Der Nacht der Seele (1979)Very similar in mood and sound to "Brüder" but with shorter, more concentrated tracks and more use of vocals. Some pieces, such as “Mit Händen, mit Füssen”, are as beautiful as anything in the Popol Vuh catalogue, others are more Gothic. Some quite odd percussion pieces too. Another good album and another short one too! 8/10
Sei still wisse ICH BIN (1981)Probably the most idiosyncratic Popol Vuh album of them all and one of the best. Soundtrack to Fricke’s extremely odd “film” of the same name (sometimes also called “Sinai Desert”) The mantra-like chanting and extreme repetition that Fricke had been exploring in more and more detail finds its ultimate expression on this truly unique album. Using the choir of the Bavarian State Opera, Fricke builds dense and rather unsettling walls of vocals over thundering, thumping percussion and Fichelscher’s pleasingly primitive guitar or else strips the music right down to simple modal melodies. Pretty special. 9/10
Fitzcarraldo (1982)Not an album I actually own, but given that all of the Popol Vuh music on it (there’s also some opera on here) is from previous albums, owning it would be somewhat redundant. One thing to note is that, once again, some of the music heard in the film isn’t on the soundtrack, specifically: a sequence which uses, “Singet, denn der Gesang vertreibt die Wölfe”, which is actually from “Herz aus Glas” (though not actually in the “Heart of Glass” film – told you it was confusing!)
Agape-Agape (1983)OK, eclectic sort of album, which picks up on various threads from the previous four or five albums. Unfortunately, the re-recording of old pieces starts in earnest on this album and you wonder why they bothered following this course. The other problem I find with this album is simply that it isn’t as well produced as previous albums. But this has good things on it – the title track for instance while “Why Do I Still Sleep” is hypnotic to the max. Nice to see Conny Veit back after an absence of ten years! 7/10
Spirit of Peace (1985)Just four tracks on this. The opening chant, “We Know About the Need” can be heard in a Werner Herzog documentary about Reinhold Messner. The title track is part two of a three part piano suite which is worth hearing in its entirety, if you can track it down – shows the hitherto unsuspected influence of Keith Jarrett IMO. “Song of Earth” is the old “Agnus Dei” tune (used previously in various PV albums) rearranged for choir and acoustic guitar – 8 whole minutes which is either extremely boring or extremely hypnotic or (more likely) somewhere between the two. The 17½ minute “Take the Tention High” (sic) seems to be striving for a similar feel to “Brüder des Schattens” but lacks dynamics and is simply TOO repetitive. 6/10
Cobra Verde (1987)Extremely obscure but surprisingly good soundtrack (probably better than Herzog’s self-parodic film deserved) – the last good Popol Vuh album in fact. For the first time in fifteen years, Fricke makes extended use of electronics, namely the synclavier keyboard. This is used to create a series of ominous drone pieces and to provide a subtle orchestral-like backing to the utterly beautiful “Ha’mut, bis dass die Nacht mit Ruh’ und Stille kommt”. The title track is a reworking of “Mit Händen, mit Füssen” done in full Gregorian chant mode. Worth picking up if you can find it – though that is extremely unlikely! 7/10
For Me and You (1991)This is the later Guido Hieronymous-guided Popol Vuh which means: some music which has nothing to do with Popol Vuh as we know and love them; some pointless re-workings of old material; some good stuff where Fricke and Fichelscher seem more involved. The stand out here is the four-part “Om Mani Padme Hum” which is built around Fricke’s piano and Renate Knaup’s voice, which can only be a good thing. Part 4 is especially exquisite. 5/10
City Raga (who cares?)Played this once I think – didn’t hear enough of Popol Vuh on this to play it again. No rating therefore.
― Dadaismus, Saturday, 22 March 2003 13:02 (fifteen years ago) Permalink
Definitely the title track is the standout on this one, for me--has a Native American feel. I am still trying to figure out if they are chanting the poem on the back of the CD, with the "gully gully ram sam" or whatever.
― Joe (Joe), Saturday, 22 March 2003 14:43 (fifteen years ago) Permalink
― jl, Sunday, 23 March 2003 00:23 (fifteen years ago) Permalink
BTW if anybody reading this owns Crispy Ambulance's Plateau Phase and the Nosferatu soundtrack, can you confirm that the CA track "Simon's Ghost" is a direct ripoff of the opening theme from Nosferatu? I don't have the soundtrack (and in fact don't know if this theme made it to the soundtrack as per Dadaismus' caveats) but saw the movie again recently, then shortly after that listened to the CA disc and noted the extreme similarity. on Plateau Phase the piece is credited to the group.
