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Basically, though, I still believe they should release "Where the Devil Don't Stay" as a single, and relieve people of the burden of having to buy the whole album.

chuck, Monday, 21 June 2004 14:31 (fourteen years ago) Permalink

I wanted them to be Skynyrd (or at least try to be Skynyrd

the key line

CeCe Peniston (Anthony Miccio), Monday, 21 June 2004 14:41 (fourteen years ago) Permalink

Ballads < Rockstuff.

Je4nne ƒury (Jeanne Fury), Monday, 21 June 2004 14:49 (fourteen years ago) Permalink

you can have both, esp. when you accept that the band's not gonna play "freebird."

CeCe Peniston (Anthony Miccio), Monday, 21 June 2004 14:53 (fourteen years ago) Permalink

though that's a ballad too! heck, my fave skynyrd is "Simple Man"!

CeCe Peniston (Anthony Miccio), Monday, 21 June 2004 14:54 (fourteen years ago) Permalink

*Southern Rock Opera* DID have both rockstuff and ballads. But at least the ballads on that album rocked. (As do "Free Bird" and "Simple Man" and "Tuesday's Gone" etc.) The problem with DBT is that they've almost entirely given up on rocking. THEY'RE the one who chose one style over the other, not me. (Their best song is still "Zip City," as far as I'm concerned, by the way.)

chuck, Monday, 21 June 2004 15:07 (fourteen years ago) Permalink

I'm pretty saddened by the idea of a rock-free DBT album, I'll admit.

CeCe Peniston (Anthony Miccio), Monday, 21 June 2004 15:13 (fourteen years ago) Permalink

Frankly I wish they'd drop one element of Lynyrdism and not have a third songwriter. Neither Rob Malone or Jason Isbell ever did much for me.

CeCe Peniston (Anthony Miccio), Monday, 21 June 2004 15:14 (fourteen years ago) Permalink

third guitarist/songwriter, I mean.

CeCe Peniston (Anthony Miccio), Monday, 21 June 2004 15:14 (fourteen years ago) Permalink

"Their best song is still "Zip City," as far as I'm concerned, by the way."

I'll agree with this. Ah well, can't really argue with Chuck on this until I gets me a copy of Dirty South myself.

And I really like Isbell BTW, I thought his two contributions to Decoration Day were among the best on the album, and at least when I saw it performed live, I thought "Danko/Manuel" was absolutely haunting.

I can see Chuck's point about pandering as far the Dixie Chicks are concerned b/c that song did seem specifically geared to orient themselves in the "don't make 'em like they usedta" camp, but I don't see it with "Carl Perkins' Cadillac" - I mean, that's what the song's about, y'know? It doesn't seem to me to be contrived in the least, certainly it is a "history lesson" and maybe that's a bore for some, but I don't see it as pandering at all.

Funny you mentioned "Long Time Gone" Chuck b/c I referenced that song in my Stylus review of Gretchen Wilson today, how she's big-upping Bocephus while the Chicks prefer Hank Sr.

Josh Love (screamapillar), Monday, 21 June 2004 15:50 (fourteen years ago) Permalink

CeCe you're crazy dude, Isbell is a FANTASTIC songwriter

roger adultery (roger adultery), Monday, 21 June 2004 20:51 (fourteen years ago) Permalink

he's definitely better than Rob Malone, but his doesn't really get to me like Hood and Cooley's best do.

CeCe Peniston (Anthony Miccio), Monday, 21 June 2004 20:55 (fourteen years ago) Permalink

>>I don't see it with "Carl Perkins' Cadillac" - I mean, that's what the song's about, y'know? It doesn't seem to me to be contrived in the least, certainly it is a "history lesson" and maybe that's a bore for some<<

I might not think the history lesson was such a bore if it was, say, "Michael Murphey's Cadillac, actually -- which would be way more clever, too, given Geronimo's and all. (Plus, the Kentucky Headhunters did a better song about Carl Perkins on a way better Southern Rock/country album LAST year. And it was easily one of the lesser songs on *that* album.)

chuck, Monday, 21 June 2004 21:57 (fourteen years ago) Permalink

yeah, the new album is pretty sparkless and a lot more jammy, which is OK but I wish they'd get out of their torpor. I liked that on Decoration Day they were obviously pissed off at the world/fucked in life; they wrote great songs from it. this time they seem to have said, "Let's get looser on this one," and they did, but they're so much better when they're both at once.

