entire process.

and you don't like LOTR so yr. advice on writing is sorta suspect.

(http://denisdutton.com/rings.htm) !!

anyway the best part about (academic) writing is turning little bits of rage and chips on shoulders into lengthy and subtle arguments so well couched, defended and constructed that yr. huge irrational chip-on-the-shoulder about a particular piece of dickery passes for established and incontrovertible fact. mad props to the smug magisterial sweep of the masters of the grand old style in rhetoric. today's neo-cons are a pathetic, defensive, and shrill imitation of the classix!

I don't know what you're trying to say, Sterling, nor how to respond.

My favorite academe source would be "Thomas H. Benton" on the Chronicle of Higher Education's website, who's written columns on "thinking about grad school in the humanities? don't go!" and "Is grad school a cult?"

Really, trying to find a place where there wasn't one for me, in the academic world, has messed up my life on so many levels. It's nobody's fault that at this point writing research papers makes me want to stab myself in the eye. But there's something else, something about academe qua institution, that manages to take a bunch of people who I find, personally, to be brilliant, engaging, friendly, and great company and turning them into a collective in which grad students and adjuncts are treated like shit and almost everyone is working the flat-affect day in day out, because they're just plain miserable.

The only way to satisfy yourself that you really know the tricks of the trade, that you understand the occult secrets, is to do it yourself. All writers start out by making imitations of works they love or admire. Once they learn how to make good imitations, they know the first elements of the craft.

When you've found the ability to tinker words into nice shapes, fitting shapes for the purposes you have in mind, then you may or may not move on to the next stage, which is to couple your craft with your life, your thoughts, your substance, the ideas that give your life meaning.

You take these ideas and you clothe them in words. The words will be the right ones for the ideas. For example, if they are ugly, brutal ideas, they will take an ugly, brutal form - and there is a kind of beauty in that. It doesn't matter what you write, so long as you write of the ideas that speak to you in the words that do them justice. Lawyers write lawyerly words. Sadists write sadistic words. Comedians write funny words.

The 'fun' of writing is in the art of it. If the art of writing doesn't grab you as worth your while to learn and master, then go carve marionettes or chop cars or whatever it is that calls forth the same love and care and fascination in you. I just happen to love words.

See Paul, this makes me a little sad, to get back to what I saw the thread topic as (Fun in writing). You seem like someone who has as you say worked very hard to get where you are - and as an Aussie myself I can totally understand and respect what you've done.

I on the other hand only have a diploma in writing and editing (TAFE course), which I did in my mid 20s. I have never been to uni and wouldnt know an academic essay or how to write one if it up and slapped me. In fact I cant stand academic models of thought - I see the same stuff echoed all over, and it makes me cold and want to turn away with its lack of emotion and life.

I just like playing with evocativeness, with invoking moods in my readers, and hell it seems to work, from the responses I have had. I'd rather than than dry academe any day of the week, even though I make no money ad have no fame at all from the doodling I do.

augh

Writing is rewarding when you do it well, but it can only be fun if it incorporates an element of play. This sense of wordplay can and probably should come naturally, but it is often extinguished by the injection of strong ambition, competition for praise, and the imposition of editorial judgments about what is good, better or best. Someone who is under pressure to perform seldom feels that their task is full of fun.

For a shining example of writers having fun, see A thread where you commission a poem from ILE

Analytic writing makes me smile. It is a pleasure to compose sentences.
Creative writing makes me want to impale a fork in my skull.
― 57 7th (calstars), Tuesday, March 1, 2005 3:57 PM (fourteen years ago) bookmarkflaglink

otm

Writing is least fun when you've got an audience in mind.

I hear it helps if you imagine they are naked.

Erotica will never be my forte.

Not if you write children's books

xp

What about grotesquerie?

I like it when my pen makes the funny marks on the page. Oh, how it makes me laugh and sing to see the funny marks!

Then nakedness is only one eldritch state of many.

xp

Writing became more fun when I finally incorporated it into my daily routine. Once the initiatory act no longer required intentional effort and just became a thing I did regularly like eating or weeping in despair for a fallen world, I was able to forget about the more mechanical parts of the process and just, like, roll with it, baby.

(This is what makes my contributions to ILX so very, very chefkiss.jpg.)

the only good writing is posting

Pretty much. What did people even read before message borads existed?

Shredded Wheat nutritional panel is only good for maybe 2-3 close readings and then I'm out.

Try the romance copy on the opposite panel. Real tear jerker.

i think twitter has made me a better writer in some way. especially the 140 era (rip). not sure about ilx. my academic writing is strong relative to my peers and i take great pleasure in it; it’s a fun game to try to inject just the right amount of style while maintaining the dry tone and technical correctness

Writing became more fun when I finally incorporated it into my daily routine. Once the initiatory act no longer required intentional effort and just became a thing I did regularly like eating or weeping in despair for a fallen world, I was able to forget about the more mechanical parts of the process and just, like, roll with it, baby.

― Logy Psycho (Old Lunch), Friday, July 12, 2019 2:58 PM (yesterday) bookmarkflaglink

this is probably the biggest influence of ilx, in terms of writing. reading ive aped all my styles from you guys

Contemporary English's (acquired, not innate) tendency towards dryness and consummate transparency drives me up the wall, although it's a useful corrective when grafted onto other, less cost-effective languages.

I like rite gud

“Writing is like the life of a glacier; one eternal grind” - my man John Muir

Def

Muir's livelihood was grounded in the money he earned from his writing, mostly for periodicals. Hence, the eternal grind.