― Mr. Diamond (diamond), Sunday, 23 March 2003 00:34 (fifteen years ago) Permalink
I'm not finished yet!
ALSO OF NOTEGila – Bury My Heart at Wounded Knee (1973)Gila was Conny Veit’s band before joining Popol Vuh, their first album (with a different line-up) is apparently quite psychedelic and spacey but this particular album is of special note because it’s basically Popol Vuh: but playing Conny Veit's songs as opposed to Florian Fricke's. Not surprisingly this sounds a bit like the Popol Vuh of this period (1973-75): melodic rock with folk and classical elements and with not enough progginess to render it unpalatable to the discerning listener - but not as GOOD as Popol Vuh of course! One of the problems is that it's some kind of concept album about the plight of the Native American - cue po-faced and awkward lyrics and vocals delivered with a Teutonic over-earnestness which spills over into (unintentional) comedy at times. Nice lush piano throughout from the late great Florian, Danny Fichelscher drums as athletically as ever, Conny plays nice guitar.
ADDITIONAL FILM WORKAs you may have noticed Florian Fricke’s music is often used in the films of Werner Herzog and it’s hard to imagine one without the other (just how many faux-naif mystics are there in Bavaria exactly?) As I confessed at the beginning of this marathon, I don’t have all Popol Vuh’s albums and I certainly haven’t seen all of Werner Herzog’s films so there may be some films which use Popol Vuh’s music which I’m unaware of.
Lebenszeichen (Signs of Life) (director: Werner Herzog, 1968)I confess I haven’t seen this, Werner Herzog’s first feature film. I do know however that Florian Fricke appears in it as “a pianist”, some years before Popol Vuh too!
Auch Zwerge haben klein angefangen (Even Dwarfs Started Small) (director: Werner Herzog, 1970) Truly one of the strangest films you’ll ever see. This is supposed to have some Florian Fricke music on the soundtrack, but I must admit not to noticing it.
Die Grosse Ekstase die Bildschnitzers Steiner (The Great Ecstasy of the Woodcarver Steiner) (director: Werner Herzog, 1973)This is a typically idiosyncratic Herzog documentary on the Swiss show jumper, Walter Steiner. Features some lovely Popol Vuh music, music which I’ve yet to hear on any album – damn it!
Jeder für sich und Gott gegen alle (The Enigma of Kaspar Hauser) (director: Werner Herzog, 1974)Florian Fricke has a brief but striking role in this wonderful Herzog film. He plays a blind pianist called Florian (what else!), who is first seen playing (and singing – sort of!) a version of “Agnus Dei” (see numerous Popol Vuh albums) for the foundling Kaspar Hauser and his guardian (and looking very Beethoven-like in the process). He pops up again at the end of the film, in Kaspar’s deathbed scene, where he stares rather disconcertingly into space while humming “Agnus Dei”!
Sei still wisse ICH BIN (director: Florian Fricke, 1981)Not really a film (though shot on film) and not really a video (though resembling one in form). This is the visual accompaniment to the album of the same name (and vice versa). Shot entirely in the Sinai Desert, this largely consists of Herzog-like poetic landscapes, sometimes empty and sometimes peopled by mysterious figures in white robes: walking, standing on mountainsides or in large circles. The figures are following “The Prophet”, a Jesus-like figure who, bizarrely, is played by a woman with a false beard (60’s fashion model, Veruschka)! (Actually, now I come to think of it, it would have been even more bizarre if it had been a woman with a REAL beard). If you think Herzog’s films are slow and uneventful wait till you see THIS!
― Dadaismus, Monday, 24 March 2003 14:05 (fifteen years ago) Permalink
Thanks for the link to the Florian Fricke interview. I admit that Guido Hieronymous doesn’t appear to be Florian’s son – I’d always assumed that he’d allowed Mr. Hieronymous the latitude to ruin latter day Popol Vuh out of some kind of fatherly indulgence. Also fascinated to discover that Esther Ofarim was almost the vocalist on “Hosianna Mantra”, at about the same time that her husband was (mis)managing Can! It is stated that this is the first known interview in English with Florian Fricke – this isn’t true, I came across an interview with FF in a old copy of Sounds (UK music weekly – now defunct) which dated from 1978-79, the interview was with Sandy Robertson.