Matos W.K. (M Matos), Monday, 21 June 2004 22:19 (fourteen years ago) Permalink

Do any of you have any idea why I can't find DBT CDs in Japan? I can find pretty much anything here, but DBT's label or seems to have no Japanese distributer or something (I really have no idea how it works).

Debito (Debito), Tuesday, 22 June 2004 02:19 (fourteen years ago) Permalink

two months pass...
Man I really love this album. Only a smidge less than Decoration Day, but liking this one more with every listen. Fucking Isbell, man. "Danko / Manuel" and "Goddam Lonely Love." Met him the other night (on my birthday!) and he was really nice (they all are)

I honestly can't remember the last time I was actually excited to meet a band - comes with the territory of being a rock journo I guess

Anyway, I wholeheartedly disagree with chuck upthread - and if you miss the lighthearted stuff, well, there's two songs about Walking Tall, fer chrissakes!! What do you want?? What's more lighthearted than Walking goddamm Tall? :)

roger adultery (roger adultery), Friday, 10 September 2004 15:41 (fourteen years ago) Permalink

I keep listening to this and I can sort of hear the criticisms about the music being a little slack but these have got to be some of the angriest songs on earth right about now. The voices just keep grabbing at me.

They were on Conan last night and they did an Isbell song I think. How old is that kid? His lyrics are just too much. So well written and so fucking defiant. He was all dressed up and looked like an American Idol contestant singing about his sort of fucked up/backwoods life and how he doesn't (or can't, I guess) give a shit. It was pretty perfect.

He knows his southern writers I guess.

danh (danh), Friday, 17 September 2004 15:03 (fourteen years ago) Permalink

It's awesome. i reviewed it and am still kicking myself for not giving it enough love. isbell really has it. he's about 25 - older then you'd think, still carrying the puppy fat.

god, i love them truckers.

Peter Watts (peterw), Friday, 17 September 2004 15:14 (fourteen years ago) Permalink

so which should be my first album? Decoration Day?

gabbneb (gabbneb), Friday, 17 September 2004 15:17 (fourteen years ago) Permalink

it's the best i reckon, but southern rock opera is more immediate. pizza deliverance is a blast, but less, er, authored.

Peter Watts (peterw), Friday, 17 September 2004 15:19 (fourteen years ago) Permalink

I wasn't planning on buying this (if Chuck's review was otm I knew how painful the experience would be), but the three mp3s on their site are terrific. Maybe the rest is too slow but those three had great hooks and the kind of guitar interplay I die for. I'll get it today and I feel like a shmuck for waiting this long.

(judging from the song samples I heard on Northern State's site he's dead on about that album though)

manthony m1cc1o (Anthony Miccio), Friday, 17 September 2004 15:31 (fourteen years ago) Permalink

fell asleep to this last night on conan, but i was beat, i'm interested though

kephm, Friday, 17 September 2004 15:40 (fourteen years ago) Permalink

Those aren't even the best songs on the record.

danh (danh), Friday, 17 September 2004 15:50 (fourteen years ago) Permalink

I really want to hear a Jason solo album. Cooley too.

roger adultery (roger adultery), Friday, 17 September 2004 15:51 (fourteen years ago) Permalink

Seeing them tonight in NYC!

57 7th (calstars), Friday, 17 September 2004 16:00 (fourteen years ago) Permalink

(And here's to an Isbell solo record, that would be great).

57 7th (calstars), Friday, 17 September 2004 16:01 (fourteen years ago) Permalink

57, you'll have a blast. It was easily one of the best shows I've ever seen (and the best I've seen them, as well) - get there early and stand in front, stage right, in front of Shonna and Cooley.

you are PSYCHED my friend.