I would also recommend seeking out “Herzog on Herzog” (edited by Paul Cronin, published by Faber), a series of interviews with Werner Herzog which contains interesting info on Florian Fricke – including a practical joke played by him on the apparently notoriously gullible Herzog. Actually, I would recommend it in any case as an insight into Herzog who is a truly amazing man, even if he hasn’t made a decent feature film in years. Delighted to discover that Herzog, in the grand tradition of German intellectuals and film auteurs (see Fassbinder), was a more than useful footballer (that’s proper football not the musclebound rubbish which goes under that name in the USA).
― Dadaismus, Monday, 24 March 2003 14:08 (fifteen years ago) Permalink
A friend who I haven't seen in years had this brit electronic 'zine from the early eighties, which contained a FF interview. t was wierd, in that the interviewer had obtained FF's phone no. from somewhere, & called him up on spec. Fricke's response was, like, I don't do interviews, and where did you get my number from anyway!!?? But, seeing as I'm here, i'll answer a couple of questions. I can't remember much except for the bit about him selling the big Moog to Klaus S, and FF being slightly disparaging abt KS' musick "nice music for supermarkets" is how I remember he put it. Great stuff Dadaismus, anyway.
― Pashmina (Pashmina), Monday, 24 March 2003 15:48 (fifteen years ago) Permalink
Don't hear much difference in sound if they were remastered (doubt it), but the packaging at least is way superior to Spalax (plus, it's nice to have Digipaks rather than standard jewel case).Can't wait for them to do Letzte Tage - Letzte Naechte and the others...
― Joe (Joe), Saturday, 19 June 2004 01:26 (fourteen years ago) Permalink
Actually, listening to the title crack of Aguirre right now, and I can hear the vinyl clicks. Jees, and they licensed this from Fricke's family, too! Guess the original tapes are long gone...
― Joe (Joe), Saturday, 19 June 2004 02:07 (fourteen years ago) Permalink
― el sabor de gene (yournullfame), Saturday, 19 June 2004 05:56 (fourteen years ago) Permalink
I believe they are. Bounus tracks?!??!?
― Dadaismus (Dada), Saturday, 19 June 2004 14:28 (fourteen years ago) Permalink
Disappointing if that is true, especially since as it is their albums are already pretty notorious for shuffling around (or re-recording) the same music on different albums.
― Joe (Joe), Saturday, 19 June 2004 21:59 (fourteen years ago) Permalink
i've seen just about all of herzog's films at least once. 'signs of life' is really pretty good. i had no idea that florian was in 'kaspar hauser', and that he's in some of my favorite scenes in that film. the guy who plays kaspar hauser, bruno s., is also in another of herzog's called 'stroszek' which is pretty good too.
― urker, Saturday, 19 June 2004 22:45 (fourteen years ago) Permalink
In Kaspar, Fricke looks uncannily Beethoven-like, as if he had stepped right out of the Romantic era...
― Joe (Joe), Saturday, 19 June 2004 23:01 (fourteen years ago) Permalink
― Dadaismus (Dada), Tuesday, 22 June 2004 01:41 (fourteen years ago) Permalink
― John 2, Saturday, 17 July 2004 18:41 (fourteen years ago) Permalink
AffenstundeAgape/AgapeEinsjäger und SiebenjägerHosianna MantraAguirre
They are very good, and I A/B-ed them with my Spalax issues, and the new ones sound a bit (though noticeably) better - more "open" sounding, perhaps. some of them are vinyl transfers by the sound of it. Pretty well done, though not as good as the transfer on High Tide's "Sea Shanties, for example. They all come in little gatefold cardboard sleeves w/a little booklet. It appears that there are only 2 booklets, going on the ones I have - one for the regular albums, one for the soundtracks. Some of the blurb in the booklets is OK, but it's a little unsatisfying in some way. There are some good pictures, including a few I hadn't seen before. the bonus tracks are generally good, though the one on "agiurre" sounds suspiciously like one of the regular album tracks with a sampled ethnicky percussion loop overlayed, which sucks. The extras on "Einsjaeger..." are the best, 2 little pieces in the Hoheleid Salomos/Letze Tage..." style, IE more of the same, but bore of this same = more of what I want. I am REALLY looking forward to picking up "Das Hoheleid Salomos", "Letzte Tage Letzte Nacht" and "Der Nacht der Seele", because they are my favourites. I'm also interested to hear what's on "Cobra Verde" because I remember there being tow different versions of this when it came out.