I wish I was seeing them tonight, but I hafta wait until the 9th

roger adultery (roger adultery), Friday, 17 September 2004 16:06 (fourteen years ago) Permalink

I'll be there too. I haven't been this excited to see a band in a while.

danh (danh), Friday, 17 September 2004 16:26 (fourteen years ago) Permalink

There's an Isbell solo album on the way. I was visiting family in North Carolina this August and had the distinct pleasure of wandering in a dive bar where Isbell was playing a solo show. He played a couple trucker songs but mostly solo stuff, and it all seemed pretty damn great, so we've got that to look forward to.

stephen morris (stephen morris), Friday, 17 September 2004 17:28 (fourteen years ago) Permalink

How tragically, atypically, nay, uniquely fos re DS both CE and Matos are! Chuck, who has a big, big love for Brooks and Dunn (who are to Hall and Oates as the Eagles mostly were to prime Byrds: a harmony group who can't sing), and Montgomery Gentry, who have their moments, buts, especially on new album, but are too often, as on "Hell Yeah" doing *exactly* the kind of pandering and namedropping deplored aboove, and doing it ineptly(a Skyn-de-facto-homage band with hookless, uncatchy, tuneless singles? Please! Although "You Do Your Thing" is a great Ah-know-Ah'm-gon'-dah-for-another-fucked-cause anthem/unthem, as Ronnie Van Zant and Randy Newman and the Truckers mist be coverting rat now. Toby is no doubt pissed, as always). So don't think he always gets it right, anymore than I do, or MG does, the Truckers do. All of their albums are uneven. (Haven't heard GANGSTABILLY,nor the Adam's house Cat tracks PH reportedly carries around on his hard drive, but n.d. have their poo-spots). All that I've heard are also well worth hearing.(Listen before you buy if possible, as with everything by everybody.)DIRTY SOUTH has a few problem areas (mostly PH's whinier vocals and lyrics, but also "Carl Perkins' Cadillac"), but at least 10 damn-good-to-near-greats, the latter mostly but not always courtesy of Jason; 10 out of 14, fifty-something worthy minutes out of seventy(and rocks a bit more than equally worthy DECORATION DAY). Peace all, yall.

Don Allred, Wednesday, 22 September 2004 01:18 (fourteen years ago) Permalink

I STILL haven't heard Dirty South (I know -- it's an f'n crime.), but I love SRO and DD equally, but for different reasons.

Southern Rock Opera rocks beautifully, which is hard to find sometimes. Some of Hood's stuff on that is incredible. The thing I like most about it, though, is that it really captures the Skynyrd soul AND mythology .. the whole "heroes that nobody gathered were heroes that die in a fiery crash ... only to be seen as heroes posthumously" narrative. The music even reflects that, and the whole thing turns weirdly meditative. Boom.

With Decoration Day, I was expecting more of said channeling, which made that record shocking when I first heard it. As Matos points out, the weariness drips all through it but so does this call for transcendence -- "Rock and well means well but it can't help telling young boys lies ... don;t call what your wearing an outfit." Isbell's songs sum up the whole record's theme, love your neighbor even if your neighbor is fucked up. It's one of the smartest rock records in ages. Hmmm, y'all.

The intelligence with DBT is scary. So point is, I bet I'll dig the new one when I catch up ...

Chris O., Wednesday, 22 September 2004 01:46 (fourteen years ago) Permalink

I bet you will too

roger adultery (roger adultery), Wednesday, 22 September 2004 03:02 (fourteen years ago) Permalink

Sorry about the typos. Yeah, I wouldn't say SRO is even "good" pandering, because unlike any pandering, it doesn't settle for button-pushing (although I could live with out the one about rock as a"factory", which is kinda true, but they don't find or seem to look for a way to to twist the cliche). They have a knack for getting me to think again about stuff I take for granted, living in the South (nad more and more I see that "South" is their lens for the cussedness of all human nature). Still wish they could be funny again, and they really need to write about the trickiness of race rlations/attitudes; has any white Southern songwriter gotten beyond platitudes and other readymade aspects?? Van Zandt did some like "The Walls of Raiford" that *implied* a plight that cut across race-lines, but his "Ballad of Curtis Loew" was disappointingly sentimental.Though, in terms of open sympathy with/praise of a black nan, he sent a message (as George Wallace liked to say), to certain other lawnhar Johnny Rebs (like David Allen Coe).