I found myself getting faintly annoyed at how little Danny Fischelsher got mentioned in the blurb. That seems unfair somehow.
It would be good if they also issued "Bury My Heart at Wounded Knee"
― Pashmina (Pashmina), Thursday, 6 January 2005 13:00 (thirteen years ago) Permalink
― Pashmina (Pashmina), Thursday, 6 January 2005 13:02 (thirteen years ago) Permalink
― Dadaismus (Dada), Thursday, 6 January 2005 13:04 (thirteen years ago) Permalink
I should also point out that all the reissues I bought have the proper dynamics, IE they haven't been loudness-maximised. Honestly, I was so relieved about this that I had a lump in my throat! (true!)
A little while ago, I also picked up the reissue of "shepherd's Symphony" (or whatever it's called) from the same series. It's really bad.
Also Also Also!!! ! I tried to play my CD of "For You and Me" the other night, and it had self-destructed!! All the metal foil had come away from the plastic disc!
― Pashmina (Pashmina), Thursday, 6 January 2005 13:12 (thirteen years ago) Permalink
― Dadaismus (Dada), Thursday, 6 January 2005 13:15 (thirteen years ago) Permalink
― Pashmina (Pashmina), Thursday, 6 January 2005 13:18 (thirteen years ago) Permalink
― Dadaismus (Dada), Thursday, 6 January 2005 13:21 (thirteen years ago) Permalink
― Pashmina (Pashmina), Monday, 7 February 2005 13:00 (thirteen years ago) Permalink
been listening to Nosferatu a lot recently. I would rate that one much higher than dadaismus does, but I rate the spare minimal electronics much higher, and think they balance out the other lovely band parts... actually I'd even say it's a good place to start for the atmospheric side of the band. With Letzte Tage, letzte Nächte being a good place to start for the transcendental heavy rock side.
― (Jon L), Monday, 7 February 2005 20:54 (thirteen years ago) Permalink
― Dominique (dleone), Friday, 25 March 2005 21:55 (thirteen years ago) Permalink
― Dadrock, Meshach and Abednego (Dada), Friday, 8 April 2005 11:30 (thirteen years ago) Permalink
― Joe (Joe), Friday, 8 April 2005 14:29 (thirteen years ago) Permalink
― Baaderonixx cancels each other out (Fabfunk), Wednesday, 20 July 2005 12:19 (thirteen years ago) Permalink
seriously, dadaismus' pocket reviews up there are gold, though Nosferatu & Aguirre are two of my absolute favorites precisely because they mix the electronic & rock sides of the band so well, some people don't like the minimal moog solos
― milton parker (Jon L), Wednesday, 20 July 2005 17:36 (thirteen years ago) Permalink
i haven't heard that much of their stuff, tho.
― Ian John50n (orion), Wednesday, 20 July 2005 17:41 (thirteen years ago) Permalink
― Ô¿Ô (eman), Wednesday, 20 July 2005 22:26 (thirteen years ago) Permalink
― Joe (Joe), Thursday, 21 July 2005 00:42 (thirteen years ago) Permalink
and I'd like to second Florian's appearance in Kaspar Hauser. Heartbreaking. Kaspar listens to Florian play the piano, never having experienced art and music and it's power before, and says something along the lines of "why does my heart feel so heavy?"
― Dan Selzer (Dan Selzer), Thursday, 21 July 2005 03:01 (thirteen years ago) Permalink
― SoHoLa (SoHoLa), Thursday, 21 July 2005 13:16 (thirteen years ago) Permalink
― Baaderonixx cancels each other out (Fabfunk), Friday, 22 July 2005 13:06 (thirteen years ago) Permalink
so i'm listening to the first in the list, aguirre, on headphones and... WTF THERE ARE LOUD VINYL POPS ALL OVER THIS BITCH!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
i don't even want to listen to the others now. all i can think about is the money i shelled out for SHITTY VINYL TO CD TRANSFERS.
― amon (eman), Tuesday, 23 August 2005 01:09 (thirteen years ago) Permalink
― amon (eman), Tuesday, 23 August 2005 01:24 (thirteen years ago) Permalink
― Diddyismus the Blind (of Alexandria) (Dada), Tuesday, 23 August 2005 11:54 (thirteen years ago) Permalink
i'm really amazed at how good these albums are. and i've only got about half of them. apparently when you line all the cds up the spines will form an image which i believe is the same one of fricke on the back cover. the repetitive booklets seem kind of lazy but whatever.
anyone notice how Black Dice sound like "Affenstunde"?