Don A, Wednesday, 22 September 2004 05:10 (fourteen years ago) Permalink

i love me some townes but i'd rather listen to David Allen Coe in most situations

roger adultery (roger adultery), Wednesday, 22 September 2004 05:36 (fourteen years ago) Permalink

yeah DAC can be great; I've written about him at and, but he also more than panders to racheds at times, in some club appeaances and on certain disgusting bootlegs i didn't know about when writing. Might've busted him then, but even now wonder if I'm not giving too much free advertising by even mentioning. Just another ahole problem.

Don A, Wednesday, 22 September 2004 06:13 (fourteen years ago) Permalink

Man I wanted to write this tomorrow but I'm not going to be able to sleep if I don't get this out. I've been listening to this album all day and I think that rathat than Lynyrd I think the two touchstones that people (ESPECIALLY Chuck) should be thinking of when listening to The Dirty South are John Mellencamp and Neil Young & Crazy Horse. What isn't Mellencamp (spec. "Rain On The Scarecrow")about "Putting People On The Moon" is Crazy Horse. And what isn't Crazy Horse about "Joe Perkins' Cadillac" is Mellencamp.

Caveat: Do not listen to the Buford Pusser trilogy ever again. They think the answer to Walking Tall is to try and glorify the other side of the coin, when really they should be talking about how BOTH sides are fucked up. Plus "Cottonseed" is indeed terminable and worthless. The whole thing fucks with the real point of this album, which is to express their politics the same way Decoration Day expressed their personal relationships and Southern Rock Opera expressed their sense of identity. And their politics are far too nice guy (liberals who believe in learning from your elders - it's kinda Field Of Dreams, kinda hey hey Neil Young and the Coog) for them to convincingly come off as southern mafiosos. Tracks 8-10 simply do not exist. Kogan does that shit all the time, right?

They're definitely becoming more comfortable with their verbosity, which is making their songwriting less anthemic than it was back in the day. I think they're making up for this with SOUND. Cut out the Pusser trilogy and I think this album actually has more swing than Decoration Day, but again, in a Crazy Horse kinda way. I was scared by Chuck's initial review, but Isbell's songs are much less staid here. I don't think he's the second coming and he is way too alt-country for the flashtastic, but they do shuffle now. Cooley's pretty cornpone too (while your at it never listen to "Daddy's Cup" again either, it's right after the trilogy) but when the band's behind him he's certainly got more sense than the Coog did back on "Justice & Independence '85."

Oh and it took me a while to figure out why I loved "Tornadoes" so much and the answer is that it sounds a hell of a lot like Big Star's "Kanga Roo."

If this album was just tracks 1-7 and 12-14 I think this would be my favorite DBT album. But hey, I have almost every Crazy Horse album and only a cheap Lynyrd comp.

manthony m1cc1o (Anthony Miccio), Sunday, 26 September 2004 06:36 (fourteen years ago) Permalink

Another thing: when trying to explain my fondness for Wilco I tell people that I think Jeff Tweedy is what Neil Young would be like if he was starting out after the concepts of culthood and punk were engrained in rock culture. If it wasn't for the sense of stardom he achieved with Springfield, Harvest, and CSNY as well as a child of the '50s sense of rock as redemption, I think Young would probably shirk into sound and abstraction more frequently. Where Wilco just implies that, Isbell's "Danko/Manuel" actually acknowledges that schism between the '60s and today nakedly. Neil can sing "Rock'n'roll is here to stay" and Isbell sings "just another thing to not believe in."

manthony m1cc1o (Anthony Miccio), Sunday, 26 September 2004 06:41 (fourteen years ago) Permalink

oh and haha Isbell's always kind of out of sync with Cooley and Patterson as to what the album's theme is. Isbell's singing about poppa on Decoration Day even though they already covered that on SRO. Now he's singing about "Goddamn Lonely Love" cuz he's still one step behind.

manthony m1cc1o (Anthony Miccio), Sunday, 26 September 2004 06:43 (fourteen years ago) Permalink

Rat on, Manthony! "Comfortable with their verbosity" in *deed*: this is mostly Patterson's prob though, and not just cause he's most prolific. Jason's singing about just one more thing not to believe in reminds me of Lennon's anthem re/to all the things he daosn't believe in, on his greatest (prob only great) solo alb ever, leading hm to 'just believe in you." More than one way to inspiration, as Jason's songs prove too. Another DBT influence, mostly Patterson's, for better and worse, seems to be the Eagles. They did have their moments, most of 'em on ON THE BORDER, but DBT's never as *sanctimoniously* malicious as the Eagles: if he wants to ill, he just does it. His present whine does remind me of theirs though. Yeah, burn the best (the most), ditch the rest, as they'd prob approve, and if they don't screw 'em.

Don, Sunday, 26 September 2004 12:38 (fourteen years ago) Permalink

while trying to sleep I threw on Decoration Day and if any album should be throwing Chuck into an "OMG my boogie band is going ALT-COUNTRY!" snit it should be that one. The production's flatter, more ballads and twang and since his stuff doesn't move its harder to ignore Isbell's bump-on-a-log historical references. But again (this is key) you cannot listen to tracks 8-11 ever again.

They're supposedly sending a video for "Don't Ever Change" to CMT, and Isbell is now "the face" of the band they're gonna try to push on country markets. You wouldn't have guessed that back on Day.

Oh and just in case SOMEBODY wants to quibble, what isn't Kenny Aaronoff about Brad Morgan is Ralph Molina.

manthony m1cc1o (Anthony Miccio), Sunday, 26 September 2004 14:40 (fourteen years ago) Permalink

two weeks pass...
They sure kicked ass in Nashville last night, as usual. They played for THREE HOURS! Managed to hang out with them again afterward, too.

roger adultery (roger adultery), Sunday, 10 October 2004 18:36 (fourteen years ago) Permalink

Did you get in town early enough to see the in-store at Grimey's? I almost got off my ass and went to that, but football prevailed.

Johnny Fever (johnny fever), Sunday, 10 October 2004 18:47 (fourteen years ago) Permalink

no - didn't even know about that!!

Jason's solo album will be out in the Spring - psyched!

Johnny, can you still get me some Adam's House Cat stuff?

roger adultery (roger adultery), Sunday, 10 October 2004 19:21 (fourteen years ago) Permalink

I talked to my friend Corey about it. He had to go to some kind of work seminar in Florida this week, but he said he's sending me a cd-r when he gets back. It's coming, my friend.

Johnny Fever (johnny fever), Sunday, 10 October 2004 19:27 (fourteen years ago) Permalink

you're the man. lemme know what you need in return!

roger adultery (roger adultery), Sunday, 10 October 2004 19:58 (fourteen years ago) Permalink

one year passes...
Dirty South kind of kicks Decoration Day all over the place, no? This is killing me tonight.

dan. (dan.), Sunday, 12 February 2006 03:18 (twelve years ago) Permalink

from the country thread, for whatever it's worth:

New Drive By Truckers album, due April 25, sounds...dreary. Surprise, surprise. Only 11 songs, which I commend, but it still kinda drags on and on. I do find myself not reacting negatively to the sort of songs where the guitars and the high-voiced guy (which one is that? I can never keep them straight) goosh out a nice steady stream of Neil Young and Crazy Horse beauty; there are at least two and a half of those (I think, though don't quote me on this, "Goodbye," "Blessing and a Curse," and about half of "A World of Hurt," the other half of which is a sort of monolouge worthy of, I dunno, early Nada Surf or middle King Missile or some other mid '90s alt novelty rock artistes I've forgotten who used to recite deadpan prose over their singing.) The one track I actually actively LIKE is "Aftermath USA", a blatant Stones rip about (hi Shooter) waking up after a chemically fucked-up night to a trashed apartment with crystal meth in the tub and the kids haven't been to school for weeks. Which makes me not feel so bad about my own kid missing school Friday 'cause he said he had a cold.
-- xhuxk (xedd...), January 17th, 2006.