― amon (eman), Tuesday, 23 August 2005 12:55 (thirteen years ago) Permalink
― Baaderonixx on a long black leash (Fabfunk), Tuesday, 23 August 2005 13:30 (thirteen years ago) Permalink
― Dadaismus (Dada), Tuesday, 23 August 2005 13:32 (thirteen years ago) Permalink
― amon (eman), Wednesday, 24 August 2005 01:04 (thirteen years ago) Permalink
the music for both films is credited to Fricke. and it's easily possible to imagine this piece made by Popol Vuh, although it doesn't sound quite like anything else I've heard by them. could it be the piece is by someone else? (if so, ideas please?!) however, similar chords seem to sound in some more Vuh-like music that appears later in Steiner - so maybe it's just an intro to a longer piece.
due to the number of comments all around (check internet) about unreleased Herzog Popol Vuh, I'm guessing the same piece struck a chord with others...
― Paul (scifisoul), Saturday, 18 March 2006 05:24 (twelve years ago) Permalink
― Joe (Joe), Saturday, 18 March 2006 17:54 (twelve years ago) Permalink
1. "Selig sind, die da hungern Selig sind, die da dürsten nach GerechtigkeitJa, sie sollen satt werden." 5:59
2. "Tanz der Chassidim" 3:12
3. "Selig sind, die da hier weinenJa, sie sollen später lachen." 5:07 4. "Selig sind, die da willig arm sindJa, ihrer ist das Himmelreich." 3:10
5. "Selig sind, die da Leid tragenJa, sie sollen getröstet werden." 3:39
6. "Selig sind die SanfmütigenJa, sie werden einst die Erde erben." 2:30
7. "Selig sind, die da reinen Herzens sindJa, sie sollen Gott schauen." 2:33
8. "Ja, sie sollen Gottes Kinder heissenAgnus dei, Agnus dei." 2:39
― o -- (eman), Saturday, 18 March 2006 19:32 (twelve years ago) Permalink
― Joe (Joe), Saturday, 18 March 2006 20:12 (twelve years ago) Permalink
"YOGA is an unauthorized release. Some Indian musicians visited me in my studio, and somebody else took the tapes and sold them under the name of Popol Vuh, but it had nothing to do with Popol Vuh, really. I'm playing harmonium and organ. I think it was released in Italy."
Florian Fricke, interview on Eurock.com
― o -- (eman), Saturday, 18 March 2006 21:26 (twelve years ago) Permalink
― Pangolino 2, Monday, 17 April 2006 23:25 (twelve years ago) Permalink
― pssst - badass revolutionary art! (plsmith), Monday, 17 April 2006 23:31 (twelve years ago) Permalink
i still haven't been able to find that interview that used to be on youtube -- the one where fichelscher is basically talking to the camera and he tells the story of how he brought his bongos to a music festival as a teen and joined amon duul II. it was the closest i have come to learning more about the popol vuh history/sound/process than i have found anywhere else and i can't find it!
one thing that stuck with me was when he picked up his guitar and just started noodling a little -- that's when i realized that what i loved about PV was at least 50% (prob more) fichelscher.
― weird woman in a bar (La Lechera), Wednesday, 4 July 2018 13:48 (five months ago) Permalink
is that the one where he's shirtless and the interview pauses so he can go get cigarettes?
― com rad erry red flag (f. hazel), Wednesday, 4 July 2018 15:35 (five months ago) Permalink
Yes, he's absolutely not what you might expect someone in Popol Vuh to be like, he's a kind of rock 'n' roll dude.
― Alan Alba (Tom D.), Wednesday, 4 July 2018 15:38 (five months ago) Permalink
I was telling someone about that DF interview / monologue recently and trawled back through this thread to find out when it first appeared. I think he must have taken it down himself? Dude needs to get a memoir out there IIRC.
Is he still playing with ADII?
― Absolute Unit Delta Plus (Noel Emits), Wednesday, 4 July 2018 15:40 (five months ago) Permalink
last i heard he was still playing with ADII -- i have a google alert for him so i am aware of any developments and i can't say much has come through
i would like to meet/converse with him more than any other living person of that place/time (now that Jaki is gone :( ) would also enjoy a convo with irmin but i do have the can book so that's something
the info on fichelscher is so scanty -- i want him to know that there are people out here who care! so he can spill while he is still with us!