>worthy of, I dunno, early Nada Surf or middle King Missile<
Both of whom, at least when they recited prose about popular kids and detachable penises, were probably funnier. So no, really probably NOT worthy. (Not that funniness is all I care about. And it does occur to me that titles like "Aftermath USA" and "A World Of Hurt" might mean this CD's supposed to be about current events or something, somehow.)
-- xhuxk (xedd...), January 17th, 2006.

So the high-voiced Drive By Trucker is Patterson Hood, right? At least that's what Xgau tells me. Only place on the new one where his Neil Young and Crazy Horse beauty really hits a dust-storm of paydirt, to my ears, is "A Blessing and A Curse." I've decided not to vouch for "Goodbye," which he might not even sing, or "A World Of Hurt." "Daylight" seems to be an awful attempt at Radiohead (via My Morning Jacket?) style nothingness; "Wednesday" is rote bland alt-country; "Space City" another bore. "Gravity's Gone" is a passable second Stones rip (also mentions coke I think -- actually, seems to be about some sort of high-fallutin schmooze party), but not nearly up to the level of "Aftermath USA," probably the only great cut on here (though I reserve the right to change my mind about any of this).
-- xhuxk (xedd...), January 17th, 2006.

xhuxk, Sunday, 12 February 2006 03:38 (twelve years ago) Permalink

I love the new album. Love it. Hood's never sounded better, and Isbell's songs are fantastic.

a. begrand (a begrand), Sunday, 12 February 2006 05:02 (twelve years ago) Permalink

It's funny I guess but all of the criticisms of drearyness directed at Dirty South seem more appropriate in talking about Decoration Day. I kind of heard Dirty South as way more intense and angry and slow burning, following up what was almost a folk record with a couple of clunky rockers that really didn't rock.

dan. (dan.), Monday, 13 February 2006 03:41 (twelve years ago) Permalink

Their best song is still "Zip City," as far as I'm concerned, by the way.

This may very well still be true. Though upon review I seem to have left it off my POX, which perplexes me.

Cooley remains my go-to guy, though they all have their moments.

"Don't know why I put up with his shit
When you don't put out
And Zip City's so far away...

I got 350 heads on a 305 engin
I get ten miles to the gallon
I ain't got no good intentions."

Hood remains the heart and soul and all, but it's mostly Cooley and Isbell who get me right here...*

*("Angels and Fuselage" excepted)

rogermexico (rogermexico), Monday, 13 February 2006 04:10 (twelve years ago) Permalink

just covered The KKK Took My Baby Away!

Josh in Chicago, Friday, 21 July 2017 01:35 (one year ago) Permalink

Best tracks of their last LP: "Ramon Casiano" (another biting Cooley song), "Surrender Under Protest", "Guns Of Umpqua" and "Ever South".

Gerald McBoing-Boing, Friday, 21 July 2017 02:13 (one year ago) Permalink

three months pass...

Wow, just heard that awesome brand new song they snuck out. Called The Perilous Night, and it is without question the most political thing they've written to date. Calls out Trump by name, and so on. Hood on point.

Incidentally heard it in tandem with a new Neil Young protest song, Already Great, which sounded pretty awesome too.

Josh in Chicago, Sunday, 12 November 2017 18:19 (one year ago) Permalink

Josh in Chicago, Sunday, 12 November 2017 19:31 (one year ago) Permalink

Not into the political stuff. Not why I listen to DBT.

calstars, Sunday, 12 November 2017 22:23 (one year ago) Permalink

Weird. They've always been pretty political!

Josh in Chicago, Sunday, 12 November 2017 22:53 (one year ago) Permalink

Dad drunk and Amex

calstars, Sunday, 12 November 2017 23:21 (one year ago) Permalink

It's okay. And every song by every act is political. Breathing clean air is a political act.

morning wood truancy (Alfred, Lord Sotosyn), Sunday, 12 November 2017 23:27 (one year ago) Permalink

Women Without ILX

calstars, Monday, 13 November 2017 00:04 (one year ago) Permalink

Angels and SNA

calstars, Monday, 13 November 2017 00:08 (one year ago) Permalink

Wow, the enthusiasm is overwhelming.

Seriously, if this is not why you listen to the Drive-By Truckers, then I guess I don't know why any of you listen to the Drive-By Truckers.

And every song by every act is political.

Oh, come on.

Josh in Chicago, Monday, 13 November 2017 00:22 (one year ago) Permalink

I think they've always been political, but in the new song they name names.

I love the DBTs even though their work is very disciplined and rarely exciting. I'm seeing them live in Feb and also seeing Cooley and Hood's local solo shows.

Randall Jarrell (dandydonweiner), Monday, 13 November 2017 02:05 (one year ago) Permalink

If you're gay, every love song is political.

This song is topical.

morning wood truancy (Alfred, Lord Sotosyn), Monday, 13 November 2017 02:11 (one year ago) Permalink

I thought the political songs on the last album were great but this one’s pretty awful. Boring music, super on the nose lyrics.

louise ck (milo z), Tuesday, 14 November 2017 04:17 (one year ago) Permalink

This is fucking awful. I can just sense that my opinion is in some way regressive or rockist or whatever, but so be it. I wouldn't run screaming from a room where this was being played, but who could actually get into this

ur-oik (rip van wanko), Tuesday, 14 November 2017 05:23 (one year ago) Permalink

God knows we need something from music right now, but it's not a cringey, ham fisted explication of a sensible if obvious POV, set to pubrock

ur-oik (rip van wanko), Tuesday, 14 November 2017 05:40 (one year ago) Permalink

truly sorry for the triple dip, but I do want to say I love the exultant defiant The High Road by Isbell, which deals just as directly with this administration. I guess it's because the message is, transcend it instead of griping about it or wallowing in it. TPN's message is more suited to an op-ed or blog post imo

ur-oik (rip van wanko), Tuesday, 14 November 2017 05:48 (one year ago) Permalink

Into the Perilous Night: An Essay by Patterson Hood

fact checking cuz, Wednesday, 15 November 2017 22:41 (one year ago) Permalink

I mostly like the riff and the faster than usual tempo. I also like Hood in righteous mode.

Josh in Chicago, Wednesday, 15 November 2017 23:04 (one year ago) Permalink

xpost that's a great essay, I love his honesty.

Josh in Chicago, Wednesday, 15 November 2017 23:16 (one year ago) Permalink

He's a fantastic writer.

kornrulez6969, Thursday, 16 November 2017 02:17 (one year ago) Permalink

three weeks pass...

Something about the wrinkle in your forehead
Tells me there’s a fit about to be thrown
If we get the van out of the ditch before the morning
Ain’t nobody gotta know about what I’ve done

calstars, Saturday, 9 December 2017 04:27 (one year ago) Permalink

three months pass...

As good as I have ever seen them tonight, and I've seen them a lot!

Josh in Chicago, Saturday, 7 April 2018 03:23 (eight months ago) Permalink

five months pass...

They just released an album by Hood/ Cooley’s 80s band Adam’s House Cat, with re-recorded vocals. It is excellent as usual. If you haven’t heard it yet, definitely check it out.

kornrulez6969, Monday, 24 September 2018 00:18 (two months ago) Permalink

Saw them again last night, playing a truncated set at a beer fest. Great as usual, if shorter than usual. Hold Steady opened!

Josh in Chicago, Monday, 24 September 2018 02:16 (two months ago) Permalink

I was so worried the Adam's House Cat album would sound like some alt-era reject, but it actually sounds like a lost '80s Amerindie classic.

Josh in Chicago, Wednesday, 26 September 2018 11:54 (two months ago) Permalink

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