― weird woman in a bar (La Lechera), Thursday, 5 July 2018 02:50 (five months ago) Permalink
Where is he living? If I find myself in Berlin this Christmas I'll look for him
― com rad erry red flag (f. hazel), Thursday, 5 July 2018 03:07 (five months ago) Permalink
he must live somewhere in europe -- i know ADII has toured around europe and played festivals and whatnot but i don't think they have made an appearance in the states/this continent that i am aware oflook him up! send him to me!
― weird woman in a bar (La Lechera), Thursday, 5 July 2018 03:12 (five months ago) Permalink
I'm sure he's not that old btw, I think he was a teenager when he joined ADII, so hopefully he'll be with us for a while yet.
― Alan Alba (Tom D.), Thursday, 5 July 2018 07:02 (five months ago) Permalink
He started young:
― Alan Alba (Tom D.), Thursday, 5 July 2018 07:06 (five months ago) Permalink
listen folks no one lives forever and i have been on this quest for some time
― weird woman in a bar (La Lechera), Thursday, 5 July 2018 12:29 (five months ago) Permalink
― Ich bin kein Berliner (alex in mainhattan), Wednesday, 11 July 2018 15:16 (five months ago) Permalink
How can that be Berlin? The grass is cut.
― Evan, Wednesday, 11 July 2018 15:23 (five months ago) Permalink
why am I wasting my life in America sitting inside, wearing vests with shirts under them?
― com rad erry red flag (f. hazel), Wednesday, 11 July 2018 15:39 (five months ago) Permalink
Actually I suppose that is the Englischer Garten in Munich as afaik Amon Düül II are still located there. The next gig is the Finkenbach festival on August, 10th, so if you really want to see Danny, you should go there.Finkenbach is also called the Woodstock in the Odenwald. It is about one hour by car South of Frankfurt/Main.http://www.finki-festival.de/finki_programm.html
― Ich bin kein Berliner (alex in mainhattan), Wednesday, 11 July 2018 17:02 (five months ago) Permalink
gah! I'll be over there, but not until December probably. bet he'll be wearing a shirt then!
― com rad erry red flag (f. hazel), Wednesday, 11 July 2018 17:08 (five months ago) Permalink
Crazy name, crazy guy.
― Alan Alba (Tom D.), Wednesday, 11 July 2018 17:08 (five months ago) Permalink
it looks like he has about 6 arms in that photo!
i can't zip on over to munich until i get my passport renewed and i doubt that is going to happen with such short notice (it's not)
― weird woman in a bar (La Lechera), Wednesday, 11 July 2018 20:38 (five months ago) Permalink
what other of their stuff sounds like this? anything in particular
― global tetrahedron, Wednesday, 11 July 2018 21:20 (five months ago) Permalink
Well there's basically 18 minutes of that track on the second side of the "Spirit of Peace" album.
― Alan Alba (Tom D.), Wednesday, 11 July 2018 21:24 (five months ago) Permalink
love the sound of that
― global tetrahedron, Wednesday, 11 July 2018 21:27 (five months ago) Permalink
Also "Brüder des Schattens – Söhne des Lichts" and "Die Nacht der Seele" albums.
― Alan Alba (Tom D.), Wednesday, 11 July 2018 21:32 (five months ago) Permalink
also there's probably a lot of roy montgomery albums you would enjoy
― com rad erry red flag (f. hazel), Wednesday, 11 July 2018 21:47 (five months ago) Permalink
i’ve dabbled in him but didnt find anything i really loved right off the bat like this. i like the syncopated guitar parts and the trance-like feel. i’m all ears for recommendations though!
― global tetrahedron, Wednesday, 11 July 2018 22:23 (five months ago) Permalink
I think the music on side two of Spirit of Peace IS King Minos II
― com rad erry red flag (f. hazel), Thursday, 12 July 2018 00:10 (five months ago) Permalink
it definitely is- more layers and stuff obviously. love it
― global tetrahedron, Thursday, 12 July 2018 01:53 (five months ago) Permalink
Same track yes, if not the same recording, which is why putting it as a bonus track on "Einsjager" and calling it "King Minos II" makes no sense.
― Alan Alba (Tom D.), Thursday, 12 July 2018 07:48 (five months ago) Permalink